Relevant bibliographies by topics / Museu Eng

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Museu Eng'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Museu Eng"

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Giorgi, Andrea, Stefano Menicocci, Maurizio Forte, et al. "Virtual and Reality: A Neurophysiological Pilot Study of the Sarcophagus of the Spouses." Brain Sciences 13, no. 4 (2023): 635. http://dx.doi.org/10.3390/brainsci13040635.

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Art experience is not solely the observation of artistic objects, but great relevance is also placed on the environment in which the art experience takes place, often in museums and galleries. Interestingly, in the last few years, the introduction of some forms of virtual reality (VR) in museum contexts has been increasing. This has solicited enormous research interest in investigating any eventual differences between looking at the same artifact either in a real context (e.g. a museum) and in VR. To address such a target, a neuroaesthetic study was performed in which electroencephalography (E
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Siting, Zhao, Kishan Kishan, and Amiya Patanaik. "271 Sleep staging performance of a signal-agnostic cloud-based real-time sleep analytics platform." Sleep 44, Supplement_2 (2021): A108—A109. http://dx.doi.org/10.1093/sleep/zsab072.270.

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Abstract Introduction The coronavirus pandemic has brought unprecedented changes to the health care system, including sleep medicine. Remote monitoring and telemedicine played a significant role in this shift. We anticipate these changes to continue in the future with internet-connected wearables (ICWs) playing an important role in measuring and managing sleep remotely. As these ICWs measures a small subset of signals traditionally measured during polysomnography (PSG), manual sleep staging becomes non-trivial and sometimes impossible. The ability to do accurate and reliable automatic sleep st
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Rosso, Aluminé. "From the mass media museum to the social media museum: Investigating the museum space in the era of mobile devices." Punctum. International Journal of Semiotics 9, no. 2 (2023): 165–87. http://dx.doi.org/10.18680/hss.2023.0024.

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Eliseo Verón has defined the museum as a mass medium whose discourse is materialized through the body of the visitors: their spatial appropriations manifest not only the gap between the spatial proposal and its reception but also the bonds they establish with the institutions. Applying to the museum the notion proposed by Verón to refer to the bond between media and audience, these bonds crystallize different types of visiting contracts. Nowadays, the idea of a contract is central in visitors’ consolidation of the museum experience: it is no longer a matter of merely visiting exhibitions but o
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Witcomb, Andrea, and Alistair Patterson. "Collections without End." Museum Worlds 6, no. 1 (2018): 94–111. http://dx.doi.org/10.3167/armw.2018.060108.

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The discovery of five photographs in 2018 in the State Library of Western Australia led us to the existence of a forgotten private museum housing the collection of Captain Matthew McVicker Smyth in early-twentieth-century Perth. Captain Smyth was responsible for the selling of Nobel explosives used in the agriculture and mining industries. The museum contained mineral specimens in cases alongside extensive, aesthetically organized displays of Australian Aboriginal artifacts amid a wide variety of ornaments and decorative paintings. The museum reflects a moment in the history of colonialism tha
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Goodman, Nelson. "The End of the Museum?" Journal of Aesthetic Education 19, no. 2 (1985): 53. http://dx.doi.org/10.2307/3332464.

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Vatne, Ingrid. "Levendegørelse og publikumsdeltagelse." Peripeti 8, no. 15 (2011): 31–39. http://dx.doi.org/10.7146/peri.v8i15.108209.

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Based upon a comparative analysis of two dramatized tours, Lys i Mørket (eng.: Light, The Old Town open-air Museum, Denmark) and the Dungeon (Warwick Castle, England), Vatne discusses dramaturgical strategies in museum communication with a focus on how the visitor-participation contributes to the process of meaning.
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Swansborough, Susan. "The end of a geological era at Bristol." Geological Curator 4, no. 4 (1985): 215–16. http://dx.doi.org/10.55468/gc778.

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Forty-four years of combined geological expertise will soon be lost at the City of Bristol Museum and Art Gallery as the Curator of Geology, Dr Michael L.K. Curtis and the Assistant Curator, Dr Michael D. Crane, are both to leave the museum world for pastures new. In the small world of museum geologists in Britain, the almost simultaneous loss of both senior staff in a major museum can only be compared to the extinction of the dinosaurs!
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Martínez, Isabel M., Jonathan Peñalver, and Isabella Meneghel. "Take care of well-being: how facilitators and engagement predict performance of university students." Multidisciplinary Journal for Education, Social and Technological Sciences 3, no. 1 (2016): 100. http://dx.doi.org/10.4995/muse.2016.3751.

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<p>The interest in developing a high quality educational system requires constant research of the variables involved in the teaching-learning process. Among these variables, social and academic facilitators are important because there is empirical evidence about their positive relationship with engagement, commitment, self-efficacy, happiness and satisfaction in the academic context. Moreover, the psychological well-being of university students (i.e., engagement) showed to positively affect future academic success. In line, the aim of this study is twofold. First, the relevance of social
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Smith, Michelle. "Another Image of 'Community' at the South End Museum." Kronos 47, no. 1 (2021): 1–27. http://dx.doi.org/10.17159/2309-9585/2021/v47a4.

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This paper considers some of the curatorial devices used in exhibitions at the South End Museum in Gqeberha (formerly Port Elizabeth). The South End Museum, which opened on 3 March 2001, is modelled in several respects on the District Six Museum in Cape Town: it, too, is an urban-based, self-defined 'community museum' constituted around the histories of the apartheid Group Areas Act and the implementation of forced removals. Like many post-1994 museums in South Africa, the South End Museum relies on photographs for their displays, whilst also making use of maps, a mural and reenactment. The pa
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MARTINEZ, JUAN JOSÉ. "Taxonomic notes on the Evaniidae (Hymenoptera) described by J. Brèthes." Zootaxa 2315, no. 1 (2009): 47–50. http://dx.doi.org/10.11646/zootaxa.2315.1.5.

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The French-Argentine entomologist Jean Brèthes described many species, mainly in the insect orders Diptera and Hymenoptera, during the first three decades of the 20th century. Most of the specimens studied by Brèthes are housed at the Entomology Division of the Museo Argentino de Ciencias Naturales “Bernardino Rivadavia” in disparate states of preservation and curation. The statuses of many of Brèthes’s specimens labeled as types need to be ascertained (e.g., Quicke & Genise 1990), since Brèthes mislabeled many specimens and classified others under nomina nuda (personal observation). This,
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Dissertations / Theses on the topic "Museu Eng"

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Yassuda, Silvia Nathaly. "Documentação museológica : uma reflexão sobre o tratamento descritivo do objeto no Museu Paulista /." Marilia : [s.n.], 2009. http://hdl.handle.net/11449/93662.

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Orientador: Eduardo Ismael Murguia Marañon<br>Banca: Marília Xavier Cury<br>Banca: Telma Campanha de Carvalho Madio<br>Resumo: O museu é uma unidade de informação que pode apresentar variados tipos de suportes documentais, como os iconográficos, os tridimensionais e os bibliográficos. A documentação em museus trabalha com o tratamento informacional das coleções, desde o registro até a disseminação da informação, cabendo a ela gerir um sistema que atenda a demanda informacional de seu público. Neste sentido, apontamos a necessidade do uso das linguagens documentárias na construção de sistemas d
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Di, Gianni Tercio Pereira. "Negociação e convívio cultural : Museu Histórico da Sentinela Paulista, 1957-1972 /." Franca : [s.n.], 2008. http://hdl.handle.net/11449/103101.

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Resumo: Estudo do engajamento de parte da população local na formação do acervo e no processo de institucionalização e consolidação do Museu Histórico do Município de Franca, mediado por José Chiachiri entre 1957 e 1972, com recuo ao período de 1937 a 1940, quando lugares de memória e monumentos históricos foram valorizados sob impacto da visita de caravana da Bandeira. Identifica escolhas entre representações sociais da história local, como critério para avaliar sentido, significado e vestígios de unidade entre semióforos exibidos ao público, denominados de núcleos vetoriais de sentido. Relev
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Espírito, Santo Silvia Maria do. "O colecionador público documentalista : museu histórico e de ordem geral "Plínio Travassos dos Santos" de Ribeirão Preto /." Marília : [s.n.], 2009. http://hdl.handle.net/11449/100795.

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Orientador: Eduardo Ismael Murguia Marañon<br>Banca: Oswaldo Francisco de Almeida Júnior<br>Banca: Suely Moraes Ceravolo<br>Banca: Marília Cury Xavier<br>Banca: Maria Lúcia Lamonier<br>Resumo: A presente tese estuda os conteúdos do desenvolvimento das coleções e da documentação sobre a representação museológica do Oeste paulista (Oeste Paulista, 1948-1958) no Brasil. O trabalho também inclui a análise da personagem agenciadora no exemplo específico e o caso sobre o processo de criação do museu de história natural e oficial e sobre a economia do café. O contexto econômico e da cultura material,
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Grigoleto, Maira Cristina. "A documentação patrimonial : gênese e fluxo dos processos de tombamento do Museu "Prudente de Moraes"." Marília : [s.n.], 2009. http://hdl.handle.net/11449/93665.

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Orientador: Eduardo Ismael Murguia Marañon<br>Banca: Paulo César Garcez Marins<br>Banca: João Batista Ernesto de Moraes<br>Resumo: O presente trabalho parte de uma indagação inicial sobre a materialidade da informação. Com o intuito de desenvolver esta idéia, no caso específico da informação necessária para a patrimonialização de um bem, apresentamos uma discussão geral sobre a definição do patrimônio e as instituições que o legalizam. Num segundo momento, focamos nossa observação sobre uma interpretação do documento, no caso, do documento como coisa. Feitas essas considerações passamos a anal
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Guimarães, Janaína. "Biblioteca escolar e políticas públicas de incentivo à leitura : de museu de livro a espaço de saber e leitura /." Presidente Prudente : [s.n.], 2010. http://hdl.handle.net/11449/92236.

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Orientador: Cristiano Amaral Garboggini Di Giorgi<br>Banca: Célia Regina Delácio Fernandes<br>Banca: Renata Junqueira de Souza<br>Resumo: A biblioteca escolar é um espaço de grande potencial para o desenvolvimento de atividades relacionadas à leitura, o que contribui para despertar a criatividade e o senso crítico do aluno, sendo, portanto, um instrumento fundamental no processo de aprendizagem. Falar de biblioteca é falar de pesquisa, busca de informação, ampliação de conhecimentos e, consequentemente, leitura. A leitura é considerada um processo de elaboração e verificação de hipóteses que l
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Brusadin, Leandro Benedini. "A dinâmica do patrimônio cultural e o Museu da Inconfidência em Outro Preto (MG) /." Franca : [s.n.], 2011. http://hdl.handle.net/11449/103115.

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Orientador: Ida Lewkowicz<br>Banca: Maria do Carmo Pires<br>Banca: Tercio Pereira Di Gianni<br>Banca: Marisa Saenz Leme<br>Banca: Agnaldo de Sousa Barbosa<br>Resumo: O título proposto desta tese de doutoramento pretende enunciar que, através do estudo do Museu da Inconfidência, localizado em Ouro Preto - Minas Gerais, pode-se analisar a dinâmica do patrimônio cultural. Essa instituição museológica realiza uma reconstrução histórica baseada no poder simbólico dos mitos que lhe deram origem, por meio de uma tradição inventada, e ainda realçam o imaginário social que foi incorporado a uma memória
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Voltani, Cibele Gasparelo. "O acervo paleoictiológico do Aptiano-Albiano da Formação Santana (Bacia do Araripe), existente nas coleções do Museu de Paleontologia e Estratigrafia "Paulo Milton Barbosa Landim", DGA-IGCE UNESP Rio Claro /." Rio Claro : [s.n.], 2011. http://hdl.handle.net/11449/92920.

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Orientador: Reinaldo José Bertini<br>Coorientador: Paulo M. Machado Brito<br>Banca: Maria Rita Caetano Chang<br>Banca: Alexandre Magno Feitosa Sales<br>Resumo: A Bacia do Araripe é a maior estrutura bacinal interior do Nordeste brasileiro, com História Geológica apresentando registros desde a Era Paleozóica. Mas é do Cretáceo que vem sua notabilidade. O Membro Romualdo da Formação Santana é um autêntico lagerstätten, cujos fósseis estão magnificamente preservados e são muito diversos, especialmente entre os vertebrados. Entre estes estão descritos cerca de 30 morfótipos de peixes. Uma parte si
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Selli, Paula Hilst 1977. "Crianças, museus e formação de público em São Paulo /." São Paulo : [s.n.], 2011. http://hdl.handle.net/11449/86925.

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Orientador: Rejane Galvão Coutinho<br>Banca: Luiza Helena da Silva Christov<br>Banca: Denise Grinspum<br>Resumo: Esta pesquisa parte de uma investigação sobre a relação entre crianças e museus na cidade de São Paulo para, a partir dos dados coletados, refletir sobre o acesso a museus e instituições culturais e a formação de público. Participaram da pesquisa crianças com cerca de nove anos de idade de quatro diferentes escolas da cidade de São Paulo, representantes da rede pública e particular. O instrumento de pesquisa envolveu um jogo, uma roda de conversa e um desenho. A partir das respostas
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Albuquerque, Ana Cristina de. "A classificação de documentos fotográficos : um estudo em arquivos, bibliotecas e museus /." Marília : [s.n.], 2012. http://hdl.handle.net/11449/103378.

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Orientador: Telma Campanha de Carvalho Madio<br>Banca: Maria Leandra Bizello<br>Banca: Solange Ferraz de Lima<br>Banca: Carlos Alberto Àvila de Araújo<br>Banca: João Batista Ernesto de Moraes<br>Resumo: O documento fotográfico, através de processos de tratamento tanto de seus elementos formais quanto temáticos, torna-se uma importante fonte de pesquisa, representando uma possibilidade de conhecer diferentes realidades socioculturais. O contexto onde se inserem e a ordem que lhes é dada podem influenciar no entendimento e uso de seus atributos e foi essa tensão o que procuramos apreender no âmb
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Thomson, Katherine J. M. "The art museum at the end of art, Arthur C. Danto's Philosophy of art and its implications for the posthistorical museum." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0010/MQ31259.pdf.

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Books on the topic "Museu Eng"

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Museu Eng. António de Almeida. Museu Eng. António de Almeida: Mobiliário e têxteis, ourivesaria, relojoaria e bronzes dourados, porcelanas, pintura, desenho e gravura. Fundação Eng. António de Almeida, 1999.

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Museu Eng. António de Almeida. Catálogo da colecção numismática =: A catalogue of the numismatic collection. Fundação Eng. António de Almeida, 1994.

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Tàpies, Fundació Antoni, ed. Els limíts del museu =: The end(s) of the museum. Fundació Antoni Tàpies, 1996.

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Giraudo, Victoria. Malba C-32: Sucursal : La Ene : Nuevo Museo energia de Arte contemporaneo = New Museum energy of contemporary art. Fundación Eduardo F. Costantini, 2015.

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Dierking, Lynn D. Questioning assumptions: An introduction to front-end studies in museums. Association of Science-Technology Centers, 1998.

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Tupan, H. R. De ene verzamelaar is de andere niet. Provinciaal Museum van Drenthe, 1986.

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Ferguson, Linda. Australian environments exhibition: Front-end evaluation and audience research report. Evaluation Unit, Australian Museum, 1996.

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Chiaramonti, Museo. Museo Chiaramonti. W. de Gruyter, 1995.

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van, Campenhout Nico, and Daele Rik van 1962-, eds. Van academie tot museum: Een bundel studies n.a.v. het eeuwfeest van het Stedelijk Museum van Lokeren. Uitgeverij Marc Van De Wiele in opdracht van de stad Lokeren, 1996.

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New York. The essential art of African textiles: Design without end. Metropolitan Museum of Art, 2008.

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Book chapters on the topic "Museu Eng"

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Fuchsgruber, Lukas. "Dead End or Way Out?" In Edition Museum. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-007.

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This paper presents issues from critical research on AI in general and attempts to apply these criticisms to the museum sector. AI projects in museums should critically document the use of these algorithms, the use of labour, datasets, and industrial technologies, and how they assess the impact of these facts on their methodology. Secondly, the text shifts the focus to digital collaboration in producing and applying training data. The existing power alliance between museums and the digital industry can be confronted by linking digital art history and social questions-thus necessitating collabo
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Müller, Katja, and Karoline Noack. "Einleitung: Digitalisierung ethnologischer Sammlungen - Herausforderungen und Chancen." In Edition Museum. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839457900-002.

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Katja Müller und Karoline Noack stellen in diesem Beitrag die Besonderheiten von Digitalisierung in ethnologischen Sammlungen und Museen dar. Sie zeigen, dass in deutschen Sammlungen Digitalisierung eng mit Provenienzforschung und Dekolonialisierung verbunden ist.
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Russell, Frieda. "Das Fundament bröckelt." In Edition Museum. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839457900-007.

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Frieda Russell untersucht in ihrem Beitrag, welche Rolle traditionelle Wertkategorien im Museum wie Authentizität und Materialität im Zeitalter der Digitalisierung spielen. Sie beschreibt das Verständnis von materiellem Kulturerbe als Zeitzeugen als eng verwachsen mit der musealen Institutionsgeschichte. Diese kanonisierte Erzählung wird durch die Geschichte der Technologienutzung durch Museen problematisiert. Frieda Russell zeigt auf, dass bis heute Technologie allzu oft durch Museumsschaffende und Museologen allzu oft als Mittel zum Zweck behandelt wird. Sie ruft daher zu einem verstärkten B
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Coffee, Kevin. "Disrupting Museum Practice." In The End of the Museum. Routledge, 2025. https://doi.org/10.4324/9781003491354-6.

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Banzi, Annalisa. "An End That Is a Beginning." In The Brain-Friendly Museum. Routledge, 2022. http://dx.doi.org/10.4324/9781003304531-14.

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Tesar, Heinz. "Essl Museum." In Bau[t]en für die Künste. Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-211-99148-0_34.

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Ebner, Peter, and Franziska Ullmann. "Heldenberg Museum." In Bau[t]en für die Künste. Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-211-99148-0_37.

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Hochmeister, Wolfgang. "Museum Ferrum Ybbsitz." In Bau[t]en für die Künste. Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-211-99148-0_46.

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Lottersberger, Christoph, Richard Messner, and Mario Dumpelnik. "Arnulf Rainer Museum." In Bau[t]en für die Künste. Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-211-99148-0_47.

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Jabornegg, Christian, and András Pálffy. "Museum Stift Altenburg." In Bau[t]en für die Künste. Springer Vienna, 2010. http://dx.doi.org/10.1007/978-3-211-99148-0_51.

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Conference papers on the topic "Museu Eng"

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Hassan, Ali, Shonda Bernadin, Muhammad Fasih Waheed, and Hezekiah Destinoble. "EEG-Based Brain-Computer Interface for Actuating Car Commands using the MUSE Headband." In SoutheastCon 2025. IEEE, 2025. https://doi.org/10.1109/southeastcon56624.2025.10971512.

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Putra, Boy Isma, Sri Gunani Partiwi, and Adithya Sudiarno. "Overcoming Sleep Inertia Through Jazz Music on Night Shift Workers Using the MUSE S-Portable EEG Headband." In 2024 IEEE Technology & Engineering Management Conference - Asia Pacific (TEMSCON-ASPAC). IEEE, 2024. https://doi.org/10.1109/temscon-aspac62480.2024.11024635.

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Artero Flores, Javier. "A SALA DOS VIAJANTES. Una cápsula del tiempo en el museo de ciencias." In VI Congreso Internacional de Investigación en Artes Visuales ANIAV 2024. Editorial Universitat Politècnica de València, 2024. http://dx.doi.org/10.4995/aniav2024.2024.17853.

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Esta comunicación analiza la exposición A SALA DOS VIAJANTES (2023), una propuesta de instalación site-specific para el Museu Nacional de História Natural e da Ciência da Universidade de Lisboa. El proyecto surge del cruce de los fondos de este museo con la Colección de Instrumentación Científica de la Universidad de Granada. Para ello se plantean una serie de desplazamientos entre la ciencia y la ficción. Maquinaria científica obsoleta como microscopios electrónicos de barrido, pantallas de rayos catódicos o antiguas diapositivas de tejidos permiten generar una suerte de cápsula del tiempo qu
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Dahl Termens, Silvia. "Un Laboratorio de expertos en fotografía naval del Museu Marítim de Barcelona." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6743.

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Colecciones fotográficas sobre el mar El Museu Marítim de Barcelona custodia más de 270.000 fotografías[i] especializadas en el mar. La rica variedad temática implica cierta complejidad en el momento de la documentación. El conocimiento del artefacto fotográfico (técnica, procesos), y también la especialización en la temática son imprescindibles para documentar las colecciones. La necesidad de aprender Los trabajos de documentación en la fotografía naval son apasionantes. Requieren unos conocimientos adquiridos con los años, fruto de la observación de miles de fotografías, leyendo de fuentes e
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Orozco Varela, Luis Pablo, Mariana Blanco Ortiz, Gustavo Campos Fonseca, María Cubillo González, and Javier Nuñez Marín. "El Museo Dialoga: el museo y la sociedad en comunicación crítica." In Congreso CIMED - II Congreso Internacional de Museos y Estrategias Digitales. Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/cimed22.2022.15643.

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El Museo Dialoga: el museo y la sociedad en comunicación crítica. Autores: MSc. Luis Pablo Orozco Varela[1] Sra. Mariana Blanco Ortiz[2] Sr. Gustavo Campos Fonseca[3] Sra. María Cubillo González[4] Sr. Javier Nuñez Marín[5]. Resumen La ponencia consiste en compartir y analizar en profundidad el quehacer comunicativo del Museo de Cultura Popular de la Escuela de Historia de la Universidad Nacional de Costa Rica, específicamente a partir de la iniciativa de diálogo virtual denominada “#elmuseodialoga”, la cual ha potencializado la presencia del museo en las redes sociales académicas y ha contrib
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Chin, Irene. "Le Corbusier’s Musée à croissance illimitée: A Limitless Diagram for Museology." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.584.

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Abstract: “Let us imagine a true museum, one that contained everything, one that could present a complete picture after the passage of time, after the destruction by time…” This paper considers La Musée à croissance illimitée, an unrealized proposal from 1939 by Le Corbusier in which a series of galleries elevated on pilotis and organized about a square courtyard would extend – infinitely. The paper unfolds as an analysis of the museum and its relationship to history and time, structured by the form of Le Corbusier’s proposal. Four themes establish the parameters of the investigation – spatial
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Kitov, Vladimir, Alexander Nitusov, and Edward Proydakov. "Russian Virtual Museum of the IT History." In 2018 International Conference on Engineering Technologies and Computer Science (EnT). IEEE, 2018. http://dx.doi.org/10.1109/ent.2018.00015.

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Smolevitskaya, Marina. "Collection "Mathematical Analogue Devices" of Polytechnic Museum." In 2018 International Conference on Engineering Technologies and Computer Science (EnT). IEEE, 2018. http://dx.doi.org/10.1109/ent.2018.00026.

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Carabal-Montagud, María Ángeles, Virginia Santamarina Campos, María Del Val Segarra Oña, and María Blanca De Miguel-Molina. "Desarrollo de la competencia tecnológica en el marco STEAM para la docencia universitaria: experiencia en el Museu de Belles Arts de València." In IN-RED 2020: VI Congreso de Innovación Educativa y Docencia en Red. Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/inred2020.2020.11971.

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STEAM is an innovative teaching-learning process based on Science, Technology, Engineering, Arts and Maths competences. Accordingly with this new approach, a team of Fine Arts and Management professors are currently leading an innovative project based on "Applying STEAM Strategies in the Social Sciences and Arts Areas”. The objective is to establish links between the different STEAM competences -science, technology, engineering, art and mathematics- as a common element in classrooms, enhancing technological training. This new approach motivates students and connects teaching to present society
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Barbero-Barrera, María del Mar, Luis Javier Sánchez-Aparicio, and Marta Gayoso Heredia. "Pedagogía de la construcción." In Jornadas sobre Innovación Docente en Arquitectura (JIDA). Universitat Politècnica de Catalunya. Iniciativa Digital Politècnica, 2022. http://dx.doi.org/10.5821/jida.2022.11539.

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New generations present an attention deficit which, together with the lack of spatial visualisation, makes it difficult to teach construction where construction units and systems must be spatially identified, represented and interrelated. In this paper we present the experience obtained, in the first subject of construction in the Architecture degree, from the combination of different learning methods, from models, videos and virtual platforms together with graphic representation of the construction systems, to visits to a construction museum classroom. Student surveys show that experiential l
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Reports on the topic "Museu Eng"

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Brandt Djupdræt, Martin, and Louise Ejgod Hansen. Hvem er museumsbrugerne? Og hvilke forskelle er der på hyppige, mindre hyppige og sjældne museumsbrugeres brug og holdning til museer? Aarhus University, 2024. http://dx.doi.org/10.7146/aul.528.

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Museer er en meget brugt fritidsaktivitet, og der har i de sidste 20 år været et øget fokus på at udvikle museernes tilbud. I samme periode har antallet af besøgende på danske museer også været jævnt stigende. Men vi ved stadig ikke helt, hvorfor nogen går mere på museum end andre. Denne rapport handler om brugen af museer, og om der i brugen er forskelle i forhold til, om man er en flittig gæst, eller om det er lang tid siden, turen er gået til et museum. Bag projektet står Den Gamle By i samarbejde med Moesgaard Museum, ARoS, KØN – Museum for kønnenes kulturhistorie og Naturhistorisk Museum
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Ayala-García, Jhorland, Jaime Alfredo Bonet-Morón, and María Beatriz García-Dereix. Museo de Arte Moderno de Cartagena (MAMC), una colección con 63 años de historia. Banco de la República, 2023. http://dx.doi.org/10.32468/chee.59.

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Los museos son importantes generadores de cultura que contribuyen a la oferta turística local, lo cual puede tener implicaciones significativas en las economías locales. Estos espacios e instituciones tienen a sufrir problemas financieros en los países en desarrollo debido a la poca importancia que se les asigna desde los sectores público y privado. Se olvidan los beneficios que trae para la economía local y regional la inversión en museos, pues estos pueden atraer nuevas inversiones por parte de quienes buscan lugares con amenidades para sus ejecutivos en un mundo globalizado. También pueden
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Rozo, Esteban, Ana Guglielmucci, and Magda Páez Torres. El derecho a la memoria. Universidad del Rosario, 2022. http://dx.doi.org/10.12804/dvcn_10336.36801_num6.

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Ad portas de cumplirse seis años de la firma del Acuerdo de Paz con las Farc, en Colombia sigue en vilo la constitución del Museo de Memoria de Colombia que ha sido blanco de disputas políticas y de una serie de trabas que han causado malestar entre las víctimas. Así lo registra un análisis investigativo de la Universidad del Rosario.
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Gómez, José Ramon, Kenol Thys, María Julia Molina, et al. Transición energética en Galápagos 2050: evolución energética. Inter-American Development Bank, 2024. https://doi.org/10.18235/0013327.

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Presenta los principales aspectos contenidos en el Plan de Transición Energética de las Islas Galápagos Evolución energética, elaborado por el Ministerio de Energía y Minas de Ecuador con el apoyo técnico del Banco Interamericano de Desarrollo (BID), cuya principal apuesta es la reducción significativa del consumo de los combustibles fósiles para generación eléctrica en el corto (2026) y mediano plazo (2030); y lograr un consumo cero en el largo plazo (2050). Dichas metas se erigen como una oportunidad para reducir las emisiones de gases de efecto invernadero (GEI); disminuir el impacto fiscal
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González-Montaña, Luis Antonio. Semantic-based methods for morphological descriptions: An applied example for Neotropical species of genus Lepidocyrtus Bourlet, 1839 (Collembola: Entomobryidae). Verlag der Österreichischen Akademie der Wissenschaften, 2021. http://dx.doi.org/10.1553/biosystecol.1.e71620.

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The production of semantic annotations has gained renewed attention due to the development of anatomical ontologies and the documentation of morphological data. Two methods are proposed in this production, differing in their methodological and philosophical approaches: class-based method and instance-based method. The first, the semantic annotations are established as class expressions, while in the second, the annotations incorporate individuals. An empirical evaluation of the above methods was applied in the morphological description of Neotropical species of the genus Lepidocyrtus (Collembo
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Tweet, Justin, Vincent Santucci, Vincent Santucci, and Justin Tweet. Effigy Mounds National Monument: Paleontological resource inventory (public version). National Park Service, 2025. https://doi.org/10.36967/2307451.

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Effigy Mounds National Monument (EFMO) in northeastern Iowa was proclaimed on October 25, 1949, to protect a significant concentration of Native American burial mounds, many of which were built in the shapes of animals such as bears. Many of these effigy mounds are found atop commanding bluffs flanking the Yellow River at its junction with the Mississippi River. The geology of the monument has not been a central interest in its history, but the rocks contain evidence of millions of years of shallow marine life from the early Paleozoic. Paleozoic fossils were first documented at what is now EFM
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Tweet, Justin, Vincent Santucci, Vincent Santucci, and Justin Tweet. Effigy Mounds National Monument: Paleontological resource inventory (sensitive version). National Park Service, 2024. http://dx.doi.org/10.36967/2306478.

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Effigy Mounds National Monument (EFMO) in northeastern Iowa was proclaimed on October 25, 1949 to protect a significant concentration of Native American burial mounds, many of which were built in the shapes of animals such as bears. Many of these effigy mounds are found atop commanding bluffs flanking the Yellow River at its junction with the Mississippi River. The geology of the monument has not been a central interest in its history, but the rocks contain evidence of millions of years of shallow marine life from the early Paleozoic. Paleozoic fossils were first documented at what is now EFMO
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Brophy, Kenny, and Alison Sheridan, eds. Neolithic Scotland: ScARF Panel Report. Society of Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.06.2012.196.

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The main recommendations of the Panel report can be summarised as follows: The Overall Picture: more needs to be understood about the process of acculturation of indigenous communities; about the Atlantic, Breton strand of Neolithisation; about the ‘how and why’ of the spread of Grooved Ware use and its associated practices and traditions; and about reactions to Continental Beaker novelties which appeared from the 25th century. The Detailed Picture: Our understanding of developments in different parts of Scotland is very uneven, with Shetland and the north-west mainland being in particular nee
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Protocolo de vigilancia en salud pública Lesiones por MAP/MUSE. Instituto Nacional de Salud, 2024. http://dx.doi.org/10.33610/yqdt8648.

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50 años, 50 obras: Obras sobresalientes del Arte de American Latina y el Caribe del Siglo 20. Inter-American Development Bank, 2009. http://dx.doi.org/10.18235/0006107.

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La exposición reunió 50 excepcionales obras provenientes de las colecciones del Banco Interamericano de Desarrollo (BID) y del Museo de Arte de las Américas de la Organización de Estados Americanos (OEA), ambos sitos en Washington D.C. La muestra fue organizada por el Centro Cultural del BID y presentada en el Museo de Antioquia, en la ciudad de Medellín, Colombia. La muestra ofrece un amplio panorama del desarrollo que experimentaron las artes de la región a lo largo del siglo XX. El número de obras en exhibición fue establecido deliberadamente como alusión al quincuagésimo aniversario de la
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