Relevant bibliographies by topics / Museum's collection

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Museum's collection'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Museum's collection"

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Edwards, E. "Nigerian Collections in Pitt Rivers Museum Archives, University of Oxford." African Research & Documentation 55 (1991): 51–52. http://dx.doi.org/10.1017/s0305862x00015892.

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Pitt Rivers Museum is one of the major anthropological museums in the world and as such has considerable object collections from Nigeria. Less known is its archive collection which contains a small but interesting collection of material relating to Nigeria. The Museum has been collecting archival material since its foundation in 1884 and the collections are still growing annually as more material is donated. At present the entire collection stands in the region of sixty manuscript collections of varying sizes and about 70,000 photographic images. The archive collections do not document specifi
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Hunter, Tavian. "South Asian collection development at the British Museum: a commentary on the inclusion of audio-visual and digital content." Art Libraries Journal 44, no. 1 (2019): 23–30. http://dx.doi.org/10.1017/alj.2018.38.

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The British Museum's collection represents the history of British collecting taste since its founding in 1753. Over this time span, many important collectors have played a pivotal role in the development of the British Museum's South Asian collection. Through various acquisition methods, a number of illustrated manuscripts, albums, and photographical archives have been acquired for the museum's permanent collection. This development has coincides with the growing reference collection in the Department of Asia Library. With changes in collection practices, there is a growing question about the
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Mildwaters, Nyssa, Cody Phillips, and Lisa Yeats. "Finding the Silver Lining: Creating Positive Outcomes From Pest Problems." Biodiversity Information Science and Standards 2 (July 4, 2018): e26226. https://doi.org/10.3897/biss.2.26226.

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Pests pose a significant risk to natural science collections with appreciable resources invested in prevention, monitoring and eradication. Despite best efforts, infestations do still occur in the vast majority of museums at one time or another. Tackling these can be an expensive, time-consuming and labour-intensive undertaking that can also affect staff morale. In some circumstances, however, having to deal with infestations can have positive long-term outcomes. In 2017, a small team of Conservation and Collection Management staff at Otago Museum were required to deal with a carpet beetle out
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Jones, Alexandra. "Ethiopian Objects at the Victoria and Albert Museum." African Research & Documentation 135 (2019): 8–24. http://dx.doi.org/10.1017/s0305862x00023864.

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The Victoria and Albert Museum, or V&A, is a museum of art, design and performance based in South Kensington, London. It was established in 1852, following on from the 1851 “Great Exhibition of the Works of Industry of All Nations” spearheaded by Prince Albert. The museum's collections today number over 2.7 million objects, amassed over the past 150 years through active collecting. Amongst them is a small but very significant collection of Ethiopian material, which tells a story about the complex relationship between Britain and Ethiopia during the 19th century, as well as prompting much d
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Jones, Alexandra. "Ethiopian Objects at the Victoria and Albert Museum." African Research & Documentation 135 (2019): 8–24. http://dx.doi.org/10.1017/s0305862x00023864.

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The Victoria and Albert Museum, or V&A, is a museum of art, design and performance based in South Kensington, London. It was established in 1852, following on from the 1851 “Great Exhibition of the Works of Industry of All Nations” spearheaded by Prince Albert. The museum's collections today number over 2.7 million objects, amassed over the past 150 years through active collecting. Amongst them is a small but very significant collection of Ethiopian material, which tells a story about the complex relationship between Britain and Ethiopia during the 19th century, as well as prompting much d
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Ariadanu, Bian Kusharyanto, and Muhammad Zakariyah. "Augmented Reality dalam Pengenalan Koleksi Museum Karst Indonesia dalam Aplikasi Mobile." Jurnal Informatika Universitas Pamulang 8, no. 4 (2024): 578–85. https://doi.org/10.32493/informatika.v8i4.35993.

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Museums serve as guardians of historical, cultural artifacts, and research outcomes. Yet, sharing collections with the public is vital to fostering appreciation for a museum's legacy and expanding knowledge. Regrettably, the Museum Karst Indonesia's collection introduction relies solely on text and images, lacking allure. This study aims to revolutionize this by employing Augmented Reality (AR) for a more captivating display. Through the AR application, visitors can explore the collection interactively, featuring 3D objects and real-time audio explanations drawn from the museum's Application P
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Tiara Isfiaty. "Exhibition Space Management of Chiharu Shiota as Museum MACAN's Becoming a Child-Friendly Museum." Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 6 (March 31, 2023): 1065–70. http://dx.doi.org/10.34010/icobest.v4i.462.

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This article aims to describe the child-friendly management of Chiharu Shiota's exhibition space at MACAN museum. Museum collections are a medium of information for the audiences who see them. One of the museum's audience groups is children. The management of collections in an exhibition is an important factor in directing visitors, especially children, to get the right information when understanding and learning about museum collections. The management of museum collections involves visual media outside the collection objects. The visual media in question is labeling, which is a medium that c
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Heilbrun, James. "Managing a Museum's Collection." Journal of Arts Management, Law, and Society 23, no. 1 (1993): 69–76. http://dx.doi.org/10.1080/10632921.1993.9944426.

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James, K. "A mineral collection in the Ulster Museum matched with a lecture syllabus of Sir Charles Giesecke (1761-1833)." Geological Curator 7, no. 5 (2001): 167–73. http://dx.doi.org/10.55468/gc448.

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Sir Charles Giesecke (1761-1833) was a mineral collector and dealer before becoming Professor of Mineralogy at the Royal Dublin Society in 1813. After his appointment he continued to deal in minerals and he supplied collections to museums in Europe, to Trinity College, Dublin and -- it seems -- to his students. One such student collection was recently discovered in the Ulster Museum, where it had been stored unrecorded for nearly a century. It was recognised by linking numbered specimen labels to an original lecture syllabus in the museum's archives. The history of the collection was establish
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Jabbarova, Fargana. "Music-themed museums serve as institutions that preserve musical instruments." InterConf, no. 43(193) (March 20, 2024): 192–98. http://dx.doi.org/10.51582/interconf.19-20.03.2024.021.

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The article discusses music museums that collect, preserve, study, and display materials related to the development of music culture. It notes that the main foundation of each music museum's collection is a collection of musical instruments. The article also highlights the active involvement of scientific-research and public centers in the dissemination of music culture experience of music-profile museums and the implementation of music communication. There is information about museums as the Russian National Music Museum, located in Russia's capital city, Moscow, which has one of the oldest a
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Dissertations / Theses on the topic "Museum's collection"

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Allen, Erin Evangeline. "Hidden meanings: a search for the historical worldview in the Oberlin College Ethnographic Collection organizational systems." Oberlin College Honors Theses / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1323803885.

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Cummings, Catherine. "Collecting en route : an exploration of the ethnographic collection of Gertrude Emily Benham." Thesis, University of Plymouth, 2013. http://hdl.handle.net/10026.1/3138.

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In the second half of the nineteenth century and the first decades of the twentieth century the collecting of objects from colonized countries and their subsequent display in western museums was widespread throughout Western Europe. How and why these collections were made, the processes of collection, and by whom, has only recently begun to be addressed. This thesis is an exploration of the ethnographic collection of Gertrude Emily Benham (1867-1938) who made eight voyages independently around the world from 1904 until 1938, during which time she amassed a collection of approximately eight hun
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Ugalde, Francisca B. "A Case for Collections Management Policy for Passive Collecting Institutions." University of Akron / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=akron1353296784.

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McCormick, Kaitlin. "Early Scottish museum collections of Haida argillite carving." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/22827.

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This thesis is about four historical collections of Haida argillite carvings now at the National Museum of Scotland, the University of Aberdeen Museums and the Perth Museum and Art Gallery. Since the early nineteenth century Haida artists have carved argillite, a carbonaceous shale, into objects featuring Haida and European-inspired motifs, for trade or sale to non-Haida others. Scots Colin Robertson, William Mitchell, James Hector and John Rae acquired argillite as part of broader collections from the Northwest Coast of Canada made during the middle decades of the nineteenth century. Each of
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Schwartz, Rachel. "Edwin Atlee Barber collecting Pennsylvania, defining America /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 34 p, 2007. http://proquest.umi.com/pqdweb?did=1691249371&sid=7&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Monteiro, Juliana. "Documentação em museus e objeto-documento: sobre noções e práticas." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/27/27151/tde-22012015-105632/.

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A presente pesquisa teve por objetivo geral analisar os usos dos termos documentação, documento e objeto no contexto da área de museus. Tal contexto foi caracterizado em dois universos: o teórico, da literatura selecionada de caráter teórico da Documentação, Ciência da Informação e a Museologia, e o prático, composto por duas normas da área de museus. Os objetivos de trabalhar com estes dois universos foram mapear, caracterizar e problematizar ideias, tensões e aproximações entre os universos da teoria e da prática, sem a pretensão de se chegar a uma definição unívoca dos mesmos. Para alcançar
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Major, Dominique. "Field collecting and museums exhibiting : the political implications of representation in museum." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31837.

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This thesis consists of an exhibit on Indonesian shadow play figures called wayang kulit presented at the University of British Columbia's Museum of Anthropology (MOA) in May 1991, and a written document which discusses the processes and political issues involved in exhibiting and collecting wayang kulit in Indonesia during the summers of 1989 and 1990. Wayang kulit are flat, cut-out parchment figures, finely painted and perforated, used to cast shadows on a screen during a night-long performance also called wayang kulit. Some figures, made by well-known Indonesian artists, are also isolated
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Berry, Jessica, and n/a. "Re:Collections - Collection Motivations and Methodologies as Imagery, Metaphor and Process in Contemporary Art." Griffith University. Queensland College of Art, 2006. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070327.151934.

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By the 1990's many modes of artwork incorporated the constructs of the museum. Art forms including, 'ethnographic art', 'museum interventions', 'museum fictions' and 'artist museums' were considered to be located in similar realms to each other. These investigations into this emerging 'genre' of collection-art have primarily focussed upon the critique of the public museum and its grand-narratives. This thesis will attempt to recognise that the critique of institutional hierarchical systems is now considered integral to much collection art and extends this enquiry to incorporate private collect
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Berry, Jessica. "Re:Collections - Collection Motivations and Methodologies as Imagery, Metaphor and Process in Contemporary Art." Thesis, Griffith University, 2006. http://hdl.handle.net/10072/365478.

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By the 1990's many modes of artwork incorporated the constructs of the museum. Art forms including, 'ethnographic art', 'museum interventions', 'museum fictions' and 'artist museums' were considered to be located in similar realms to each other. These investigations into this emerging 'genre' of collection-art have primarily focussed upon the critique of the public museum and its grand-narratives. This thesis will attempt to recognise that the critique of institutional hierarchical systems is now considered integral to much collection art and extends this enquiry to incorporate private collect
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Crawford, Jessie A. "Art for One or Art for All? Exploring the Role and Impact of Private Collection Museums in the United States." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1460929598.

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Books on the topic "Museum's collection"

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Rogers, Kory. Shelburne Museum's circus collection. Shelburne Museum, 2010.

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Germany) Museum Kunst Palast (Düsseldorf. The collection: Museum Kunstpalast, Düsseldorf ; selected works from the museum's collection. Museum Kunstpalast, 2011.

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Victoria and Albert museum. The Victoria & Albert Museum's textile collection. Victoria & Albert Museum, 1992.

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Garden, Hirshhorn Museum and Sculpture. Relief sculpture: Selections from the Museum's collection. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1986.

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Hyun, Eleanor Soo-Ah. Korea: Highlights of the Newark Museum's collection. Hollym International Corp., 2016.

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Gogh, Rijksmuseum Vincent van. Japanese prints: Catalogue of the Van Gogh Museum's collection. Van Gogh Museum, 2006.

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Weber, Ronald L. Emmons's notes on Field Museum's collection of Northwest Coast basketry. Field Museum of Natural History, 1986.

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British Museum. South Indian paintings: A catalogue of the British Museum's collection. British Museum Press, 2010.

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van, Rappard-Boon Charlotte, Gulik Willem R. van, and Bremen-Ito Keiko van, eds. Catalogue of the Van Gogh Museum's collection of Japanese prints. Van Gogh Museum, 1991.

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museum, Victoria and Albert. The Victoria & Albert Museum's textile collection: British textiles from 1850 to 1900. Canopy Books, 1993.

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Book chapters on the topic "Museum's collection"

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Roberts, Daniela. "Visualizing Historical Greatness." In Spaces for Shaping the Nation. transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839466940-014.

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In this paper I will look at the two national portrait galleries in Great Britain (the English institution in London and the Scottish National Portrait Gallery in Edinburgh) and compare their strategies for presenting the collections of certain eminent men and women. Such strategies served to convey the significance of these figures both for the nation and for each museum's history. Choices of architecture, style, and decorative scheme, as well as the setting for the collection and its display, will be analysed in order to understand these institutional modes of reconstructing and visualizing
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Axelsson, Bodil, Fiona R. Cameron, Katherine Hauptman, and Sheenagh Pietrobruno. "Introduction." In Museum Digitisations and Emerging Curatorial Agencies Online. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-80646-0_1.

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AbstractCuratorial agency is situated in the introduction via an elaboration of the intersection between the mission of public museums to care for collections and their increased reliance on digital capitalism’s social, technical and material infrastructures for the circulation of digitisations, narratives and new research findings. We explain how this book approaches curatorial agency in four individually authored chapters, each taking its own approach to museum knowledge and curatorial agency in regard to the junction of humanistic interpretations and new materialist and posthuman frameworks
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Díez Díaz, Verónica, Sara Akhlaq, Amy Campbell, et al. "Risks and Responsibilities: The German Tendaguru Collection as Cultural Heritage and Its 3D Digitisation." In Lecture Notes in Computer Science. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-93753-8_5.

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Abstract The colonial collection of dinosaur fossils, and associated archival documentation from Tendaguru (Tanzania) at the Museum für Naturkunde Berlin is of outstanding importance both in palaeontological and historiographical terms. Along with investigating diverse 3D digitisation methodologies, our research engages with the emerging field of museum collection digitisation from a critical perspective. Current political and public debates on digitisation predominantly view it as a transformatory methodology that renders the museum collections accessible and part of a globally shared heritag
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Axelsson, Bodil, Fiona R. Cameron, Katherine Hauptman, and Sheenagh Pietrobruno. "Conclusion." In Museum Digitisations and Emerging Curatorial Agencies Online. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-80646-0_6.

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AbstractIn this conclusion, we revisit some of the key findings of this book’s analytical/interpretative cuts into the online circulation of museum collections. The pedagogical challenges museums face when collection knowledge is appropriated by groups whose political aims threaten social solidarity and democratic values are discussed. Highlighted are the ways in which collection knowledge is both customised and open-ended when digitisations, narratives and research findings flow between multiple platforms and are transmitted through interfaces including home feeds or lists. We conclude that c
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Cosaert, Annelies, Geert Bauwens, and Estelle De Bruyn. "Enhance Performance and Reduce Energy Use in Storage Areas: Two Belgian Case Studies." In Springer Proceedings in Archaeology and Heritage. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-85655-6_17.

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Abstract Resilient Storage is a project that focuses on designing a protocol for Belgian museums to implement short term energy-savings strategies, decrease CO2 emissions and improve preservation conditions. Cultural institutions’ mandate to optimally preserve their collections often encourages them to invest in Heating, Ventilation and Air-Conditioning (HVAC) systems to strictly control the indoor climate in their collection storage. These HVAC systems induce high operating costs and energy use. Today’s context calls for a combined strategy, one that reduces an institution’s environmental imp
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Tarasov, Oleg. "3. The New Museum of Medieval Icons." In How Divine Images Became Art, translated by Stella Rock. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0378.03.

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This chapter is devoted to the creation of private museums of medieval icons and ‘primitives’ in Russia and Western Europe at the start of the twentieth century. One of these museums belonged to a famous Russian collector and artist, Ilya Ostroukhov (1858–1929). Ostroukhov shared a similar appreciation for ‘primitives on a gold background’ with the American art historian, art dealer and collector Bernard Berenson (1865–1959), a taste that Berenson had started to cultivate by the end of the nineteenth century. Taking as examples Russian, Italian and American collections of ancient icons, this c
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High-Steskal, Nicole, and Rainer Simon. "Evaluating the Blackbox." In Edition Museum. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-020.

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The pilot project LiviaAI examines the use of artificial intelligence to identify connections between objects from three Viennese museums (Wien Museum, Museum für Angewandte Kunst, Belvedere Museum Wien). In the first project phase, collection metadata and their creation were examined in order to derive specifications for an AI model for similarity determination. In the current phase of the project, a model that uses the metadata of a selected collection as input to learn cross-collection visual representations of similarity is being developed. The goal is to evaluate the model in terms of its
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Pucci, Marina. "National Museum of Aleppo." In Research for Development. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-54816-1_12.

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AbstractThis paper presents the history, current situation, and ongoing projects on the collection from the National Museum of Aleppo (Syria), sketching the history of its collection and the changing role of the museums in the past century. When museums face periods of conflict and destruction, not only their primary role to preserve heritage is challenged, but also the bond to the local community is severed. The National Museum of Aleppo is a perfect example in this matter: established under the French protectorate, rearranged by the Syrian government at the end of the 60s, it experienced a f
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Murphy, Oonagh. "Power, Data and Control." In Edition Museum. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-008.

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The use of artificial intelligence technologies is becoming more prevalent in museums, and with these emerging technologies come emerging forms of museum practice. Aligning the technological possibilities of AI with the ethical and social responsibilities of museums has led to an emerging area of museum practice that focuses on power, data, and control within the context of museum collections and visitor management. This paper presents a range of ethics frameworks and models that can be used to support museum professionals working at the cutting edge of this burgeoning field.
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Stachel, Charlotte, and Lorenzo Cantoni. "When Shoe Heritage is on Display." In Fashion Communication in the Digital Age. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-38541-4_27.

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AbstractThis paper contributes to the field of digital culture and fashion communication by presenting a comprehensive overview of publicly available shoe museums and collections worldwide, which have an online presence. To the best knowledge of the authors, this listing is the first of its kind on institutions that exhibit shoes. It shows what types of contents and services shoe museums offer online and to what extent they digitally enable access to their collections. Through a content analysis, museums’ websites and their presence on social media are examined. A scattered map shows how much
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Conference papers on the topic "Museum's collection"

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Yuadi, Imam, Yunus Abdul Halim, Agustian Taufiq Asyhari, Khoirun Nisa’, Nisak Ummi Nazikhah, and Ullin Nihaya. "Image Enhancement and Thresholding for Ancient Inscriptions in Trowulan Museum's Collection Mojokerto, Indonesia." In 2024 7th International Conference of Computer and Informatics Engineering (IC2IE). IEEE, 2024. http://dx.doi.org/10.1109/ic2ie63342.2024.10747863.

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Zhang, Haitang. "Reinventing the Virtual Museum Post-Pandemic: An Audience-Centric Approach to Enhancing Virtual Exhibitions of Intangible Cultural Heritage." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004964.

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Virtual environments have been extensively utilized in museums. During the COVID-19 pandemic, museums in China, both primary and secondary, organized virtual exhibition halls and digital collection retrieval functions. These efforts played a crucial role in facilitating public engagement with traditional culture. However, post-pandemic, public interest in online museums has significantly waned, highlighting the limitations of virtual museums in representing intangible cultural heritage.This study introduces an audience-centered approach to virtual museum design, specifically tailored to the fe
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Nitu, Florentina. "UNIVERSITY MUSEUMS AND DIGITAL DATA. CASE STUDY: UNIVERSITY OF BUCHAREST MUSEUM." In eLSE 2020. University Publishing House, 2020. http://dx.doi.org/10.12753/2066-026x-20-238.

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Museum of the University of Bucharest represents the cultural memory and the institutional identity in the specific field of higher education in Romania. But this mission needs to be adapted to the public nowadays, in cultural contexts that are different from those of the last century, when the museum was founded. The impact of an university museum in society is increasingly based on the diversification of communication paths, with the use of the new media, on the development of new audiences for whom the museum's message is relevant. Also, the university museum must investigate future develop
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Moskalets, Vladyslava. "The Jewish Community Museum in Lviv." In Lviv Interactive. Lviv Interactive, 2024. https://doi.org/10.69915/lia037en.

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The Jewish Community Museum (or the Jewish Museum) functioned in Lviv in 1934–1940. It was founded by a group of collectors, philanthropists, and representatives of Jewish elites and artists, including Józef Awin, Marek and Ada Reichenstein, Ludwik Lille, and Wiktor Chajes. The museum was created as an institution within the Jewish community of Lviv, which was to be engaged in identifying, preserving, and exhibiting cultural memorabilia. The museum's collection was based on private collections and deposits from synagogues and individuals.
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Lavanya, Bennabhaktula. "BEYOND BORDERS: THE LEGACY OF INDIAN MINIATURE PAINTINGS IN THE BRITISH MUSEUM." In SSHRA 2025 – Social Science & Humanities Research Association International Conference, 21-22 April, London. Global Research & Development Services Publishing, 2025. https://doi.org/10.20319/icssh.2025.112.

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"Beyond Borders: The Legacy of Indian Miniature Paintings in the British Museum" explores the journey of Indian miniature paintings from their origins in the courts of Indian rulers to their placement in one of the world's foremost museums. This paper examines the cultural, historical, and artistic value of these paintings, shedding light on their role in shaping global perceptions of Indian art. By analysing select pieces in the British Museum's collection, this study reflects on the legacy and continuing influence of Indian miniature art in contemporary museum practices. By exhibiting these
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Martínez Moya, Joaquín A. "Graphic restitution of the Four Seasons Hall of the Marquis of Benicarló's House." In HEDIT 2024 - International Congress for Heritage Digital Technologies and Tourism Management. Universitat Politècnica de València, 2024. http://dx.doi.org/10.4995/hedit2024.2024.17468.

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The Marquis of Benicarló’s House is one of the foremost examples of 18th-century civil architecture in the Valencian region. Within its walls, it safeguards ceramic panels from the esteemed Conde de Aranda Factory in Alcora, possessing significant historical and heritage worth. However, akin to many other instances, before its designation as a Cultural Interest Property (BIC) in 2008, the structure underwent the removal of several architecturally valuable components, such as the flooring of the Four Seasons Hall. Thankfully, the original tiles from this flooring have been rediscovered within t
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Vasilevich, F. I., S. A. Shemyakova, and N. V. Esaulova. "MUSEUM OF THE DEPARTMENT OF PARASITOLOGY AND VETERINARY AND SANITARY EXPERTISE NAMED AFTER K. I. SKRYABIN." In THEORY AND PRACTICE OF PARASITIC DISEASE CONTROL. All-Russian Scientific Research Institute for Fundamental and Applied Parasitology of Animals and Plant – a branch of the Federal State Budget Scientific Institution “Federal Scientific Centre VIEV”, 2023. http://dx.doi.org/10.31016/978-5-6048555-6-0.2023.24.138-141.

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The paper describes the structure of the Museum of Parasitology located on the
 basis of the Department of Parasitology and Veterinary and Sanitary Expertise of
 the Federal State Budgetary Educational Institution of Higher Education "Moscow
 State Academy of Veterinary Medicine and Biotechnology – MBA named after
 K. I. Skryabin", which was organized by Konstantin Ivanovich Skryabin. The first
 gross specimens were provided by him from his own collection. Later, together with
 his students, K. I. Skryabin replenished the collection with helminths brought by
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Marchi, Julia Silveira, Samuel Hernandez Gaiato, José de Anchieta de Castro e. Horta Junior, and Selma Maria Michelin Matheus. "Anatomy of the brain and brain ventricles: 3D models for the blind." In V Seven International Multidisciplinary Congress. Seven Congress, 2024. http://dx.doi.org/10.56238/sevenvmulti2024-082.

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The study of the anatomy and physiology of the human body is an integral part of the National Common Curricular Base (BNCC), and is therefore fundamental content for developing understanding about the structure and functioning of the body itself. Therefore, it is necessary to guarantee quality access for all students to this knowledge. Students in general have difficulty understanding internal structures that are not visualized. In relation to the blind, this difficulty becomes even greater. Thus, the objective of this project was to develop 3D teaching models of the brain and its internal str
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Ou-yang, Li, and Jie Ling. "Multi-expert Cooperative Development of Painting-themed Tourist Souvenirs Based on ICCO Model." In AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004241.

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The museum's painting collection has gradually become a vital reference resource for developing souvenirs. This study adopts ICCO theoretical framework and studies 534 kinds of souvenirs from the official Taobao flagship store of the Forbidden City according to the ideas of import, classi-fication, comparison, and export. Adopt = Houyi collector to collect data, EXCEL to sort out data, and organize several experts to analyze painting types, techniques, and crafts. As a result, tourists' favorite painting is "A Thousand Miles of Mountains and Rivers," and their favorite souvenirs are delicate f
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Alves da Silva, Cristiane, and Mirtes Marins de Oliveira. "The exhibition design of a House Museum: the Dining Room as a case study." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.104.

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The exhibition space of a Collector's House Museum, the specific case of the Ema Klabin House Museum (HMEK), offers the field of exhibition design a unique place for research due to its nature, which moves from the private to the public and presents artifacts that allow entering the biography of objects and understanding them from a material culture perspective. The present research, still in progress, has as a case study, the environment of the Dining Room at HMEK, which evokes, more than any other room, domesticity and the memory of home while at the same time convoking the experience of the
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Reports on the topic "Museum's collection"

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Brison, Jeffrey, Sarah Smith, Elyse Bell, et al. The Global Engagement of Museums in Canada. University of Western Ontario, 2021. http://dx.doi.org/10.5206/vdjm2980.

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The Global Engagement of Museums in Canada examines Canadian museum diplomacy, assessing the international activities of Canadian museums to consider the ways these institutions act as cultural diplomats on the global stage. The report presents the results of a multi-partner collaborative research project addressing the work of ten institutions, including the Art Gallery of Alberta; Aga Khan Museum; Canadian Museum of History; Canadian Museum of Immigration at Pier 21; Montreal Museum of Fine Arts; Museum of Anthropology at UBC; National Gallery of Canada; Ottawa Art Gallery; Pointe-à-Callière
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Strohmeyer, Wendy J. 'Bradbury Science Museum Collections Inventory Photos Disc #4. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1226142.

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Strohmeyer, Wendy J. Bradbury Science Museum Collections Inventory Photos Disc #5. Office of Scientific and Technical Information (OSTI), 2016. http://dx.doi.org/10.2172/1254933.

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Kist, Cassandra, Maria Economou, Chante St Clair Inglis, Pam Babes, Angus Kneale, and Hannah Norfolk. Surfacing the National Collections: adapting image cataloguing standards to transform access to National Museums Scotland's online collections. University of Glasgow and National Museums Scotland, 2023. http://dx.doi.org/10.36399/gla.pubs.302242.

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Blair, Mary E., Lauren T. Clark, Lochlan Sife Krupa, et al. Conservation Museomics. American Museum of Natural History, 2025. https://doi.org/10.5531/cbc.ncep.0190.

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To address the challenges of sampling endangered or extinct species in the field, many studies have turned to historically underutilized sources of genetic material: natural history museums. Despite the fact that DNA from specimens collected decades or even hundreds of years ago is often fragmented and degraded, research has shown that historical DNA can still be used effectively to infer phylogenetic relationships and intra-specific patterns of population genetic structure. This module aims to provide students and conservation practitioners with a solid understanding of the methodological str
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Green, Denise Nicole. A Cape Covered in Wealth: Interpreting Colonial Encounter in Museum Collections. Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-612.

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Khomenko, Tetiana, та Yuriy Kolisnyk. Втрати української культури у російсько-українській війні: культурно-інформаційний спротив. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11749.

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The authors explored the activity of mass media and cultural organizations aimed at clarification of the current problematic issue – preservation of Ukrainian cultural heritage under the conditions of the full-scale invasion of Russia into Ukraine. The authors emphasize that occupants not only destroy historic buildings, i.e. material objects, but also steal art values, destroy library and archive funds; their actions are aimed at destruction of our spirituality, identity and history. It is pointed out that there are the main streams in the work of journalists, experts, and culture figures, na
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Rauh, Nicholas. 2023 Addendum to the Rough Cilicia Kiln Site Ceramics (Syedra, Delice, Biçkici, and Antiochia ad Cragum): An Update to the Kiln Sites. Purdue University, 2023. http://dx.doi.org/10.5703/1288284317638.

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This addendum summarizes the ceramic remains recovered by the Rough Cilicia Archaeological Survey Project at four posited amphora kiln sites in the survey area: the Syedra Kiln Site, the Biçkici Kiln site, the Antiochia ad Cragum Kiln Site, and the Delice Kiln Site. All four sites were identified early on during the survey (1995-1997). The survey team conducted grab collections and triaged dozens of sherds recovered by 1997, before returning the bulk of these fragments to the field. A representative sample of the amphora fragments together with context ceramics for each site was conserved at t
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Stone, Robert P., Stephen D. Cairns, Dennis M. Opresko, Gary C. Williams, and Michele M. Masuda. A guide to the corals of Alaska. US Department of Commerce, NOAA, NMFS Scientific Publications Office, 2024. http://dx.doi.org/10.7755/pp.23.

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The Magnuson-Stevens Fishery Conservation and Management Reauthorization Act of 2006 mandat¬ed the research and management of the nation’s deep-sea coral resources through establishment of the National Oceanic and Atmospheric Administra¬tion’s Deep Sea Coral Research and Technology Program. The challenge for Alaska was daunting, where expansive, world-class fisheries often coincided with extraordinarily rich coral habitats for a high-latitude region. The first chal¬lenge was to inventory known locations of deep-sea corals. Many coral records and some museum collections existed from Alaska, but
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Hodnett, John, Ralph Eshelman, Nicholas Gardner, and Vincent Santucci. Geology, Pleistocene paleontology, and research history of the Cumberland Bone Cave: Potomac Heritage National Scenic Trail. National Park Service, 2023. http://dx.doi.org/10.36967/2296839.

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The Cumberland Bone Cave is a public visitation stop along the Potomac Heritage National Scenic Trail renowned for its unique fossil resources that help reconstruct Appalachian middle Pleistocene life in the mid-Atlantic region of North America. This site is gated for safety and to prevent unwanted exploration and damage. Approximately 163 taxa of fossil plant and animals have been collected from Cumberland Bone Cave since 1912. Most of the fossils that have been published pertain to mammals, including many extinct or locally extirpated genera and species. Though the early excavations made by
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