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Books on the topic 'Museum's collection'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Rogers, Kory. Shelburne Museum's circus collection. Shelburne Museum, 2010.

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2

Germany) Museum Kunst Palast (Düsseldorf. The collection: Museum Kunstpalast, Düsseldorf ; selected works from the museum's collection. Museum Kunstpalast, 2011.

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3

Victoria and Albert museum. The Victoria & Albert Museum's textile collection. Victoria & Albert Museum, 1992.

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4

Garden, Hirshhorn Museum and Sculpture. Relief sculpture: Selections from the Museum's collection. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1986.

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5

Hyun, Eleanor Soo-Ah. Korea: Highlights of the Newark Museum's collection. Hollym International Corp., 2016.

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6

Gogh, Rijksmuseum Vincent van. Japanese prints: Catalogue of the Van Gogh Museum's collection. Van Gogh Museum, 2006.

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7

Weber, Ronald L. Emmons's notes on Field Museum's collection of Northwest Coast basketry. Field Museum of Natural History, 1986.

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8

British Museum. South Indian paintings: A catalogue of the British Museum's collection. British Museum Press, 2010.

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9

van, Rappard-Boon Charlotte, Gulik Willem R. van, and Bremen-Ito Keiko van, eds. Catalogue of the Van Gogh Museum's collection of Japanese prints. Van Gogh Museum, 1991.

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10

museum, Victoria and Albert. The Victoria & Albert Museum's textile collection: British textiles from 1850 to 1900. Canopy Books, 1993.

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11

Museum, Chesapeake Bay Maritime. A heritage in wood: The Chesapeake Bay Maritime Museum's small craft collection. Edited by Dodds Richard J. S and Lesher Pete. The Museum, 1992.

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12

museum, Victoria and Albert. The Victoria & Albert Museum's textile collection: Woven textile design in Britain to 1750. Victoria & Albert Museum, 1994.

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13

Victoria and Albert museum. The Victoria & Albert Museum's textile collection: Embroidery in Britain from 1200 to 1750. Canopy Books, a division of Abbeville Press, 1993.

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14

museum, Victoria and Albert. The Victoria and Albert Museum's textile collection: British textiles from 1850 to 1900. Victoria and Albert Museum, 1993.

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15

Harris, Lesley Ellen. A Canadian museum's guide to developing a licensing strategy. Canadian Heritage Information Network, 2004.

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16

Harris, Lesley Ellen. A Canadian museum's guide to developing a licensing strategy. Canadian Heritage Information Network, 2004.

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17

Hakubutsukan, Kōbe Shiritsu. Kōbe Shiritsu Hakubutsukan kanzō meihin zuroku: Pieces par excellence of Kobe City Museum's collection. Kōbe-shi Supōtsu Kyōiku Kōsha, 1991.

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18

Prager, George. Ancient Judaean coins in the Hungarian National Museum's collection: George Prager, Toronto, Ontario, Canada. Kiadja a Magyar Numizmatikai Társulat, 1993.

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19

Art, Mingei International Museum of Folk. Pre-Columbian art: Marine animal forms : selections from Mingei International Museum's James L. Greaves Collection. Mingei International Museum, 2001.

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20

Brownstone, Arni. An overview of the origin, documentation, and preservation of the Royal Ontario Museum's ethnographic collection. The author], 1985.

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21

Victoria and Albert museum. The Victoria & Albert Museum's textile collection: Woven textile design in Britain from 1750 to 1850. Canopy Books, 1994.

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22

Victoria and Albert museum. The Victoria & Albert Museum's textile collection: Woven textile design in Britain from 1750 to 1850. Victoria & Albert Museum, 1994.

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23

Thornton, Emmons George, ed. Emmons's notes on Field Museum's collection of Northwest Coast basketry: Edited with an ethnoarchaeological analysis. Field Museum of Natural History, 1986.

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24

Museum, Milwaukee Public. Whistling wings, whittled ducks & wetlands: A catalog of the Milwaukee Public Museum's collection of wildfowl decoys. The Museum, 1996.

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25

Scott, Pate Alan, Knoke Christine, and Sidner Rob, eds. Maneki neko, Japan's beckoning cats: From talisman to pop icon : Mingei International Museum's Billie Moffitt collection. Mingei International Museum, 2011.

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26

Victoria and Albert museum. The Victoria & Albert Museum's textile collection: Design for printed textiles in England from 1750 to 1850. Victoria and Albert Museum, 1992.

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27

Weiss, Martin. Showcasing Science. Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462982246.

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Teylers Museum was founded in 1784 and soon thereafter became one of the most important centres of Dutch science. The Museum’s first director, Martinus van Marum, famously had the world’s largest electrostatic generator built and set up in Haarlem. This subsequently became the most prominent item in the Museum’s world-class, publicly accessible, and constantly growing collections. These comprised scientific instruments, mineralogical and palaeontological specimens, prints, drawings, paintings, and coins. Van Marum’s successors continued to uphold the institution’s prestige and use the collecti

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28

(Hungary), Szépművészeti Múzeum. Sixteenth-century central Italian drawings: An exhibition from the museum's collection : Szépművészeti Múzeum, Budapest, September 17-November 8, 1998. Szépmv̋észeti Múzeum, 1998.

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29

Museum, Gunnersbury Park. A few surviving hedges: 250 years of paintings, water-colours, prints and photographs of West London from Gunnersbury Park Museum's Collection. Watermans Arts Centre in association with Gunnersbury Park Museum, 1988.

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30

Museum, Imperial War, and Thames Television, eds. Life in Nazi Germany: Extracts from the Imperial War Museum's collection of recorded interviews and from Thames Television's 'The world at war'. Imperial War Museum, 1992.

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31

Taibei Shi li mei shu guan. Dian cang guo wai tao yi zuo pin zhan = Ceramic works by foreign artists from the Museum's permanent collection: 06.18-08.31, 2003. Edited by Liou Chen-chou, Zhu Jirong, and Lee Wei-chen. Taipei Fine Arts Museum, 2003.

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32

Buck, Rebecca A. Collection conundrums: Solving collections management mysteries. American Association of Museums, 2007.

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33

Campbell, Thomas P. (Thomas Patrick), 1962-, Paetz gen Schieck Annette, Samuel Aurélie, et al., eds. Collecting textiles: Patrons, collections, museums. Fondazione Antonio Ratti, 2013.

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34

Muzej primenjene umetnosti (Belgrade, Serbia), ed. Zubun: Kolekcija Etnografskog muzeja u Beogradu iz XIX i prve polovine XX veka = Zubun chemise : Belgrade's Ethnographic Museum's ninetheenth to mid-twentieth century collection. Etnografski muzej, 2009.

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35

Menković, Mirjana. Zubun: Kolekcija Etnografskog muzeja u Beogradu iz XIX i prve polovine XX veka = Zubun chemise : Belgrade's Ethnographic Museum's ninetheenth to mid-twentieth century collection. Etnografski muzej, 2009.

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36

Franco, Susanne, and Gabriella Giannachi. Moving Spaces Enacting Dance, Performance, and the Digital in the Museum. Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-534-6.

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This collection of essays investigates some of the theories and concepts related to the burgeoning presence of dance and performance in the museum. This surge has led to significant revisions of the roles and functions that museums currently play in society. The authors provide key analyses on why and how museums are changing by looking into participatory practices and decolonisation processes, the shifting relationship with the visitor/spectator, the introduction of digital practices in collection making and museum curation, and the creation of increasingly complex documentation practices. Th

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37

Terenna, Gigliola, and Francesca Vannozzi, eds. La collezione senese di chimica farmaceutica. Firenze University Press, 2014. http://dx.doi.org/10.36253/978-88-6655-555-1.

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This present work completes the inventory of laboratory equipment of the historic Cabinet of Pharmaceutical Chemistry, acquired over the years at the Department of Pharmachemical Technology (now the Department of Biotechnology, Chemistry and Pharmacy), along with the scientific glassware catalogued previously. The current survey consists of an inventory of 236 previously produced drugs along with 325 items including laboratory instruments, glassware, and furniture. The collection is located in the museum's archive of the University Service Centre for the Research and Teaching of the History of

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38

1961-, Kennedy Brian P., ed. Collection companion. Scala Arts Publishers, Inc., 2018.

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39

1946-, Lord Gail Dexter, Nicks John, and Great Britain. Office of Arts and Libraries., eds. The cost of collecting: Collection management in UK Museums. H.M.S.O., 1989.

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40

Simmons, John E. Herpetological collecting and collections management. Society for the Study of Amphibians and Reptiles, 1987.

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41

Pratesi, Giovanni, ed. Il Museo di Storia Naturale dell'Università degli Studi di Firenze. Le collezioni mineralogiche e litologiche | The Museum of Natural History of the University of Florence.The Mineralogical and Lithological Collections. Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-319-9.

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The Museum of Natural History of the University of Florence, founded in 1775 by Grand Duke Pietro Leopoldo d'Asburgo Lorena, is one of the oldest and most prestigious scientific museums in the world. The fourth volume on the Collections of the Mineralogy and Lithology Section, published like the previous volumes by the Firenze University Press, fits perfectly in the series dedicated to the collections of the University's Museum System. The first part of the book describes in great detail the paths that led to the formation of the collections, starting with those dating to the Medici period and

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42

Kyrgyz Respublikasynyn Mamlekettik Tarykh Muzeĭi. Baĭyrky Kyrgyzstandyn altyndary: KR Mamlekettik Tarykh Muzeĭinin zhyĭynynan = Gold of ancient Kyrgyzstan : from the State Historical Museum's collection = Zoloto drevnego Kyrgyzstana : iz sobranii︠a︡ Gosydarstvennogo istoricheskogo muzei︠a︡ KR. Gosydarstvennyĭ istoricheskiĭ muzeĭ KR, 2008.

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43

London Regional Art and Historical Museums (Ont.). Pandora's box: A collection of collections. LRAHM, 1999.

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44

Ariese, Csilla, and Magdalena Wróblewska. Practicing Decoloniality in Museums. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463726962.

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The cry for decolonization has echoed throughout the museum world. Although perhaps most audibly heard in the case of ethnographic museums, many different types of museums have felt the need to engage in decolonial practices. Amidst those who have argued that an institution as deeply colonial as the museum cannot truly be decolonized, museum staff and museologists have been approaching the issue from different angles to practice decoloniality in any way they can. This book collects a wide range of practices from museums whose audiences, often highly diverse, come together in sometimes contenti

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45

Heide Museum of Modern Art. The Heide Collection. Heide Museum of Modern Art, 2011.

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46

Matthew, Baker, Mordaunt Caroline, Cuthbert Simon, and Tasmanian Museum and Art Gallery., eds. Collection: Tasmanian Museum and Art Gallery. Tasmanian Museum and Art Gallery, 2007.

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47

Museum, Cooper-Hewitt. The Cooper-Hewitt collections: A design resource. Cooper-Hewitt National Museum of Design, Smithsonian Institution, 1991.

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48

Janet, Owen, and Society of Museum Archaeologists, eds. Towards an accessible archaeological archive: The transfer of archaeological archives to museums : guidelines for use in England, Northern Ireland, Scotland and Wales. Society of Museum Archaeologists, 1995.

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49

Museum Documentation Association (Great Britain), ed. Planning the documentation of museum collections. Museum Documentation Association, 1985.

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50

Jock, Reynolds, ed. American abstraction at the Addison: April 18 through July 31, 1991 : an exhibition of selected works from the museum's permanent collection, including recent gifts to the Addison Art Drive. Addison Gallery of American Art, Phillips Academy, 1991.

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