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Journal articles on the topic 'Museum's collection'

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1

Edwards, E. "Nigerian Collections in Pitt Rivers Museum Archives, University of Oxford." African Research & Documentation 55 (1991): 51–52. http://dx.doi.org/10.1017/s0305862x00015892.

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Pitt Rivers Museum is one of the major anthropological museums in the world and as such has considerable object collections from Nigeria. Less known is its archive collection which contains a small but interesting collection of material relating to Nigeria. The Museum has been collecting archival material since its foundation in 1884 and the collections are still growing annually as more material is donated. At present the entire collection stands in the region of sixty manuscript collections of varying sizes and about 70,000 photographic images. The archive collections do not document specifi
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Hunter, Tavian. "South Asian collection development at the British Museum: a commentary on the inclusion of audio-visual and digital content." Art Libraries Journal 44, no. 1 (2019): 23–30. http://dx.doi.org/10.1017/alj.2018.38.

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The British Museum's collection represents the history of British collecting taste since its founding in 1753. Over this time span, many important collectors have played a pivotal role in the development of the British Museum's South Asian collection. Through various acquisition methods, a number of illustrated manuscripts, albums, and photographical archives have been acquired for the museum's permanent collection. This development has coincides with the growing reference collection in the Department of Asia Library. With changes in collection practices, there is a growing question about the
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3

Mildwaters, Nyssa, Cody Phillips, and Lisa Yeats. "Finding the Silver Lining: Creating Positive Outcomes From Pest Problems." Biodiversity Information Science and Standards 2 (July 4, 2018): e26226. https://doi.org/10.3897/biss.2.26226.

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Pests pose a significant risk to natural science collections with appreciable resources invested in prevention, monitoring and eradication. Despite best efforts, infestations do still occur in the vast majority of museums at one time or another. Tackling these can be an expensive, time-consuming and labour-intensive undertaking that can also affect staff morale. In some circumstances, however, having to deal with infestations can have positive long-term outcomes. In 2017, a small team of Conservation and Collection Management staff at Otago Museum were required to deal with a carpet beetle out
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4

Jones, Alexandra. "Ethiopian Objects at the Victoria and Albert Museum." African Research & Documentation 135 (2019): 8–24. http://dx.doi.org/10.1017/s0305862x00023864.

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The Victoria and Albert Museum, or V&A, is a museum of art, design and performance based in South Kensington, London. It was established in 1852, following on from the 1851 “Great Exhibition of the Works of Industry of All Nations” spearheaded by Prince Albert. The museum's collections today number over 2.7 million objects, amassed over the past 150 years through active collecting. Amongst them is a small but very significant collection of Ethiopian material, which tells a story about the complex relationship between Britain and Ethiopia during the 19th century, as well as prompting much d
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5

Jones, Alexandra. "Ethiopian Objects at the Victoria and Albert Museum." African Research & Documentation 135 (2019): 8–24. http://dx.doi.org/10.1017/s0305862x00023864.

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The Victoria and Albert Museum, or V&A, is a museum of art, design and performance based in South Kensington, London. It was established in 1852, following on from the 1851 “Great Exhibition of the Works of Industry of All Nations” spearheaded by Prince Albert. The museum's collections today number over 2.7 million objects, amassed over the past 150 years through active collecting. Amongst them is a small but very significant collection of Ethiopian material, which tells a story about the complex relationship between Britain and Ethiopia during the 19th century, as well as prompting much d
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6

Ariadanu, Bian Kusharyanto, and Muhammad Zakariyah. "Augmented Reality dalam Pengenalan Koleksi Museum Karst Indonesia dalam Aplikasi Mobile." Jurnal Informatika Universitas Pamulang 8, no. 4 (2024): 578–85. https://doi.org/10.32493/informatika.v8i4.35993.

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Museums serve as guardians of historical, cultural artifacts, and research outcomes. Yet, sharing collections with the public is vital to fostering appreciation for a museum's legacy and expanding knowledge. Regrettably, the Museum Karst Indonesia's collection introduction relies solely on text and images, lacking allure. This study aims to revolutionize this by employing Augmented Reality (AR) for a more captivating display. Through the AR application, visitors can explore the collection interactively, featuring 3D objects and real-time audio explanations drawn from the museum's Application P
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Tiara Isfiaty. "Exhibition Space Management of Chiharu Shiota as Museum MACAN's Becoming a Child-Friendly Museum." Proceeding of International Conference on Business, Economics, Social Sciences, and Humanities 6 (March 31, 2023): 1065–70. http://dx.doi.org/10.34010/icobest.v4i.462.

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This article aims to describe the child-friendly management of Chiharu Shiota's exhibition space at MACAN museum. Museum collections are a medium of information for the audiences who see them. One of the museum's audience groups is children. The management of collections in an exhibition is an important factor in directing visitors, especially children, to get the right information when understanding and learning about museum collections. The management of museum collections involves visual media outside the collection objects. The visual media in question is labeling, which is a medium that c
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8

Heilbrun, James. "Managing a Museum's Collection." Journal of Arts Management, Law, and Society 23, no. 1 (1993): 69–76. http://dx.doi.org/10.1080/10632921.1993.9944426.

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9

James, K. "A mineral collection in the Ulster Museum matched with a lecture syllabus of Sir Charles Giesecke (1761-1833)." Geological Curator 7, no. 5 (2001): 167–73. http://dx.doi.org/10.55468/gc448.

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Sir Charles Giesecke (1761-1833) was a mineral collector and dealer before becoming Professor of Mineralogy at the Royal Dublin Society in 1813. After his appointment he continued to deal in minerals and he supplied collections to museums in Europe, to Trinity College, Dublin and -- it seems -- to his students. One such student collection was recently discovered in the Ulster Museum, where it had been stored unrecorded for nearly a century. It was recognised by linking numbered specimen labels to an original lecture syllabus in the museum's archives. The history of the collection was establish
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10

Jabbarova, Fargana. "Music-themed museums serve as institutions that preserve musical instruments." InterConf, no. 43(193) (March 20, 2024): 192–98. http://dx.doi.org/10.51582/interconf.19-20.03.2024.021.

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The article discusses music museums that collect, preserve, study, and display materials related to the development of music culture. It notes that the main foundation of each music museum's collection is a collection of musical instruments. The article also highlights the active involvement of scientific-research and public centers in the dissemination of music culture experience of music-profile museums and the implementation of music communication. There is information about museums as the Russian National Music Museum, located in Russia's capital city, Moscow, which has one of the oldest a
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11

Pripadchev, Andrey А. "Museum of the Voronezh Church History and Archeology Committee: 1900–17." Herald of an archivist, no. 3 (2020): 929–39. http://dx.doi.org/10.28995/2073-0101-2020-3-929-939.

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The article discusses the formation the Museum of the Voronezh Church History and Archeology Committee established in 1900. Its relevance is connected with scholars’ interest in the Museum's collections and their acquisition. The research novelty springs from researching the previously unexplored church societies activities in preservation of historical and cultural heritage of the Russian Orthodox Church. The main purpose of the research is to study the Museum's collections. To achieve this goal, the following tasks are formulated: to determine the composition of the Committee Museum fonds; t
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Permana, Basuki Rakhim Setya, Sigit Auliana, and Ahmad Jumhadi Rosid. "PEMBANGUNAN VIRTUAL MUSEUM BERBASIS VIRTUAL REALITY PADA UPTD TAMAN BUDAYA MUSEUM NEGERI BANTEN." National Conference on Applied Business, Education, & Technology (NCABET) 3, no. 1 (2024): 467–75. http://dx.doi.org/10.46306/ncabet.v3i1.141.

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The Banten Provincial State Museum is located in the historic Pendopo Gubernur Banten building in the city of Serang. The building was formerly the Banten Residency Office, established on January 26, 1821. On October 29, 2015, Governor Rano Karno officially inaugurated the museum. The primary goal of the Banten Provincial State Museum is to serve as a repository for the identity of the Banten region. The museum's collection includes historical artifacts from Banten as well as contemporary items from the region. In an effort to enhance accessibility, a Virtual Museum Website was created, allowi
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Botticelli, Peter. "Curating Digital Surrogates in a Museum Archives: The Historic Boards Collection at the Peabody Museum of Archaeology and Ethnology at Harvard University." American Archivist 83, no. 1 (2020): 128–43. http://dx.doi.org/10.17723/0360-9081-83.1.128.

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This work uses a case study to examine the practice of digital curation in a museum archives, with a focus on convergence between museum and archival methods for providing online access to individual items as well as to collections. The case study focuses on the recently digitized Historic Boards (or “H boards”) collection at the Peabody Museum of Archaeology and Ethnology at Harvard University. This collection includes approximately 25,000 photographs depicting Harvard-led research expeditions beginning in the mid-1800s. By the early 1900s, museum staff had organized the photographs into grou
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MOKSHINA, E. N. "REVIEW ON THE BOOK "EAST EUROPEAN COLLECTIONS OF THE MAE RAS". SPB.: MAE RAS, 2022. 356 Р. (COLLECTED WORKS OF THE MAE. VOL. LXIX)". History and Modern Perspectives 5, № 3 (2023): 180–84. http://dx.doi.org/10.33693/2658-4654-2023-5-3-180-184.

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The review analyzes a collection of articles devoted to Eastern European collections from the collections of the Peter the Great Museum of Anthropology and Ethnography of the Russian Academy of Sciences (Kunstkamera, St. Petersburg). In it the museum's staff reviewed the history of collecting, exhibiting and studying materials on the Russian North, central regions of Russia, the Volga region and Belarus, presenting to the readers interested in the study of traditional culture of the peoples of Eastern Europe the rich ethnographic heritage of the museum, mainly related to the 19th - early 21st
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15

Okhotnikov, S. B. "The Odessa Museum of Archaeology." Ancient Civilizations from Scythia to Siberia 1, no. 1 (1995): 75–79. http://dx.doi.org/10.1163/157005794x00345.

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AbstractThe Odessa Museum of Archaeology was founded in 1825 by local antiquarians. The museum's collection grew in part due to excavations of classical sites in the region, in part due to gifts and purchases from dealers in classical antiquities. Up to the Second World War the focus of the Museum's activities was classical archaeology. In the post-war period this expanded to include the whole of the ancient history of the region from the Stone Age to the Middle Ages. The museum now houses one of the best collections of Classical Antiquities in the former Soviet Union and the third-ranking Egy
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16

Nediari, Amarena. "Koleksi Mebel Antik Museum Sejarah Jakarta." Humaniora 1, no. 2 (2010): 512. http://dx.doi.org/10.21512/humaniora.v1i2.2892.

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Collection of antique furniture is the most dominant type collection belongs to the Jakarta History Museum. The museum building is located in tourist areas Kotatua Jakarta, which became the center of historic and cultural development of the city. The purpose of this research is to determine the condition of furniture in the museum's collections so that the rescue of cultural heritage and history associated with the city through the exhibition can be done well. Methods of research conducted by collecting data from various literature sources, surveys and interviews with the management of Jakarta
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17

V., Khodzinskyi, and Cheremnykh N. "Mole (Talpa europaea L., 1758) in funds of the State Natural History Museum of the NAS of Ukraine." Proceedings of the State Natural History Museum, no. 34 (August 20, 2018): 29–36. http://dx.doi.org/10.36885/nzdpm.2018.34.29-36.

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The natural collection (n = 280 specimens) of the mole (Talpa europaea L., 1758) from the collections of the State Natural History Museum of the NAS of Ukraine was studied. The main material was collected in May-August by 23 collectors during the period 1868-1998. Morphometry of 86% of mole specimens was carried out, 52% of the individuals were weighed before preparation, the sex was set at 81% of individuals, and the age – 73%. Natural mole from the museum's funds are extracted or found in Bulgaria (1 gathering place) and six regions of West of Ukraine (30 collection sites). The ratio of the
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18

Haskell, Heather R. "The Horace Smith Collection of Plaster Casts." Sculpture Review 51, no. 4 (2002): 14–17. http://dx.doi.org/10.1002/j.2632-3494.2002.tb00202.x.

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The George Walter Vincent Smith Art Museum opened to the citizens of Springfield, Massachusetts, in 1896. The museum, modeled after an Italian palazzo, houses the large decorative arts collection of George Walter Vincent Smith (1832–1923) and his wife, Belle Townsley (1845–1928). Smith served as the museum's first curator and combined his vast, diverse collection into consciously assembled still‐life arrangements. Over the years, one gallery within the museum remained devoted to a single art form—the plaster cast.
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19

Makhmudov, A. R. "Bashkir collections of the Dashkovo Ethnographic Museum: features of acquisition, overview of items." Abyss (Studies in Philosophy, Political science and Social anthropology), no. 3 (29) (2024): 215–23. http://dx.doi.org/10.33979/2587-7534-2024-3-215-223.

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This article examines the largest ethnographic collection on Bashkir culture, collected in the second half of the XIX – early XX century, stored in the collection of the Dashkovsky Ethnographic Museum (now the Russian Ethnographic Museum, St. Petersburg). The author's work with the funds and inventories of the museum showed that the formation of Bashkir collections began as a result of the transfer of exhibits from the First All-Russian Ethnographic Exhibition in Moscow in 1867. Replenishment of the funds was due to various donors, including scientists, local historians, teachers. In 1923, the
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Yakovleva, V. V., and I. A. Kovtun. "MUSEUM OF PRECIOUS AND DECORATIVE STONES – HISTORY, RECOGNITION, DEVELOPMENT." Mining Geology & Geoecology, no. 2(7) (December 26, 2023): 67–76. http://dx.doi.org/10.59911/mgg.2786-7994.2023.2(7).295202.

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The Museum of Precious and Decorative Stones is one of the well-known museums dedicated to geological topics. The creation of the Museum developed in parallel with the research and exploitation of the Volyn chamber pegmatite deposit. The collection of specimens from the Volyn chamber pegmatite deposit, minerals of the natural resource base of Ukraine and minerals and rocks from deposits around the world has deservedly received the status of unique. This collection, which is the result of many years of hard work by local specialists, is known and respected both among geological experts and nume
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Widdis, Briony. "Ethnographic collections in Northern Ireland and the Solomon Islands tomako (canoe) at the Ulster Museum, 1898–2023." Irish Historical Studies 47, no. 172 (2023): 303–32. http://dx.doi.org/10.1017/ihs.2023.47.

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AbstractThe World Cultures collection at National Museums Northern Ireland is an essential source for the study of Irish collecting in the wider British Empire. The 2022 redisplay of the collection in the Ulster Museum's exhibition, Inclusive Global Histories, is part of a staged engagement with local and source communities. Given the critical importance of the global museum decolonisation work of which the exhibition is an example, a fresh consideration of this ethnographic collection's history is timely. This article reviews the collection within the context of the three museums that have ho
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22

Burn, Lucilla. "Recent Acquisitions of Greek, Roman and Cypriot Antiquities at the Fitzwilliam Museum 2001–2006." Archaeological Reports 53 (November 2007): 191–97. http://dx.doi.org/10.1017/s0570608400000491.

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The Fitzwilliam Museum, founded through the bequest of Richard, 7th Viscount Fitzwilliam of Merrion (1745–1816), is the principal museum and art gallery of the University of Cambridge. The Museum's collection of Greek, Roman and Cypriot antiquities grew steadily throughout the 19th and 20th centuries by gift, bequest, excavation and purchase, and is today one of the finest such collections in the United Kingdom outside London.
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Frigo, Manlio. "The International Symposium “From Anatomic Collections to Objects of Worship: Conservation and Exhibition of Human Remains in Museums,” Paris (France), February 22–23, 2008." International Journal of Cultural Property 15, no. 4 (2008): 437–39. http://dx.doi.org/10.1017/s0940739108080260.

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The Musée du Quay Branly held an international symposium, “From Anatomic Collections to Objects of Worship: Conservation and Exhibition of Human Remains in Museums,” in Paris on February 22–23, 2008, at the museum's Théatre Claude Levy Strauss. The main purpose of the 2-day conference—opened by the French Ministry of Culture and Communication's Christine Albanel—was to stimulate an international debate on a multidisciplinary basis concerning the roles and responsibilities of museums in the exhibition and repatriation of human remains. The subject turned out to be topical, originating from the
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Skupchenko, Ludmila A. "The tiles of Veliky Ustyug in the collections of Russian museums." Podlinnik, no. 5 (March 2025): 79–93. https://doi.org/10.28995/3034-3224-2025-1-79-93.

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The article presents an overview of the complex of tiles produced in Veliky Ustyug in the XVIII–XIX centuries and are in the collections of Russian museums. For the first time, documents on the transfer of tiles from the funds of the Veliky Ustyug Museum-Reserve to the collections of Russian museums, photographs from the archive of A.V. Filippov, images of a number of museum objects from the collection of tiles and photos from the fund of the Veliky Ustyug Museum-Reserve are published. New information is provided from the history of the acquisition of museum collections, and for the first time
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Mayer, Paul, Katherine Hodge, Dana Kahn, et al. "Interns and Volunteers Crucial in Curating and Digitizing Fossil Invertebrates in the Field Museum's Fast Growing Mazon Creek Collection." Biodiversity Information Science and Standards 2 (July 5, 2018): e25942. https://doi.org/10.3897/biss.2.25942.

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The Mazon Creek region in Northeastern Illinois is home to a Middle Pennsylvanian (~307 million years old) soft-bodied fossil Lagerstätte of animals and plants that lived along a subtropical swampy coastline. This area was strip mined for coal from 1928 to 1974 and museum geologists and amateur collectors acquired large fossil collections during this time by collecting and splitting millions of nodules unearthed at the mines. These large collections are important because of the rarity of many of the species in the Mazon Creek biota. There are about 250 described fossil invertebrate species fro
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Yuni Larasanti Nurhasanah br Sitepu, Muhammad Perdana Algusti Tarigan, and Chindi Ros Mava Siregar. "Sistem Penyimpanan Kemuseuman." Jurnal Sadewa : Publikasi Ilmu Pendidikan, pembelajaran dan Ilmu Sosial 2, no. 3 (2024): 101–8. http://dx.doi.org/10.61132/sadewa.v2i3.933.

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The storage system is essential forining, preserving,ining and managing the museum's collection. The aim of this research is to develop and evaluate effective, secure, and accessible storage systems for a wide range of museum collections. The research also focuses on analyzing the storage systems of humanity and covers theories and concepts related to the management and organization of valuable collections in museums. In this research we use methods of study of descriptive literature. We collect and analyze data from a variety of literary sources, including books, journals, and study reports r
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Rahmawati, Rahmawati, Ari Sapto, Aditya Nugroho Widiadi, and Indah Wahyu Puji Utami. "Eksplorasi Tata Pamer Museum Edukasi Universitas Negeri Malang." Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan 8, no. 1 (2024): 129–44. http://dx.doi.org/10.29408/fhs.v8i1.25199.

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This research aims to explore comprehensive information about the display system of the State University of Malang (UM) Educational Museum collection which contains material from a collection of historical objects from the past, as well as identifying the role and potential for the sustainability of educational museums as a source of historical learning. The research method used is a qualitative approach with exploratory study analysis. Data collection through field observations, interviews, and documentation. The research results show that the UM Education Museum's display system has its char
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Agung, Dhanisa Restya. "EFFORTS TO IMPLEMENT THE NEW MUSEUM CONCEPT AT THE SATORIA MANDALA MUSEUM, JAKARTA." SANGIA JOURNAL OF ARCHAEOLOGY RESEARCH 8, no. 1 (2024): 1–19. https://doi.org/10.33772/sangia.v8i1.2466.

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The concept of museums by new museums is to be relevant and useful to education and to involve community participation. As for the problem of this research, how to manage the new museum-based concept. The purpose of this study is that the Knight Mandala Museum may go hand in hand with novelty or according to current conditions to serve and address people's needs according to the concept of a new museum. The methods of research used in this study are qualitative using the new museum concept and applying the concept of mutation themes. The collection of data that is done is by using primary and
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Watkin, Jeffrey, Ian Stead, Duncan Hook, and Susan Palmer. "A Decorated Shield-Boss from the River Trent, near Ratcliffe-on-Soar." Antiquaries Journal 76 (March 1996): 17–30. http://dx.doi.org/10.1017/s0003581500047405.

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Part of an Iron Age shield has recently been identified amongst the collection of Leamington Spa Art Gallery and Museum, Warwickshire, adding another example to the corpus of Iron Age shields recently published in this journal. The newly recognized remains are in three parts and were recorded in the museum's accessions register as ‘3 pieces of horse armour’. These pieces were re-identified as the boss, spine and terminal discs of an Iron Age shield in the course of a project carried out between September 1992 and March 1994 to fully document and record on a computer database the whole of the m
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Hannam, Severine, and Elle Keen. "Data Enrichment Facilitated by Existing Inter-Disciplinary Expertise at Auckland War Memorial Museum." Biodiversity Information Science and Standards 2 (March 16, 2018): e25937. https://doi.org/10.3897/biss.2.25937.

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Tamaki Paenga Hira - Auckland War Memorial Museum cares for documentary heritage, human history and natural sciences collections. Diversity in our collections has facilitated significant collaboration across collection professionals, scientists and cultural knowledge holders. Human history objects from our Pacific nations are primarily made using natural resources which present commonality in terms of care and needs between the Pacific and the Natural Sciences stores. Auckland Museum's Pacific Collection Access Project enriches records of Pacific objects by working with Cultural Knowledge Hold
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Huxen, Keith. "Using Oral Histories at the National WWII Museum." Collections: A Journal for Museum and Archives Professionals 13, no. 2 (2017): 75–90. http://dx.doi.org/10.1177/155019061701300203.

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This article examines the development of the oral history collection at the National WWII Museum and how that collection is used in the permanent exhibits and other programming to support the museum's mission to tell the American story of why the war was fought, how it was won, and what it means today. It details the collection's beginnings under the late Dr. Stephen Ambrose, challenges in the collecting process, and policies and processes that the Research Department of the museum uses today to expand the collection (now holding more than 9,000 personal accounts). The article also discusses u
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Lennuk, Lennart, and Evelin Pääsukene. "Building New Opportunities: Planning Towards Integrated, Open and Accessible Natural History Collections." Biodiversity Information Science and Standards 8 (October 29, 2024): e140408. https://doi.org/10.3897/biss.8.140408.

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The accessibility, value and role of natural history collections (NHCs) for nature conservation, education and society in general, increases over time. The concept of NHCs evolves through advancements in information systems, research methods, and collection studies (Miller et al. 2020). Therefore, we need a new infrastructure for NHCs, which provides the necessary physical and organizational structures to support this evolving approach, including digitization labs, digital solutions for improved workflows, and architectural designs like publicly viewable collection workplaces. With this concep
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Nugraheni, Nur Endah, Ghifari Yuristiadhi Masyhari Makhasi, Endang Soelistiyowati, Shu-Chuan Chen, Mei-Ru Chen, and Chia-Chen Chang. "Challenges of internationalization of the Indonesian museum guides' communication skills competency." International Journal of Communication and Society 4, no. 1 (2021): 92–101. http://dx.doi.org/10.31763/ijcs.v4i1.254.

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As the front guards, museum guides need to master many skills that support the role of transferring information in the museum to every visitor who comes, both domestic and foreign. More specifically, every museum guide must master foreign language skills in order to serve foreign visitors. Unfortunately, not all museum guides have foreign language skills, especially English, and other supporting skills such as curation, communication, and public speaking. This paper investigates the limited ability of English mastery and other supporting skills of museum guides in two government-owned museums
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Schiele, Melissa, Lorraine Cornish, and D. Parsons. "The Taunton Project." Geological Curator 9, no. 3 (2010): 127–32. http://dx.doi.org/10.55468/gc219.

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This paper describes the palaeontological conservation carried out at the Natural History museum London, from 2008 until 2010, on the Taunton Museum's marine reptile collection. Taunton Museum is located in the county of Somerset and is governed by Somerset County Council. The collection of specimens encompassed ichthyosaurs, plesiosaurs, and chelonia (turtles) all found in and around the Taunton and Somerset area. A few select specimens were conserved and prepared for wall mounting in the museum's new exhibition space. The other, smaller specimens were conserved and readied for placement into
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Stiawan, Ade Denis, Sugiyanto Sugiyanto, Rully Putri Nirmala Puji, Bambang Soepeno, Guruh Prasetyo, and Jefri Rieski Triyanto. "Tourist Perceptions of Majapahit Museum as Character Education Facilities." JURNAL HISTORICA 6, no. 1 (2022): 40. http://dx.doi.org/10.19184/jh.v6i1.29788.

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Majapahit museum is a museum that has many collections objects and has a variety of character values contained in the object of the collection which he has. The problem in this research is: (1) How is the value of educational objects in the Museum? ; (2) How are tourists’ perception of the Museum Majapahit as a means of Character education?. This study is a study of tourists perception regarding the collection of Majapahit Museum as a means of character education, especially in the value of religious character, tolerance, national enthusiasm, and homeland love. The research method used is qual
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Roussel, Erin, and Erin Kinchen. "The Louisiana State Museum's Colonial Documents Collection." Collections 11, no. 3 (2015): 243–54. http://dx.doi.org/10.1177/155019061501100308.

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Papastefanou, Gabriella, Anastasios Legakis, and Igor Shogolev. "The Avian Collection of the Zoological Museum of the University of Athens (ZMUA)." Biodiversity Data Journal 4 (November 1, 2016): e10598. https://doi.org/10.3897/BDJ.4.e10598.

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The Zoological Museum of the University of Athens (ZMUA) was established in 1858. It is the oldest natural history museum of Greece. The museum began its operation with the acquisition of a core collection and has been expanding ever since. One of the most substantial parts of the museum's collection consists of the avian exhibits, originating from around the world. Today, the avian collection consists of 2,948 specimens, preserved mostly through taxidermy, along with a significant number of eggs. The birds have been collected from around the world. A substantial part of the collection consist
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Eyster, Jason. "United States v. Pre-Columbian Artifacts and the Republic of Guatemala: Expansion of National Stolen Property Act in its Application to Illegally Exported Cultural Property." International Journal of Cultural Property 5, no. 1 (1996): 185–91. http://dx.doi.org/10.1017/s0940739196000288.

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One of the major issues confronting U. S. courts in international cultural property cases is the significance of foreign export restriction violations. This is a particularly sensitive issue for museums in art purchasing nations since aggressive support of the view that export restriction violation is theft could result in the return of much of a museum's collection. In fact, Thomas Hoving, past director of New York's Metropolitan Museum of Art stated, “almost every antiquity that has arrived in America in the past ten to twenty years has broken the laws of the country from which it came.”
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Nowak-kemp, Małgosia B. "150 years of changing attitudes towards zoological collections in a university museum: the case of the Thomas Bell tortoise collection in the Oxford University Museum." Archives of Natural History 36, no. 2 (2009): 299–315. http://dx.doi.org/10.3366/e0260954109001004.

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Thomas Bell's collection of tortoises arrived in the Oxford University Museum in 1862 as part of the great benefaction of the Reverend F. W. Hope. The collection's fate, together with the fate of other zoological collections of the University, was closely linked with the research and personal interests of the Heads of Departments in the Museum. The whole collection was at first exhibited in the Museum's Main Court for over thirty years, followed by the removal of most of its specimens to stores, with only a small number left on display. In between, the specimens were the subject of furious cus
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Salim, Polniwati, Ulli Aulia Ruki, and Anak Agung Ayu Wulandari. "STUDI TATA PAJANG KERIS PADA MUSEUM PUSAKA, TAMAN MINI INDONESIA INDAH." Narada : Jurnal Desain dan Seni 7, no. 1 (2020): 1. http://dx.doi.org/10.22441/narada.2020.v7.i1.001.

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The purpose of this research is to find a good and interesting collection system of the heirlooms at museum as to provide the visitors with an appeal and clarity information about collections in Museum as a public spaces. The background of this research is looking at the condition of Heritage Museum which looks like been abandoned and not neatly arranged, we concern about the suistainablity of collections’s display that are not maintained well. They need to be upgraded for a display system to be more interesting and easily seen. Especially the ancient museums of heirlooms which is keris that a
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Petrescu, Ana-Maria, Melania Stan, and Iorgu Petrescu. "Taxons dedicated to Grigore Antipa." Travaux du Muséum National d'Histoire Naturelle "Grigore Antipa" 62, no. (1) (2019): 137–59. https://doi.org/10.3897/travaux.62.e38595.

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A comprehensive list of the taxons dedicated to Grigore Antipa by collaborators, science personalities who appreciated his work was constituted from surveying the natural history or science museums or university collections from several countries (Romania, Germany, Australia, Israel and United States). The list consists of 33 taxons, with current nomenclature and position in a collection. Historical aspects have been discussed, in order to provide a depth to the process of collection dissapearance during more than one century of Romanian zoological research. Natural calamities, wars and the ev
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Fincke, Jeanette C. "The British Museum's Ashurbanipal Library Project." Iraq 66 (2004): 55–60. http://dx.doi.org/10.1017/s0021088900001637.

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The purpose of the British Museum's Ashurbanipal Library Project is to investigate the content of the significant tablet collection that this Assyrian king assembled for his royal library. The initial project is focused on the Babylonian texts in order to establish the compositions involved and their relation to the rest of the Kouyunjik Collection and to the collecting activities of Ashurbanipal (668–627 BC).The examination of the Babylonian texts of Ashurbanipal's library is a difficult task. Whoever is familiar with the Nineveh texts knows that the tablets were originally stored in four dif
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Barjaktarov, Daliborka. "Catalog of the bird collection in the Belgrade Natural History Museum: The order Podicipediformes." Archives of Biological Sciences 57, no. 4 (2005): 295–304. http://dx.doi.org/10.2298/abs0504295b.

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The fund of the Belgrade Natural History Museum's ornithological collection has especially great scientific, museological, cultural, and historical importance. The order Podicipediformes was recently chosen for inventory work the results of which are reported here. A total of 57 specimens from three Museum collections and over 20 localities through?out Serbia was inventoried. The most inventory units were recorded in the collection of mounted bird specimens (38), the least in the historical collection (eight). The study collection of birds contains 11 specimens. It was determined that most spe
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Meihan, Andre Mustofa, Sariyatun Sariyatun, and Deny Tri Ardianto. "Utilization of The Museum of Kekhatuan Semaka as A Source Of Learning In Local History." Social, Humanities, and Educational Studies (SHEs): Conference Series 3, no. 2 (2020): 104. http://dx.doi.org/10.20961/shes.v3i2.46227.

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<p><em>The purpose of this study was to determine: 1) Management and types of collections at the Kekhatuan Semaka Museum; 2) Utilization of the kekhatuan semaka museum collection as a source of historical learning; 3) The Museum's strategy for self-promotion. The research method used is descriptive qualitative. The data collection techniques used were literature study, interview, observation, and documentation. The object of research is Kekhatuan semaka Museum. The data analysis technique used is interaction analysis, with four stages, namely data collection, data reduction, data p
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Mewengkang, Alfrina, Herry Sumual, and Ilyas Teruna. "Revolutionizing Ethnographic Collection Introduction through Augmented Reality Technology in Museum." Elinvo (Electronics, Informatics, and Vocational Education) 9, no. 1 (2024): 144–64. http://dx.doi.org/10.21831/elinvo.v9i1.66191.

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The North Sulawesi Provincial State Museum is one of the tourist destinations that offers a profound experience in exploring the historical, cultural, and tourism heritage of Indonesia. Visitors can learn about various valuable historical collections, including ethnographic collections, which hold significant historical value. However, the information provided about the ethnographic collection is very limited, making it challenging for visitors to understand and appreciate it. This research aims to develop an application for recognizing the museum's ethnographic collection using Augmented Real
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Roden, Rosemary. "CING 1. The George Maw Collection. Ironbridge Gorge Museum." Geological Curator 4, no. 6 (1986): 349. http://dx.doi.org/10.55468/gc275.

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The arrival at Ironbridge of the George Maw collection in the spring of 1985 was the first step in a major and exciting scheme to introduce geological and mining material into the Museum's collections and displays. With his own keen interest in geology, the Director, Stuart Smith, fully recognises the important role that the unique geology of the Shropshire Basin played in the industrial development of Ironbridge, birthplace of the Industrial Revolution. During 1985 he set up a Mining and Geology Group to advise the Museum on promoting these 'new'collections. Eight potential geological display
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Zou, Ziyi, and Lirong Zeng. "Analysis of the Exhibition Design at the Gansu Jiandu Museum." Economic Society and Humanities 2, no. 1 (2025): 34–39. https://doi.org/10.62381/e254105.

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The design of museum exhibitions, through the integration of art and technology, creates a bridge between history and the present, enabling the transmission of cultural memory and the promotion of civilizational values. The Gansu Jiandu Museum, known for housing the largest collection of Han dynasty wooden and bamboo slips in China, serves as the focus of this analysis. This paper begins with an overview of the museum's general situation, followed by an in-depth analysis of the content design across its four exhibition halls. It further investigates the museum’s design in terms of spatial layo
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Giles, Jim. "Curators bugged by museum's vision for insect collection." Nature 432, no. 7018 (2004): 659. http://dx.doi.org/10.1038/432659a.

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Arumsari, Devinta Nur, Muhadjir Anwar, and Dominikus Aditya Fitriyanto. "Transformasi Model Bisnis Museum Ke Pariwisata Digital Di Indonesia." Jurnal Manajerial 10, no. 02 (2023): 346. http://dx.doi.org/10.30587/jurnalmanajerial.v10i02.4850.

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Background – Because of the Covid-19 pandemic, human travel was severely restricted and reliant on digital technology. Tourism is one of the businesses that has been obliged to adapt to digitalization in order to keep its primary source of income from travelers. The present transition to digital tourism is taking the shape of virtual tours or long-distance interactive tours, such as those seen in museums. To reach more tourists, some museums in Indonesia already entered the digitization stage by offering virtual tours and edutainment.
 Aim – This study intends to provide emphasis on the a
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Dapena-Tretter, Antonia, and Eloise Pelton. "African Art at the Kreeger Museum: Validating a Collection and Its Historic Stakeholders." Collections: A Journal for Museum and Archives Professionals 14, no. 1 (2018): 63–93. http://dx.doi.org/10.1177/155019061801400104.

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Written by The Kreeger Museum's former head of education and its founding archivist, this article looks closely at provenance and makes use of primary source documents and photographs to relive the rich story of how The Kreeger Museum's African art collection came to be. A detailed account of the negotiations, communications, transactions, and circulations of people, objects, and ideas—the following narrative offers an interesting case study into the early European and American art collectors' circuit.
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