Relevant bibliographies by topics / Museum archives

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Museum archives'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Museum archives"

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Wagner, Bernd. "Kontaktzonen im Museum. Kindergruppen in der Ausstellung „Indianer Nordamerikas“." Paragrana 19, no. 2 (2010): 192–203. http://dx.doi.org/10.1524/para.2010.0033.

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AbstractEuropean ethnological museums usually administer not only exhibitions but also large archives. Visitors of the exhibitions generally do not get to know that the archived objects exist. As these objects are omitted and difficult to access they leave a blank position as Deborah Poole remarks. Decisions as to why objects are displayed or archived are an important matter in museum studies. James Clifford is challenging museums to integrate contact zones in their exhibitions. Ethnological museums contribute to intercultural encounter by allowing contact to their archives, opening exhibition
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Tupan, Tupan, and Mohamad Djaenudin. "Peran Kolaborasi Galeri, Perpustakaan, Arsip dan Museum Dalam Mendiseminasikan Sumber Informasi Pengetahuan kepada Masyarakat." Tik Ilmeu : Jurnal Ilmu Perpustakaan dan Informasi 6, no. 2 (2022): 139. http://dx.doi.org/10.29240/tik.v6i2.3301.

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An analysis of the role of galleries, libraries, archives and museums as a source of information for public knowledge was conducted. This study aims to find out how the collaborative role of galleries, libraries and archives in disseminating knowledge information sources to the public. The study was conducted using a narrative review which was complemented by observations via the web. The results of the analysis show that institutions that have collaborated include merging and collaborating with regional libraries and archives located in provinces and districts as well as cities throughout Ind
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Anastasya, Diva, Narocha Mihasu, Safira Cornellya, and Farika Nikmah. "MANAJEMEN METADATA ARSIP AUDIO DENGAN APLIKASI SEDERHANA PERKANTORAN PADA MUSEUM MUSIK INDONESIA." Dharma: Jurnal Pengabdian Masyarakat 4, no. 2 (2023): 40. http://dx.doi.org/10.31315/dlppm.v4i2.10140.

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Metadata provides the necessary context to understand and organize systems, data, and content management. Thus the metadata in the archive has a fairly important role, with the existence of archive metadata it will facilitate the management of archives, both static archives or dynamic archives. At the Indonesian Music Museum in Malang City, there are various collections of audio archives from all over Indonesia which are static archives that need to be preserved for their authenticity and physicality as they are part of Indonesia's cultural heritage. The archive collection is divided into vari
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Stone, Tammy. "A Guide to the Use of Museum Collections for Archaeological Research." Advances in Archaeological Practice 6, no. 4 (2018): 372–76. http://dx.doi.org/10.1017/aap.2018.13.

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ABSTRACTFrom a perusal of archaeological and museum journals it is apparent that there is a rich literature dealing with topics such as the place of museums and repositories in anthropological research, engagement with indigenous/descendant populations by archaeologists working in a variety of settings (including collections-based research), and research centered on the study of existing archaeological collections. Despite this rich literature, however, the archaeological researcher who wishes to use collections in archives, museums, or repositories for the first time is often perplexed by how
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Abbey, Heidi N. "Does a decade make a difference? Comparing the web presence of North American art museum libraries and archives in 1999 and 2011." Art Libraries Journal 37, no. 3 (2012): 34–40. http://dx.doi.org/10.1017/s0307472200017582.

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The number of North American art museums with a presence on the internet has more than doubled since 1999. This is not surprising given the power of new media to transform the experiences that museum visitors have with our cultural institutions. Every year museums attract thousands of visitors to view, both in person and online, their specialized collections and unique exhibitions. Developing in tandem with these resources and largely unfamiliar to the general, museum-going public, the libraries and archives of these institutions have contributed to the research mission, educational programmin
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Nadilla, Dewicca Fatma, and Muhammad Rico. "The Importance of Lambung Mangkurat Banjarbaru Archives And Museum In Towards Digital Archives." HISTORIA: Jurnal Program Studi Pendidikan Sejarah 12, no. 1 (2024): 269. http://dx.doi.org/10.24127/hj.v12i1.9011.

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This research analyzes the importance of manuscript archives becoming digital the era information technology. Archives are important part historical research data, the transformation of archives from manuscripts to digital very necessary. This research uses historical methods with the steps of collecting the researched data, criticizing, interpreting and compiling historical events into stories. Obtain and validate research data, the researcher then conducted field research, namely interviews with museum managers, tour guides, and related agencies. The results the research illustrate that digi
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Oberhelman, David D. "Archives & Museum Informatics9845David Bearman. Archives & Museum Informatics." Electronic Resources Review 2, no. 5 (1998): 51. http://dx.doi.org/10.1108/err.1998.2.5.51.45.

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Tothová, Jolana. "The Working Class Movement Museum Collection – Extensive Array of Objects, Archives and Books." Muzeum: Muzejní a vlastivedná práce 55, no. 2 (2017): 16–26. http://dx.doi.org/10.1515/mmvp-2017-0042.

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Abstract The Collection of the Working Class Movement Museum results from a fusion of three Prague museums – the Klement Gottwald Museum, the V. I. Lenin Museum and the Julius Fučík Museum, which were taken over and completed by the Working Class Movement Museum in 1990. For the reason of securing the completeness of the Collection, the Working Class Movement Museum donated it to the National Museum in 2014. The Collection of hundreds of thousands of items consists of collectibles (e.g. works of visual art, posters, military objects, flags and standards, honours and documents of social events
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Abd Jalal, Ahmad Farid, Rahimin Affandi Abdul Rahim, and Muhammad Jumaidy Abdul Manap. "Perkembangan Institusi Memori (LAM) pada Era British di Tanah Melayu." SEJARAH 31, no. 1 (2022): 34–64. http://dx.doi.org/10.22452/sejarah.vol31no1.3.

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This paper aims to examine the development ofLAM memory institutions (Library, Archive, Museum) or libraries, archives,and museums during the British colonial era in Malaya. This study is using qualitative methods that involve the collection and evaluation of primary sources from National Archive and Museum. The findings of the study show that the efforts of usingLAM in Europe based on the philosophy of the Enlightenment have been applied by the British in the colonization of Malaya. This reality can be seen from the British writings on Malaya before independence. Among them was the role of Is
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Castellani, Paola, and Chiara Rossato. "On the communication value of the company museum and archives." Journal of Communication Management 18, no. 3 (2014): 240–53. http://dx.doi.org/10.1108/jcom-02-2012-0018.

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Purpose – The purpose of this paper is to see whether companies that have set up company museums and archives realise the communication potential of this tool and in what terms such potential may have been actualised. Design/methodology/approach – The paper opted for an in-depth study in order to get an insight into the perception of the communication potential of the museum and archives. All of the 52 companies associated with the association “Museimpresa” were contacted, the members of which are the main companies in Italy that have set up their own museum and archives. Each company has been
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Dissertations / Theses on the topic "Museum archives"

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Geyer, Andrea. "A TRIBAL SPECIAL LIBRARY AND ARCHIVES PROJECT: ESTABLISHING THE MALKI MUSEUM SPECIAL LIBRARY AND ARCHIVES." CSUSB ScholarWorks, 2018. https://scholarworks.lib.csusb.edu/etd/752.

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The Malki Museum Tribal Special Library and Archives project is an on-site repository created in order to provide access to information regarding tribal culture and heritage to local tribal members and researchers. The project filled the need for a space dedicated to material related to the history of local Southern California Native American tribes and information regarding the topics of Archaeology, Anthropology and History. The collection includes: books, manuscripts, documents, audio/visual media, and photographs. Bringing together multimedia sources, the Special Tribal Library allows for
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Kumah, Daniel. "Begho (Ghana) Revisited : examining archaeological archives and ‘excavating’ museum storage." Electronic Thesis or Diss., Toulouse 2, 2022. http://www.theses.fr/2022TOU20070.

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Begho était la ville la plus peuplée en 1471 lorsque les Portugais sont arrivés sur la Gold Coast. C'était une ville de marché qui entretenait des relations commerciales avec Jenne, dans la région du coude du Niger, puis avec la côte. L'importance de Begho est relatée dans des manuscrits arabes et des documents européens, ainsi que par des récits oraux.Il y a peu d'informations concernant la pratique archéologique, les publications et les rapports de Begho depuis les dernières fouilles en 1979. Certains chercheurs ont problématisé cette situation et l'ont appelée le " mystère de Begho ".En 201
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Soltys, Hannah, and Hannah Soltys. "Archiving Experience: A Case Study of the Ephemeral Artworks and Archives of Allan Kaprow, Eva Hesse, and Richard Tuttle." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/626142.

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In this thesis, I will examine the difficulties of documenting ephemeral art and the possible solutions that archivists, curators, artists and other museum professions have come up with. I will begin by presenting a background of the history of performance art, which was the impetus for all ephemeral art to come. Then I will present case studies of three artists: Allan Kaprow, Eva Hesse, and Richard Tuttle, and their archival processes, all of which provide very different approaches to similar artistic problems. Finally, I will discuss the implications of re-performance and re-creation of ephe
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8, ASHRAE Technical Committee 9., Cecily M. Grzywacz, Phil Maybee, Jan Holmberg, and Monika Fjaestad. "Chapter 21 ASHRAE Handbook Applications 2007 : Museums, Galleries, Archives and Libraries." Högskolan på Gotland, Avdelningen för Kulturvård, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hgo:diva-311.

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Inom ramen for Energimyndighetens projekt “Spara och bevara” har Högskolan på Gotland bearbetat och översatt kapitel 21 i “2007 ASHRAER HANDBOOK Heating, Ventilation and Air-Conditioning APPLICATIONS”. ASHRAE är namnet på den amerikanska ingenjörsorganisationen American Society of Heating, Refrigerating and Air-Conditioning Engineers, Inc. baserad i Atlanta i USA. Bearbetningen är gjord av Tekn.Dr. Jan Holmberg vid Högskolan pa Gotland i samarbete med konservator Monika Fjaestad vid Riksantikvarieambetet. Syftet med denna publikation är att på svenska sprida de utomordentligt väl underbyggda ö
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Stojic, Sonja Alexandra. "Revealing and Exposing the City Behind the Symbol." Thesis, Virginia Tech, 2018. http://hdl.handle.net/10919/83883.

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Washington, D.C. is a city that is designed to serve an entire nation; yet, as a result of this, its own history and people can seem to be lost in the shadow of the federal city. With an abundance of museums throughout the city, the museum that is needed, but no longer exists, is one for the District itself. This omissionleaves a tremendous gap in historical knowledge and no representation focused on the character of the city itself. How can we fulfill this need in a way that is unique to this specific city and would provide more than an exhibit by allowing people to be surrounded by and cont
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Kgokong, Arthur. "South African black artists : in the permanent collection of the Pretoria Art Museum (1964 –1994)." Diss., University of Pretoria, 2020. http://hdl.handle.net/2263/78619.

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The Pretoria Art Museum opened its doors to the public on May 20, 1964. At that time the Johannesburg Art Gallery had already been established in 1910 and the South African National Gallery in Cape Town in 1895. The realization of the Pretoria Art Museum was an accomplishment of the City’s clerk’s push for the city to have a museum of its own that would enable it to showcase works that the city owned which until then had been confined to its administrative offices and the City Hall. This nucleus collection which had been inaccessible to the general public, consisted of
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Langford, Martha. "Suspended conversations : private photographic albums in the public collection of the McCord Museum of Canadian History." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0007/NQ30314.pdf.

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Ruckel, Emily. "A Room for History: Professionalizing the Archives Room at Northwest Ohio Psychiatric Hospital to Create the Toledo State Hospital Museum." University of Toledo / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1418388533.

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Craveiro, Joanna. "A live/living museum of small, forgotten and unwanted memories : performing narratives, testimonies and archives of the Portuguese Dictatorship and Revolution." Thesis, University of Roehampton, 2016. https://pure.roehampton.ac.uk/portal/en/studentthesis/a-liveliving-museum-of-small-forgotten-and-unwanted-memories(f671342c-cb8d-4696-9340-b3644a601cde).html.

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This practice-as-research thesis investigates and contributes to the transmission of official, non-official and personal memories of the Portuguese Dictatorship (1926-1974), Revolution (25th April 1974) and Revolutionary Process (1974-1975) – three key historical moments, memories of which are still subject to contestation. My research addresses these disputes, part of the overall “memory struggles” (Jelin, 2003) concerning the public politics of memory in Portugal, together with the lack of inscription of those memories in the public space. Moreover, in what I argue to be the absence of an of
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Friberg, Zanna. "De arkeologiska artefakternas museala liv : En biografi över Valsgärdesamlingen." Thesis, Uppsala universitet, Institutionen för ABM, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-299074.

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The museum life of archaeological artefacts - A biography of the Valsgärde-collection is a two years master ́s thesis in Archive, Library and Museum studies at Uppsala University in Sweden. It is an object biography of an archaeological collection housed in the university museum Museum Gustavianum in Uppsala. The collection is the result of excavations conducted by Uppsala University in the early 20th century in Valsgärde in Gamla Uppsala parish, Uppland. The aim of the study is to highlight the museum life of archaeological artefacts and relate this to the curation crisis within archaeology
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Books on the topic "Museum archives"

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Riedl-Dorn, Christa. Schätze des Archivs: Treasures from the archives. Archiv und Wissenschaftsgeschichte, Naturhistorisches Museum Wien, 2008.

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Deborah, Wythe, and Society of American Archivists. Museum Archives Section., eds. Museum archives: An introduction. Society of American Archivists, 2004.

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Morija Museum & Archives. Morija Museum & Archives. Morija Museum & Archives Commission, 1989.

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Wythe, Deborah. Museum Archives: An Introduction (2nd edition). Society of American Archivists, 2004.

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Bearman, David. Archives & museum data models & dictionaries. Archives & Museum Informatics, 1990.

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Bearman, David. Archives & museum data models & dictionaries. Archives & Museum Informatics, 1990.

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Museum, McCord. Les archives du Musée McCord =: The McCord Museum archives. Le Musée, 1992.

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Denise, Wallen, and Cantrell Karen, eds. Funding for museums, archives, and special collections. Oryx Press, 1988.

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Archives, Australian Museum. A guide to the Australian Museum Archives. Australian Museum, 1988.

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Ken, Jones. The Summerland Museum: From an idea to the present. Valley Pub., 2001.

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Book chapters on the topic "Museum archives"

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Jones, Mike. "Archives and museums." In Artefacts, Archives, and Documentation in the Relational Museum. Routledge, 2021. http://dx.doi.org/10.4324/9781003092704-1-2.

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Carré, Marion. "Post-Truth." In Edition Museum. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-017.

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In this paper Marion Carré explores the intricate relationships between art, AI, archives, and truth through delving into the creation and detection of fake news and forgeries. By me ans of AI-generated texts, the study examines the living nature of archives and the impact of crowdsourcing on truth perception. AI's dual role in facilitating forgery and aiding detection is explored, thus emphasizing the importance of critical thin king and education as safeguards against deception. Museum professionals play a crucial role in raising awareness about the challenges posed by digital manipulation.
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Jones, Mike. "Museums Victoria and the history of museum computing." In Artefacts, Archives, and Documentation in the Relational Museum. Routledge, 2021. http://dx.doi.org/10.4324/9781003092704-2-3.

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Ballestero, Diego. "Challenges and Potential of the Digitization of Anthropological Collections in Argentina." In Edition Museum. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839457900-008.

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This paper explores the challenges and potential of the digitization processes of anthropological collections carried out in Argentina. Firstly, it briefly reviews the historical trajectory and implementation of these processes as an alternative to the access, visibility and use of anthropological collections. Subsequently, a historical overview of these processes in Argentina is presented. Taking as an example the initiatives of digitization of anthropological collections and archives carried out by the Laboratorio de Documentación e Investigaciónen Lingüística y Antropología, the Museo de Antropología and the Instituto de Antropología Córdoba, I examine the epistemological and ontological challenges of the digitization processes.
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Alessandrini, Michela. "‘Repetition: Summer Display 1983’ at Van Abbemuseum." In Cultural Inquiry. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_23.

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The reactivation of Rudi Fuchs’ 1983 exhibition ‘Summer Display’ took place in 2009 as part of the collection series, ‘Play van Abbe part 1: The Game and the Players’, and was entitled ‘Repetition: Summer Display 1983’. The reconstruction questioned the codes and systems used within (but also consciously and unconsciously outside) the museum and raised several questions, including: what story did the original composers want to tell, and how can this piece of history be understood today? Is the new presentation a separate exhibition entirely or a copy of the ‘original’ one? What is then the difference between the idea of copy, repetition, and reenactment? And what is the role of the museum’s archive in the process of restaging? What can curatorial institutional archives tell us about the museum itself?
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Bulegato, Fiorella, and Marco Scotti. "Exhibiting Design as a Process." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_26.

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AbstractThis contribution explores the idea of exhibition formats, both physical and digital, dedicated to design and focused on narrating the experience of the design process. It begins in particular with the analysis of a selection of exhibition models to define the story of Italian industrial design – later simply “design” – as a process and not as an individual product, looking into museums such as the permanent collection of the ADI Design Museum in Milan, as well as opportunities for reconstructions or exhibitions beyond the confines of physical space which rely on the forms of digital archives. In this regard, the two selected case studies shed light on the possibilities offered by the combination of heritage digitisation and data interoperability technologies used to build archives. By making it possible to search a gigantic volume of information relative to materials that belong to different conservators – from institutions to individual users –, these solutions extend the possible construction of new and renewed storylines centred on reconstructing the design process. The cases studied here involve two recent research studies finalized towards two archives: the project to reconstitute the Ettore Sottsass Jr. Archive based on the materials conserved at the Fondazione Giorgio Cini in Venice, conducted by the Università Iuav di Venezia in collaboration with Centro ARCHiVe, and the case dedicated to the Griffo typeface, which retrieves and expands the material preserved at the Tipoteca Italiana Fondazione.
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Haslund Hansen, Anne, and John Lund. "12. Excavating Time and Space: The Archive of the Hama Expedition in the National Museum of Denmark." In Shaping Archaeological Archives. Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.arc-eb.5.133503.

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Bury, Stephen J. "Museum Libraries and Archives in the Digital 21st Century." In Museums and Digital Culture. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-97457-6_24.

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Giannachi, Gabriella. "Documenting Hybrid Mixed Media Art Forms: The Role of the Audience." In Conservation of Contemporary Art. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42357-4_12.

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AbstractDocumentation plays a key role in the conservation of art, yet a key factor in documentation, the role played by the audience in the design, experience and documentation of art, is generally overlooked. In complex hybrid artworks the role of the audience is key to understand how an artwork is conceived and received. While researchers and museums have started to address this gap, it remains to be seen how best to include both documentations about the role of the audience and documentations by the audience in museum documentation. The chapter looks into a number of case studies which illustrate the significance of the role of the audience in documenting contemporary art and discusses the responsibilities of researchers and museum professionals in facilitating the conservation of materials produced by and about the audience in their archives and/or collections.
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Andò, Romana, Samuele Briatore, and Gianni Denaro. "Rethinking Fashion Storytelling Through Digital Archives and Immersive Museum Experiences." In Fashion Communication in the Digital Age. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-38541-4_26.

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AbstractThe Italian fashion system is represented by a wide and valuable heritage that needs to be properly preserved and experienced by everybody, from fashion students to scholars, artisans and designers, etc. Although in the last decades there have been many attempts to create a museum dedicated specifically to Italian fashion, in the end, institutions or museums have not been able to carry out a valuable and accomplished project. One fundamental reason is represented by the Italian specificities in terms of the fashion-industry evolution and, more in general, by the complexity of the fashion system which has been built and continues to grow at the crossroads between different experiences, practices, and relations. As such, it has been studied from diverse disciplines and approaches ranging from art to design, from economics to sociology of culture, and so on. Moreover, when considering both the intangible and tangible fashion heritage, gathering them in order to preserve and share them becomes extremely difficult. The challenge is therefore to understand how to collect, preserve, and enjoy this heritage, combining the cultural pluralism of local traditions and their products, together with the creativity of artists and designers and the economic aspects of the industry, relating them all with the cultural and social features of everyday life-fashion. The aim of this paper is to address these issues starting from the preliminary reflections of the PNRR project (Piano Nazionale di Ripresa e Resilienza, National Recovery and Resilience Plan) “Cultural heritage active innovation for next-gen sustainable society”, (CHANGES aims at promoting interdisciplinary research and inter-sectorial synergies to support the development of innovative long-term strategies for the interpretation, understanding, conservation, and valorization of tangible and intangible cultural heritage. The extended partnership is composed of 11 Universities, 4 Research Institutions, 3 Advanced Studies Schools, 6 Companies, and 1 Center of Excellence (see https://sites.google.com/uniroma1.it/changes/home).) in order to discuss in detail the Spoke 2, “Creativity and Intangible Heritage” thematic line on fashion preservation and its musealization as developed by the authors of this essay.
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Conference papers on the topic "Museum archives"

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Nóbrega, Rui, Nuno Correia, Carlos Nobre, Ana Bárbara Teixeira, Leonor Oliveira, and Raquel Henriques Da Silva. "Navigation in past museum exhibitions using multimedia archives." In the International Working Conference. ACM Press, 2012. http://dx.doi.org/10.1145/2254556.2254710.

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Кончевска, К. "Диалектологические исследования в ареале со сложной социолингвистической ситуацией: специфика, методологические подходы, перспективы (по материалам современных экспедиций на польско-белорусском пограничье)". У Межкультурное и межъязыковое взаимодействие в пространстве Славии (к 110-летию со дня рождения С. Б. Бернштейна). Институт славяноведения РАН, 2021. http://dx.doi.org/10.31168/0459-6.27.

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The author considers the specifics of conducting field research in areas with a dif ficult sociolinguistic situation on the example of the field research in the Polish-Belarusian transborder, on the territory of the former parish of Usnar. The paper offers for discussion such methods as: the use of archival materials for the study of historical multilingualism; verification of the dialect lexemes extracted from the archives documents during field expeditions; use of museum objects as tools for obtaining unique oral historys as well as new dialect material.
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Zavalina, Oksana. "Language Archiving Training: A Case Study of a Metadata Course in Library and Information Science Graduate Program, 2020 - 2023." In International Workshop on Digital Language Archives: LangArc-2023. University of North Texas, 2023. http://dx.doi.org/10.12794/langarc2114299.

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Since the early 21st century, funding agencies have been continuously supporting efforts aimed at language preservation and revitalization. This includes providing online access to unique and valuable collections of language data, which often originates from Indigenous and endangered language communities. Language materials are organized and represented in digital archives mostly by information professionals in the library, museum, and archival fields. However, a gap exists between the way these materials are organized and represented and the understanding of that data – and expectations towar
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Oomen, Johan, Maarten Brinkerink, Bouke Huurnink, and Roeland Ordelman. "Changing gears." In SOIMA 2015: Unlocking Sound and Image Heritage. International Centre for the Study of the Preservation and Restoration of Cultural Property, 2017. http://dx.doi.org/10.18146/soima2015.2.07.

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Audiovisual archives are embracing the opportunities offered by digitization for managing their work processes and offering new services to a wide array of user groups. Organization strategy, working processes and software development need to be able to support a culture where innovation can flourish. Some institutions are beginning to adopt the concept of ‘two-speed IT’. The core strategy aims to accommodate two informational technology tracks simultaneously: foundational but ‘slow’ and innovative but exible and ‘fast’. This paper outlines the rationale behind the two-speed IT strategy. It hi
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Kamaludin, Kamaludin. "HUMAN RESOURCES AVAILABILITY IN GLAM DEVELOPMENT AT INDONESIA INSTITUTE OF SCIENCES (LIPI)." In International Conference on Documentation and Information. Pusat Data dan Dokumentasi Ilmiah, 2021. http://dx.doi.org/10.14203/icdi.v4i.79.

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The collections of galleries, libraries, archives and museums (GLAM) are still scattered in the work units at LIPI. To manage these collections, adequate human resources, both quantitative and qualitative, are needed. When this research was conducted, there was a socialization activity to collaborate the GLAM management among work units at LIPI. This study aims to determine human resources available in developing GLAM at LIPI. The research method used was qualitative research. Analysis of data in qualitative research was carried out narratively. The research results show that human resources f
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Hinds, Stuart. "Revealing a Community's Heritage: the Gay and Lesbian Archive of Mid-America." In Kansas LGBTQ Symposium. Fort Hays State University, 2022. http://dx.doi.org/10.58809/wtob5998.

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The Gay and Lesbian Archive of Mid-America (GLAMA) was founded in 2009 to collect, preserve, and make accessible the documents and artifacts that reflect the histories of the LGBTQ communities in the Kansas City region. Originally a partnership between the University of Missouri – Kansas City Special Collections and Archives Division, the Kansas City Museum, and the Jackson County Historical Society, by 2014 two of the partners retreated from the project and it has been solely an initiative at UMKC since. GLAMA has been wildly successful in many respects – response from community donors; inter
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Chaysalina, Inne, Achmad Syarief, and Meirina Triharini. "Archives Development of Cultural Objects based on 3D Documentation Method for Digital Museum." In ICON ARCCADE 2021: The 2nd International Conference on Art, Craft, Culture and Design (ICON-ARCCADE 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211228.010.

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Wang, Zhan, Bin Zheng, Wenlong Xu, Gang Wang, and Mingsheng Liu. "Variable Air Volume System Application in Museums." In ASME 2007 Energy Sustainability Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/es2007-36058.

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Relative humidity and temperature control is key in museums, galleries, libraries and archives. Normally constant volume (CV) air handling units (AHUs) with reheat coils are applied in these buildings. Setting a low supply air temperature limits the highest humidity level; however, reheat coils have to be used to maintain space temperature due to constant supply airflow. As a result, simultaneous heating and cooling exists with excessive energy consumption. It is well known that variable air volume (VAV) technologies can reduce simultaneous heating and cooling as well as fan power. This paper
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Smirnov, N. "Brief overview of Manuscript Group No. 3 of the Archives of the Russian Ethnographic Museum: documents of Sergey Aleksandrovich Teploukhov." In Archaeological sites of Southern Siberia and Central Asia: from the appearance of the first herders to the epoch of the establishment of state formations. Institute for the History of Material Culture of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.31600/978-5-907298-16-3.16-19.

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Borgherini, Malvina, Luciano Comacchio, and Emanuele Garbin. "H VEN LC3 a flexible platform for consulting museum and institution archives Le Corbusier's project (1960s) for the Venice Hospital." In 2014 International Conference on Virtual Systems & Multimedia (VSMM). IEEE, 2014. http://dx.doi.org/10.1109/vsmm.2014.7136694.

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Reports on the topic "Museum archives"

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Brison, Jeffrey, Sarah Smith, Elyse Bell, et al. The Global Engagement of Museums in Canada. University of Western Ontario, 2021. http://dx.doi.org/10.5206/vdjm2980.

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The Global Engagement of Museums in Canada examines Canadian museum diplomacy, assessing the international activities of Canadian museums to consider the ways these institutions act as cultural diplomats on the global stage. The report presents the results of a multi-partner collaborative research project addressing the work of ten institutions, including the Art Gallery of Alberta; Aga Khan Museum; Canadian Museum of History; Canadian Museum of Immigration at Pier 21; Montreal Museum of Fine Arts; Museum of Anthropology at UBC; National Gallery of Canada; Ottawa Art Gallery; Pointe-à-Callière
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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos, Silk Chiffon Afternoon Dress c. Fall 1976. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/q3g5-n257.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This afternoon dress is from Galanos' Fall 1976 collection. It is made from pale pink silk chiffon and finished with hand stitching on the hems and edges of this dress, The dress was gifted to Drexel University as part of The James G. Galanos Archive at Drexel University in 2016. After it was imaged the gown was deemed too fragile to exhibit. By imaging it using high resolution GigaPan tech
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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos Evening Gown c. 1957. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/jkyh-1b56.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening gown is from Galanos' Fall 1957 collection. It is embellished with polychrome glass beads in a red and green tartan plaid pattern on a base of silk . It was a gift of Mrs. John Thouron and is in The James G. Galanos Archive at Drexel University. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan tech
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Suárez, Nicólas. Museos del cine latinoamericanos Políticas de preservación fílmica en contextos conviviales y desiguales. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, 2022. http://dx.doi.org/10.46877/suarez.2022.46.

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Hacia mediados del siglo XX, en distintas partes del mundo se crearon diversos museos del cine y cinematecas, para preservar el patrimonio cultural de sus respectivas comunidades. En el caso de Latinoamérica, al establecerse en contextos socialmente desiguales y culturalmente diversos, estas instituciones se desarrollaron como configuraciones conviviales en las que las relaciones entre las personas y los archivos se vieron afectadas por profundas diferencias culturales y asimetrías de financiamiento. Este artículo provee un análisis comparativo de la historia de una serie de instituciones embl
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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos, Wool Evening Suit. Fall 1984. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/6gzv-pb45.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening suit is from Galanos Fall 1984 collection. The skirt and bodice of the jacket are black and white plaid wool. The jacket sleeves are black mink with leather inserts that contrast the sheen of the leather against the luster of the mink and reduce some of the bulk of the sleeve. The suit is part of The James G. Galanos Archive at Drexel University gifted to Drexel University in 2
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Khomenko, Tetiana, та Yuriy Kolisnyk. Втрати української культури у російсько-українській війні: культурно-інформаційний спротив. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11749.

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The authors explored the activity of mass media and cultural organizations aimed at clarification of the current problematic issue – preservation of Ukrainian cultural heritage under the conditions of the full-scale invasion of Russia into Ukraine. The authors emphasize that occupants not only destroy historic buildings, i.e. material objects, but also steal art values, destroy library and archive funds; their actions are aimed at destruction of our spirituality, identity and history. It is pointed out that there are the main streams in the work of journalists, experts, and culture figures, na
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Martin, Kathi, Nick Jushchyshyn, and Daniel Caulfield-Sriklad. 3D Interactive Panorama Jessie Franklin Turner Evening Gown c. 1932. Drexel Digital Museum, 2015. http://dx.doi.org/10.17918/9zd6-2x15.

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The 3D Interactive Panorama provides multiple views and zoom in details of a bias cut evening gown by Jessie Franklin Turner, an American woman designer in the 1930s. The gown is constructed from pink 100% silk charmeuse with piping along the bodice edges and design lines. It has soft tucks at the neckline and small of back, a unique strap detail in the back and a self belt. The Interactive is part of the Drexel Digital Museum, an online archive of fashion images. The original gown is part of the Fox Historic Costume, Drexel University, a Gift of Mrs. Lewis H. Pearson 64-59-7.
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Sheptunov, M. V. Innovation interdisciplinary: a Method of optimizing the performance of production lines for the digitization of Museum objects and archival library materials and collections. Science and Innovation Center Publishing House, 2017. http://dx.doi.org/10.12731/ofernio.2017.23132.

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Martin, Kathi, Nick Jushchyshyn, and Claire King. Christian Lacroix Evening gown c.1990. Drexel Digital Museum, 2017. http://dx.doi.org/10.17918/wq7d-mc48.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening gown by French fashion designer Christian Lacroix with related text. This evening gown by Christian Lacroix is from his Fall 1990 collection. It is constructed from silk plain weave, printed with an abstract motif in the bright, deep colors of the local costumes of Lacroix's native Arles, France; and embellished with diamanté and insets of handkerchief edged silk chiffon. Ruffles of pleated silk organza in a neutral bird feather print and also finished wit
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Brophy, Kenny, and Alison Sheridan, eds. Neolithic Scotland: ScARF Panel Report. Society of Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.06.2012.196.

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The main recommendations of the Panel report can be summarised as follows: The Overall Picture: more needs to be understood about the process of acculturation of indigenous communities; about the Atlantic, Breton strand of Neolithisation; about the ‘how and why’ of the spread of Grooved Ware use and its associated practices and traditions; and about reactions to Continental Beaker novelties which appeared from the 25th century. The Detailed Picture: Our understanding of developments in different parts of Scotland is very uneven, with Shetland and the north-west mainland being in particular nee
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