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Relevant bibliographies by topics / Museum Carnegielaan (Hague, Netherlands)

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Academic literature on the topic 'Museum Carnegielaan (Hague, Netherlands)'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Museum Carnegielaan (Hague, Netherlands)"

1

Hamersveld, Ineke van. "Information services in the fields of art and architecture." Art Libraries Journal 12, no. 1 (1987): 8–11. http://dx.doi.org/10.1017/s0307472200004971.

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In addition to Dutch academic and museum libraries, a number of art libraries and relevant document and information centres are attached to government and other institutions. These include the Netherlands Institute for Art History at The Hague (the parent institution of DIAL, an iconographical classification of Dutch art); the Stichting MARDOC at Rotterdam, which is evolving thesauri to facilitate automated access to museum collections; and the Netherlands Office for Fine Art, responsible for coordinating and promoting Dutch art collections. Other institutions are concerned with contemporary D

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Smeenk, Chris. "Art libraries of educational and research institutions." Art Libraries Journal 12, no. 1 (1987): 5–7. http://dx.doi.org/10.1017/s030747220000496x.

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Art history in the Netherlands is supported by a number of art libraries in addition to museum libraries, among them the Royal Library at The Hague, the libraries of the Royal Academy of Fine Arts and the Central Research Laboratory for Objects of Art and Science, both at Amsterdam, university libraries, and libraries of Dutch establishments abroad. The combined art collections of these libraries are considerable; access, however, may be facilitated by the Project for Integrated Catalogue Automation (PICA) which aims to improve on the diversity of existing catalogues.

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Buijs, Cunera, and Aviâja Rosing Jakobsen. "The Nooter photo collection and the Roots2Share project of museums in Greenland and the Netherlands." Études/Inuit/Studies 35, no. 1-2 (2012): 165–86. http://dx.doi.org/10.7202/1012840ar.

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In 2008 two Dutch museums and two Greenland museums started a cooperative venture to share the photo collections of museums in the Netherlands. The photographs were taken from 1965 to 1986 by husband and wife Gerti and Noortje Nooter in Diilerilaaq, a village in the Sermilik Fjord (East Greenland). Gerti Nooter, then curator at the Museon in The Hague and at the National Museum of Ethnology in Leiden, was doing fieldwork in that changing hunting community and, as part of that research, took photographs and collected museum objects for both Dutch museums. The National Museum of Ethnology in par

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4

van den Berg, Hubert, and Albert Gielen. "Een wat lange kerstvakantie in Tsjechoslowakije, maar wel economisch : over een drietal lezingen van de Nederlandse avant-gardistische vormgever, fotograaf en filmmaker Paul Schuitema in Brno en Praag begin januari 1936." Brünner Beiträge zur Germanistik und Nordistik, no. 1 (2022): 9–26. http://dx.doi.org/10.5817/bbgn2022-1-2.

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The following article deals with a small episode in the manifold relations between the historical avant-garde in the Netherlands and Czechia and Slovakia in the first half of the twentieth century. Early December 1935, the Dutch avant-garde designer, photographer and filmmaker Paul Schuitema decided that the time was ripe for a holiday trip to Czechoslovakia during his Christmas break as teacher at the art academy in The Hague. His destination was Brno, where the designer and just starting architect František Kalivoda lived. Kalivoda had visited Holland in early 1934 touring Dutch cinemas and

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5

Hartkamp, Arthur, and Beatrijs Brenninkmeyer-De Rooij. "Oranje's erfgoed in het Mauritshuis." Oud Holland - Quarterly for Dutch Art History 102, no. 3 (1988): 181–232. http://dx.doi.org/10.1163/187501788x00401.

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AbstractThe nucleus of the collection of paintings in the Mauritshuis around 130 pictures - came from the hereditary stadholder Prince William v. It is widely believed to have become, the property of the State at the beginning of the 19th century, but how this happened is still. unclear. A hand-written notebook on this subject, compiled in 1876 by - the director Jonkheer J. K. L. de Jonge is in the archives of the Mauritshuis Note 4). On this basis a clnsor systematic and chronological investigation has been carried out into the stadholder's. property rights in respect of his collectcons and t

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Thijsse, G. "The four W's of two 18th century Dutch herbaria: the 'Zierikzee Herbarium' and the herbarium of Simon D'Oignies." Blumea - Biodiversity, Evolution and Biogeography of Plants 66, no. 3 (2021): 263–74. http://dx.doi.org/10.3767/blumea.2021.66.03.09.

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One of the objects of the Municipal Museum Zierikzee (Province of Zealand, The Netherlands) is a historical herbarium referred to by the name the 'Zierikzee Herbarium'. The characteristics of the specimens in the Zierikzee Herbarium are so similar to those in a herbarium at Naturalis Biodiversity Center, Leiden(L), that both must originate from the same place and time. About the latter herbarium little is known, except that it was once owned by the army-surgeon Simon(e) d'Oignies (1740–1782). The Zierikzee Herbarium was recently described and analysed in detail by Offerhaus et al. (2021). It i

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7

Broos, Ben. "The wanderings of Rembrandt's Portrait of Aeltje Uylenburgh." Oud Holland - Quarterly for Dutch Art History 123, no. 2 (2010): 89–107. http://dx.doi.org/10.1163/003067212x13397495480745.

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AbstractFor more than a century the only eyewitness account of Rembrandt's Portrait of an old woman (fig. 1) was a description made by Wilhelm Bode in 1883. At the time, he was unable to decipher the date, 1632; nor did he know anything about Aeltje Uylenburgh or the history of the panel. However, the painting's provenance has since been revealed, and it can be traced back in an almost unbroken line to its commission, a rare occurrence in Rembrandt's oeuvre. A pendant portrait, now lost, featured the preacher Johannes Sylvius, who is also the subject of an etching by Rembrandt dating from 1633

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8

Bergvelt, Ellinoor. "The art collections and museum of King William II of the Netherlands (1792–1849)." Journal of the History of Collections, June 27, 2023. http://dx.doi.org/10.1093/jhc/fhad016.

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Abstract King William II of the Netherlands (1792–1849) created important art collections with the benefit of advice from leading dealers at home and abroad, for which special premises were built in one of the royal palaces in The Hague. Whenever the monarch was not in residence, these were made accessible to visitors. Following William’s sudden death in 1849 almost everything was sold and the paintings are now distributed around the world. An attempt is made here to reconstruct the contemporary presentation of these collections, both in The Hague and before that in the palace in Brussels; onl

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Tissen, Liselore N. M., and Mané van Veldhuizen. "Picture-Perfect – The Perception and Applicability of Facsimiles in Museums." Art & Perception, December 5, 2022, 1–53. http://dx.doi.org/10.1163/22134913-bja10043.

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Abstract Various types of digital and physical three-dimensional facsimile technologies (e.g., high-definition digital modelling and 3D printing) have entered the art world and have become increasingly important for research and presentation purposes. Yet, studies that go beyond the technical aspects of (3D) facsimile techniques, such as their significance for the conservation/restoration field and museum display, are scarce, especially in the case of easel paintings. Furthermore, studies that analyse the perception of these methods and, consequently, their impact on the authenticity of the or

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"Catalogus." Oud Holland - Quarterly for Dutch Art History 120, no. 1-2 (2007): 70–106. http://dx.doi.org/10.1163/187501707x00257.

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AbstractHerman Jansz Breckerveld was born in Duisburg, Germany, in 1595/1596. He left his birth country for religious and economic reasons, deciding to settle in the Netherlands. There is evidence he was living in The Hague in the year 1622, though there is a strong possibility that he had been in the country for some time before then. It is probable that he learned the trade of glass making from a Master in Arnhem. Whilst living in The Hague Breckerveld befriended David Beck, Master of the French School there. Beck kept a diary of the year 1624 from which much information on the daily lives o

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Dissertations / Theses on the topic "Museum Carnegielaan (Hague, Netherlands)"

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Montgomery, Susannah Patton. "The Playful Art Museum: Employing Creativity as a Tool for Visitor Engagement." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492031264532918.

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Books on the topic "Museum Carnegielaan (Hague, Netherlands)"

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Richard, Hoetink Hendrik, and Mauritshuis (Hague Netherlands), eds. Gezicht op het Mauritshuis: Poëtische visies op een uitzonderlijk museum. Meulenhoff/Landshoff in samenwerking met het Mauritshuis, 1989.

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2

1831-1915, Mesdag Hendrik Willem, Mesdag-van Houten Sina 1834-1909, Pols Marjan, et al., eds. Panorama Mesdag: Album. Scriptum, 2015.

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3

Rudolf Antonius Hermanus Dominique Effert. Volkenkundig verzamelen: Het Koninklijk Kabinet van Zeldzaamheden en het Rijks Ethnographisch Museum, 1816-1883. s.n., 2003.

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4

Moussault, Victor J. E. De focus op een ander, als fundament voor succes: Het nieuwbouw- en renovatieproject 'Mauritshuis bouwt aan de toekomst'. Mauritshuis, 2016.

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5

Nederlands Letterkundig Museum en Documentatiecentrum (Hague, Netherlands), ed. Schrijversportretten. Letterkundig Museum, 2010.

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6

Korteweg, Anne S. Catalogue of French-language medieval manuscripts in the Koninklijke Bibliotheek and Meermanno-Westreenianum Museum, the Hague on microfiche. Moran Micropublications, 2002.

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7

Prins, Laura. De schilders van het Panorama van Scheveningen. Scriptum Art Books, 2021.

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8

Christopher, Brown. Scenes of everyday life: Dutch genre paintings from the Mauritshuis. Ashmolean Museum, 1999.

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9

Schwarzinger, Veronika, and Jiři Šibor. Glass in Czech jewelry: Contemporary jewelry : exhibition schedule: Czech Centre, Vienna, Austria, May 5 - June 26, 2009 ; Gallery V & V, Vienna, Austria, May 28 - July 11, 2009 ; Czech Centre, the Hague: Kunstwinkel 't Walvis, Schiedam, the Netherlands, August 30 - October 31, 2009 ; Czech Centre, Stockholm, Sweden, November 12 - December 17, 2009 ; Czech Centre, Warsaw: The Film Museum, Lodz, Poland, June 8 - June 29, 2010. Gallery V & V, 2009.

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10

Werken voor de eeuwigheid: Een geschiedenis van het Letterkundig Museum. Meulenhoff/Manteau, 2004.

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Book chapters on the topic "Museum Carnegielaan (Hague, Netherlands)"

1

"The Hague, Museum Meermanno-Westreenianum/Huis van het boek." In Catalogue of Turkish Manuscripts in the Library of Leiden University and Other Collections in the Netherlands. BRILL, 2012. http://dx.doi.org/10.1163/9789004221918_008.

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