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Relevant bibliographies by topics / Museum Conservation

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Academic literature on the topic 'Museum Conservation'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Museum Conservation"

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Jagodzińska, Katarzyna. "RESPONSIBLE MUSEUM? (ON THE EXAMPLE OF THE TOY MUSEUM IN CRACOW)." Muzealnictwo 63 (September 16, 2022): 150–57. http://dx.doi.org/10.5604/01.3001.0015.9923.

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The contemporary museum debate developing in the context of the need to change the museum definition carried out in ICOM is a debate on the role and responsibility of museums. Museums with a burden of tradition are faced with the challenge to meet contemporary contexts and expectations, while newly-established museums can enter the stage fully aware of the historical contexts, with an agenda reflecting contemporary tasks, and they can chart new perspectives from the very beginning. The case study in the paper focuses on a museum which begins its operation at the time of a heated debate on the

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Ásványi, Katalin, and Zsuzsanna Fehér. "Generation Z perspectives on museum sustainability using Q methodology." Muzeológia a kultúrne dedičstvo 11, no. 1 (2023): 19–35. http://dx.doi.org/10.46284/mkd.2023.11.1.2.

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Museums and researchers require knowledge of how museums think about and practice sustainability to understand how sustainability considerations can further be incorporated and institutionalised into museum practice on four pillars: environmental, social, economic and cultural. A systematic literature review was carried out to explore the theoretical background of sustainable museums. This study, which used Q methodology, was designed to determine museum visitors’ preferences related to the most important sustainability elements of museums. The participants in the study were 24 museum visitors

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Dai, Weikang. "Locating and Designing Participatory Conservation in the Museum: an analysis of Chinese practices." International Journal of Education and Humanities 9, no. 3 (2023): 134–42. http://dx.doi.org/10.54097/ijeh.v9i3.10452.

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With rich cultural heritage resources, there are increasing expectations and demands about engaging the public with conservation in China. This thesis intends to demonstrate the participatory conservation practices that can be enlightening for museum visitors. This paper focuses on the cases of Chinese practices at the Shaanxi History Museum and the Hainan Museum. It explores the aims, design and location of the conservation labs in each setting, and seeks to unpack the physical, intellectual and authority boundaries in this engagement space. The research builds upon the analyses of semi-struc

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Yang, Jin, and Jingfang Ai. "Managing Quality and Motivating Innovation." Museum Worlds 11, no. 1 (2023): 155–65. http://dx.doi.org/10.3167/armw.2023.110113.

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The word “professionally” suggests that a museum is measurable and is able to be evaluated in terms of its nature, quality, and realm of expertise. In addition to the museum accreditation and quality evaluation system, the museum community worldwide establishes awards, in order to “push museums to seek a disciplinary attribute and a real professional status in the self-reliant industry with a stable status in the social contract and to develop the ability to shoulder responsibilities in decision making” (Šola and Cipek 2022: 129). Awards incentivize museums to improve their operations, to fulf

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H.N., Vidya. "GENERATING SUSTAINABILITY – FOSTERING MUSEUM MANAGEMENT THROUGH ORGANIZATIONAL PARTNERSHIPS." Shanlax International Journal of Arts, Science and Humanities 6, S2 (2019): 207–10. https://doi.org/10.5281/zenodo.2566895.

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<em>This paper focuses on the need for increasing partnerships and collaborations in historical conservation and museum management. Museums play a leading role in creation of heritage awareness. Museum also support social values underlying inheritance & nationals ideals of patriotism and loyalty. A need to support museum management in order to foster social cohesion is the need of the hour. Countries across the globe have seen damage to national historical possession during times of conflict Countries such as Egypt, Syria, Iraq, Afghanistan have faced vandalism, defacement& deliberate

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Jagošová, Lucie. "Professional standards in museum pedagogy in the international context." Muzeológia a kultúrne dedičstvo 8, no. 4 (2020): 35–47. http://dx.doi.org/10.46284/mkd.2020.8.4.3.

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Professional standards of museum work are defined by the clearly formulated International Council of Museums (ICOM) Code of Ethics and by the activity of professional organisations on both national and international levels. The goal to establish the general requirements for the education of museum workers was mainly pursued by the ICOM and some of its committees. Since museum pedagogy has developed into an independent discipline and museum pedagogue (educator) has became a full-value profession, the specialised commissions within individual professional organisations and the efforts of individ

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Klekot, Ewa. "IDEALISM IN MUSEUM." Muzealnictwo 63 (July 1, 2022): 53–58. http://dx.doi.org/10.5604/01.3001.0015.9060.

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The extensive volume edited by Robert R. Janes and Richard Sandell titled Museum Activism is composed of papers by over 50 authors. They are in majority case studies, with examples from most varied institutions. Museum activism is the opposite to museum social alienation; in this respect, the first definitely draws from the many-years’ experience of New Museology and participatory museum. Museum activism advocates are negative about the commercial populism and the success measured by turnout only, and not that measured exclusively by the differentiation of the museum offer and its accessibilit

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Satubaldin, Abay, and Kunikey Sakhiyeva. "The Museum System of Modern Kazakhstan: Classification and Typology of Museums." Muzeológia a kultúrne dedičstvo 9, no. 2 (2021): 79–89. http://dx.doi.org/10.46284/mkd.2021.9.2.5.

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This article discusses the museum system of modern Kazakhstan and offers, for the first time ever, a classification and typology of the country’s museums.In recent years in independent Kazakhstan, on the basis of the Soviet system, a modern museum network has been formed which currently lists 250 museums. Among them are 17 national-level museums, 54 at the regional level, 73 at the provincial level, 103 branches of regional- and district-level museums and four private museums.The purpose of this article is to analyse the museum system of modern Kazakhstan and develop a classification and typol

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Derion, Brigitte, and Chantal Orgogozo. "A museum in the service of museums: the Museum of Aquitaine." Museum International 45, no. 1 (1993): 49–52. http://dx.doi.org/10.1111/j.1468-0033.1993.tb01091.x.

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Jagodzińska, Katarzyna. "Museums as Landscape Activists." Muzeológia a kultúrne dedičstvo 9, no. 2 (2021): 5–26. http://dx.doi.org/10.46284/mkd.2021.9.2.1.

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The article discusses the issue of the “extended museum”, raising questions about how museums become active actors in current topical discussions on the shape of cities, what their role is in the processes of city management and how this engagement in external spaces affects the overall mission of museums. The point of reference is the ICOM Resolution on the responsibility of museums towards landscape adopted in 2016, which offered museums legitimacy in taking actions with regard to their environment, beyond museum walls. On the grounds of four case studies of Polish museums I present strategi

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Dissertations / Theses on the topic "Museum Conservation"

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DEL, BONO ELISA M. "ARCHITECTURAL CONSERVATION RECORDS: DRAWING UPON MUSEUM AND ARCHAEOLOGICAL CONSERVATION RECORDING MODELS." The University of Arizona, 1995. http://hdl.handle.net/10150/555241.

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江婉芬 and Yuen-fan Bonnie Kong. "Museum Street, street Museum-[Museum] of Sheung Wan Heritage Trail." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31986511.

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周智美 and Chee-may Chow. "Museum of our lives: organising a community-based museum and examining its role in conservation." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B42188933.

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Chow, Chee-may. "Museum of our lives organising a community-based museum and examining its role in conservation /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B42188933.

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Iguchi, Hisao. "Environmental education through museums : a case study of the ecology exhibition in the Natural History Museum, London." Thesis, University College London (University of London), 1995. http://discovery.ucl.ac.uk/10020238/.

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Malkogeorgou, P. "Disciplining conservation : conservators, conservation and the V&A, a London national museum." Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1318093/.

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In my thesis I am looking at how National Museums create their own identity and try to give us a sense of being in the world all of their own, which is distinct for each one museum. I am asking how conservation contributes, as an integral part of their physical substance, through a sense of familiarity and homeliness which the Museum constructs around authentic objects and its own collections. The concept of behind the scenes is examined from the bottom up with regard to museum practice by looking at conservation in a particular context and at a particular time. I investigate this idea of crea

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Graham, Tracy Ann. "A Preventive Conservation Guidebook." University of Akron / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=akron1248180765.

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Hontos, Vasiliki. "Conservation survey of the Benaki Museum Photographic Archive in Athens, Greece /." Online version of thesis, 1991. http://hdl.handle.net/1850/11621.

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鄭遠君 and Yuen-kwan Vicky Cheng. "Sceneric city: 'live' Museum in Old Sheung Wan." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31986328.

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Keene, Suzanne Victoria. "A preservation system : information for managing conservation in the Museum of London." Thesis, University College London (University of London), 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.261292.

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Books on the topic "Museum Conservation"

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Thomson, Garry. Conservation and museum lighting. 4th ed. Museums Association, 1985.

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Graham-Bell, Maggie. Preventive conservation: A manual. 2nd ed. British Columbia Museums Association, 1986.

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1938-, Morita Tsuneyuki, Pearson C, and Kokuritsu Minzokugaku Hakubutsukan, eds. The Museum conservation of ethnographic objects. National Museum of Ethnology, 1988.

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Douglas, Jane L. Conservation documentation research project. Canadian Heritage Information Network, 1995.

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Harinarayana, N. Heritage: Essays on museology and conservation. New Era Publications, 2007.

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Vi︠a︡let︠s︡ʹ, A. F. Aktualʹni problemy fondovoï roboty muzeïv: Tematychnyĭ zbirnyk naukovykh prat͡sʹ. Derz͡havnyĭ istorychnyĭ muzeĭ URSR, 1988.

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Tsuneyuki, Morita, Pearson C, and International Taniguchi Symposium (9th : 1985 : Osaka and Otsu, Japan), eds. The Museum conservation of ethnographic objects. National Museum of Ethnology, 1988.

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Jain, Kamal K. Introduction to conservation. National Museum Institute of History of Art, Conservation, and Museology, 2009.

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Dawson, John E. Solving museum insect problems: Chemical control. Canadian Conservation Institute, 1992.

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Dawson, John E. Solving museum insect problems: Chemical control. Canadian Conservation Institute, 1992.

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Book chapters on the topic "Museum Conservation"

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Ambrose, Timothy, and Crispin Paine. "Conservation plans." In Museum Basics, 5th ed. Routledge, 2025. https://doi.org/10.4324/9781003466598-8_4.

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Ambrose, Timothy, and Crispin Paine. "Remedial conservation: practice." In Museum Basics, 5th ed. Routledge, 2025. https://doi.org/10.4324/9781003466598-8_15.

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Ambrose, Timothy, and Crispin Paine. "Remedial conservation: principles." In Museum Basics, 5th ed. Routledge, 2025. https://doi.org/10.4324/9781003466598-8_14.

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Ambrose, Timothy, and Crispin Paine. "Preventive conservation: principles." In Museum Basics, 5th ed. Routledge, 2025. https://doi.org/10.4324/9781003466598-8_5.

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McLeod, Miriam, and Georgina Ripley. "Figures in museum display *." In Textile Conservation, 2nd ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003358787-4.

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Garthe, Christopher J. "Realigning collections and sustainable conservation." In The Sustainable Museum. Routledge, 2022. http://dx.doi.org/10.4324/9781003195207-9.

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McLaughlan, Fiona, Claire Orbell, and Anne Peranteau. "The Scots Colours at Toitū Otago Settlers Museum *." In Textile Conservation, 2nd ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003358787-26.

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Giannachi, Gabriella. "Documenting Hybrid Mixed Media Art Forms: The Role of the Audience." In Conservation of Contemporary Art. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42357-4_12.

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AbstractDocumentation plays a key role in the conservation of art, yet a key factor in documentation, the role played by the audience in the design, experience and documentation of art, is generally overlooked. In complex hybrid artworks the role of the audience is key to understand how an artwork is conceived and received. While researchers and museums have started to address this gap, it remains to be seen how best to include both documentations about the role of the audience and documentations by the audience in museum documentation. The chapter looks into a number of case studies which ill

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Kite, Marion. "Modern textile conservation at the Victoria and Albert Museum *." In Textile Conservation, 2nd ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003358787-5.

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Flecker, Lara, Joanne Hackett, and Elizabeth-Anne Haldane. "Modern textile conservation at the Victoria and Albert Museum II *." In Textile Conservation, 2nd ed. Routledge, 2024. http://dx.doi.org/10.4324/9781003358787-6.

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Conference papers on the topic "Museum Conservation"

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Wood, Kurt, Vince Casmirri, and Tami Lasseter Clare. "Restoration of Historic Architectural Tiffany Metalwork Relies on High-Performance, Environmentally Safe Coating System for Long-Lasting Protection." In SSPC 2014 Greencoat. SSPC, 2014. https://doi.org/10.5006/s2014-00068.

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Abstract Caretakers of outdoor monuments, sculptures and high-value architectural metalwork face formidable preservation challenges. Durable, low-maintenance coatings are needed that provide longer-lasting protection against corrosion and degradation, while being safe for the environment. We describe work done in collaboration with conservators at the Philadelphia Museum of Art, and Portland State University, to develop water-based fluoropolymer coatings that meet the critical needs of the conservation and architectural communities.

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Chalmers, Andrew N., Christopher Cuttle, and Roger Van Ryn. "An experimental illuminator for museum conservation lighting." In 2006 Australian Conference on Optical Fibre Technology (ACOFT). IEEE, 2006. http://dx.doi.org/10.1109/acoft.2006.4519275.

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Alsuhly, Ghada, and Ahmed Khattab. "An IoT Monitoring and Control Platform for Museum Content Conservation." In 2018 International Conference on Computer and Applications (ICCA). IEEE, 2018. http://dx.doi.org/10.1109/comapp.2018.8460402.

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Al-Habal, Awab, and Ahmed Khattab. "Ultra-Low Power Layered IoT Platform for Museum Content Conservation." In 2019 31st International Conference on Microelectronics (ICM). IEEE, 2019. http://dx.doi.org/10.1109/icm48031.2019.9021866.

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Rossi Rognoni, Gabriele, Marie Martens, Arnold Myers, and Jen Schnitker. "CIMCIM Call for Papers ‘Global Crises and Music Museums: Representing Music after the Pandemic’." In Global Crises and Music Museums: Representing Music after the Pandemic, edited by Mimi Waitzman and Esteban Mariño. CIMCIM, 2023. http://dx.doi.org/10.46477/seca7941.

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The COVID-19 pandemic has arguably caused the biggest disruption to the museum and heritage sector since the Second World War. All over the world, museums have had to close, some never to reopen, and many have had to suspend their operations for prolonged periods. However, the disruption has also invited – sometimes forced – substantial changes in the way museums perceive themselves and their interactions with their audiences. This has included an increased focus on digital offers, a reconsideration of the human relationships with external as well as internal stakeholders, new ways to guarante

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Zaki, Ahmed H., Essam E. Khalil, Esmail M. Bialy, and Waleed A. Abdelmaksoud. "Numerical Investigations of the Air Flow Patterns and Temperature Distribution in a Museum Showroom, King Tutankhamun’s Gallery, Egyptian Museum." In ASME 2014 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/detc2014-34102.

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The use of numerical simulation methods for the Cultural Heritage is of increasing importance for the analysis, conservation, restoration and appreciation of works of art. This is particularly important when their preservation and planned maintenance is the primary aim [1, 2]. King Tutankhamen’s gallery at the Egyptian museum is chosen for our study. The conservation of such artworks requires precise control of the indoor microclimatic conditions. Thus, a suitable HVAC system with reliable control is often necessary for a museum, to maintain acceptable indoor thermal-hygrometric parameters and

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Brace, Selina, Ian Barnes, and Mark JF Brown. "The bee and the parasite: using genomic data from museum collections to identify parasites affecting short-haired bumblebee reintroduction efforts." In 5th European Congress of Conservation Biology. Jyvaskyla University Open Science Centre, 2018. http://dx.doi.org/10.17011/conference/eccb2018/107703.

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Mezzino, Davide, and Francesca Valentina Luisa Lori. "THE DIGITAL TRANSFORMATION OF THE MUSEO EGIZIO." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12041.

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The project of digital transformation of Museo Egizio di Torino started in response to the rapid change of its structure and needs. The project is centred on the integration of heterogeneous information and data to implement collection management, conservation and research workflows. This paper presents the concept and design of a management system, called SiME (Sistema Museo Egizio) that the Museum conceived in collaboration with Politecnico di Milano. The project is intended not only as a mere acquisition of technological tools, but rather as the construction of an integrated system that fac

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Pawlak, Agnieszka, Wojciech Skrzeczanowski, and Krzysztof Czyż. "LIBS, optical and multivariate analyses of selected 17 th-century oil paintings from the Museum of King Jan III’s palace at Wilanów." In Lasers in the Conservation of Artworks XI. Nicolaus Copernicus University Press, 2017. http://dx.doi.org/10.12775/3875-4.13.

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Papitsi, Christianna, Theodore Ganetsos, Gregoria Karatzouni, Christos Drosos, Ioannis Antonopoulos, and Eleni Symeonaki. "Environmental Conditions Monitoring Using Wireless Sensors for the Conservation of Museum Exhibits: The Case of the Tsitsanis Museum in Trikala, Greece." In 2023 17th International Conference on Engineering of Modern Electric Systems (EMES). IEEE, 2023. http://dx.doi.org/10.1109/emes58375.2023.10171689.

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Reports on the topic "Museum Conservation"

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Blair, Mary E., Lauren T. Clark, Lochlan Sife Krupa, et al. Conservation Museomics. American Museum of Natural History, 2025. https://doi.org/10.5531/cbc.ncep.0190.

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To address the challenges of sampling endangered or extinct species in the field, many studies have turned to historically underutilized sources of genetic material: natural history museums. Despite the fact that DNA from specimens collected decades or even hundreds of years ago is often fragmented and degraded, research has shown that historical DNA can still be used effectively to infer phylogenetic relationships and intra-specific patterns of population genetic structure. This module aims to provide students and conservation practitioners with a solid understanding of the methodological str

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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos Evening Gown c. 1957. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/jkyh-1b56.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening gown is from Galanos' Fall 1957 collection. It is embellished with polychrome glass beads in a red and green tartan plaid pattern on a base of silk . It was a gift of Mrs. John Thouron and is in The James G. Galanos Archive at Drexel University. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan tech

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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos, Wool Evening Suit. Fall 1984. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/6gzv-pb45.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening suit is from Galanos Fall 1984 collection. The skirt and bodice of the jacket are black and white plaid wool. The jacket sleeves are black mink with leather inserts that contrast the sheen of the leather against the luster of the mink and reduce some of the bulk of the sleeve. The suit is part of The James G. Galanos Archive at Drexel University gifted to Drexel University in 2

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Stone, Robert P., Stephen D. Cairns, Dennis M. Opresko, Gary C. Williams, and Michele M. Masuda. A guide to the corals of Alaska. US Department of Commerce, NOAA, NMFS Scientific Publications Office, 2024. http://dx.doi.org/10.7755/pp.23.

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The Magnuson-Stevens Fishery Conservation and Management Reauthorization Act of 2006 mandat¬ed the research and management of the nation’s deep-sea coral resources through establishment of the National Oceanic and Atmospheric Administra¬tion’s Deep Sea Coral Research and Technology Program. The challenge for Alaska was daunting, where expansive, world-class fisheries often coincided with extraordinarily rich coral habitats for a high-latitude region. The first chal¬lenge was to inventory known locations of deep-sea corals. Many coral records and some museum collections existed from Alaska, but

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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos, Silk Chiffon Afternoon Dress c. Fall 1976. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/q3g5-n257.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This afternoon dress is from Galanos' Fall 1976 collection. It is made from pale pink silk chiffon and finished with hand stitching on the hems and edges of this dress, The dress was gifted to Drexel University as part of The James G. Galanos Archive at Drexel University in 2016. After it was imaged the gown was deemed too fragile to exhibit. By imaging it using high resolution GigaPan tech

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Martin, Kathi, Nick Jushchyshyn, and Claire King. Christian Lacroix Evening gown c.1990. Drexel Digital Museum, 2017. http://dx.doi.org/10.17918/wq7d-mc48.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening gown by French fashion designer Christian Lacroix with related text. This evening gown by Christian Lacroix is from his Fall 1990 collection. It is constructed from silk plain weave, printed with an abstract motif in the bright, deep colors of the local costumes of Lacroix's native Arles, France; and embellished with diamanté and insets of handkerchief edged silk chiffon. Ruffles of pleated silk organza in a neutral bird feather print and also finished wit

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van Oosten, Sanne. Do Muslims Have Different Attitudes and Voting Behaviour Than the Majority Populations of France, Germany and the Netherlands? European Center for Populism Studies (ECPS), 2025. https://doi.org/10.55271/rp00100.

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The political preferences of Muslims are often the source of contention and misinformation. In continental Europe, there is not much data available on political preferences of Muslims due to strict privacy regulations, creating a knowledge lacuna allowing for misinformation to fester. In this report, I focus on three countries where privacy regulations are particularly longstanding: France, Germany, and the Netherlands. I use a novel sampling method that complies with privacy regulations while achieving a large enough sample of minority respondents to conduct statistical analyses. Regarding po

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Yilmaz, Ihsan, and Kainat Shakil. Gender Populism: Civilizational Populist Construction of Gender Identities as Existential Cultural Threats. European Center for Populism Studies (ECPS), 2023. http://dx.doi.org/10.55271/pp0023.

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In the Islamist version of civilizational populism, the emotional backlash against the rise of secularism, multiculturalism, progressive ideas, and ‘wokeness,’ has been skillfully employed. While for the populists, populist far right and civilizational populists in the West, usually the Muslims are the civilizational other, we argue in this article, in the Islamist civilizational populism, the list of civilizational enemies of the Muslim way of life also includes feminists and LGBTQ+ rights advocates.Gender populism is a relatively new concept that refers to the use of gender symbolism, langua

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Ganesh, Chandni. Rapid Scoping Review 2025: South Africa. Institute of Development Studies, 2025. https://doi.org/10.19088/ids.2025.033.

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Section 9 (3) of the Bill of Rights in South Africa’s Constitution, introduced in 1996, prohibits unfair discrimination on the grounds of ‘race, gender, sex, pregnancy, marital status, ethnic or social origin, colour, sexual orientation, age, disability, religion, conscience, belief, culture, language and birth’. This legal framework offers protection, and formal recognition as equal citizens, to women and to lesbian, gay, bisexual, transgender, queer, intersex, and more (LGBTQI+) people. It also positions South Africa as an important regional place of refuge for LGBTQI+ Africans, despite the

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