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Journal articles on the topic 'Museum Conservation'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Jagodzińska, Katarzyna. "RESPONSIBLE MUSEUM? (ON THE EXAMPLE OF THE TOY MUSEUM IN CRACOW)." Muzealnictwo 63 (September 16, 2022): 150–57. http://dx.doi.org/10.5604/01.3001.0015.9923.

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The contemporary museum debate developing in the context of the need to change the museum definition carried out in ICOM is a debate on the role and responsibility of museums. Museums with a burden of tradition are faced with the challenge to meet contemporary contexts and expectations, while newly-established museums can enter the stage fully aware of the historical contexts, with an agenda reflecting contemporary tasks, and they can chart new perspectives from the very beginning. The case study in the paper focuses on a museum which begins its operation at the time of a heated debate on the

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Ásványi, Katalin, and Zsuzsanna Fehér. "Generation Z perspectives on museum sustainability using Q methodology." Muzeológia a kultúrne dedičstvo 11, no. 1 (2023): 19–35. http://dx.doi.org/10.46284/mkd.2023.11.1.2.

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Museums and researchers require knowledge of how museums think about and practice sustainability to understand how sustainability considerations can further be incorporated and institutionalised into museum practice on four pillars: environmental, social, economic and cultural. A systematic literature review was carried out to explore the theoretical background of sustainable museums. This study, which used Q methodology, was designed to determine museum visitors’ preferences related to the most important sustainability elements of museums. The participants in the study were 24 museum visitors

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Dai, Weikang. "Locating and Designing Participatory Conservation in the Museum: an analysis of Chinese practices." International Journal of Education and Humanities 9, no. 3 (2023): 134–42. http://dx.doi.org/10.54097/ijeh.v9i3.10452.

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With rich cultural heritage resources, there are increasing expectations and demands about engaging the public with conservation in China. This thesis intends to demonstrate the participatory conservation practices that can be enlightening for museum visitors. This paper focuses on the cases of Chinese practices at the Shaanxi History Museum and the Hainan Museum. It explores the aims, design and location of the conservation labs in each setting, and seeks to unpack the physical, intellectual and authority boundaries in this engagement space. The research builds upon the analyses of semi-struc

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Yang, Jin, and Jingfang Ai. "Managing Quality and Motivating Innovation." Museum Worlds 11, no. 1 (2023): 155–65. http://dx.doi.org/10.3167/armw.2023.110113.

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The word “professionally” suggests that a museum is measurable and is able to be evaluated in terms of its nature, quality, and realm of expertise. In addition to the museum accreditation and quality evaluation system, the museum community worldwide establishes awards, in order to “push museums to seek a disciplinary attribute and a real professional status in the self-reliant industry with a stable status in the social contract and to develop the ability to shoulder responsibilities in decision making” (Šola and Cipek 2022: 129). Awards incentivize museums to improve their operations, to fulf

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H.N., Vidya. "GENERATING SUSTAINABILITY – FOSTERING MUSEUM MANAGEMENT THROUGH ORGANIZATIONAL PARTNERSHIPS." Shanlax International Journal of Arts, Science and Humanities 6, S2 (2019): 207–10. https://doi.org/10.5281/zenodo.2566895.

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<em>This paper focuses on the need for increasing partnerships and collaborations in historical conservation and museum management. Museums play a leading role in creation of heritage awareness. Museum also support social values underlying inheritance & nationals ideals of patriotism and loyalty. A need to support museum management in order to foster social cohesion is the need of the hour. Countries across the globe have seen damage to national historical possession during times of conflict Countries such as Egypt, Syria, Iraq, Afghanistan have faced vandalism, defacement& deliberate

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Jagošová, Lucie. "Professional standards in museum pedagogy in the international context." Muzeológia a kultúrne dedičstvo 8, no. 4 (2020): 35–47. http://dx.doi.org/10.46284/mkd.2020.8.4.3.

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Professional standards of museum work are defined by the clearly formulated International Council of Museums (ICOM) Code of Ethics and by the activity of professional organisations on both national and international levels. The goal to establish the general requirements for the education of museum workers was mainly pursued by the ICOM and some of its committees. Since museum pedagogy has developed into an independent discipline and museum pedagogue (educator) has became a full-value profession, the specialised commissions within individual professional organisations and the efforts of individ

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Klekot, Ewa. "IDEALISM IN MUSEUM." Muzealnictwo 63 (July 1, 2022): 53–58. http://dx.doi.org/10.5604/01.3001.0015.9060.

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The extensive volume edited by Robert R. Janes and Richard Sandell titled Museum Activism is composed of papers by over 50 authors. They are in majority case studies, with examples from most varied institutions. Museum activism is the opposite to museum social alienation; in this respect, the first definitely draws from the many-years’ experience of New Museology and participatory museum. Museum activism advocates are negative about the commercial populism and the success measured by turnout only, and not that measured exclusively by the differentiation of the museum offer and its accessibilit

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Satubaldin, Abay, and Kunikey Sakhiyeva. "The Museum System of Modern Kazakhstan: Classification and Typology of Museums." Muzeológia a kultúrne dedičstvo 9, no. 2 (2021): 79–89. http://dx.doi.org/10.46284/mkd.2021.9.2.5.

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This article discusses the museum system of modern Kazakhstan and offers, for the first time ever, a classification and typology of the country’s museums.In recent years in independent Kazakhstan, on the basis of the Soviet system, a modern museum network has been formed which currently lists 250 museums. Among them are 17 national-level museums, 54 at the regional level, 73 at the provincial level, 103 branches of regional- and district-level museums and four private museums.The purpose of this article is to analyse the museum system of modern Kazakhstan and develop a classification and typol

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Derion, Brigitte, and Chantal Orgogozo. "A museum in the service of museums: the Museum of Aquitaine." Museum International 45, no. 1 (1993): 49–52. http://dx.doi.org/10.1111/j.1468-0033.1993.tb01091.x.

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Jagodzińska, Katarzyna. "Museums as Landscape Activists." Muzeológia a kultúrne dedičstvo 9, no. 2 (2021): 5–26. http://dx.doi.org/10.46284/mkd.2021.9.2.1.

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The article discusses the issue of the “extended museum”, raising questions about how museums become active actors in current topical discussions on the shape of cities, what their role is in the processes of city management and how this engagement in external spaces affects the overall mission of museums. The point of reference is the ICOM Resolution on the responsibility of museums towards landscape adopted in 2016, which offered museums legitimacy in taking actions with regard to their environment, beyond museum walls. On the grounds of four case studies of Polish museums I present strategi

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Weiss, Nancy E. "Lifting Every Voice Throughout the Nation." Public Historian 40, no. 3 (2018): 142–62. http://dx.doi.org/10.1525/tph.2018.40.3.142.

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The National Museum of African American History and Culture Act authorized the Institute of Museum and Library Services (IMLS) to establish grant programs for museums of African American history and culture. Through its Museum Grants for African American History and Culture program, IMLS helps these museums improve operations, enhance stewardship of collections, engage in professional development, and attract new professionals to the field. The Act has fostered a national ecosystem that leverages the collective resources of the National Museum and African American museums throughout the United

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Jagošová, Lucie. "The concept of small museums from an international and local perspective: starting points for further research in the Czech Republic." Muzeológia a kultúrne dedičstvo 11, no. 4 (2023): 45–58. http://dx.doi.org/10.46284/mkd.2023.11.4.3.

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The study deals with the question, what is a small museum and what are its specifics compared to other museums. Based on available foreign and local sources, it summarizes the current state of research which is largely focused on searching for the consensus on how to clearly define this type of museums. The study is based on the published results of key research in the past twenty years, it outlines selected approaches to the characteristics of a small museum and summarizes its typical features. Analogously, it looks at the state of research in the Czech museum sphere, where the topic of small

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Jagodzińska, Katarzyna. "PARTICIPATION OF THE PUBLIC IN POLISH MUSEUMS." Muzealnictwo 62 (August 9, 2021): 189–97. http://dx.doi.org/10.5604/01.3001.0015.1742.

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In the 21<sup>st</sup> century, participation is one of the key words related to the operations of museums and debate around them. The public are encouraged to co-create museum projects: exhibitions, programmes that accompany exhibitions, studies; they play the role of consultants and advisors (youth councils, clubs, consultancy teams). Museums are more and more widely ‘opening’ to embrace the public. Never before has the position of visitors been as significant. An overview of participatory programmes in Polish museums is provided. They are classified and characterized by the Auth

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Xu, Lijun, Shengzan Yan, Zhe Chen, and Xin Chen. "Design of the Museum Interactive Lighting System Based on the Digital Twin Technology." Scientific Programming 2021 (October 29, 2021): 1–8. http://dx.doi.org/10.1155/2021/4824417.

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With the improvement of people’s cultural level, more and more museums are being built or renovated. The design of lighting products for museums is a specialized field that requires designers to take into account a variety of factors, such as safety, presentation, and maintainability. As museum lighting systems meet the needs of conservation, visitor experience, and maintenance, the traditional design process is limited by the experience of the designer and the actual situation of the museum, and the actual light conservation effect of the exhibits is difficult to quantify. We have designed a

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Szafrański, Wojciech. "‘NATIONAL COLLECTIONS OF CONTEMPORARY ART’: PROGRAMME OF THE MINISTER OF CULTURE AND NATIONAL HERITAGE TO FINANCE PURCHASES OF CONTEMPORARY ART WORKS IN 2011–2019 PART 1. HISTORY: FINANCING." Muzealnictwo 62 (September 13, 2021): 227–35. http://dx.doi.org/10.5604/01.3001.0015.2686.

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The ‘National Collections of Contemporary Art’ Programme run by the Ministry of Culture and National Heritage (MKiDN) in 2011–2019 constituted the most important since 1989 financing scheme for purchasing works of contemporary art to create and develop museum collections. Almost PLN 57 million from the MKiDN budget were allocated by means of a competition to purchasing works for such institutions as the Museum of Modern Art in Warsaw (MSN), Museum of Art in Lodz (MSŁ), Wroclaw Contemporary Museum (MNW), Museum of Contemporary Art in Cracow (MOCAK), or the Centre of Polish Sculpture in Orońsko

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Anshu and S. Fazal Daoud Firdausi. "Mere spectacle or means of conservation? Reflections from Pune Tribal Museum." Indian Journal of Social Development 18, no. 01 (2018): 137–46. https://doi.org/10.5281/zenodo.10118857.

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Museums play an important role in the representation of local culture and economic life. It also actsas a great stimulus for tourism development of the region. Tribal museums across India have beenplaying important role in preservation of tribal culture. Many tribes of India do not have anywritten history. The memories are passed from one generation to other through oral traditions suchas songs, folk tales, and dance forms. All these tangible and intangible aspects of tribal culture areessential for tribal identity. If the tribal community loses it, they may vanish or become merecommodities. T

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Golat, Rafał. "SUPERVISION OF MUSEUM ACTIVITY." Muzealnictwo 62 (August 25, 2021): 208–13. http://dx.doi.org/10.5604/01.3001.0015.2413.

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Supervision of museums should be perceived taking into account both specific regulations: addressed directly to museums, particularly in the Act on Museums, as well as general regulations assuming supervision mechanisms in different respects, e.g., construction process or HR. This complex perspective: systemic and normative, is essential not only with respect to the supervision in a narrow basic meaning of the term, associated in the first place with an inspection of the supervised entity and application of respective executive actions, e.g., undertaken in the form of administrative decisions,

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McCarthy, Conal, and Alison K. Brown. "Editorial." Museum Worlds 11, no. 1 (2023): vii—viii. http://dx.doi.org/10.3167/armw.2023.110101.

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In the editorial for the last issue of Museum Worlds we commented on the growth of museums in every part of the world, and the allied expansion of museum studies. Both of us teach museum studies in our respective universities and are very well aware that the next generation of museum professionals is deeply committed to developing a curatorial practice that is engaged, ethically grounded, creative, and diverse. Our students regularly tell us that they are eager to learn from colleagues in all parts of the world and see this as an essential component of their professional development and their

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Santos, Raquel, Ana Claro, Ana Serrano, Maria João Ferreira, and Jessica Hallett. "Textiles, Trade & Taste—Portugal and the World: A Project on the Global Circulation of Textiles and Dyes." Textile Museum Journal 47, no. 1 (2020): 187–95. http://dx.doi.org/10.1353/tmj.2020.a932820.

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Abstract: Textiles, Trade & Taste: Portugal and the World (TTT) is a project that aspires to bring new synergies to the field of textile studies by promoting different connections and interdisciplinary approaches involving art history, materials science, and conservation. The TTT research network is based at the Center for Humanities in the School of Social Sciences and Humanities at the Universidade NOVA de Lisboa and organizes workshops, conferences, tours, and lectures in museums and research institutions. The network’s artistic and historical research has ranged from collating archival

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Mahirta, Mahirta, and Asies Sigit Pramujo. "Praktik Konservasi Dasar bagi Staf Museum Nonkonservator di Daerah Istimewa Yogyakarta." Bakti Budaya 2, no. 2 (2019): 42. http://dx.doi.org/10.22146/bb.50894.

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Conservation knowledge and practices are very important to be applied in museums to ensure that the collection always in good condition. The problem is that not every museum in Yogyakarta has professional conservator in their management. This condition lead to the collection lack of proper attention from the conservation perspective. Based on the condition found in Yogyakarta, than it is considered necessary to give a basic training in the conservation practices that can be carried out by each museum staff that are non- conservator. Hopefully the knowledge gained can be usefull and can be appl

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Clavir, Miriam. "Heritage Preservation : Museum Conservation and First Nations Perspectives." Ethnologies 24, no. 2 (2003): 33–45. http://dx.doi.org/10.7202/006638ar.

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This article focuses on the differing definitions museum conservators and First Nations have of “heritage preservation”. It explores differences at the level of the meta-narrative and in the details, focusing on several conservation concerns such as “what constitutes damage” and “should all objects be preserved”. In addition, the First Nations people quoted in this paper saw conservation as embedded in the museum context, and their opinions on museums and museum practice are also presented. The appropriateness of continuing to use the word “ethnographic” for collections from indigenous peoples

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Morphy, Howard, Jason M. Gibson, and Alison K. Brown. "Special Section." Museum Worlds 10, no. 1 (2022): 218–29. http://dx.doi.org/10.3167/armw.2022.100119.

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Anthropology, Art, and Ethnographic Collections: A Conversation with Howard MorphyJason M. Gibson (JG): In your book Museums, Infinity and the Culture of Protocols: Ethnographic Collections and Source Communities (Morphy 2020), you begin with an anecdote of visiting the Pitt Rivers Museum as a young child. Did museums play a part in sparking an interest in humanity, and its diversity, or were you fascinated by the Other?Book Review: Museums, Societies and the Creation of Value, Howard Morphy and Robyn McKenzie, eds. (London: Routledge, 2022)What does value mean within and beyond museum context

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McCarthy, Conal, and Alison K. Brown. "Editorial." Museum Worlds 10, no. 1 (2022): vii—ix. http://dx.doi.org/10.3167/armw.2022.100101.

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Museum studies is an academic and practical field of research that is ever expanding and alive with potential, opportunity, and challenge paralleling the extraordinary growth of museums in every part of the world. Museum Worlds: Advances in Research, launched in 2012, has responded to the need for a rigorous, in-depth review of current work in museums and related industries, including galleries, libraries, archives, and cultural heritage. The inspiration for the journal came from Howard Morphy, Professor of Anthropology at the Australian National University in Canberra, along with founding edi

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Aldes, Liora, and Tally Katz-Gerro. "Contextualizing the Artistic Repertoire in Museums." Museum Worlds 10, no. 1 (2022): 93–111. http://dx.doi.org/10.3167/armw.2022.100108.

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To remain financially sustainable while promoting cultural activity and operating within artistic, symbolic, and cultural norms, museums must consider a multitude of commercial and organizational elements. This article examines the impact of economic, organizational, and structural characteristics of art museums on the repertoire of art they exhibit. Using a mixed-methods approach, we draw on data pertaining to 11 art museums in Israel that are supported by the Ministry of Culture, analyzing administrative data collected yearly from the museums from 2000 to 2014. Next, we analyze 20 interviews

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Barbasiewicz, Adam. "CONTRACTS IN MUSEUM OPERATIONS.PUBLIC-LAW ASPECTS." Muzealnictwo 64 (July 20, 2023): 74–77. http://dx.doi.org/10.5604/01.3001.0053.7586.

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In 2022, the Wydawnictwo UniwersytetuGdańskiego published Umowy w działalności muzeów.Zagadnienia publicznoprawne [Contracts in MuseumOperations. Public-law Aspects] by Paulina Gwoździewicz-Matan. It is a supplement to the book by Paulina Gwoździewicz-Matan. Iwona Gredka-Ligarska, and Prof. Wojciech W. KowalskiUmowy w działalności muzeów. Prawo cywilne. Prawo autorskie[Contracts in Museum Operations. Civil Law. Copyright].The study’s Author does not deal with the application of thecorpus of public law to museum operations, but with the selectedissues related to the specificity of museums’ acti

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Karczewski, Leszek. "TIES AND IDENTITY BONDS. MUSEUMEDUCATION AND COGNITIVE CONSERVATISM." Muzealnictwo 64 (October 17, 2023): 156–60. http://dx.doi.org/10.5604/01.3001.0053.9416.

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The article discusses the complexity of identity,the interdependence of social and cultural identity, andtheir relationship with museum education. The Authoremphasizes that an individual’s identity is shaped both bytheir membership in a social group and the internalizationof its cultural values. With respect to museums, institutionalemployment contributes to identity formation, whilecultural identity stems from museum narratives. The Authoranalyzes individual identity as a manifestation of cognitiveconservatism influenced by neurophysiological mechanisms.The Author argues that museum education

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Nessel-Łukasik, Beata. "WITHIN A CIRCLE OF AFFILIATES. MUSEUM AS A RESPONSIBLE COMMUNITY-CREATING INSTITUTION DEALISM IN MUSEUM." Muzealnictwo 63 (July 7, 2022): 59–64. http://dx.doi.org/10.5604/01.3001.0015.9131.

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Museums as community-creating institutions are formed by various circles of stakeholders. Many of those circles result from a cooperation with a definite milieu. However, it is this extension of the circle of museum’s affiliates and a gradually bigger impact of external factors on the range and form of these actions that make museums once again face the question how to consciously and responsibly undertake subsequent social commitments? How to establish durable relations that require participation in long-term processes in this ‘irresponsible world’? How to create circles of associates for thi

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Mahirta, Mahirta. "Memperkenalkan Jenis Kerusakan Kertas dan Penanganan Konservasi Interventif Sederhana kepada Staf Museum-Museum di Yogyakarta." Bakti Budaya 3, no. 2 (2020): 165. http://dx.doi.org/10.22146/bb.60461.

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Papers and old books are important part of museum collections in many museums in Yogyakarta, even some of them have very significant value and become masterpiece collections. Some old books such as from Islamic and colonial period have unique binding structures that should be preserved too as it become a historical marker. Therefore, special care for paper collections and old books should be carried out by museum conservator. Unfortunately, not all museums in Yogyakarta have professional conservator. Bear in mind that many museums in Yogyakarta has significant value of paper collection, a work

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Oborny, Aneta I. "ALOJZY OBORNY (1933–2022) IN HIS WIFE’S POST MORTEM." Muzealnictwo 63 (October 19, 2022): 194–201. http://dx.doi.org/10.5604/01.3001.0016.0556.

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Alojzy Oborny (1933–2022) was an art historian (MA 1955), assistant at the Pszczyna Castle Museum (1955– 1958), Head of the Raciborz Museum (1958–1961), a longstanding director of the Świętokrzyskie Museum, as of 1975 Director of the National Museum in Kielce (1961–1987, 1990– 2002), Deputy Director for Research at the National Museum in Krakow (1987–1990). A co-organizer and honorary member of the Kielce Branch of the Polish Art Historian Association, he was a long-standing member of the Council for Museums at the Ministry of Culture, as well as the president and a member of museum councils.

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Gredka-Ligarska, Iwona. "LEGAL SITUATION OF MUSEUM EMPLOYEES IN THE CASE OF MERGING MUSEUMS WITH OTHER CULTURAL INSTITUTIONS." Muzealnictwo 63 (September 14, 2022): 144–49. http://dx.doi.org/10.5604/01.3001.0015.9878.

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Mergers of cultural institutions, including museums, quite often arouse controversies and emotions, which we learn about from the media. The employees of the merging institutions involved may feel apprehensive about being secured employment from the new employer. A merger of a museum with another museum or with another cultural institution which is not a museum in legal terms is qualified as a transfer of a work establishment to another employer in the understanding of Art. 231 of the Labour Code. The present paper is dedicated to the legal situation of museum employees of the merged museums.

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Prokhanova, Elena I. "Illumination in Restoration Workshops: Pressing Challenges and Their Solutions." Light & Engineering, no. 01-2023 (February 2023): 90–93. http://dx.doi.org/10.33383/2022-059.

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Restoration workshops often stay in the periphery of museum life standing in the background of headline exhibitions. At the same time, restoration is an essential part of cultural heritage conservation. In this report, we would like to review the matters of formation of an optimal luminous environment using the workshops of the Grabar Art Conservation Centre as an example. The nature of light in a workshop is of primary importance for high quality of restoration work. We consider this case important since the Grabar Art Conservation Centre cooperates with many regional museums of Russia, and i

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Ziębińska-Witek, Anna. "Can the Museum Be an Agent of Social Change? A New Model of the Functioning of the Museum in the Twenty-First Century." Muzeológia a kultúrne dedičstvo 11, no. 3 (2023): 23–35. http://dx.doi.org/10.46284/mkd.2023.11.3.2.

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A large group of scholars believe that, in the face of an increasing awareness of global challenges, the mission, role, values and responsibilities of museums as institutions require radical rethinking and transformation. In 2016, at an ICOM conference, Mário Moutinho suggested that the category of new museology be broadened towards sociomuseology as a school of thought, whose task is to integrate efforts to adapt museum structures to the present-day reality, to achieve a new level of autonomy for museums, and to open museums to the social context. The philosophical basis for this movement is

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Meng Wensi and Jasni Dolah. "DIGITAL HORIZONS IN HERITAGE MUSEUMS: A COMPARATIVE ANALYSIS OF DISPLAY EVOLUTION AND RESEARCH TRENDS." Jurnal Gendang Alam (GA) 14, no. 1 (2024): 1–15. http://dx.doi.org/10.51200/ga.v14i1.5177.

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The construction and development of museums have gained increasing attention as a prominent research topic in recent years. Digital technology has enhanced the presentation of artefacts across various museums. However, adequate visualisation software for analysis in heritage museum research remains lacking in China or even around the world. Consequently, this study conducts a statistical analysis of literature on heritage museum displays that was sourced from Web of Science and CNKI (China's National Knowledge Infrastructure) for 2002–2023, examining publication frequency, principal authors, r

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Manikowska, Ewa, and Andrzej Jakubowski. "On Defining the Participatory Museum: The Case of the Museum of the Second World War in Gdansk." Muzeológia a kultúrne dedičstvo 9, no. 4 (2021): 41–55. http://dx.doi.org/10.46284/mkd.2021.9.4.3.

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This article seeks to contribute to the current debate on the new definition of the “museum” – a debate which led to turmoil at the 2019 ICOM General Assembly in Kyoto. With reference to the case study of the Museum of the Second World War in Gdansk (MSWW), it analyses the new and very successful genre of the narrative museum, a genre which arguably fulfils the core elements of the definition currently being discussed by ICOM. In this regard, it brings into focus the paramount importance of community involvement in creating and managing narrative museums – an aspect that has been virtually abs

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Lyu, Dan. "Digital transformation of museums: A new approach to cultural heritage conservation and inheritance." Transactions on Social Science, Education and Humanities Research 11 (August 20, 2024): 884–90. http://dx.doi.org/10.62051/t9zxg091.

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With the rapid development of information technology, digital transformation has become a key measure for museum industry to improve service quality and enhance cultural influence. However, in the actual process of progress, museum digital transformation still facesmany challenges. This paper discusses the importance of museum digital transformation in the protection and inheritance of cultural heritage and the concrete implementation path. Through in-depth research on the application of digital technology in museum work, this paper proposes the necessity, implementation strategy and challenge

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Gazi, Andromache. "“…stories behind History”." Public Historian 44, no. 1 (2022): 27–50. http://dx.doi.org/10.1525/tph.2022.44.1.27.

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The role played by national museums within the broad field of public history has not been fully addressed. Traditionally national museums have been a privileged stage for shaping and boosting national identity through the exhibition of significant objects and for disseminating official and deeply rooted views of national history. Using the National Historical Museum in Athens as a case study, this paper analyses what happens when a national museum allows its permanent exhibits to be scrutinized by a nonprofessional group whose members then present their own reading of them in the very halls of

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Murzyn-Kupisz, Monika, and Dominika Hołuj. "INITIAL DIAGNOSIS OF ACTIVITIES CONNECTED WITH TEXTILES, CLOTHES, AND FASHION ACCESSORIES UNDERTAKEN BY POLISH MUSEUMS." Muzealnictwo 63 (October 14, 2022): 173–84. http://dx.doi.org/10.5604/01.3001.0016.0471.

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Coinciding with a lively topical debate on the presence of textiles, fabrics, clothes, and fashion accessories in museum collections and activities, the paper aims at showing a wide range of projects and initiatives undertaken in recent years by Polish museums. The presented analyses and conclusions are based on the results of the national survey on museum operations in 2019–2021 conducted by the paper’s Authors jointly with the National Institute for Museums and Public Collections in the first quarter of 2022, and allowing to review this phenomenon nationally. The survey’s goal was to conside

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Lu, Stephanie Sipei, Aayushi Gupta, Linnea Wallen, et al. "Book Reviews." Museum Worlds 11, no. 1 (2023): 281–93. http://dx.doi.org/10.3167/armw.2023.110120.

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The Future of Digital Data, Heritage and Curation in a More-than-Human World Fiona R. Cameron. Abingdon: Routledge, 2021. What Photographs Do: The Making and Remaking of Museum Cultures Elizabeth Edwards and Ella Ravilious, eds. London: UCL Press, 2022. The Aftermaths of Participation: Outcomes and Consequences of Participatory Work with Forced Migrants in Museums. Susanne Boersma. Bielefeld: Transcript Verlag, 2023. Museum Times: Changing Histories in South Africa Leslie Witz. New York: Berghahn Books, 2022. Ancestors, Artefacts, Empire: Indigenous Australia in British and Irish Museums Gaye

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Frantz, Sara L. "Preserving Art and the Environment through Sustainable Museum Buildings." Collections: A Journal for Museum and Archives Professionals 3, no. 3 (2007): 243–70. http://dx.doi.org/10.1177/155019060700300304.

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This project analyzes the intersection between two highly specialized fields, sustainable building practices and the environmental controls crucial to art conservation maintained in art museum buildings. Art museums often cite these highly specialized light and atmospheric controls as an impediment to sustainable building. My goal is to bring these fields more closely together so that art museums can build sustainable facilities that cause less harm to the environment while simultaneously meeting art conservation needs.

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Xavier, Milson. "UMA HOMENAGEM A HERBERT PÖLLMANN ATRAVÉS DO “QUARTO DAS MARAVILHAS” DE ARACATI-CEARÁ." Boletim do Museu de Geociências da Amazônia 9, Special (2022): 1–9. http://dx.doi.org/10.31419/issn.2594-942x.v92022ispeciala9mesx.

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This work responds to the call of the editor of Bomgeam in its edition 9 (2022) Nr.1 and in thanks to the honored Prof. Dr. Herbert Pöllmann (in memoriam) for his participation in a literary event in Belém, on the occasion of the launch of the book “O que evitar nas apresentações em PPT”, which took place in 2012, accompanied by the editor Prof. Dr. Marcondes Lima da Costa, prefacer of this book. Some requirements for the organization and conservation of the museum collection are presented, based on the scarce bibliographic reference and on observations made during visits to museums. In Brazil

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Zhang, Lisheng. "Memories from the Margins." Museum Worlds 11, no. 1 (2023): 95–107. http://dx.doi.org/10.3167/armw.2023.110108.

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Abstract This article is engaged with the transmission of Maoist memories in the Jianchuan Museum Complex (JMC) ½¨´¨²©Îï¹Ý¾ÛÂä, one of the country's largest and most high-profile non-state (minjian Ãñ¼ä) museum projects. Described as the “Red Age” (Hongse Niandai ºìÉ«Äê´ú), the Maoist period (1949–1976) is one of the four main themes that the Jianchuan Museum Complex commemorates, together with the War of Resistance against Japan (1931–1945), the Wenchuan earthquake (2008), and Chinese folk culture. Through a historicized account of the construction of these museums, this article examines the

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KONSA, Kurmo, Meri Liis TREIMANN, Kristiina PIIRISILD, and Kalev KOPPEL. "MACHINE LEARNING MODEL FOR THE PREDICTION OF CONDITION OF MUSEUM OBJECTS." International Journal of Conservation Science 14, no. 4 (2023): 1343–50. http://dx.doi.org/10.36868/ijcs.2023.04.05.

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An accurate prediction of the future condition of museum objects is crucial for developing appropriate proactive maintenance and preservation strategies. Despite this, there are very few such damage models that can be used in practice. The main reasons, for this lack of deterioration models, include complexity of deterioration problem and lack of understanding of the degradation mechanisms affecting various materials and objects, and lack of reliable quantitative approaches. In the article, we discuss the machine learning model, which predicts the future condition of museum objects. For this p

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Lewis, Catherine, Jennifer Dickey, Samir El Azhar, and Julia Brock. "Exploring Identities: Public History in a Cross-Cultural Context." Public Historian 34, no. 4 (2012): 9–29. http://dx.doi.org/10.1525/tph.2012.34.4.9.

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Abstract The Museums Connect program, funded by the U.S. State Department's Bureau of Educational and Cultural Affairs and administered by the American Alliance of Museums, is a relatively new effort to connect international museums; the grant is set apart by its objective to sponsor projects that foster cross-cultural professional development and civic engagement in global communities. The following roundtable includes perspectives on the Museums Connect project Identities: Understanding Islam in a Cross-Cultural Context, undertaken by the Museum of History and Holocaust Education, Kennesaw S

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McCarthy, Conal. "Editorial." Museum Worlds 9, no. 1 (2021): vii—xi. http://dx.doi.org/10.3167/armw.2021.090101.

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After a tumultuous year around the globe in the wake of COVID 19, the cultural sector, including museums, galleries, and other institutions, as well as universities, have emerged in 2021 scathed but still functioning. As an academic journal engaged with professional museum practice, it is to be expected that Museum Worlds 9 will reflect the unprecedented impact of the pandemic. If the 2020 issue was difficult to collate and produce, this year’s issue was doubly so: academics and students are busy, stressed, and preoccupied with teaching online, while museum professionals are overworked, or out

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Latocha, Sebastian. "Museum Shops. An Anthropological Essay on Heritage Commodification Exemplified by Three Museums in Amsterdam." Annual Review of Museum Anthropology, no. 11 (October 20, 2024): 11–26. http://dx.doi.org/10.12775/zwam.2024.11.02.

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The paper presents in an essayistic form three Amsterdam’s museums: Rijksuseum, Tropenmuseum and Museum Ons’ Lieve Heer op Solder not in terms of a presentation of their history and collections, but in terms of the idea of heritage commodification and planning, which is embodied in museum shops combined with cafés and restaurants. Amsterdam’s museums are overshadowed by high-profile stereotypes about the city. They are not among the world’s most popular museums as the Netherlands itself is not a top tourist destination. Therefore, the relaxed atmosphere of Amsterdam’s museums – distinguished b

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Niezabitowski, Michał. "A WELL-TOLD STORY… WILL COVID-19 TEACH US TO LISTEN TO A CITY?" Muzealnictwo 62 (February 10, 2021): 163–72. http://dx.doi.org/10.5604/01.3001.0015.0303.

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As a result of the pandemic, in March 2020, world museology was cut off from the direct contact with their public. Owing to the introduced regulations, Polish museums were closed down on three occasions (14 March – 4 May 2020, 15 Oct 2020 – 31 Jan 2021, and 20 March – 4 May 2021). When searching for new forms of activity, in 2020, museums made an enormous technological progress, and mastered numerous new competences allowing them to move in cyberspace with ease. The pace at which they introduced various ‘online’ formats is worthy of appreciation. Presently, the time has come to ask whether the

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Łuczak, Jarosław. "WIELKOPOLSKA (GREATER POLAND) MILITARY MUSEUM: HISTORY OF AN UNUSUAL MUSEUM." Muzealnictwo 62 (October 11, 2021): 258–66. http://dx.doi.org/10.5604/01.3001.0015.3616.

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The beginning of historical-military museology in Poznan dates back to the mid-19th century when the Poznan Society of Friends of Learning assumed the responsibility to save historic monuments, and began to establish the Museum of Polish and Slavic Antiquities in the Grand Duchy of Posen (Poznan). The task was to collect archival, library, and museum materials, including militaria. As a result of these efforts, in 1882, the Mielżynski Museum was established which boasted an exquisite painting gallery, containing historical painting, a rich archaeological and military collection, and a sizeable

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Zabalueva, Olga. "Re-imagining Museum Studies: Review of Museums, Sexuality, and Gender Activism and Queering the Museum." Museum International 72, no. 3-4 (2020): 226–27. http://dx.doi.org/10.1080/13500775.2020.1873527.

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Woźniak, Michał F. "THE MUSEUM OF KRAKOW.ON THE BOOK BY MICHA NIEZABITOWSKI." Muzealnictwo 64 (February 3, 2023): 10–14. http://dx.doi.org/10.5604/01.3001.0016.2452.

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The Museum of Krakow, until recently theHistorical Museum of the City of Krakow, ranks amongthe largest Polish museums, not only within the group ofmunicipal museums. It boasts an exceptionally developedinfrastructure and a high number of thematic branches, as wellas multifaceted operations. The analysed monograph, authoredby the Museums current Director, presents a long and tedious,albeit systematic process of the Museums development overthe period of more than a hundred years within the contextof numerous external conditionings, with the emphasis on theMuseums role and importance for the cit

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Kosiewski, Piotr. "CONTINUE LISTENING, PLEASE." Muzealnictwo 64 (October 24, 2023): 159–62. http://dx.doi.org/10.5604/01.3001.0053.9527.

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The book published by the Museum of Artin Lodz <i>Continue Listening, Please</i> is the result of a numberof interviews with current and former staff, and alsowith artists affiliated to the Museum, conducted in thecourse of the ‘Tell the Museum’ Project implemented in2018–2022. Their authors methodically applied oral historyto investigate the Museum’s history, following which theycommissioned a non-Museum affiliate to prepare texts onthe grounds of the conversations. The selection of interviewees,encompassing curators, conservators, individualsresponsible for education, or administ

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