Academic literature on the topic 'Museum exhibition planning'
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Journal articles on the topic "Museum exhibition planning"
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Bernbeck, Reinhard. "The exhibition of architecture and the architecture of an exhibition." Archaeological Dialogues 7, no. 2 (2000): 98–125. http://dx.doi.org/10.1017/s1380203800001665.
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AbstractOne of the major archaeological museums, the Pergamon Museum in Berlin, serves as an example to discuss present problems of museology. I argue that the development of museums has to be analysed from a combination of perspectives, including an historical one, that of visitors and of museum staff. In a first section, the paper outlines the history of the Pergamon Museum, including an institutional history and the larger socio–political framework. To highlight the range of possibilities of understanding, I give two readings of the museum from the viewpoints of differently oriented visitors, one colonialist, the other postmodern. I then consider current debates among curators and distinguish between two main exhibition strategies, one pragmatist, the other purist. Finally, I discuss the larger framework in which museums exist, which shows their problematic status. Using critical theory's distinction between culture industry and affirmative (elite) culture, I show that the Pergamon and other museums survive today only through an uneasy compromise between these two extreme poles of culture.
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Message, Bill. "Museum exhibition planning and design." Museum Management and Curatorship 29, no. 1 (2013): 83–84. http://dx.doi.org/10.1080/09647775.2014.869850.
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Ahmad, Shamsidar, Mohamed Yusoff Abbas, Wan Zaiyana Mohd. Yusof, and Mohd Zafrullah Mohd. Taib. "Creating Museum Exhibition: What the public want?" Asian Journal of Behavioural Studies 3, no. 11 (2018): 27. http://dx.doi.org/10.21834/ajbes.v3i11.98.
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The purpose of this paper is the identification of issues from the perspective views of museum scholars and experts toward creating direction in developing museum exhibitions in Malaysia for public learning. Recently, museums have developed a strong interest in technology as their path more towards of leisure industries. However, there are contradicting opinions arising between using “traditional” approach and “interactive” technology exhibition techniques for visitor learning. This paper initiates a search for such literature and identifies key concepts for further deliberations. Finally, these findings are intended to formulate the best-practice on learning “tool” in a museum exhibition practice.Keywords: Museum; museum learning and museum exhibition. eISSN 2398-4295 © 2018. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. http://dx.doi.org/10.21834/ajbes.v3i11.98
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Wessman, Anna, Xenia Zeiler, Suzie Thomas, and Pilvi Vainonen. "The Durga Puja pop-up exhibition at the National Museum of Finland. Designing and hosting an exhibition as university educationmuseum collaboration." Nordisk Museologi 29, no. 2 (2020): 96. http://dx.doi.org/10.5617/nm.8445.
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In autumn 2018, eight Museum Studies students from the University of Helsinki had the opportunity to put theory into practice and to gain hands-on experience making a real exhibition. The ‘Museum Content Planning’ course was a collaborative project between the National Museum of Finland and the university in which the students, together with the museum staff, built a pop-up exhibition about the Indian festival Durga Puja in only five weeks. The exhibition showed in the National Museum for two weeks, and the students were involved in most stages of the exhibition’s development. They also blogged about their learning experience. In this case study, we present our reflections on both the benefits and challenges of collaboratively creating an exhibition, which is simultaneously an accredited learning experience for university students.
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Kellner, Alexander Wilhelm Armin. "Museus e a divulgação científica no campo da paleontologia." Anuário do Instituto de Geociências 28, no. 1 (2005): 116–30. http://dx.doi.org/10.11137/2005_1_116-130.
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Museums are generally regarded as having high potential for science communication. In Brazil, however, those institutions are still far away from accomplishing this mission, particularly regarding paleontology. Here we discuss several aspects regarding science communication and museums. The three main activities associated to museums are research, repositories of collections and exhibitions. The collections of the Brazilian museums and the exhibits tend to be poor when compared with similar European and North American institutions, causing a distance between museum and society. Among the attempts of changing this picture, the Museu Nacional/UFRJ, in collaboration with the Museu de Ciência da Terra (DNPM), has organized in 1999 the temporary exhibition THE TIME OF THE DINOSAURS, which turned out to be the most visited exposition regarding fossils organized in the country so far. Among the several benefits of this exhibit was to increase the interest of the population regarding paleontology. This experience has shown that the museum must interact more strongly with the society in order to fully develop its potential of science communication.
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Brych, Mariia. "FREE SPACE AS AN ELEMENT OF OPEN-AIR MUSEUMS’ EXHIBITION." Current problems of architecture and urban planning, no. 60 (April 26, 2021): 23–35. http://dx.doi.org/10.32347/2077-3455.2021.60.23-35.
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In the area of architectural heritage preservation, the leveling of monument objects’ environment is an important problem. The essence of the monuments is laid not only in their material structure but also in a historically formed environment and spatial configuration that exhibits their historical and cultural content, enriches artistic properties.
 Open-air museums are specific institutions that are characterized by the use of not only monumental volumes and structures but also the free space between them. Cultural landscapes - lands of estates and residences, parks in palace ensembles, territories of monastic complexes, industrial landscapes, memorial places, and archaeological complexes become elements of the exhibition. Features of exhibition space organization in open-air museums are not sufficiently highlighted in scientific literature.
 Depending on the selected exhibition concept, a set of activities of the museum is determined and the museum zoning occurs. The use of free spaces is divided into two levels depending on the scale – urban planning and architectural. The urban planning level is responsible for the environmental design of the overall space of the ensemble or the complex of monuments. The architectural level of open-air museum formation envisages the organization of existing buildings, structures, and areas between them.
 On the urban-planning level, it is important to ensure the convenience of the visual perception of the complex: to reveal the most interesting fragments of the environment and visual connections, to emphasize the basic aesthetic, associative, symbolic, and practical properties of cultural landscapes within the open-air museum. On the architectural level of organization, free spaces become the basis for many activities - various educational, cultural, and entertainment events.
 Free space in museums serves as an exhibit, an element of activity processes and various events, and also serves as a basic tool for detecting and emphasizing the characteristic features of exhibited complexes and ensembles.
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Wang, Siyi. "Museum as a Sensory Space: A Discussion of Communication Effect of Multi-Senses in Taizhou Museum." Sustainability 12, no. 7 (2020): 3061. http://dx.doi.org/10.3390/su12073061.
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Museums are much more than repositories of cultural relics to be preserved for the future. They are centers of learning, community centers, social hubs—even places of healing and contemplation. The museum experience is a multilayered journey that is proprioceptive, sensory, aesthetic and social. In this context, this study takes the case of the ‘People at the Seashore’ multisensory area in the folk exhibition of Taizhou Museum, applies three data collection techniques (questionnaire, in-depth interview and observation) to assess various types of experiences (object, cognitive, social and introspective) and effects (visceral, cognitive and emotional) in the museum, and analyzes the practical effect and relative merits of the multisensory approaches used in this exhibition through the lens of communication effect. Accordingly, multi-senses acquire creative significances upon the attractive and holding power of museum exhibitions, specifically the emotional relevance and resonances. Thus, museums should be more concerned with the connection and complex interaction between senses and experience, meanwhile be active with visual, auditory, olfactory, taste and proprioceptive experiences and engage in the potential impact on visitors from cognitive and emotional aspects, which is an important trend for the museum’s future development and also the vision of this study.
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Drummond, Di. "Exhibition and Museum Review." Journal of Transport History 33, no. 2 (2012): 260–62. http://dx.doi.org/10.7227/tjth.33.2.8.
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O’Reilly, Chiara, and Anna Lawrenson. "Revenue, relevance and reflecting community: Blockbusters at the Art Galley of NSW." Museum and Society 12, no. 3 (2015): 157–70. http://dx.doi.org/10.29311/mas.v12i3.257.
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Museums are judged not solely on the basis of their exhibition quality and collection care but, within a corporate model, they are also judged on quantitative measures such as audience numbers and, in turn, their financial viability. Programming has, therefore, become a major focus of forward planning and the basis for funding development. Blockbuster exhibitions, strategically placed throughout annual programs, have been a common way to increase audience numbers and sustain support. In more recent times, the blockbuster model has developed to address more complex measures of success beyond their quantifiable benefits. In addition to the aim of increasing visitor numbers, the blockbuster exhibition and its associated public and education programs, have been effectively utilized as a means of broadening and diversifying audiences. Such efforts help museums to meet expectations, often set by governments, to address and reflect the diverse demographic communities within which they are situated and to whom they serve.The Art Gallery of New South Wales (AGNSW) in Australia provides one such example of a museum that is working creatively within the blockbuster model in order to present exhibitions that build on their collection strengths and existing programs, attract large audiences and engage diverse audiences by focusing on community building. This paper uses the AGNSW blockbuster exhibition The First Emperor: China’s Entombed Warriors, to examine the role of this format in contemporary museums more broadly. We use this exhibition as a frame by which to analyse how the Gallery has modified the blockbuster model, and indeed built on it, in order to target geographically and culturally diverse audiences. We argue that this has been effectively achieved as a result of the Gallery building blockbusters around their curatorial and collection strengths, by working with external organizations and community groups and by offering a range of activities and opportunities for engagement both within the museum and outside of its boundaries. This exhibition proves that when blockbusters are used creatively to support museum wide efforts to engage culturally and linguistically diverse audiences they can achieve success that is both quantitative and qualitative.
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Sapto, A., U. Nafi’ah, B. Suprapta, J. Sayono, H. Renalia, and M. N. Alfahmi. "Digitization planning for museum exhibition the learning museum of Universitas Negeri Malang." IOP Conference Series: Earth and Environmental Science 485 (June 3, 2020): 012115. http://dx.doi.org/10.1088/1755-1315/485/1/012115.
Full textDissertations / Theses on the topic "Museum exhibition planning"
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Hollis, Alan D. "Implementing Best Practices of Museum Exhibition Planning: Case Studies from the Denver, Colorado Art Museum Community." University of Akron / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=akron1279314066.
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Muroň, Jakub. "Areál VUT Kraví hora." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2018. http://www.nusl.cz/ntk/nusl-391848.
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The subject of this diploma thesis is to continue on the previous atelier work, which was focused on elaboration of a strategic urban-architectural study of the Kraví hora area and the BUT holding located there. A multifunctional facility, which would include activities that BUT still lacks, should be designed there. In any case, it should not be an extension of the teaching, research or accommodation capacities, since there have been built enough of these by BUT recently. At the same time, the proposed activities should not be controversial with the interests of the city. The BUT area at Kraví hora is one of the most valuable areas of the city of Brno. The city, which has tried to buy it from BUT several times, has an eminent interest in this area. However BUT considers it as its "family silver", because they realize its extraordinary value. Nevertheless, due to the binding regulatory conditions, construction possibilities are very limited. The aim of this study is to find such a use of this area, which would be a compromise corresponding to both the city's expectations and the needs of BUT. The intention of the previous project, which has been continued by this diploma thesis, was the removal of unsatisfactory buildings and the reduction of the garden colonies; despite to a study created by the City of Brno but partially kept, cultivated and reorganized; and rebuilding of the BUT area, which will be opened to the public and communicate with park. The public will obtain an access to nowadays inaccessible and impermeable areas by removing inappropriate buildings and fences, as well as by the modification of the public space and creating one major spine communication realized as an extension of the existing road and which will serve only for the supply, hikers and cyclists. The newly founded BUT complex with its strategic location on the top of Kraví hora hill and next to the observatory will invite large number of people not only from the surroundings but a
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Sullivan, Ellen Mowson. "Patrick Geddes: Synthetic Vision." Diss., Virginia Tech, 2014. http://hdl.handle.net/10919/25330.
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Among the founders of the science of town planning at the beginning of the twentieth century, Scotsman Patrick Geddes introduced methods of investigation commensurate with other sciences. A biologist, trained by Thomas Huxley, Geddes borrowed the practices of the microscopical laboratory in creating the Outlook Tower in Edinburgh, Scotland which served as a model for an approach to the study of cities. His method was like that of a field botanist studying a species, and assumed an interdependent relationship between place, work and folk. Embracing the evolutionary theory of Charles Darwin, Geddes proposed subtle town planning interventions as a means by which cities could adaptively respond to change over time. He advocated the employ of a graphic device, which he called his "thinking machines," and which served as a paradigmatic strategy to forge new relationships within sets of ideas. Such an approach aligned him with the taxonomic strategies in practice in the formation of museum collections and display of the nineteenth century. This work examines the archival evidence of the principles underlying Geddes' methods in the hope that they may be recovered in contemporary town planning.<br>Ph. D.
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Goodwin, Matou Baillergeau. "Earth 2 U, exploring geography an interactive exhibition for children and its educational programs /." 1998. http://www.earth2u.com.
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Jou, Chuen Guei, and 周春桂. "Museum Exhibition Planning : examples of the General History of Chinese Cultural Artifacts." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/24018126837899017630.
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碩士<br>臺南藝術學院<br>博物館學研究所<br>91<br>The exhibition named “General History of Chinese Cultural Artifacts” directed by the National Museum of History is considered as the most important permanent exhibition during the museum’s modernization process. It was planed to fulfill the museum mission, show the characteristics of the museum, reach the education goal, widen the scope of collections, deepen the academic research, and build the available resources of the organizational documentation arsenal. My earlier observation found a discrepancy between the multiple missions the museum authority put on the exhibition and the visitor feedback. The aim of the thesis is to try to find out where the discrepancy come from and, furthermore, to give a logical and detailed analysis and explanation why there’s the discrepancy
The discrepancy was confirmed by the analyses of the interviews with the visitors and a questionnaire designed by the museum administration (though the museum administration has not yet analyzed the questionnaire). A visitor study focused on visiting motivation, the understanding of the exhibition, and the reaction to the exhibits also contributed to the confirmation of the discrepancy. The analyses of the related documents about the exhibition and the interviews with the members of the working team found that the discrepancy come mainly from the way the members cooperated with each other and the monitoring mechanism of the whole forming process of the exhibition. The research also found that the way the working team members cooperated with each other was the traditional hierarchical approach (though they announced that the ‘team approach’ is the way they took.) with inefficient communication and coordination, and that the working steps did not follow the necessary order. The departmental egoism, the emphasis on interpersonal congeniality but not on the execution of the exhibition plan, and the attitude of the museum administration all contributed to the existence of the discrepancy between the goals of the exhibition and the visitor experience. Thus, the suggestions given in this thesis would be as follows:
1. Improve the way team members cooperate with each other. The training of new way of cooperation is necessary.
2. Build the standard operation process for plan execution.
3. Do take into account the result of visitor study when making exhibition plan. The action plan reacting to the visitor study must be made if the museum really wants to have the expected effect on visitors.
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Ting, Zhuang-Jing, and 莊淨婷. "The Exhibition Planning and Design For History Museum of Chung Yuan Christian University." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/29qpy8.
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碩士<br>中原大學<br>室內設計研究所<br>102<br>Exhibition is an art and culture behavior and the bridge between exhibition spaces and visitors. It provides an environment for visitors to understand and appreciate items. Exhibition planning is an important part of exhibition design, one of the creative methods from theme planning and storyline development, to space design.
The school history exhibition is a type of “quasi-museum” exhibition method. Research on this issue remains scarce, and exhibition planning and design related information is relatively inadequate. Hence, the research motivation is to explore exhibition planning through Chung Yuan Christian University’s (CYCU) school history exhibition space planning. The purposes of the study are: 1. Compile CYCU’s school founding history and collect related files, photos, and artifacts; 2. Propose exhibition related creative stories as the basis for describing CYCU’s history and presenting its vision; 3. Put forth the content of CYCU’s university archive exhibition planning; 4. Complete the university archive exhibition design creation based on the content of the exhibition planning.
The study first reviewed literature on exhibition design, museum exhibitions, memorial space, and university history exhibition space. Then, through field surveys and network information, the school history space case studies were carried out in order to gain an insight into the design of exhibition spaces in different schools and analyze the spatial composition and exhibition elements, thereby completing CYCU’s university archive space creation design.
Findings show that: 1. General schools have not set up a unified window for long-term collection of school history files, photos, or artifacts, thus easily resulting in loss or damage of files and increased difficulty in collection and classification of data and artifacts. Schools should therefore consider setting up a responsible unit and personnel for managing files; 2. When engaging in exhibition planning, owners should designate personnel to provide exhibition unit data to design personnel, such as a calendar of events related information, pictures of people and display of physical artifacts; 3. Due to the lack of a response unit, the university archive failed to periodically collect campus artifacts and data. In the future, special personnel and units (such as the archive office/department/university archive/department) for annual data collection and archiving, such as audiovisual files of important events where the president or board chairman delivers a speech, school development drawings, building construction drawings and photos, student manuals, club apparel and equipment, student notebooks, university publications, etc. ; 4. When school history space distribution is not continuous, the connecting space in the middle should be handled with care. Plane and integral spaces with complete floors or buildings should be chosen to fully grasp the exhibition space atmosphere and moving route, thus avoiding incoherence in the exhibition themes.
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Yeh, Chung-Wei, and 葉崇偉. "Study on the Planning and Evaluation of Exhibition for the Air Force Museum." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/h7q9mu.
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碩士<br>國立高雄大學<br>都市發展與建築研究所<br>97<br>Basic function of museum including collection, conservation, research and exhibition, besides, there are functions of educating and amusement. Ministry of National Defense R.O.C. impose that every Combined Arms Brigade must set up the relative facilities and spaces to preserve the precious historical relic and memory history, to reflect the meritorious service and to enhance the troop morale as well as the public education. However it is difficult to manage and to maintain these facilities due to financial problems and the lack of professional managers. It is thus necessary to well organize these facilities and spaces to provide and to enhance the image of R.O.C. Army and the quality of life for communities.
This research focuses on the subject of the Air Force Museum R.O.C. of Air Force Academy. By using the methods such as participating observation and questionnaire investigation, the study assess and analyze the suggestions form the visitors before visiting and after visiting. Moreover, this study combines the different planning theories and exhibition concepts to develop the museum by using the existing the infrastructure and military resources. It is expected to be suitable for request of military planning direction. The contribution of the study is not only to improve the present operational efficiency, but also to promote a harmonious relationship of and the community and public, the museum can also become the best place for the nearby residents and all public.
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Wang, Yi-Ping, and 王以平. "The Planning, Operating and Interpretation of Exhibition in Military Dependents Village Museum --An Example on Kaohsiung Museum of Military Dependents Village." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/hyp6qp.
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碩士<br>輔仁大學<br>博物館學研究所碩士班<br>100<br>In Taiwan, based on the needs of the preservation of military dependents village (MDV) culture, gave birth to some MDV story house, MDV museum, and MDV cultural park. To recall the life in MDV is also a favorite theme for some drama and literature. However, the current methods about MDV interpretation of exhibition are not only difficult to let non-MDV audience to understand the essence of MDV culture but also difficult to create the pipeline for the deep dialogue between MDV and non-MDV communities.
This thesis is to discuss the exhibition practices of Kaohsiung Museum of MDV and how to restore the essence of MDV, to achieve the interpretation task of MDV museum should shoulder, and let MDV museum to show the deeper significance in social, culture, and history. This thesis is also to reference to the theories in the fields of museum development, eco-museum, immigration museum, the interpretation of exhibition in museum, and the preservation of MDV, to explore the issues how to interpret the exhibition in MDV museum.
In the actual investigation in the case of this thesis, the first step is to introduce the development history of MDV in Zuoying District of Kaohsiung City, followed by the planning in Kaohsiung Museum of MDV, and then the exhibition and operating in Kaohsiung Museum of MDV. As for the further analysis of the interpretation of exhibition of MDV culture (in MDV museum) is about how to piece the personal memories together into the collective memory in history, and then analyze the connotation of exhibition, shows, performances and activities in Kaohsiung Museum of MDV, and the situation of the old houses in MDV retained area, to view what concept Kaohsiung Museum of MDV uses to interpret MDV culture.
According to the observation and comparing the theories and concepts, this research is to organize the planning, operating, and interpretation of exhibition in Kaohsiung Museum of MDV, and to propose recommendations about the follow-up works.
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chih, Wu yu, and 吳雨致. "Analyze the international Exhibition, jointly Held by National Museum of History and the Media, from the Strategic Marketing Planning Viewpoints--Using the Example of Matisse Exhibition." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/37151775837564952682.
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碩士<br>國立臺灣師範大學<br>美術學系<br>93<br>Analyze the international Exhibition, jointly Held by National Museum of History and the Media, from the Strategic Marketing Planning Viewpoints--Using the Example of Matisse Exhibition
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Given that there are more and more exhibition that are jointly presented by museum and media and the potential crisis of these kind of exhibition being too commercialized pointed out by scholars in the museum fields, this study wish to explore on the background of international exhibitions held together by the museum and medias. The study attempts to explore the factors constituting the background of international exhibitions held together by the museum and medias. The planning module of these types of international exhibition and motives, recognition and cooperative method between the museum and the medias are studied from the strategic marketing planning viewpoints to understand the related connection of the mission and positioning between the international exhibitions and museums and requirments and principles of the planning procedures.
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Yi-Ting, kuo, and 郭怡廷. "A Study of Using Subject-based Network Planning Exhibition Concept for Developing Content of Chen Ching-Jung Digital Art Museum." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/17634549625192334199.
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碩士<br>國立臺灣師範大學<br>圖文傳播學系<br>98<br>In recent years, the government promotes the Digital Archives Program of cultural assets strongly. In addition to cultural institutions such as museums or art galleries are setting up websites, also led to the private museums, studios, arts and cultural groups as well as art creators have joined the government plan.
As the Art Gallery and Museum, the value is that it contains a wealth of human wisdom, science development and social and cultural assets are different from formal educational institutions. The current skills upgrading of digital archives, web site popularity and cultural content so that these can be constructed by museum Web site can build and more flexible preservation, interpretation, management and value-added extension
In addition, the paper is to study Professor Chen Jing-jung Institute of Fine Arts, National Taiwan Normal University professor emeritus of art results have been outstanding, dedicated to education and arts to heritage duty, in the arts occupy an important position. His professional talents, efforts to promote the footsteps of the enthusiasm and contributions to Arts and Humanities, everyone deserves respect and recognition.
Purpose of this study is to preserve, extending Professor Chen Jing-jung’s creations, use of the variety and rich content, through the Subject-based concept planning integrated network exhibition content. Research assessment by expert interviews the feasibility of Subject-based Network Planning Exhibition（SBE）processes, and finally propose the use of developing the contents by the SBE concept planning, try to combine the arts of diverse cross-industry theme of industrial development and to explore the themes between it may have relevance.
Results in addition to characteristics developed by Chen Jing-jung creations show Internet content as an example, the following five collections for the use of existing content for online exhibition of planning proposals provide researchers. (1) Museum planning exhibition process change within difference of exhibition mode. (2) Network planning exhibition focuses on goal setting、digital content and web design. (3) The development of Subject based on the content and special characteristics of artist creations. (4) Combining cross-industry based on the properties of artist creations. (5) Connecting different subjects based on similarity of the artist creations.
Books on the topic "Museum exhibition planning"
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Ausstellungsplanung: Zur Zusammenarbeit zwischen Museum und Gestalter = Exhibition planning : collaboration between museum and designer. Avedition, 2014.
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Plant, Kirsten. Understanding change: The role of the curator in the exhibition development process. The author, 1993.
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Silver, Florence. Enhanced visitor experience strategic imperative report: Exhibition research report. Royal Ontario Museum], 1997.
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Savoie, Yves M. Organizational practices and the external environment: a study of funding and exhibition planning in nonprofit museums. The author, 1993.
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1926-, Burns Jim, and San Francisco Museum of Modern Art., eds. Lawrence Halprin: Changing places : [exhibition] San Francisco Museum of Modern Art, 3 July - 24 August 1986. The Museum, 1986.
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Planning for people in museum exhibitions. Association of Science-Technology Centers, 1993.
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McLean, Kathleen. Planning for people in museum exhibitions. Association of Science-Technology Centers, 1993.
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guan, Shenzhen bo wu, ed. Shenzhen bo wu guan ji ben chen lie: Shenzhen gai ge kai fang shi = : Shenzhen Museum permanent exhibition. History of Shenzhen's reform and opening-up. Wen wu chu ban she, 2010.
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What makes learning fun?: Principles for the design of intrinsically motivating museum exhibits. AltaMira Press, 2011.
Find full textBook chapters on the topic "Museum exhibition planning"
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Thode-Arora, Hilke. "Walking the fine line: From Samoa with Love? at the Museum Fünf Kontinente, Munich." In Curatopia. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526118196.003.0005.
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This chapter explores the conceptual planning, organisation, and reception of the exhibition From Samoa with Love? Samoan Travellers in Germany, 1895-1911 at the Museum Fünf Kontinente in Munich, 2014. It does so by taking into consideration competing obligations among the Samoan descendants and community, the responses of mainstream museum visitors in Munich with no prior knowledge of fa’a Samoa (the Samoan way), and the expectations of the Bavarian Government, who strictly controlled costs but wanted large audiences. Museums are not as free to create, or as powerful, as is often assumed by outsiders and critics. Being the curator responsible for this exhibition meant juggling positions, demands, and interests in a setting affected by Samoan perspectives and claims, German audiences’ pre-knowledge and viewing habits, structural constraints imposed by the Bavarian museum administration system, and even the Foreign Office and diplomatic agendas. For the curator, trying to meet these contradictory demands and reconciling them with her own academic and ethical ideas of curatorship indeed meant walking a fine line.
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"Unit 29 Planning new displays and exhibitions." In Museum Basics. Routledge, 2006. http://dx.doi.org/10.4324/9780203018989-36.
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"Chapter 11. Museums of the Future Municipal Urban Planning Exhibition Halls." In Exhibiting the Past. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824840068-013.
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"The New York Museum of Modern Art: Engagement in Housing, Planning, and Neighbourhood Design." In Exhibitions and the Development of Modern Planning Culture. Routledge, 2016. http://dx.doi.org/10.4324/9781315255705-23.
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Watanabe-O'Kelly, Helen. "Introduction." In Projecting Imperial Power. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198802471.003.0001.
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This book discusses the newly proclaimed emperors of the nineteenth century in Austria, Brazil, France, Germany, India, and Mexico. It shows how they created symbolic power by means of coronations and acclamations, courts and costumes, portraits and monuments, ceremonial and religion, architecture and town planning, international exhibitions and pageants, festivals and museums. The emperors regarded themselves as rulers by the grace of God but legitimated their reigns by presenting themselves as the heirs to an ancient tradition. At the same time, they engaged with modernity, building imperial cities and showing off their territories’ technological advances in international exhibitions. The book describes how these empires came to an end and how they are remembered in cities and statuary.
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Graff, Rebecca S. "Situating the Sites in Chicago." In Disposing of Modernity. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066493.003.0002.
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This chapter introduces the two Chicago-based archaeological sites that provide the material signature of this book: Jackson Park, the former site of the 1893 World’s Columbian Exposition; and the Charnley-Persky House, today the headquarters for the Society of Architectural Historians and an operating museum. After an introduction to Chicago’s natural and anthropogenic landscapes and an overview of the Chicago Fair’s predecessor exhibitions and its planning, the chapter provides historical background on Chicago’s Gold Coast, the Charnley family, and their home designed by Adler and Sullivan. Results from archaeological research in Jackson Park (2007, 2008) and at the Charnley-Persky House (2010, 2015) are framed with attention to the elite social networks of wealthy, white, Protestant Chicagoans in whose hands these projects were entangled. The archaeological results from the sites provide a powerful testament to the lasting ties of commerce and concomitant ideology that suffused the forms of both fairscape and home.