Log in

Relevant bibliographies by topics / Museum fictions / Journal articles

To see the other types of publications on this topic, follow the link: Museum fictions.

Journal articles on the topic 'Museum fictions'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Museum fictions.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Bissell, Blake, Mo Morris, Emily Shaffer, Michael Tetzlaff, and Seth Berrier. "Vessel: A Cultural Heritage Game for Entertainment." Archiving Conference 2021, no. 1 (June 18, 2021): 1–6. http://dx.doi.org/10.2352/issn.2168-3204.2021.1.0.2.

Full text

Abstract:

Museums are digitizing their collections of 3D objects. Video games provide the technology to interact with these objects, but the educational goals of a museum are often at odds with the creative forces in a traditional game for entertainment. Efforts to bridge this gap have either settled on serious games with diminished entertainment value or have relied on historical fictions that blur the line between reality and fantasy. The Vessel project is a 3D game designed around puzzle mechanics that remains a game for entertainment while realizing the benefits of incorporating digitized artifacts

APA, Harvard, Vancouver, ISO, and other styles

2

Bessire, Mark H. C., Mary Anne Staniszewski, and Emma Barker. "Facts and Fictions: The Histories of Museum Display and Installation in Cultural History." Art Journal 60, no. 2 (2001): 107. http://dx.doi.org/10.2307/778072.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Juncker, Kris. "Figures & Fictions: Contemporary South African Photography. Victoria and Albert Museum, London, April 12–July 17, 2011." African Arts 45, no. 1 (March 2012): 81–82. http://dx.doi.org/10.1162/afar.2012.45.1.81.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Gough, Noel. "Continuing the Narrative Some 20 years Later." Australian Journal of Environmental Education 30, no. 1 (July 2014): 30. http://dx.doi.org/10.1017/aee.2014.20.

Full text

Abstract:

I wrote ‘Narrative and Nature: Unsustainable Fictions in Environmental Education’ in 1991 as a revised version of a paper subtitled ‘Poststructural Inquiries in Environmental Education’ that I presented at the Sixth National Conference of the Australian Association for Environmental Education in September 1990. To the best of my knowledge, these papers were the first instances of advocacy for poststructuralist analyses of dicourses/practices in the Anglophone literature of environmental education. The key influences on my thinking at this time were US and Canadian ‘reconceptualist’ curriculum

APA, Harvard, Vancouver, ISO, and other styles

5

Ferres, Kay. "Cities and Museums: Introduction." Queensland Review 12, no. 1 (January 2005): 1–4. http://dx.doi.org/10.1017/s1321816600003846.

Full text

Abstract:

In September 2004, the Museum of Brisbane, Museums Australia and the Centre for Public Culture and Ideas at Griffith University hosted a symposium, ‘Cities and Museums’, at the university's Southbank campus. This event initiated a conversation among museum professionals and academics from across Australia. Nick Winterbotham, from Leeds City Museum, and Morag Macpherson, from Glasgow's Open Museum, and were keynote speakers. Their papers provided perspectives on museum policy and practice in the United Kingdom and Europe, and demonstrated how museums can contribute to urban and cultural regener

APA, Harvard, Vancouver, ISO, and other styles

6

Tupan, Tupan, and Mohamad Djaenudin. "Peran Kolaborasi Galeri, Perpustakaan, Arsip dan Museum Dalam Mendiseminasikan Sumber Informasi Pengetahuan kepada Masyarakat." Tik Ilmeu : Jurnal Ilmu Perpustakaan dan Informasi 6, no. 2 (December 29, 2022): 139. http://dx.doi.org/10.29240/tik.v6i2.3301.

Full text

Abstract:

An analysis of the role of galleries, libraries, archives and museums as a source of information for public knowledge was conducted. This study aims to find out how the collaborative role of galleries, libraries and archives in disseminating knowledge information sources to the public. The study was conducted using a narrative review which was complemented by observations via the web. The results of the analysis show that institutions that have collaborated include merging and collaborating with regional libraries and archives located in provinces and districts as well as cities throughout Ind

APA, Harvard, Vancouver, ISO, and other styles

7

Prokopovich, L. V. "Fiction about museums as an alternative museum guides." Odes’kyi Politechnichnyi Universytet. Pratsi, no. 1 (June 10, 2014): 282–87. http://dx.doi.org/10.15276/opu.1.43.2014.47.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Gordon, Jennifer. "Museum Fiction." Art History 19, no. 1 (March 1996): 150–55. http://dx.doi.org/10.1111/j.1467-8365.1996.tb00659.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Lowe, Hilary Iris. "Dwelling in Possibility." Public Historian 37, no. 2 (May 1, 2015): 42–60. http://dx.doi.org/10.1525/tph.2015.37.2.42.

Full text

Abstract:

Challenges to historic house museums are often mired in the rhetoric of crisis. Toward countering that rhetoric, this essay attempts to draw attention to it and to the complicated history of narrative (and storytelling) in interpretation and the academy. It argues that literary house museums are sites of innovation within the house museum sector with lessons for us all. These lessons include a willingness to leverage “the old, bad history” toward reflective practice and continuity for multigenerational audiences; creating inventive university and school partnerships toward insuring strong comm

APA, Harvard, Vancouver, ISO, and other styles

10

Simonsson, Märit. "The Most Powerful Material in Westeros: Fiction Exhibitions and the Authenticity of Fiction Objects." Museum and Society 20, no. 2 (November 1, 2022): 250–63. http://dx.doi.org/10.29311/mas.v20i2.4072.

Full text

Abstract:

This article examines authenticity in relation to exhibitions about films and television series and the objects they contain, defined here as fiction exhibitions and fiction objects. The study is based on an analysis of Game of Thrones: The Touring Exhibition. Material and constructed authenticity are examined and used in the analysis. It is concluded that the exhibition relates to both categories of authenticity, as it contains authentic material from the production of the series and constructs authenticity by emphasizing the fiction objects’ value. The value of objects is also discussed in r

APA, Harvard, Vancouver, ISO, and other styles

11

Burke, Verity, and Will Tattersdill. "Introduction: Museums in Science Fiction, Science Fiction in Museums." Configurations 30, no. 3 (June 2022): 247–56. http://dx.doi.org/10.1353/con.2022.0016.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Dmitrieva, Ekaterina E. "Pushkin’s Trigorskoye as a Source of Myth-making: Fiction Versus Pragmatics." Literary Fact, no. 3 (25) (2022): 211–32. http://dx.doi.org/10.22455/2541-8297-2022-25-211-232.

Full text

Abstract:

In 1824 Pushkin was exiled to his mother’s estate Mikhailovskoye, where he was to stay until 1826. Then he was set free by the enthroned Tsar Nicholas I. Praskovia Alexandrovna Osipova-Vulf, the mistress of Trigorskoye, and her numerous family were Pushkin’s only neighbours during his exile period. A myth was gradually forming in the minds of Pushkin’s readers and admirers. According to this myth Pushkin depicted Trigorskoye in the village chapters of “Eugene Onegin,” Trigorskoye ladies and their mother became the prototype of the novel’s female characters, and Osipova’s son Alexey Wulf, then

APA, Harvard, Vancouver, ISO, and other styles

13

Ryabkova, I. P., and A. A. Deryugina. "TRANSLATING TEXTS ON ART (ILLUSTRATED BY EXAMPLES FROM MUSEUM TEXTS IN RUSSIAN, ENGLISH AND FINNISH)." Russian Journal of Multilingualism and Education 12 (December 25, 2020): 135–41. http://dx.doi.org/10.35634/2500-0748-2020-12-135-141.

Full text

Abstract:

The article studies the ways of rendering stylistic and lexical features of museum texts in the Russian, English and Finnish languages in translations. Research in the field of translation of museum texts seems important in view of the growing popularity of museums and the increased number of international visitors who have to refer to translated texts. The study uses the texts of Kiasma and the Helsinki Art Museum (HAM), Helsinki, as well as the texts of the Museum and Exhibition Complex of Small Arms named after M. T. Kalashnikov, Izhevsk. The source languages (SL) of the analyzed texts we

APA, Harvard, Vancouver, ISO, and other styles

14

Ryabkova, I. P., and A. A. Deryugina. "TRANSLATING TEXTS ON ART (ILLUSTRATED BY EXAMPLES FROM MUSEUM TEXTS IN RUSSIAN, ENGLISH AND FINNISH)." Russian Journal of Multilingualism and Education 12 (December 25, 2020): 135–41. http://dx.doi.org/10.35634/2500-0748-2020-12-135-141.

Full text

Abstract:

The article studies the ways of rendering stylistic and lexical features of museum texts in the Russian, English and Finnish languages in translations. Research in the field of translation of museum texts seems important in view of the growing popularity of museums and the increased number of international visitors who have to refer to translated texts. The study uses the texts of Kiasma and the Helsinki Art Museum (HAM), Helsinki, as well as the texts of the Museum and Exhibition Complex of Small Arms named after M. T. Kalashnikov, Izhevsk. The source languages (SL) of the analyzed texts we

APA, Harvard, Vancouver, ISO, and other styles

15

Smith, Melanie Kay, and Titanilla Virág Tevely. "Blurring the boundaries between fact and fiction: serial killers in the context of dark tourism." Tourism and Heritage Journal 4 (January 9, 2023): 53–75. http://dx.doi.org/10.1344/thj.2022.4.4.

Full text

Abstract:

Serial killers fascinate people and books, films, TV series and other types of entertainment increasingly cater to this interest providing sensationalized media coverage. The theory suggests that the boundaries are blurred considerably between fact and fiction, even for the serial killers themselves. For many people, serial killers are both frightening and attractive enough to motivate them to go on tours and visit sites, museums and other attractions that are associated with them. This paper explores the motivation for consuming true and fictional crime including murders and serial killing wi

APA, Harvard, Vancouver, ISO, and other styles

16

Jarvie, Scott A., and Addyson Frattura. "Literary Philosophy and the Use of Uselessness." Art/Research International: A Transdisciplinary Journal 6, no. 2 (September 4, 2021): 272–300. http://dx.doi.org/10.18432/ari29510.

Full text

Abstract:

We build this work from the memory of the time we stumbled into tulips at city hall. As guard sirens fled off into the night, we wondered, “Maybe we can borrow some.” We ripped handfuls from the ground and ran. “Don’t worry,” we said, “they are too busy to catch us stealing tulips.” Likewise, we get away with this useless project because others are busy doing useful work: exigent, coherent, important work. We support much of that busyness, and at the same time wonder what is lost with all that attention towards usefulness. What we offer here, through a hybrid of reflective, poetic, essayistic

APA, Harvard, Vancouver, ISO, and other styles

17

Sussman, Herbert. "INTRODUCTION." Victorian Literature and Culture 33, no. 1 (March 2005): 313. http://dx.doi.org/10.1017/s1060150305210860.

Full text

Abstract:

WITH THESE ESSAYS, Victorian Literature and Culture begins a regular feature, “Victorians Live,” whose subject is how the Victorians still “live,” how they remain “live,” lively, alive. The focus is the intersection of the world of Victorian scholarship that the readers of VLC inhabit, with the larger world of representation. For, quite remarkably, in our globalized time, the Victorians remain “in”–from museum blockbusters to specialized exhibitions, from home decoration to popular fiction and graphic novels, from Masterpiece Theatre to Hollywood retellings of canonical novels. Rather than ass

APA, Harvard, Vancouver, ISO, and other styles

18

Carnall, Mark. "Science Fiction at the Natural History Museum." Configurations 30, no. 3 (June 2022): 341–48. http://dx.doi.org/10.1353/con.2022.0020.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Pagliuca, N. M., C. Gasparini, and D. Pietrangeli. "A journey towards the earth's core at the geophysical museum of Rocca di Papa (Rome, Italy)." Geological Curator 8, no. 7 (July 2007): 341–50. http://dx.doi.org/10.55468/gc390.

Full text

Abstract:

This paper introduces the Geophysical Museum of Rocca di Papa (Roma, Italy) where visitors can encounter a fascinating journey towards the Earth's core. The aim of the Museum, which was founded on February 26th 2005, is to make the language of Geophysics friendlier and to show the relationship between science and science fiction. The Geophysical Museum is housed in the historical Geodynamic Observatory, built in 1889 by the famous seismologist Michele Stefano De Rossi. The Museum explains the main topics of Geophysics through the use of posters, movie presentations and interactive experiments

APA, Harvard, Vancouver, ISO, and other styles

20

Прокопович Л. В. "ТЕАТРАЛЬНІСТЬ СУЧАСНИХ МУЗЕЙНИХ КОМУНІКАЦІЙ: СОЦІАЛЬНО-ФІЛОСОФСЬКИЙ АСПЕКТ". International Journal of Innovative Technologies in Social Science, № 5(17) (31 серпня 2019): 25–30. http://dx.doi.org/10.31435/rsglobal_ijitss/31082019/6620.

Full text

Abstract:

   The purpose of the study is to identify and comprehend the socio- philosophical foundations of the theatricality of modern museum communications. The methodological research strategy is based on the concept of theatricality of sociocommunicative manifestations of culture (using the methodological apparatus of sociocultural analysis). This approach made it possible to find out that the museum space is communicative in its goals, objectives and forms of existence. This space is not closed, because museum communication is not only the exchange of information within the museum

APA, Harvard, Vancouver, ISO, and other styles

21

Pouliot, Amber. "Serena Partridge’s ‘Accessories’: Fabricating Uncertainty in the Brontë Parsonage Museum." Journal of Victorian Culture 25, no. 2 (April 2020): 279–99. http://dx.doi.org/10.1093/jvcult/vcz030.

Full text

Abstract:

Abstract The 1861 sale of the Brontës’ personal effects sent relic hunters scrambling to collect the material remains of the famous family. In the second half of the nineteenth century, the collection, preservation, and veneration of relics, particularly those associated with a writer’s private, domestic life, were important aspects of literary celebrity culture and commemoration, and both the Brontë Society and the original Brontë Museum were established to collect material remains. Yet when Virginia Woolf visited the museum in 1904, she viewed Charlotte Brontë’s clothing, shoes, and accessor

APA, Harvard, Vancouver, ISO, and other styles

22

Zioga, Polina, and Victoria Wetzel. "Paintings Alive." Interactive Film & Media Journal 2, no. 4 (December 30, 2022): 95–105. http://dx.doi.org/10.32920/ifmj.v2i4.1669.

Full text

Abstract:

To reach younger audiences, museums worldwide have incorporated interactive and hands-on activities, while some venues specialise in children as their main audience. Videos, in particular, can be easily integrated into the museum space and provide a variety of application possibilities. Their use creates a hybrid experience for the visitor in which the interaction between physical and digital elements transforms and enriches their experience of the exhibits. Furthermore, interactive technologies have been proven to increase visitor numbers and interactions on- and off-site. In this context, ou

APA, Harvard, Vancouver, ISO, and other styles

23

Özgül, Gönül Eda. "The Regime of Memory in “The Museum of Innocence”: The Past as an Age of Innocence." Jednak Książki. Gdańskie Czasopismo Humanistyczne, no. 9 (April 24, 2018): 43–54. http://dx.doi.org/10.26881/jk.2018.9.04.

Full text

Abstract:

In this paper, the regime of memory produced in The Museum of Innocence, a museum created and curated by the author Orhan Pamuk is discussed. The museum was opened in 2012 in Istanbul and it was based on Pamuk’s novel of the same title published in 2008. The intertextual novel-museum and the museum-novel blur the distinctions between fiction and reality, as well as the distinctions between individual and social memories and focus on everyday life and personal objects rather than the “monumental” national history. The regime of memory produced in this museum is discussed in this paper in relati

APA, Harvard, Vancouver, ISO, and other styles

24

Roessler, Gerrit K. "Sounds of the Apocalypse: Preserving Cold War Memories in Ulrich Horstmann's Radio Play Die Bunkermann-Kassette." German Politics and Society 32, no. 1 (March 1, 2014): 94–109. http://dx.doi.org/10.3167/gps.2014.320107.

Full text

Abstract:

This article examines Ulrich Horstmann's science fiction radio play Die Bunkermann-Kassette (The Bunker Man Cassette, 1979), in which the author frames fears and anxieties surrounding a potential nuclear conflict during the Cold War as apocalyptic self-annihilation of the human race. Radio, especially radio drama, had a unique role in capturing the historical imaginaries and traumatic experiences surrounding this non-event. Horstmann's radio drama and the titular cassette tape become sound artifacts that speak to the technological contexts of their time, while their acoustic content carries th

APA, Harvard, Vancouver, ISO, and other styles

25

Robins, Claire. "After-Image: The museum seen through fiction’s lens." Photographies 7, no. 2 (July 3, 2014): 149–62. http://dx.doi.org/10.1080/17540763.2014.930921.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Muller, Lizzie. "‘The Museum of Today’: Harald Szeemann’s Science Fiction." Journal of Curatorial Studies 7, no. 1 (April 1, 2018): 76–95. http://dx.doi.org/10.1386/jcs.7.1.76_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

MacDonald, Sharon, and Roger Silverstone. "Rewriting the museums' fictions: Taxonomies, stories and readers." Cultural Studies 4, no. 2 (May 1990): 176–91. http://dx.doi.org/10.1080/09502389000490141.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Fruguglietti, Salvatore. "The theatre, (art) and science: between amazement and applause!" Journal of Science Communication 08, no. 02 (June 19, 2009): C07. http://dx.doi.org/10.22323/2.08020307.

Full text

Abstract:

There have been countless innovations in the realm of science museology after the foundation of the Exploratorium of San Francisco and of the Ontario Science Center of Toronto with, among other things, the introduction of the exhibits hands-on, the use of new technologies and the arrival of virtuality.But most of all a new dialogue was launched, also as a form of transformation of reality. And what is drama but fiction and transformation of reality?This statement is the basis for the belief that museums and the theatre should continue, if not even start, a path to move closer, so as to make th

APA, Harvard, Vancouver, ISO, and other styles

29

Walder, Dennis. "“There is no first reading”: (Re-)Reading Nineteenth-Century Realist Novels and their Critics." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 3 (May 1, 2011): 44. http://dx.doi.org/10.12681/syn.16919.

Full text

Abstract:

We all read with the knowledge, or at least the memory, of what we have already read. And even the novels we read are imbued with their predecessors to such an extent that reading a novel means in effect reading its predecessors as well. I take a contemporary novel, Kate Atkinson’s Behind the Scenes at the Museum, and look at how it echoes earlier novels in the realist tradition to make the point that such novels are written with other novels in mind. As Roland Barthes put it, “there is no first reading.” According to Barthes, the common view that there is some pristine first reading of a book

APA, Harvard, Vancouver, ISO, and other styles

30

Nikiforova, Anastasiia Aleksandrovna. "Interactive forms of preservation of cultural memory (on the example of historical reconstruction in the Northwest Russia." Культура и искусство, no. 3 (March 2021): 37–46. http://dx.doi.org/10.7256/2454-0625.2021.3.33133.

Full text

Abstract:

This article examines the process of preservation of cultural heritage through interactive forms of historical reconstruction. The author reviews such relatively new for Russia phenomena as military-historical clubs, ethnic parks, thematic tourism zones, private museums and ethnographic collections, which familiarize with the history of our homeland in an interactive form. The active engagement of visitors and members of the club into the process of reconstruction of lifestyle and military traditions of previous generations is like being a participant of the restored history, which is more com

APA, Harvard, Vancouver, ISO, and other styles

31

Filipek, Małgorzata. "Hiszpania w Dziennikach z podróży Miodraga Popovicia." Slavica Wratislaviensia 166 (June 22, 2018): 49–67. http://dx.doi.org/10.19195/0137-1150.166.4.

Full text

Abstract:

Spain in Miodrag Popović’s travel diariesIn addition to well-known works about Spain, written by prominent writers and diplomats of the Kingdom of Yugoslavia Zorić, Dučić, Petrović, Dimitrijević, Andrić, Crnjanski, Serbian literature is full of less famous fiction that has complemented the country’s image through Serbian readers since the 70’s of 20th century to the present. One of them is a literary work Put u Španiju from the travel book, entitled Putopisni dnevnici, by Miodrag Popović. The writer describes impressions from a trip to Spain and other countries. Visiting the most famous museum

APA, Harvard, Vancouver, ISO, and other styles

32

Burke, Verity, and Will Tattersdill. "Science Fiction Worldbuilding in Museum Displays of Extinct Life." Configurations 30, no. 3 (June 2022): 313–40. http://dx.doi.org/10.1353/con.2022.0019.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Pakeman, Denise. "Fact and Fiction: Reinterpreting Animals in a National Museum." Society & Animals 21, no. 6 (2013): 591–93. http://dx.doi.org/10.1163/15685306-12341293.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Tekgül, Duygu. "Fact, fiction and value in the Museum of Innocence." European Journal of Cultural Studies 19, no. 4 (July 20, 2015): 387–402. http://dx.doi.org/10.1177/1367549415592893.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Stein, Richard L. "Museum Trouble: Edwardian Fiction and the Emergence of Modernism." Nineteenth-Century Contexts 37, no. 4 (July 15, 2015): 384–86. http://dx.doi.org/10.1080/08905495.2015.1056871.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Roig Telo, Antoni. "Cine colaborativo, entre los discursos, la experimentación y el control: metodologías participativas en ficción y no-ficción." Obra digital, no. 12 (February 28, 2017): 13–25. http://dx.doi.org/10.25029/od.2017.121.12.

Full text

Abstract:

Las formas basadas en la colaboración y la participación de colectivos amplios y diversos, no necesariamente especializados, en los procesos creativos, como es el caso del cine colaborativo, se han erigido en uno de los principales fuentes de experimentación formal, temática y metodológica en la producción cultural contemporánea. En este artículo, me propongo explorar algunas de las principales características del cine colaborativo, partiendo de una discusión sobre la noción de participación basada en los estudios sobre democracia. A través de dos casos ejemplo me propongo identificar algunas

APA, Harvard, Vancouver, ISO, and other styles

37

Watkins, Liz. "The Politics of Nostalgia: Colorization, Spectatorship and the Archive." Comparative Cinema 9, no. 17 (December 19, 2021): 123–45. http://dx.doi.org/10.31009/cc.2021.v9.i17.07.

Full text

Abstract:

Colorization describes the digitization and retrospective addition of color to photographic and film materials (celluloid nitrate, glass negatives) initially made and circulated in a black-and-white format. Revisiting the controversial 1980s colorization of 24 classic Hollywood studio titles, which incited debate over questions of copyright, authorship and artistic expression, this essay examines the use of colorization to interpret museum collections for new audiences. The aesthetics of colorization have been criticized for prioritizing image content over the history of film technologies, pra

APA, Harvard, Vancouver, ISO, and other styles

38

Marot Kiš, Danijela. "Memory, writing and narration: The flea markets of memory in Dubravka Ugrešić’s The Museum of Unconditional Surrender." Journal of European Studies 50, no. 2 (May 18, 2020): 178–92. http://dx.doi.org/10.1177/0047244120918477.

Full text

Abstract:

The narrative of Dubravka Ugrešić’s novel The Museum of Unconditional Surrender (1997) revolves around three core motifs: the problem of memory and remembering, the experience of temporality, and the notion of exile, developed in relation to the dichotomy of fact versus fiction. While most theoretical approaches to the novel focus on the motif of exile in the context of dominant ideological patterns of the new national states formed after the breakup of Yugoslavia, this paper represents a shift in interpretative focus to the problem of memory and the experience of temporality in the perspectiv

APA, Harvard, Vancouver, ISO, and other styles

39

paggett, taisha. "Performance on the Eve of Negro Spring." TDR/The Drama Review 58, no. 4 (December 2014): 2–3. http://dx.doi.org/10.1162/dram_a_00391.

Full text

Abstract:

taisha paggett’s work includes individual and collaborative investigations for the stage, gallery, and public sphere, which question the body, agency, and the phenomenology of race and gender. Her work has been presented widely, including the Studio Museum in Harlem, Danspace Project, and the Whitney Museum (NY); Defibrillator (Chicago); The Off Center (SF); Public Fiction and LACE (LA); and BAK (Utrecht). She has worked with David Roussève, Stanley Love Performance Group, Fiona Dolenga, Vic Marks, Kelly Nipper, Meg Wolfe, Ultra-red, and with Ashley Hunt on their project On Movement, Thought a

APA, Harvard, Vancouver, ISO, and other styles

40

Kazanova, Yuliya. "‘The instinct of resistance to evil’: Postmemory and the Ukrainian national imaginary in Oksana Zabuzhko’s novel The Museum of Abandoned Secrets." Memory Studies 15, no. 2 (October 5, 2021): 436–50. http://dx.doi.org/10.1177/17506980211044710.

Full text

Abstract:

Building on Marianne Hirsch’s concept of postmemory, this article examines Oksana Zabuzhko’s latest novel The Museum of Abandoned Secrets as postmemorial fiction, which articulates the trauma of Soviet political repressions in the post–World War II period and in the 1970s via the perception of the second and third generation. The affiliative postmemory about World War II in Ukraine from the viewpoint of Ukrainian Insurgent Army partisans is emplotted via an original generic combination of contemporary Holocaust fiction and romances of the archive. Postmemory is used in the novel to shape a myt

APA, Harvard, Vancouver, ISO, and other styles

41

Kazanova, Yuliya. "‘The instinct of resistance to evil’: Postmemory and the Ukrainian national imaginary in Oksana Zabuzhko’s novel The Museum of Abandoned Secrets." Memory Studies 15, no. 2 (October 5, 2021): 436–50. http://dx.doi.org/10.1177/17506980211044710.

Full text

Abstract:

Building on Marianne Hirsch’s concept of postmemory, this article examines Oksana Zabuzhko’s latest novel The Museum of Abandoned Secrets as postmemorial fiction, which articulates the trauma of Soviet political repressions in the post–World War II period and in the 1970s via the perception of the second and third generation. The affiliative postmemory about World War II in Ukraine from the viewpoint of Ukrainian Insurgent Army partisans is emplotted via an original generic combination of contemporary Holocaust fiction and romances of the archive. Postmemory is used in the novel to shape a myt

APA, Harvard, Vancouver, ISO, and other styles

42

Chmurski, Mateusz. "Review Article: The Wedding Gown Writes Back. Borgos, Anna. 2013. Nemek között: Nőtörténet, szexualitástörténet ('Between the Sexes: Women's History, Sexuality History'). Budapest: Noran Libro Kiadó. 317 pp.; and Lovas, Ildikó. 2008. Spanyol menyasszony (‘The Spanish Bride’). Bratislava/Pozsony: Kalligram Kiadó. 304 pp." Hungarian Cultural Studies 8 (January 22, 2016): 97–104. http://dx.doi.org/10.5195/ahea.2015.210.

Full text

Abstract:

In Central Europe nowadays universities, research institutes or museums are attempting to reconfigure the region's complex history from the perspectives of formerly forgotten or marginal/ized individuals and groups. Besides initiatives such as the opening of the Museum of the History of Polish Jews in Warsaw, or of the Center for Queer Memory in Prague, new studies and literary works presently (re-)create narratives that challenge the generally accepted past. Two recently published Hungarian books, a novel and a study that partly deals with the novel, exemplify this revisionist tendency. Ildik

APA, Harvard, Vancouver, ISO, and other styles

43

Feizabadi, Azin. "Chronicles from Majnun until Layla." ARTMargins 3, no. 1 (February 2014): 81–86. http://dx.doi.org/10.1162/artm_a_00072.

Full text

Abstract:

Chronicles from Majnun until Layla is a film project structured in three stages: 1.) The Museum of Modern Iranian History (2011–2013), 2.) Layla and Majnun (in preparation), and 3.) The Film (in preparation). Each stage bears its own approach, format, and mode of presentation. The first two stages are conceived as preparation for the third and final stage: the merging moment, which will be in the form of a feature-length, hybrid fiction/documentary film. The film depicts a couple, lovers, visiting a virtual museum of modern Iranian history. The lovers appear both as themselves and as “Layla an

APA, Harvard, Vancouver, ISO, and other styles

44

Koenigsberger, K. "RUTH HOBERMAN. Museum Trouble: Edwardian Fiction and the Emergence of Modernism." Review of English Studies 63, no. 260 (January 9, 2012): 520–22. http://dx.doi.org/10.1093/res/hgr143.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Razogreyeva, Lyudmila P. "Library of M. Sholokhov." Bibliotekovedenie [Library and Information Science (Russia)], no. 3 (June 28, 2015): 70–75. http://dx.doi.org/10.25281/0869-608x-2015-0-3-70-75.

Full text

Abstract:

The study of reading preferences of Mikhail Sholokhov will allow to come closer to the understanding of personality of the writer. The theme of library, of literary interests of M. Sholokhov was not considered in the sufficient range by the researchers of his work. The article describes the library collected by M. Sholokhov; there are discussed a number of fragments from his letters and memoirs of contemporaries, indicating formation of the spiritual world of the writer, what place in his life was occupied by fiction, historical and philosophical books.Currently, the Museum-Reserve of M. Sholo

APA, Harvard, Vancouver, ISO, and other styles

46

Jørgensen, Dolly. "Coda on Curation: Thoughts on Science Fiction and Museums." Configurations 30, no. 3 (June 2022): 367–75. http://dx.doi.org/10.1353/con.2022.0022.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Zimmerman, Virginia. "The Curating Child: Runaways and Museums in Children’s Fiction." Lion and the Unicorn 39, no. 1 (2015): 42–62. http://dx.doi.org/10.1353/uni.2015.0008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Black, Barbara J. "An empire's great expectations: Museums in imperialist boy fiction." Nineteenth-Century Contexts 21, no. 2 (January 1999): 235–58. http://dx.doi.org/10.1080/08905499908583476.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Hutchings, Pat, and Elena Kupriyanova. "Cosmopolitan polychaetes – fact or fiction? Personal and historical perspectives." Invertebrate Systematics 32, no. 1 (2018): 1. http://dx.doi.org/10.1071/is17035.

Full text

Abstract:

In the biogeographical and taxonomical literature before the 1980s there was a wide perception that widespread, often referred to as ‘cosmopolitan’, species were very common among polychaetes. Here we discuss the origins of this perception, how it became challenged, and our current understanding of marine annelid distributions today. We comment on the presence of widely distributed species in the deep sea and on artificially extended ranges of invasive species that have been dispersed by anthropogenic means. We also suggest the measures needed to revolve the status of species with reported cos

APA, Harvard, Vancouver, ISO, and other styles

50

Houchins, Sue E. "Novices in the Archives: Restoring, Preserving and Digitising an African Archive." African Research & Documentation 134 (2018): 22–29. http://dx.doi.org/10.1017/s0305862x00023001.

Full text

Abstract:

In 2013, I traveled to the Khama III Memorial Museum in Serowe, Botswana, to deliver a paper at a conference honoring the fortieth anniversary of the publication of southern African author Bessie Head's celebrated novel A Question of Power. This was my first visit to the museum that houses the author's archives which contain most of her correspondence with literary agents, publishers, historians, anthropologists, literary critics, and other writers - including Alice Walker, Nikki Giovanni, Toni Morrison, and Gabriel Garcia Marquez. They also include some of her original manuscripts, agricultur

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!