Relevant bibliographies by topics / Museum für Islamische Kunst (Berlin, Germany)

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Academic literature on the topic 'Museum für Islamische Kunst (Berlin, Germany)'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Museum für Islamische Kunst (Berlin, Germany)"

1

Whelan, Estelle, Almut Hauptmann von Gladiss, Jens Kröger, Klaus Brisch, and Jens Kroger. "Berlin, Staatliche Museen Preussischer Kulturbesitz; Museum für Islamische Kunst: Metall, Stein, Stuck, Holz, Elfenbein, Stoffe." Journal of the American Oriental Society 111, no. 3 (July 1991): 612. http://dx.doi.org/10.2307/604299.

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Santos, Raquel, Ana Claro, Ana Serrano, Maria João Ferreira, and Jessica Hallett. "Textiles, Trade & Taste—Portugal and the World: A Project on the Global Circulation of Textiles and Dyes." Textile Museum Journal 47, no. 1 (2020): 187–95. http://dx.doi.org/10.1353/tmj.2020.a932820.

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Abstract: Textiles, Trade & Taste: Portugal and the World (TTT) is a project that aspires to bring new synergies to the field of textile studies by promoting different connections and interdisciplinary approaches involving art history, materials science, and conservation. The TTT research network is based at the Center for Humanities in the School of Social Sciences and Humanities at the Universidade NOVA de Lisboa and organizes workshops, conferences, tours, and lectures in museums and research institutions. The network’s artistic and historical research has ranged from collating archival material to stylistic and iconographic studies, with the aim of placing textile objects in their historical, artistic, technological, and sociocultural contexts. Chemical analysis and characterization of dyes, textile fibers, and precious metal threads have provided important evidence for identifying the origins of raw materials and finished textiles, and for developing improved conservation treatments for their preservation for future generations. Recent research has examined the global circulation of dyes in the early modern period, especially reds, and also reconstructed the production and consumption of Indian, Chinese, and Portuguese embroideries and Islamic carpets. In 2011, TTT’s work led to the classification of three “Salting” carpets as national treasures in Portugal. The team members have collaborated with national and international museums, including Museu Nacional de Arte Antiga and Calouste Gulbenkian Museum (Lisbon), as well as Abegg-Stiftung (Riggisberg), The Metropolitan Museum of Art (New York), Musée des Tissus, (Lyon), Museum für Islamische Kunst (Berlin), Museum für angewandte Kunst (MAK) (Vienna), Rietberg Museum (Zürich), Rijksmuseum (Amsterdam), George Washington University Museum and The Textile Museum (Washington, D.C.), National Gallery of Art (Washington, D.C.), and Victoria and Albert Museum (London). The team’s art historians contributed to the platform “Museum With No Frontiers” to develop the online exhibition Discover Carpet Art involving Portuguese museums. TTT’s scientists have strong links with the Freer Gallery of Art and Arthur M. Sackler Gallery (National Museum of Asian Art, Washington, D.C.), University of Zaragoza (Spain), Rijksdienst voor het Cultureel Erfgoed (Cultural Heritage Agency of the Netherlands, Amersfoort), and the University of Amsterdam. We have been encouraged by the positive response of the international community to the results of our initial research projects.
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Troelenberg, Eva-Maria. "Julia Gonnella und Jens Kröger (Hrsg.), Wie die islamische Kunst nach Berlin kam. Der Sammler und Museumsdirektor Friedrich Sarre (1865‒1945). Für das Museum für Islamische Kunst – Staatliche Museen zu Berlin herausgegeben, Berlin: Reimer Verlag 2015, 160 S., ISBN 978-3-496-01544-4." Der Islam 96, no. 2 (October 4, 2019): 527–30. http://dx.doi.org/10.1515/islam-2019-0042.

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Allan, J. W. "Islamische Kunst, Loseblattkatalog unpublizierter Werke aus Deutschen Museen 2. Berlin, Staatliche Museen Preussischer Kulturbesitz, Museum für Islamische Kunst. Met all, Stein, Stuck, Holz, Elfenbein, Stoffe, by Almut Hauptmann Von Gladiss and Jens Kröger. Zaberndruck, Mainz1985. DM 136." Middle East Studies Association Bulletin 19, no. 2 (December 1985): 247–48. http://dx.doi.org/10.1017/s0026318400016485.

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5

Long, Christopher. "Christian Brandstätter,Wiener Werkstätte: Design in Vienna, 1903-1932. New York: Harry N. Abrams, 2003. 400 pp., 450 color ills, 100 b/w ills., bibliog., index. $40.Manu von Miller,Sonja Knips und die Wiener Moderne: Gustav Klimt, Josef Hoffmann und die Wiener Werkstätte gestalten eine Lebenswelt. Vienna: Christian Brandstätter, 2004. 112 pp., 60 color pls., 57 b/w ills., bibliog. EUR 36.Herta Neiß,Wiener Werkstätte: Zwischen Mythos und wirtschaftlicher Realität. Vienna: Böhlau, 2004. 311 pp., 60 b/w ills., bibliog., index. EUR 39.Waltraud Neuwirth, ed.,Wiener Werkstätte Katalog 1928. Vienna: Selbstverlag Dr. Waltraud Neuwirth, 2004. 106 pp., 9 color ills., 282 b/w ills. EUR 30.Peter Noever, ed.,Yearning for Beauty: The Wiener Werkstätte and the Stoclet House, exh. cat. Ostfildern-Ruit, Germany: Hatje Cantz for Museum für angewandte Kunst, Vienna, and Centre for Fine Arts, Brussels, distr. in U.S. by Distributed Art Publishers, New York, 2006. 452 pp., 418 color ills., 267 b/w illus., 1 appendix, bibliog., index. $95, EUR 60.Renate Ulmer,Emanuel Josef Margold: Wiener Moderne, Künstlerkolonie Darmstadt, Corporate Design für Bahlsen, Neues Bauen in Berlin, exh. cat. Stuttgart: Arnoldsche, for Museum Künstlerkolonie Darmstadt, distr. in U.S. by Antique Collectors' Club, Easthampton, Mass., 2004. 192 pp., 172 color pls., 132 b/w ills., bibliog., index. $75, £45, EUR 49.80.Die Wiener Werkstätte 1903-1928: Modernes Kunstgewerbe und sein Weg, epilogue by Graham Dry in German and English, facsimile repr. of Krystall-Verlag ed., Vienna, 1929. Munich: Ketterer Kunst, 1994. 155 pp. (n.p.), 9 color pls., 167 b/w ills. EUR 60." Studies in the Decorative Arts 14, no. 2 (March 2007): 166–70. http://dx.doi.org/10.1086/652883.

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6

Gyselen, Rika. "« Une amulette du Museum für Islamische Kunst de Berlin ». JSAI, 26, 2002, pp. 176-186." Abstracta Iranica, Volume 25 (May 15, 2004). http://dx.doi.org/10.4000/abstractairanica.4489.

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Books on the topic "Museum für Islamische Kunst (Berlin, Germany)"

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Anna, Beselin, ed. Geknüpfte Kunst: Teppiche des Museums für Islamische Kunst. Wolfratshausen: Edition Minerva, 2011.

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2

Volkmar, Enderlein, and Staatliche Museen zu Berlin--Preussischer Kulturbesitz, eds. Museum of Islamic Art. Mainz: P. von Zabern, 2003.

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Claus-Peter, Haase, Museum für Islamische Kunst (Berlin, Germany), and Matḥaf al-Shāriqah lil-Ḥaḍārah al-Islāmīyah, eds. The radiance of Islamic art: Masterpieces from the Museum of Islamic art in Berlin. Berlin: Museum für Islamische Kunst, 2008.

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4

Hrsg.: Kr oger, Jens, ed. Islamische Kunst in Berliner Sammlungen. Ausstellung im Museum f ur Islamische Kunst, Berlin, vom 19. Oktober 2004 bis 16. Januar 2005. Berlin: Parthas Verlag GmbH, 2004.

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5

Déroche, François. Der Prachtkoran im Museum für Islamische Kunst: Buchkunst zur Ehre Allāhs. Berlin: Museum für Islamische Kunst, Staatliche Museen zu Berlin, Preussischer Kulturbesitz, 1999.

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New Glass Art & Photography (Berlin, Germany), Kühn Miriam, Becker Andrea, and Kröger Jens, eds. Vorsicht Glas!: Zerbrechliche Kunst 700-2010. München: Edition Minerva, 2010.

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7

Enderlein, Volkmar. Wilhelm von Bode und die Berliner Teppichsammlung. Berlin: Gebr. Mann, 1995.

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8

Museum für Islamische Kunst (Berlin, Germany). Metall, Stein, Stuck, Holz, Elfenbein, Stoffe. Mainz/Rhein: P. von Zabern, 1985.

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9

Museum für Islamische Kunst (Berlin, Germany), ed. Das Aleppozimmer: Strukturen und Dekorelemente der Malerein im Aleppozimmer des Museums für Islamische Kunst in Berlin. Berlin: Staatliche Museen zu Berlin, 2006.

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10

Kamel, Susan. Wege zur Vermittlung von Religionen in Berliner Museen: Black Kaaba meets White Cube. Wiesbaden: VS Verlag für Sozialwissenschaften, 2004.

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Book chapters on the topic "Museum für Islamische Kunst (Berlin, Germany)"

1

Kühn, Miriam. "14. Digitizing the Archaeological Finds and the Photographic Archive of the German Excavation Campaigns in Samarra (1911-1913) at the Museum fur Islamische Kunst in Berlin." In Shaping Archaeological Archives, 281–300. Turnhout: Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.arc-eb.5.133505.

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