Academic literature on the topic 'Museum of ex-votos'

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Journal articles on the topic "Museum of ex-votos"

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Oliveira, José Cláudio Alves. "Ex-votos pictóricos." Museologia & Interdisciplinaridade 3, no. 6 (2015): 249–56. http://dx.doi.org/10.26512/museologia.v3i6.16763.

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O presente trabalho reserva-se à apresentação do ex-voto, objeto colocado, através do ato da desobriga, em santuários católicos, em específico, nas salas de milagres, com tradição advinda de Portugal. Aqui, um recorte das produções do Projeto Ex-votos do Brasil: etapa museus, que incursionou em museus e salas de milagres de 17 Estados brasileiros, e em algumas regiões de Portugal, espaços consagrados ao patrimônio cultual, que trazem, dentre suas riquezas, a natureza testemunhal da fé, e que apresentam histórias de vidas, retratadas em suportes pictóricos, fotográficos, bilhetes, esculturas, o
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Brasil, Pedro Henrique. "Os ex-votos de Catarina Paraguaçu: a mulher tupinambá através da arte, do museu e do catolicismo." Mosaico 13, no. 20 (2021): 362–82. http://dx.doi.org/10.12660/rm.v13n20.2021.83402.

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O presente artigo aborda a pintura “Visão de Paraguaçu” produzida em meados doséculo XIX pelo pintor Ângelo da Silva Romão, que traz a figura da indígenatupinambá, Catarina Paraguaçu, na Bahia do século XVI. Atualmente é exposta noMuseu Histórico Nacional na cidade do Rio de Janeiro. Duas hipóteses principaisconfiguram a pesquisa: a primeira é sobre a noção de longa duração utilizada para seentender as práticas de produção e circulação de pinturas votivas, os ex-votos, emtorno da representação de Catarina; a segunda se refere ao potencial da peça paraconstituir o acervo, entendendo o Museu com
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Silva, Genivalda. "Abordagens e discussões sobre o espaço museal, a patrimonialização e a comunicação cultural no estudo comparativo entre Museu e Sala de Milagres do Santuário do Bomfim, em Salvador, Bahia." Cadernos de Sociomuseologia, 2017. http://dx.doi.org/10.36572/csm.2017.vol.53.13.

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The research carried out had as objective to analyze how the ex-votive practices, present in the Sanctuary of the Bomfim, are linked to the popular culture of the payers of promise that are inherent to the social classes that transit freely through the room of miracles, and the ex-votive objects that Are museograted at the Museum of Ex-votos. It was noted the need to interpret and elucidate the new cultural dimensions and meanings of art and popular religiosity by addressing the conceptual followings of the terms that surround and represent the history and formation of the Sanctuary of the Lor
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Claudio Oriveira, Jose. "De Portugal às Américas: a tradição ex-votiva." Cadernos de Sociomuseologia, 2017. http://dx.doi.org/10.36572/csm.2017.vol.53.05.

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This paper reserves to show the ex-voto, object placed by the religiousness act in Catholic sanctuary, in particular, in the halls of miracles. Here, an excerpt Productions Project Ex-votos from Brazil: Step museums, linked to CNPq, which reached in museums and the halls of miracles of 17 Brazilian states, and in some regions of Portugal, spaces devoted to heritage worship which bring, among its riches, the testimonial nature of faith, and present stories of lives portrayed in media pictorial, photographic, tickets, sculptures, objects, organic and industrial objects, presenting situations tha
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Dissertations / Theses on the topic "Museum of ex-votos"

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Brito, Carla Façanha de. "Proposta de categorização dos ex-votos do casarão : o museu vivo do Padre Cícero em Juazeiro do Norte-CE." Universidade Federal da Paraí­ba, 2012. http://tede.biblioteca.ufpb.br:8080/handle/tede/3916.

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Made available in DSpace on 2015-04-16T15:23:17Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1685408 bytes, checksum: cfd15f557fa4767f051d681dcf916a0b (MD5) Previous issue date: 2012-02-13<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The genesis of the extension ex-votos dating back to Greek and Roman people and brings in its semantic recognition of faith as embodied in the pieces that symbolize an received grace, or to be achieved, or asking for protection, being it related to healing of a disease or something else. The ex-votos can take a wide variety
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Silva, Genivalda Cândido da. "Abordagens e discussões sobre o espaço museal, a patrimonialização e a comunicação cultural no estudo comparativo entre o museu e a sala de milagres do Santuário do Bomfim, em Salvador, Bahia." Faculdade de Filosofia e Ciências Humanas, 2015. http://repositorio.ufba.br/ri/handle/ri/18830.

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Submitted by Oliveira Santos Dilzaná (dilznana@yahoo.com.br) on 2016-04-01T15:10:44Z No. of bitstreams: 1 Dissertação de Genivalda Cândido.pdf: 14101984 bytes, checksum: 6b41f506818bc712362ae23e0e58cf25 (MD5)<br>Approved for entry into archive by Oliveira Santos Dilzaná (dilznana@yahoo.com.br) on 2016-04-08T17:48:01Z (GMT) No. of bitstreams: 1 Dissertação de Genivalda Cândido.pdf: 14101984 bytes, checksum: 6b41f506818bc712362ae23e0e58cf25 (MD5)<br>Made available in DSpace on 2016-04-08T17:48:02Z (GMT). No. of bitstreams: 1 Dissertação de Genivalda Cândido.pdf: 14101984 bytes, checksum: 6b4
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Afonso, Lídia Cristina Sabino. "Património votivo de matriz popular do Museu do Senhor Jesus da Piedade (Elvas) - Relatório de estágio." Master's thesis, Universidade de Évora, 2019. http://hdl.handle.net/10174/27704.

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O Santuário do Senhor Jesus da Piedade em Elvas, local de romaria e peregrinação do Alto Alentejo, detém um admirável espólio de ex-votos em diversos suportes (c.de 7000), datáveis a partir do século XVIII, espólio ainda não inventariado, apesar de algumas tentativas já realizadas. Os ex-votos pintados em suporte de madeira e tela, por serem dos ex-votos em pior estado de conservação no espólio do Museu do Santuário (além dos de metal), são os que foram alvo do nosso trabalho de estágio. É necessário pois, como contributo inicial para a sua conservação, salvaguarda e divulgação, o seu estudo e
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Books on the topic "Museum of ex-votos"

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Oliveira, José Claudio Alves de, Ana Helena da Silva Delfino Duarte, Fabiano Lopes de Paula, Genivalda Cândido da Silva, and Gilson Magno dos Santos. Ex-votos do Brasil: Arte e folkcomunicação. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-5861-221-6.

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The present work, published in 2016, comes from the Ex-Voto do Brasil Project, developed from 2005 to 2011, and sponsored by CNPq. It aimed at researching and analyzing ex-votos at the main Brazilian chapels of miracles, churches and museums in order to study the typology, iconography, iconology, grammar, discourse, social memory and multiple forms that, as testimonies or media, ex-votos carry messages and information from individual and collective issues. In this second revised edition, there are six narratives authored by researchers from Bahia, Goiás and Minas Gerais. They analyze ex-votos
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Book chapters on the topic "Museum of ex-votos"

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Cirafici, Alessandra, and Alessandra Avella. "A Virtual Museum of Pompeii “ex Votos”." In Impact of Industry 4.0 on Architecture and Cultural Heritage. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1234-0.ch007.

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Safeguarding cultural heritage—preserving it from the neglect of time and abandonment—is not in itself enough that the patrimony truly constitutes a part of that slow process of identity which in its inner essence of heritage, that of inheritance, cultural heritage is called upon to participate. For this to happen, it is necessary that heritage is “accessible” in the sense that Jeremy Rifkin has attributed to this term—proposed as a “possible experience” in everyday lives. Thus, new digital technologies not only make it possible to build virtually unlimited “memory archives”, but also to access systems, with a dynamic and interactive consultation so that a new generation of ‘prosumers' (producers/consumers) of the cultural heritage can give new meaning to it. This chapter investigates the potential and meaning of these new “memory archives” through the case study of the archive of the Ex Voto of the Shrine of Our Lady of the Rosary in Pompeii and of the 'stories' that it treasures.
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