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1

Museum, Sarawak. Sarawak in the museum. Sarawak Museum, 1988.

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2

Geller-Grimm, Fritz. Ästhetik der Natur: Aesthetics of Nature. Museum, 2015.

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3

Backmeister-Collacott, Ilka. Schauinsland!: Ansichten aus Übersee : Hugo Schauinsland zum 150. Geburtstag. Überseemuseum Bremen, 2007.

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4

Museum für Naturkunde in Berlin, ed. Klasse, Ordnung, Art: 200 Jahre Museum für Naturkunde. Basilisken-Presse, 2010.

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5

Bezold, Angelika. 150 Jahre naturwissenschaftliche Sammlungen der Diözese Eichstätt, 1844-1994: Katalog und Dokumentation. H. Schneider, 1994.

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6

Dingus, Lowell. Next of kin: Great fossils at the American Museum of Natural History. Rizzoli, 1996.

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7

ill, Alred Jean Lynn, ed. Making your own nature museum. F. Watts, 1989.

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8

History, Denver Museum of Natural. Life zone displays in the Walter C. Mead Ecological Hall, Denver Museum of Natural History. The Museum, 1986.

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9

Museum, American Philosophical Society. Of elephants & roses: Encounters with French natural history, 1790-1830 : an exhibition guide. American Philosophical Society Museum, 2011.

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10

Couch, N. C. Christopher. Pre-Columbian art from the Ernest Erickson Collection at the American Museum of Natural History. The Museum, 1988.

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11

American Museum of Natural History. Objects of bright pride: Northwest Coast Indian art from the American Museum of Natural History. 2nd ed. University of Washington Press, 1988.

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12

Pratesi, Giovanni, ed. Il Museo di Storia Naturale dell'Università degli Studi di Firenze. Le collezioni mineralogiche e litologiche | The Museum of Natural History of the University of Florence.The Mineralogical and Lithological Collections. Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-319-9.

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The Museum of Natural History of the University of Florence, founded in 1775 by Grand Duke Pietro Leopoldo d'Asburgo Lorena, is one of the oldest and most prestigious scientific museums in the world. The fourth volume on the Collections of the Mineralogy and Lithology Section, published like the previous volumes by the Firenze University Press, fits perfectly in the series dedicated to the collections of the University's Museum System. The first part of the book describes in great detail the paths that led to the formation of the collections, starting with those dating to the Medici period and arriving at the specimens collected during recent expeditions. The second part illustrates and documents the extraordinary specimens of minerals, hardstone carvings and meteorites which represent the material patrimony of this section. Particular attention is given to the holotypes, the Elban Collection and the minerals of pegmatites, as well as the methods and solutions adopted to realize the project of the new museum exhibition set-up. The third and last part describes the studies carried out on the materials: from the minerals of the systematic collections to the rock specimens that recount not only the geodiversity of a region but also the history of a city.
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13

Asma, Stephen T. Stuffed animals and pickled heads: The culture of natural history museums. Oxford University Press, 2003.

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14

Stuffed animals & pickled heads: The culture and evolution of natural history museums. Oxford University Press, 2001.

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15

Regensburg, Museen der Stadt. Graculus und Scheibenqualle: Naturwissenschaftliche Buchillustrationen : Kommentar zu einer Sammlung der Museen der Stadt Regensburg : Ausstellung im Historischen Museum 15.2. bis 19.4 1998. Die Museen, 1997.

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16

Steve, Parker. Age of dinosaurs. Natural History Museum, 2011.

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17

Dorfman, Eric. Intangible natural heritage: New perspectives on natural objects. Routledge, 2012.

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18

Goeldi, Museu Paraense Emílio, ed. Reencontros: Emílio Goeldi e o Museu Paraense. Museu Paraense Emílio Goeldi, 2006.

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19

Cort, Louise Allison. A basketmaker in rural Japan. Arthur M. Sackler Gallery, Smithsonian Institution in association with Weatherhill, New York, 1994.

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20

G, Maisey John, ed. The Hall of Vertebrate Origins: A guide to fishes, amphibians, turtles, lizards, crocodiles, and pterosaurs : with an introduction to the Miriam and Ira D. Wallach Orientation Center. American Museum of Natural History, 1996.

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21

The afterlives of animals: A museum menagerie. University of Virginia Press, 2011.

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22

Guggenheim, Jaenet. Triassic Hall: Building the Triassic exhibit from the ground up. Azro Press, 2011.

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23

Kelly, Erica. Evolving planet. Harry N. Abrams, 2008.

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24

Houston Museum of Natural Science. Masterpieces of the mineral world: Treasures from the Houston Museum of Natural Science. Houston Museum of Natural Science, 2004.

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25

(Austria), Naturhistorisches Museum, ed. Jack Ink: "Organische Kunst in Glas" : Glas und Bilder von Jack Ink Präsentiert von der Glass Gallery Neusser, mit Naturobjekten des Naturhistorischen Museums. Naturhistorisches Museum Wien, 2000.

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26

Lowell, Dingus, ed. The Halls of Dinosaurs: A guide to saurischians and ornithischians. American Museum of Natural History, 1995.

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27

Thomas, Baines. Thomas Baines: An artist in the service of science in southern Africa : paintings from the collections of the Royal Geographical Society (with IBG), Royal Botanic Gardens, Kew, and the Natural History Museum, London. Christie's, 1999.

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28

Houston Museum of Natural Science., ed. Call to the sky: The decoy collection of James M. McCleery, M.D. : presented by the Houston Museum of Natural Science, October 1992-January 1993. Gulf Pub. Co., 1992.

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29

Soderbergh, Peter A. Windows on the world: Public exhibits in the Museum of Natural Science at Louisiana State University : a semicentennial tribute, 1936-1986. Patrons of the Louisiana State University Museum of Natural Science, 1986.

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30

Kubota, Itchiku. Homage to nature: Landscape kimonos : [catalog of the exhibition] : June 2-October 29, 1995, Canadian Museum of Civilization, Hull, Quebec, November 16, 1995-April 7, 1996, the National Musemu of Natural History, Smithsonian Institution, Washington, D.C. Virginia Lithograph, 1995.

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31

Braunschweig, Herzog Anton-Ulrich-Museum. 250 Jahre Museum: Von den fürstlichen Sammlungen zum Museum der Aufklärung : Ausstellung in der Burg Dankwarderode, Braunschweig, 29. April bis 22. August 2004. Hirmer, 2004.

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32

Seaver Center for Western History Research (Natural History Museum of Los Angeles County), Natural History Museum of Los Angeles County, and Fisher Gallery (University of Southern California), eds. Lost & found: Rediscovering early photographic processes : American Case Art Collection from the Seaver Center for Western History Research, Natural History Museum of Los Angeles County : Fisher Gallery, University of Southern California, March 7-April 21, 2002. Fisher Gallery, University of Southern California, 2001.

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33

Bard Graduate Center: Decorative Arts, Design History, Material Culture, ed. Objects of exchange: Social and material transformation on the late nineteenth-century Northwest Coast : selections from the American Museum of Natural History. Bard Graduate Center: Decorative Arts, Design History, Material Culture, 2011.

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34

Ernst, Max. Max Ernst: A natural history of the mind : February 5-April 15, 2003. Carosso, LLC Fine Arts, 2003.

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35

Boonstra, Rommert. Natura ex machina: Een collectie in scène gezet = a collection dramatically displayed. Stichting Aurora Borealis, 1998.

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36

1955-, Howland Douglas, Moore Carolyn S, David and Alfred Smart Museum of Art., DePaul University, and Field Museum of Natural History., eds. Woman in the eyes of man: Images of women in Japanese art from the Field Museum. DePaul University, 1995.

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37

Prado, Museo del, ed. Historias naturales. Museo Nacional del Prado, 2013.

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38

Museo di Lazzaro Spallanzani (Pavia, Italy). Il Museo di Lazzaro Spallanzani, 1771-1799: Una camera delle meraviglie tra l'Arcadia e Linneo : catalogo della mostra : Pavia, Castello Visconteo, 28 marzo-27 giugno 1999. Greppi, 1999.

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39

Museo di Lazzaro Spallanzani (Pavia, Italy). Il Museo di Lazzaro Spallanzani, 1771-1799: Una camera delle meraviglie tra l'Arcadia e Linneo : catalogo della mostra : Pavia, Castello Visconteo, 28 marzo-27 giugno 1999. Greppi, 1999.

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40

History, American Museum of Natural. Mammals and their extinct relatives: A guide to the Lila Acheson Wallace Wing. American Museum of Natural History, 1994.

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41

Arraes, Violeta. Ciências da terra, ciências da vida: Chapada do Araripe : MAB FAAP, Museu de Arte Brasileira, São Paulo, de 30 de agosto a 31 de outubro de 2004. Fundação Armando Alvares Penteado, 2004.

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42

illustrator, Lambert Jonathan, Norell, Mark, writer of added text, Ran Hao translator, Wang Hongbin translator, and American Museum of Natural History, eds. He kong long yi yang ku de shi qian dong wu. Beijing lian he chu ban gong si, 2017.

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43

Merriman, Carol P. Machu Picchu, unveiling the mystery of the Incas: January 26 to May 4, 2003 : social studies curriculum. Dept. of Public Education, Peabody Museum of Natural History, Yale University, 2002.

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44

Merriman, Carol P. Machu Picchu, unveiling the mystery of the Incas: Science curriculum. Dept. of Public Education, Peabody Museum of Natural History, Yale University, 2003.

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45

History), British Museum (Natural. The Natural History Museum. 2nd ed. The Museum, 1992.

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46

Magee, Wes. The natural history museum. Thomas Nelson and Sons, 1992.

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47

McCollum, Allan. Natural copies: 10.12.1995-4.2.1996, Sprengel Museum Hannover. Sprengel Museum, 1996.

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48

Natural History Museum (London, England), ed. Natural History Museum animal records. Natural History Museum, 2007.

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49

), National Museum of Natural History (U S. National Museum of Natural History. Smithsonian Institution, 1987.

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50

Chicone, Sarah J., and Richard A. Kissel. Dinosaurs and Dioramas: Creating Natural History Exhibitions. Taylor & Francis Group, 2013.

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