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Relevant bibliographies by topics / Museum of New Mexico

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Academic literature on the topic 'Museum of New Mexico'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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Journal articles on the topic "Museum of New Mexico"

1

Feder, Toni. "Nuclear museum reopens in New Mexico." Physics Today 62, no. 6 (2009): 25. http://dx.doi.org/10.1063/1.3156327.

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Fagerström, Linda, and Elisabet Haglund. "Mexican Art in Lund’s Museum of Sketches, Sweden." Art and Architecture, no. 42 (2010): 34–43. http://dx.doi.org/10.52200/42.a.2j2whvgo.

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The Mexican collection at Lund’s Museum of Sketches in is an unusual and valuable collection both from a Mexican and from an international perspective: the collection was built by Gunnar Bråhammar in the late 1960s, and counts works by David Alfaro Siqueiros, Diego Rivera, José Clemente Orozco and Juan O’Gorman but also Francisco Eppens, Rufino Tamayo, González Camarena, Raul Angiano, Leopoldo Méndez and Desiderio Xochitiotzin. The article discusses especially “the New Deal” by Rivera, “the Image of Mexico” at the Museo Nacional de Antropología e Historia in Mexico City by Morado Chavez, and “El Pájaro Amarillo” by Goertiz, and the great stone mosaic at the Central Library of the National Autonomous University of Mexico by O’Gorman.

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VALENTICH-SCOTT, PAUL, and EUGENE V. COAN. "A new species of Chama (Bivalvia, Chamidae) from Mexico." Zootaxa 2446, no. 1 (2010): 65. http://dx.doi.org/10.11646/zootaxa.2446.1.3.

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While preparing a review of the bivalve mollusk fauna of the Panamic Province, we encountered a conspicuous, colorful species of the genus Chama Linnaeus, 1758, that could not be identified with any named species. After examining type specimens at The Natural History Museum, London (BMNH), the United States National Museum of Natural History (USNM), the Academy of Natural Sciences, Philadelphia (ANSP), the California Academy of Sciences (CAS), the Natural History Museum of Los Angeles County (LACM), and the Santa Barbara Museum of Natural History (SBMNH), we have concluded that this species is new to science.

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Cárdenas, Blanca. "New possibilities for science museums: Museological Reflections Group, 1st edition." Journal of Science Communication 16, no. 01 (2017): R02. http://dx.doi.org/10.22323/2.16010602.

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This paper briefly describes a new academic discussion project first presented on November 29th, 2016, at the "Universum Sciences Museum" in Mexico City. Interdisciplinary professionals comprise the Museological Reflections Group (MRG), whose aim is to think and explore new possibilities for science museums. The group's first edition, offered the theme "The Sciences behind Showcases: Anthropological and Archaeological Processes".

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Bernstein, Bruce. "Repatriation and Collaboration: The Museum of New Mexico." Museum Anthropology 15, no. 3 (1991): 19–21. http://dx.doi.org/10.1525/mua.1991.15.3.19.

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Helen Parsons. "The Georgia O'Keeffe Museum, Santa Fe, New Mexico." Antipodes 27, no. 2 (2013): 175. http://dx.doi.org/10.13110/antipodes.27.2.0175.

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Lucas, Spencer G. "The first Oligocene mammal from New Mexico." Journal of Paleontology 60, no. 6 (1986): 1274–76. http://dx.doi.org/10.1017/s0022336000003000.

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Oligocene landscapes of New Mexico were dominated by andesite stratovolcanoes and resurgent domes of ash-flow tuff (ignimbrite) cauldrons (Smith et al., 1985). This pervasive volcanism produced volcanic and volcaniclastic rocks that have been neglected by vertebrate paleontologists, so that, until now, no Oligocene vertebrate fossils have been discovered in New Mexico. This documents the initial results of vertebrate paleontological investigations of Oligocene rocks in New Mexico, a lower jaw of the oromerycid artiodactyl Montanatylopus matthewi, the first Oligocene mammal from the state. In this paper, CM = Carnegie Museum of Natural History and UNM = University of New Mexico.

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Megaw, Peter K. M. "Grand Opening of the New Mineral Museum at New Mexico Tech University, Socorro, New Mexico, 10 November 2015." Rocks & Minerals 91, no. 3 (2016): 234–41. http://dx.doi.org/10.1080/00357529.2016.1138425.

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CHAMBERLAIN, CHARLES D. "New Mexico Farm and Ranch Heritage Museum, Las Cruces, New Mexico. TONI LAUMBACH, chief curator. http://www.frhm.org." Public Historian 29, no. 4 (2007): 113–16. http://dx.doi.org/10.1525/tph.2007.29.4.113.

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Vásquez-Cruz, Víctor, Arleth Reynoso-Martínez, Axel Fuentes-Moreno, and Luis Canseco-Márquez. "The distribution of Cuban Brown Anoles, Anolis sagrei (Squamata: Dactyloidae), in Mexico, with new records and comments on ecological interactions." Reptiles & Amphibians 27, no. 1 (2020): 29–35. http://dx.doi.org/10.17161/randa.v27i1.14442.

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    The Cuban Brown Anole (Anolis sagrei) is native to the Bahamas, the Cuba Archipelago, and Little Cayman, but is now among the world’s most widely distributed invasive lizards. In Mexico, the species has been reported from the states of Campeche, Chiapas, Jalisco, Quintana Roo, Tabasco, Tamaulipas, Veracruz, and Yucatán. However, no complete compendium exists summarizing the locality-level distribution of A. sagrei in Mexico. Herein we provide an exhaustive compilation of vouchered Mexican specimens based on museum records and the literature. Supplementing this review are reports of five new localities for A. sagrei in Veracruz and Tabasco. We conclude with brief comments on the potential ecological effects of this species in Mexico.   

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Dissertations / Theses on the topic "Museum of New Mexico"

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Isaac, Gwyneira. "The museum as mediator : a case study of the A:shiwi A:wan Museum and Heritage Center, Zuni, New Mexico." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395469.

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Horta, Maria de Lourdes Parreiras. "Museum semiotics : a new approach to museum communication." Thesis, University of Leicester, 1992. http://hdl.handle.net/2381/35304.

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The research explores the theoretical possibility of a semiotic approach to the Museum phenomenon, seen as a process of communication and signification, and the consequences on the determination of the social function of museums, in its semantic and pragmatic levels. It proposes a new discipline for the field - that of 'Museum Semiotics', as a theoretical background and a tool for the understanding of museums as 'semiosic spaces', acting in the cultural process through their 'communicative actions'. PARTS I and II propose the basic assumptions and premises for the study of the specific Museum Language, defining its terms and concepts, and considering museum objects as bearing a 'sign-function', as 'signifying units' used in the construction of messages and 'discourses', manifested or hidden in museum exhibitions. The mechanisms of the process of sign production and of sign interpretation in the Museum context, the concept of 'museality', the Museum 'mythological speech', the interplay of codes and the interaction between emitters and receivers in the museum communication process, are explored here. PARTS III and IV propose and develop a preliminary model of analysis of exhibition 'texts' and of their specific 'rhetorics', applied in a particular case study, the exhibition on 'Buddhism, Art and Faith', held at the British Museum (1985), in order to detect the multiple ways in which the public 'reads' a Museum message, and all the elements working in this process. PART V presents the conclusions and insights on Museum Communication, on exhibition production and evaluation, on Museum Education, and on new fields of research opened up through the approach of Museum Semiotics, proposing a strategy for changing the conditions of communication, through open and aesthetic texts, which may encourage the visitors to recover their freedom of decoding'.

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Rose, Rebecca. "The evolution of the private art museum in Mexico." Thesis, University of Essex, 2016. http://repository.essex.ac.uk/19384/.

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Over the last thirty years there has been a proliferation in the number and diversity of privately- funded exhibition spaces for contemporary art in Mexico. Driving this development is a new generation of art collectors and my research project is concerned with how collector-led models of patronage have influenced the recognition, impact and public display of contemporary art in Mexico. My thesis begins by exploring what constitutes an art collection, the significance of a museum, and what motivates a collector. I then present an overview of the historical relationship between state and private art collections in Mexico, followed by a critique of landmark events in the genesis of the Mexican art market. In the second part of my research project I identify a group of influential mid-twentieth century collectors who established their own exhibition spaces in order to share their collections with the public, followed by an analysis of their legacy through the activity of the current generation of collectors, whose efforts to promote contemporary art within Mexico and abroad have spawned a new climate of creative enterprise and collaboration. This thesis seeks to present a survey of the evolution of the private exhibition space in Mexico by examining independent cultural initiatives whose ambition is to change the way the public engages with contemporary art. In my findings I examine how collectors’ objectives manifest a vision for the museum visitor experience and the impact of these privately-funded institutions on Mexico’s cultural identity.

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MacLeod, S. "Museum architecture : a new biography." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1379543/.

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What do we really understand about museum architecture? How are museums made through design, but also through use? What are the motivations of those involved in museum projects and how is the physical stuff of museums implicated in the creation of professional identities and social relationships? Recent decades have witnessed an international explosion of museum building, expansion and renovation and the development of a sub-discipline in museum studies as museum professionals and academics have sought to understand the myriad issues involved in capital development. Despite the number of texts and events dedicated to planning successful capital projects, there has been little detailed exploration of the nature of museum architecture. Dominant understandings of museum architecture as the aesthetic outcome and activity of the architect continue to inform much writing about museum buildings, and the histories these texts construct about museums and how they are made, continue to influence professional attitudes towards capital development projects. This thesis utilises an architectural history of one museum – the Walker Art Gallery in Liverpool – in order to explore the nature of museum architecture and the multiple ways in which it is produced. Driven by critical thinking around the social production of architecture, the thesis develops a biographical approach to unearth detailed histories of architectural change and development and provide glimpses of tangled stories of occupation and use revealing of social and professional relationships and of the politics and tensions behind architectural development. Drawing on research in museum studies, architectural history and theory as well as biography, autobiography and life writing, the thesis explores aspects of the subjects, methods and outcomes of architectural history and argues for detailed and nuanced histories of museum architecture which expand our understanding of how museums are made. Biography emerges as a route towards meaningful histories of change with the potential to provide some sense of the ordinary lives, the human bodily experiences that have made and remade the architecture of the museum throughout its ‘life’ and tell new stories of museum architecture necessary for the ongoing development and, potentially, radical remaking, of the physical stuff of museums and galleries.

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Miller, Christopher Valentino. "A sports museum for New England." Thesis, Massachusetts Institute of Technology, 1994. http://hdl.handle.net/1721.1/68760.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1994.<br>Includes bibliographical references (leaf 50).<br>This thesis explores the potential of the sports museum as a major institution and resource. Drawing from the great tradition of sports and from the character of the New England region, the design of a New England Sports Museum is undertaken. The museum's design is formulated on a concept of architectural imbeddedness; the notion of a "world within" - a world which in preserving a contextual fabric and character becomes part of the life of that context, while engendering a distinct experience within which is its own.<br>by Christopher Valentino Miller.<br>M.S.

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Truxillo, Katherine. "The New Orleans Museum of Art." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/aa_rpts/110.

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The New Orleans Museum of Art is New Orleans' oldest art institute and is the premier art institute of the Gulf South. From September through December 2009, I served as an intern in the Development Department at NOMA and then went on to fill the role of Interim Grants Officer from December through the time this document was written. I also have covered for the Special Events Coordinator during her leave of absence beginning January 4, 2010 through the present. NOMA has strengths and weakness internally, and opportunities and threats to functioning exist as well. Through a thorough examination of this institution, a consultantcy's report was compiled based on examination of NOMA and the best practices of comparable institutions and museum management standards.

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Sun, Shuhong. "Fiberglass Sanctuary A New Corvette Museum." Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/79491.

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A museum is an important type in the palette of public buildings. Most famous and iconic museums are mainly dedicated to house artworks or historical and cultural artifacts. Aside from the sheltering of the artifacts, museums often are landmarks, which contribute to the identity of a place. The few museums dedicated to the automobile is interesting because America, also called the country on the wheels has little more than very basic renovated warehouses or former factories, with little commitment to exhibiting cars in a beautiful manner. The proposal here seeks to define a space that both honors its Corvette exhibits and hopefully provides sufficient architectural character to be accepted as an institutional landmark.<br>Master of Architecture

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Allred, Kelly W. "Perennial Festuca (Gramineae) of New Mexico." University of Arizona (Tucson, AZ), 2005. http://hdl.handle.net/10150/555884.

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Allred, Kelly W. "Eponymy of New Mexico Grass Names." University of Arizona (Tucson, AZ), 1999. http://hdl.handle.net/10150/554314.

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Lounis, Larbi. "Casablanca Museum." Thesis, Virginia Tech, 2018. http://hdl.handle.net/10919/81992.

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Architecture has always been about connection since its primary purpose of building a shelter for humans. Among many other things, it provides connections between people, and connections between people and the natural and built environment. The design and building process is about connection as well. We design in the present, relying on the past to build in the future. In this context, time is the strongest connection that is present in most of the built environment around us. I consider museums to be a good building type that connects people with objects and materials of historical, religious, and cultural importance through preservation and presentation for the public. Since a very young age, I used to admire the buildings while walking the streets of Casablanca, where I was born. A city that is a combination of traditional Islamic influenced design and the European style of construction brought by the colonizers. My goal in this thesis is to explore, in an architectural setting, connecting the old city to the new city, and present this story to the general public.<br>Master of Architecture

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Books on the topic "Museum of New Mexico"

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Swartley, Ron. New Mexico's atomic tour: A guided trip through the birth and flowering of the Atomic Age in New Mexico. 2nd ed. Frontier Image Press, 1995.

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Swartley, Ron. New Mexico's atomic tour: A guided trip through the birth and flowering of the Atomic Age in New Mexico. Frontier Image Press, 1992.

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Hall, Douglas Kent. The thread of New Mexico: The Albuquerque Museum, Albuquerque, New Mexico, May 13 through September 2, 2001. Albuquerque Museum, 2001.

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University of New Mexico. Art Museum. Nineteenth-century photographs at the University of New Mexico Art Museum. University of New Mexico Art Museum, 1989.

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Batkin, Jonathan. Pottery of the pueblos of New Mexico, 1700-1940. Taylor Museum of the Colorado Springs Fine Arts Center, 1987.

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O'Keeffe, Georgia. Georgia O'Keeffe, works on paper: Museum of Fine Arts, Museum of New Mexico, Santa Fe. Museum of New Mexico Press, 1985.

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Museum of Fine Arts (Museum of New Mexico), ed. Joseph A. Fleck, an early Taos painter: Museum of Fine Arts, Museum of New Mexico. Museum of New Mexico Press, 1985.

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Museum of New Mexico. New Mexico State Monuments., ed. A bridge to the past: The New Mexico State Monuments special anniversary edition 1931-2006. New Mexico State Monuments and the Museum of New Mexico Press, 2006.

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L, Sinclair John. A cowboy writer in New Mexico: The memoirs of John L. Sinclair. University of New Mexico Press, 1996.

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Museum of Fine Arts (Museum of New Mexico). Artists of 20th-century New Mexico: The Museum of Fine Arts Collection. Museum of Fine Arts, 1992.

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Book chapters on the topic "Museum of New Mexico"

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Chavarria, Antonio, and Rubén G. Mendoza. "Ancestral Pueblos and Modern Diatribes: An Interview with Antonio Chavarria of Santa Clara Pueblo, Curator of Ethnology, Museum of Indian Arts and Culture, Santa Fe, New Mexico." In The Ethics of Anthropology and Amerindian Research. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4614-1065-2_16.

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Watkins, Scott D., and Patrick L. Anderson. "New Mexico." In The State Economic Handbook 2008. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230607248_32.

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Watkins, Scott D., and Patrick L. Anderson. "New Mexico." In The State Economic Handbook 2009. Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230614994_32.

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Watkins, Scott D., and Patrick L. Anderson. "New Mexico." In The State Economic Handbook 2010. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230102125_32.

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Hanks, Laura Hourston. "New Museum Design." In New Museum Design. Routledge, 2021. http://dx.doi.org/10.4324/9780429435591-int01.

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Brekke, Åshild Andrea. "Quiet is the new loud?" In Museum Activism. Routledge, 2019. http://dx.doi.org/10.4324/9781351251044-25.

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Heck, André. "USA-New Mexico." In StarGuides 2001. Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-011-4349-3_128.

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Hanks, Laura Hourston. "The Palestinian Museum, Birzeit, West Bank, Palestine." In New Museum Design. Routledge, 2021. http://dx.doi.org/10.4324/9780429435591-9.

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Hanks, Laura Hourston. "China Academy of Art's Folk Art Museum, Hangzhou, China." In New Museum Design. Routledge, 2021. http://dx.doi.org/10.4324/9780429435591-3.

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Hanks, Laura Hourston. "Tirpitz Museum, Blåvand, Denmark." In New Museum Design. Routledge, 2021. http://dx.doi.org/10.4324/9780429435591-6.

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Conference papers on the topic "Museum of New Mexico"

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Aubele, Jayne C., and Larry S. Crumpler. "IT’S LIKE MARS: USING PLANETARY ANALOGS TO TEACH PLACE-BASED GEOSCIENCE AT THE NEW MEXICO MUSEUM OF NATURAL HISTORY & SCIENCE." In GSA Annual Meeting in Denver, Colorado, USA - 2016. Geological Society of America, 2016. http://dx.doi.org/10.1130/abs/2016am-286806.

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Pani, Filippo Eros, Francesco Piras, Simona Ibba, Maurizio Calderamo, and Simone Porru. "Advanced Museum Services." In The Success of European Projects using New Information and Communication Technologies. SCITEPRESS - Science and and Technology Publications, 2015. http://dx.doi.org/10.5220/0006163500380050.

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Wilks, Yorick, David Farwell, Afzal Ballim, and Roger Hartley. "New Mexico State University." In the workshop. Association for Computational Linguistics, 1989. http://dx.doi.org/10.3115/100964.1138542.

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Christopoulos, Dimitrios, Efstathia Chatzi, Michail Kolovos, and Dionisis Syllopoulos. "Harnessing New Media for Museum Venues." In 2013 8th International Workshop on Semantic and Social Media Adaptation and Personalization (SMAP). IEEE, 2013. http://dx.doi.org/10.1109/smap.2013.25.

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Yingchong Xia and Juan Li. "New Media display methods in museum." In 2009 IEEE 10th International Conference on Computer-Aided Industrial Design & Conceptual Design. IEEE, 2009. http://dx.doi.org/10.1109/caidcd.2009.5375374.

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Hurst, Wolfgang, Bibi de Boer, Wouter Florijn, and Xhi Jia Tan. "Creating new museum experiences for virtual reality." In 2016 IEEE International Conference on Multimedia & Expo Workshops (ICMEW). IEEE, 2016. http://dx.doi.org/10.1109/icmew.2016.7574692.

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Lupetti, Maria Luce, Claudio Germak, and Luca Giuliano. "Robots and Cultural Heritage: New Museum Experiences." In Electronic Visualisation and the Arts (EVA 2015). BCS Learning & Development, 2015. http://dx.doi.org/10.14236/ewic/eva2015.36.

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Clinkscales, Christopher Andrew. "LATE CRETACEOUS MAGMATISM AND UPLIFTS IN SOUTHWEST NEW MEXICO: FARALLON TEAR RIPS THROUGH NEW MEXICO?" In Joint 70th Annual Rocky Mountain GSA Section / 114th Annual Cordilleran GSA Section Meeting - 2018. Geological Society of America, 2018. http://dx.doi.org/10.1130/abs/2018rm-314383.

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Gonzalez-Cabrera, Adriana E., David Riveros-Rosas, Mauro G. Valdes-Barrón, et al. "New reference solarimetric network for Mexico." In SolarPACES 2017: International Conference on Concentrating Solar Power and Chemical Energy Systems. Author(s), 2018. http://dx.doi.org/10.1063/1.5067192.

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Gillan, Douglas J. "HCI at New Mexico State University." In Conference companion. ACM Press, 1995. http://dx.doi.org/10.1145/223355.223481.

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Reports on the topic "Museum of New Mexico"

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Author, Not Given. New Mexico energy management. Office of Scientific and Technical Information (OSTI), 1989. http://dx.doi.org/10.2172/6166255.

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Accius, Jean, and Suh Joo Yeoun. Longevity Economy Outlook New Mexico. AARP Thought Leadership, 2020. http://dx.doi.org/10.26419/int.00044.032.

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Sauer, Jennifer. AARP New Mexico Retirement Security Survey. AARP Research, 2019. http://dx.doi.org/10.26419/res.00283.001.

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Reyes, Brandy D., Jessica Lynn Atencio, Lilia G. Martinez, et al. Quality New Mexico Road Runner Application. Office of Scientific and Technical Information (OSTI), 2018. http://dx.doi.org/10.2172/1530149.

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Wolfel, Steven, and James Stanton. Management of New Mexico Special Waste. Office of Scientific and Technical Information (OSTI), 2021. http://dx.doi.org/10.2172/1814761.

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Drake, R. H., and D. S. Williams. Northern New Mexico regional airport market feasibility. Office of Scientific and Technical Information (OSTI), 1998. http://dx.doi.org/10.2172/296898.

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Sauer, Jennifer. AARP New Mexico Retirement Security Survey: Infographic. AARP Research, 2019. http://dx.doi.org/10.26419/res.00283.002.

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Sauer, Jennifer. AARP New Mexico Retirement Security Survey: Methodology. AARP Research, 2019. http://dx.doi.org/10.26419/res.00283.003.

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Nelson, Brittne. 2017 New Mexico Small Business Owner Survey. AARP Research, 2018. http://dx.doi.org/10.26419/res.00218.001.

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Cantave, Cassandra. 2019 Veterans In America Infographics: New Mexico. AARP Research, 2019. http://dx.doi.org/10.26419/res.00254.032.

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