Log in

Relevant bibliographies by topics / Museum of Primitive Art

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers
Reports

Academic literature on the topic 'Museum of Primitive Art'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Museum of Primitive Art.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Museum of Primitive Art"

1

Newton, Douglas. "The Museum of Primitive Art." African Arts 18, no. 3 (May 1985): 8. http://dx.doi.org/10.2307/3336346.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Message, Kylie, Eleanor Foster, Joanna Cobley, Shih Chang, John Reeve, Grace Gassin, Nadia Gush, Esther McNaughton, Ira Jacknis, and Siobhan Campbell. "Book Review Essays and Reviews." Museum Worlds 7, no. 1 (July 1, 2019): 292–317. http://dx.doi.org/10.3167/armw.2019.070117.

Full text

Abstract:

Book Review EssaysMuseum Activism. Robert R. Janes and Richard Sandell, eds. New York: Routledge, 2019.New Conversations about Safeguarding the Future: A Review of Four Books. - A Future in Ruins: UNESCO, World Heritage, and the Dream of Peace. Lynn Meskell. New York: Oxford University Press, 2018. - Keeping Their Marbles: How the Treasures of the Past Ended Up in Museums—And Why They Should Stay There. Tiffany Jenkins. Oxford: Oxford University Press, 2016. - World Heritage and Sustainable Development: New Directions in World Heritage Management. Peter Bille Larsen and William Logan, eds. New York: Routledge, 2018. - Safeguarding Intangible Heritage: Practices and Politics. Natsuko Akagawa and Laurajane Smith, eds. New York: Routledge, 2019. Book ReviewsThe Filipino Primitive: Accumulation and Resistance in the American Museum. Sarita Echavez See. New York: New York University Press, 2017.The Art of Being a World Culture Museum: Futures and Lifeways of Ethnographic Museums in Contemporary Europe. Barbara Plankensteiner, ed. Berlin: Kerber Verlag, 2018.China in Australasia: Cultural Diplomacy and Chinese Arts since the Cold War. James Beattie, Richard Bullen, and Maria Galikowski. London: Routledge, 2019.Women and Museums, 1850–1914: Modernity and the Gendering of Knowledge. Kate Hill. Manchester: Manchester University Press, 2016.Rethinking Research in the Art Museum. Emily Pringle. New York: Routledge, 2019.A Natural History of Beer. Rob DeSalle and Ian Tattersall. New Haven, CT: Yale University Press, 2019.Fabricating Power with Balinese Textiles: An Anthropological Evaluation of Balinese Textiles in the Mead-Bateson Collection. Urmila Mohan. Chicago: University of Chicago Press, 2018.

APA, Harvard, Vancouver, ISO, and other styles

3

Sekulić, Nada. "Ukradena autentičnost: recepcija primitivne umetnosti i kulture na reprezentativnim međunarodnim sajmovima krajem XIX i početkom XX veka." Issues in Ethnology and Anthropology 11, no. 3 (November 2, 2016): 897. http://dx.doi.org/10.21301/eap.v11i3.12.

Full text

Abstract:

The colonial expansion has marked the beginning of the collecting of the art objects from the conquered countries and regions. Spanish conquistadors transported various cultural artifacts of Aztecs and Incas in Europe, where they became curiosities at the chambers of the royalty. With further geographical discoveries, through trade routes and wars, the number of these items considerably increased and in the 18th century the first museums were established where they were exposed for public exhibitions. At a time when there was no photographs nor film, for people who were not able to travel, museums and public exhibitions became the main source of information about primitive cultures, but also the main source for the construction of stereotypes about them. The most important among them were the great world exhibition fairs of technology and art. They represented the foundation of the global (imperialist) integration and vision of the world. The primitive cultures and various conflicting aspects of imperialist conquest were deleted by creating the image of their timelessness and backwardness, as well as of their exotic beauty and authenticity. Primitive culture and imperialism were framed in the common picture of their mutual harmonious complementarity. The authenticity of the cultural artifacts of primitive cultures together with the entire nations and their resources have been colonized and exploited giving way to the ideology of modernism and the development of capitalism.

APA, Harvard, Vancouver, ISO, and other styles

4

Grognet, Fabrice. "Sally Price, Paris Primitive. Jacques Chirac’s Museum on the Quai Branly." L'Homme, no. 189 (January 1, 2009): 280–82. http://dx.doi.org/10.4000/lhomme.28780.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Straus, Lawrence Guy. "Paris Primitive: Jacques Chirac's Museum on the Quai Branly. Sally Price." Journal of Anthropological Research 64, no. 4 (December 2008): 597–99. http://dx.doi.org/10.1086/jar.64.4.20371312.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Fyfe, Gordon. "Reproductions, cultural capital and museums: aspects of the culture of copies." Museum and Society 2, no. 1 (March 19, 2015): 47–67. http://dx.doi.org/10.29311/mas.v2i1.2783.

Full text

Abstract:

The concept of cultural capital is well known in museum studies from pioneering visitor research conducted and reported by Pierre Bourdieu in the 1960s. This paper examines the concept in the light of the criticism that, whilst it illuminates the dynamics of cultural consumption and inequality in advanced capitalist societies, its socio-genesis is less well understood. It is argued that the historical sociology of fine art reproduction provides an opportunity to (i) enlarge our understanding of its formation and (ii) to explore the cultural character of the copy and the sociology of the body. The paper draws on Marx’s concept of primitive accumulation, on Connerton’s distinction between incorporated and inscribing practices and on Bourdieu’s distinction between three states of cultural capital.

APA, Harvard, Vancouver, ISO, and other styles

7

Dominic Thomas. "Paris Primitive: Jacques Chirac's Museum on the Quai Branly (review)." French Forum 33, no. 1-2 (2008): 288–92. http://dx.doi.org/10.1353/frf.0.0016.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Myres, J. N. L., and Philip H. Dixon. "A Nineteenth-Century Grubenhaus on Bucklebury Common, Berkshire." Antiquaries Journal 68, no. 1 (March 1988): 115–22. http://dx.doi.org/10.1017/s0003581500022526.

Full text

Abstract:

The Museum of English Rural Life at Reading University was for some years interested in a hut on Bucklebury Common, Berkshire, which was occupied as a workshop by the Lailey family who used it for the manufacture of wooden bowls which found a ready market. When the last of these craftsmen bowlturners died without male heirs in 1958 and the workshop was likely to be demolished, the Museum took steps both to secure one of the primitive pole-lathes used by the Laileys in their craft, which is now displayed in the Museum, and also to make a photographic and measured record of the hut itself and its contents. From this record, which the Museum has kindly allowed us to use in preparing this article, it is evident that the hut itself had been a structure of considerable architectural interest. Part of it had a deeply sunken floor which had carried the pole-lathes, and was similar in size and shape to an Anglo- Saxon Grubenhaus of the pagan period. Although the walls and roof were clearly of later date, they could well have taken the place of much earlier predecessors. The purpose of this article is thus to draw attention to the continued use into the present century not only of the bowltumer's primitive craft at Bucklebury but of its housing in a hut which probably began as an Anglo-Saxon Grubenhaus. As such its structure and furnishing may throw light on features that have sometimes puzzled students of excavated Anglo-Saxon Grubenhäuser elsewhere.

APA, Harvard, Vancouver, ISO, and other styles

9

Rincón Borrego, Iván Israel. "Sverre Fehn y la arquitectura primitiva de Marruecos." VLC arquitectura. Research Journal 6, no. 1 (April 30, 2019): 97. http://dx.doi.org/10.4995/vlc.2019.10663.

Full text

Abstract:

<p>Norwegian architect Sverre Fehn took a trip to Morocco in 1951 which is one of the most remarkable steps of his beginnings as an architect, but also one of the most unknown. Until now, nearing the tenth anniversary of his death in February 2009, research on the Nordic author has ignored the need to study the journey in depth. This has been treated on many occasions just as a confessed starting point in his career. This paper rebuilds, organizes and analyses the trip using the original notebooks that Sverre Fehn brought with him on his return, three and not one, as has always been claimed, which were left to the National Museum of Art, Architecture and Design in Norway. The researcher explores the traveller’s thoughts through the places and constructions encoded in his drawings. Following Jorn Utzon’s advice, Fehn recognized the inspiring dimension that primitive architecture had for the masters of the Modern Movement and, therefore, for their own modern cultural heritage.</p>

APA, Harvard, Vancouver, ISO, and other styles

10

Khasianova, Leila. "Zapiski Ahmeda ibn Fadlana i Pogrzeb Rusa w Bułgarze Henryka Siemiradzkiego." Slavica Wratislaviensia 162 (April 18, 2016): 49–58. http://dx.doi.org/10.19195/0137-1150.162.4.

Full text

Abstract:

Notes by Ahmad ibn Fadlan and Obsequies of the Noble Rus in Bulgar by H. Siemiradsky In the book Historical Sketches of Folk Literature in Art F.I. Buslaev developed the idea that „getting closer to their primitive source, the elements of literature and art enter each other; and sometimes the author becomes an illustrator of his manuscript; and so a literary historian often through miniatures decorating the manuscript understands the idea of the text before it opens in its lines”. The validity of these lines becomes apparent when we compare the passage from the Notes by ibn Fadlan to Henryk Siemiradzki’s Obsequies of the Noble Rus in Bulgar, located in the State Historical Museum in Moscow. Записки Ахмеда ибн Фадлана и Похороны знатного руса в Булгаре Г.И. Семирадского В книге Исторические очерки народной словесности в искусстве, посвященной этой теме, Ф.И. Буслаев развил мысль о том, что «чем ближе к своему первобытному источнику, тем сплошнее друг в друга входят элементы литературные и художественные; и как писец, а иногда и автор, был вместе и иллюминатором своей рукописи, так и историк литературы очень часто в миниатюрах, которыми украшена рукопись, дочитывает до конца мысль пи- сания, не вполне выраженную в строках». Справедливость этих строк становится очевид- ной, если сравнить отрывок из Записок ибн Фадлана с произведением Г.И. Семирадского Погребение знатного руса в Булгаре, которое находится в Государственном Историческом музее в Москве.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Museum of Primitive Art"

1

Cirino, Gina. "American Misconceptions about Australian Aboriginal Art." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1435275397.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Bradford, Shalen. "Children's Art Museum." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2175.

Full text

Abstract:

This Thesis explores the question; Is a children’s museum a playground or a museum? Through research and visits to children’s museums I feel that many are playgrounds. They are also visually stimulating to children, but not to the guardians who bring them there. In most cases the exhibits are permanent and there is little change to the atmosphere of the space on a regular basis. An old warehouse located on North Boulevard was chosen to house this project idea of a children’s art museum. The scenario is that The Virginia Museum of Fine Arts and the Children’s Museum of Richmond would have a joint venture in creating a the Children’s Art Museum of Richmond. Thebuildings’ close proximity to these two museums make it an excellent choice for both institutions. There are interactive changing exhibits, a studio that continues the learning experience from the exhibit, and a gallery to display artwork that was created in the studio spaces. Through these three core spaces I hope to create a continuous interactive learning experience in this children’s art museum.

APA, Harvard, Vancouver, ISO, and other styles

3

Bingham, Glenn. "Mobile Museum of Art." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/aa_rpts/153.

Full text

Abstract:

The following internship report is an investigation of the organizational structure of the Mobile Museum of Art from January 2013 to August 2013. During the internship, I was able to work in several different capacities, from volunteer coordinating, to marketing, to programming. This report analyzes several aspects within these fields, including the organization’s brand, marketing strategies, and educational structure as they shift under new management. Based on my observations, I will offer recommendations for programming, marketing, and volunteer management, and compare the current structure to best practices of other museums and similar organizations. Through this extensive analysis I will also offer thoughts about the future of this local arts environment.

APA, Harvard, Vancouver, ISO, and other styles

4

Södersten, Tove. "A Museum of Graphic art." Thesis, KTH, Arkitektur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-175596.

Full text

Abstract:

This project investigates the relations light and shape in a museum of graphic arts. The nature of daylight determines the meeting between the building and the sky. The shape of the building, therefore, distributes the light thus facilitating the meeting between the visitor and the art. The best light in art museums is neutral and avoids sharp contrasts and shadows that would otherwise detract from the experience in the museum. I studied how different shapes influence light and found a rounded shape to produce the best results, distributing light evenly thus avoiding distracting contrasts. Rounded shapes from a quadratic base with straight walls optimize the distribution of the light, facilitating the interaction between the visitor and the art. The building of the museum is part of a “light-game” with a quadratic base. The conspicuous shapes distribute the light, guiding the visitor in the world of art. In the north, the building has a density next to the car park while it interacts with the shapes producing an intimate small-scale feeling in the south.
Projektet undersöker relationen mellan ljus och form i ett museum för grafisk konst. Ljusets natur bestämmer samspelet mellan byggnad och himmel. Byggnadens form fördelar ljuset och underlättar besökarens mötte med konsten. I konsthallar är det kontrastfria, neutrala ljuset det bästa; skuggspel och ljusförändringar stör upplevelsen. I mina studier fann jag att en välvd form fördelade ljuset jämt, störande kontraster undviks. Den välvda formen fördelade ljuset på bästa sätt och uppfyllde kravet som konsten ställer inför mötet med betraktaren. Den välva formen med en kvadratisk bas i botten och raka neutrala väggar.Byggnaden blir ett spel där formerna framstår mot en grid-baserad bas (VAD ÄR GRID-BASERAD?). Det tydliga formspråket är anslående och vägleder besökaren. Byggnaden har en ”täthet” i norr, vid bilparkeringen, och omgivningen utanför samspelar med formerna ner mot södra sidan och skapar tillsammans en småskalighet. Byggnaden går från att ha en hög densitet i norr mot bilparkeringen, till att spela med ute och inne mot dess södra sida för att även passa in i den småskaliga omgivningen.

APA, Harvard, Vancouver, ISO, and other styles

5

Wong, Ngai-leung Aman, and 黃毅樑. "Museum of Guangdong folk art." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B3198552X.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Wong, Ngai-leung Aman. "Museum of Guangdong folk art." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2594552x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Secleter, John Robert. "Duke University Museum of Art." Thesis, Virginia Polytechnic Institute and State University, 1985. http://hdl.handle.net/10919/52237.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Ramdin, Catherine Lasch. "Primitive dreams : in search of judgment /." Online version of thesis, 1991. http://hdl.handle.net/1850/11624.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Conway, Chelsea. "Participatory Activities and the Art Museum: A Case Study of the Columbus Museum of Art." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1493982670620671.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Lange, Andreas. "The Surreal Museum: An Intervention for the Cincinnati Art Museum." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1179159972.

Full text

Abstract:

Thesis (Master of Architecture)--University of Cincinnati, 2007.
Title from electronic theses title page (viewed July 12, 2007). Includes abstract. Keywords: Cincinnati Art Museum; Addition; Intervention; Surrealism; unheimlich; museum; Architecture Includes bibliographic references.

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Museum of Primitive Art"

1

Woodward, Richard B. African art: Virginia Museum of Fine Arts. Richmond, VA: Virginia Museum of Fine Arts, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Museum, Indiana University Art. African, Pacific, and pre-Columbian art in the Indiana University Art Museum. Bloomington, Ind: Indiana University Art Museum in association with Indiana University Press, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

New York. Publications of the Metropolitan Museum of Art. Boston: G.K. Hall, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Barbier-Mueller, Musée. Yesterday, today, and tomorrow: The collections and activities of the Barbier-Mueller Museum, 1977-1987. Geneva: The Museum, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Primitive Malerei: Art of outsiders im Museum Haus Cajeth in Heidelberg. [Heidelberg]: Wunderhorn, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Mankind, Museum of, ed. Lost magic kingdoms and six paper moons from Nahuatl: An exhibition at the Museum of Mankind. London: British Museum Publications, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Indiana University, Bloomington. Art Museum. and Indiana University, Bloomington. Art Museum. African, Pacific, and pre-Columbian art in the Indiana University Art Museum. Bloomington: Indiana University Art Museum in association with Indiana University Press, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Suzanne, Greub, and Museum of Fine Arts, Houston., eds. Expressions of belief: Masterpieces of African, Oceanic, and Indonesian art from the Museum voor Volkenkunde, Rotterdam. New York: Rizzoli, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Völkerkunde, Rautenstrauch-Joest-Museum für. Kunst der Welt: Im Rautenstrauch-Joest-Museum für Völkerkunde, Köln. München: Prestel, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Swedenborg, Emanuel. African and Oceanic art in Jerusalem: The Israel Museum collection. Jerusalem: Israel Museum, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Museum of Primitive Art"

1

Stanley, Nick. "Robert Goldwater and the Search for the Primitive: The Asmat Project at the Museum of Primitive Art." In A Companion to Modern Art, 91–107. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118639948.ch5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Ban, Shigeru. "Paper Art Museum." In Transparente Kunststoffe, 104–9. Basel: Birkhäuser Basel, 2008. http://dx.doi.org/10.1007/978-3-7643-8294-0_15.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Ryan, Michael. "Yaroslavl Art Museum." In Revisiting Museums of Influence, 193–96. Abingdon, Oxon ; New York : Routledge, [2021]: Routledge, 2020. http://dx.doi.org/10.4324/9781003003977-44.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Plevoets, Bie, and Koenraad Van Cleempoel. "Kolumba Art Museum." In Adaptive Reuse of the Built Heritage, 157–61. New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315161440-15.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Fortunati, Vita, and Zelda Franceschi. "Primitive Art in Modernism." In Comparative History of Literatures in European Languages, 651–72. Amsterdam: John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/chlel.xxi.51for.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Wood, Paul. "Primitive/Modern/Contemporary." In A Companion to Modern Art, 55–72. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118639948.ch3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Ezeluomba, Ndubuisi C. "The development of the exhibition of African art in American art museums." In Museum Innovation, 40–54. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003038184-4.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Hubard, Olga. "Introduction: What Is Gallery Teaching?" In Art Museum Education, 1–6. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1007/978-1-137-41288-1_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Hubard, Olga. "Complete Engagement: Embodied Response and Multimodal Facilitation." In Art Museum Education, 121–37. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1007/978-1-137-41288-1_10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Hubard, Olga. "Originals and Their Reproductions." In Art Museum Education, 138–56. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1007/978-1-137-41288-1_11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Museum of Primitive Art"

1

Luo, X. L., Z. L. Gu, J. Chai, X. Z. Meng, Z. Lu, and B. X. Zhu. "Investigation on Moisture and Salt Transport in Heterogeneous Porous Media of Relics-Soil in Archaeology Museum." In ASME 2014 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/imece2014-39488.

Full text

Abstract:

The unearthed relics in archaeology museum are usually being presented to the public as still partly connected to their primitive environment. Migration of moisture may cause the carbonate from the soil being deposited on the relic’s surface and some carbonates would react with the penetrating SO2 to form sulphates, which will change the relics’ primitive form and material properties. In this research, experiments were carried out to clarify the migration mechanism of water and salt in a soil-relic-atmosphere coupling environment. The research results show that there existing a one-way transport of moisture from the soil-relics to the air even though the relative humidity approximates to 100%. Meanwhile, the effects of soil properties, air temperature, relative humidity and salt concentration on the transports of moisture and salt are identified.

APA, Harvard, Vancouver, ISO, and other styles

2

Baba, Shinsuke, Jennifer Meloon, and Stephen Duck. "K museum." In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.312971.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Livatino, Salvatore. "Virtual Museum of Contemporary Art." In 17th International Conference on Artificial Reality and Telexistence (ICAT 2007). IEEE, 2007. http://dx.doi.org/10.1109/icat.2007.55.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Novikova, Marina Mikhailovna. "Primitive and Traditional Art in Modern Art Theory and Practice." In International Scientific and Practical Conference. TSNS Interaktiv Plus, 2020. http://dx.doi.org/10.21661/r-551494.

Full text

Abstract:

The article is devoted to identifying the points of contact between primitive and modern cultures. The subject matter is based on the theory and practice of artistic creativity, its origins and aesthetic potential. The article reveals the degree of influence of the figurative-semantic and symbolic content of primitive and traditional culture on modern artistic creativity: on stylistic, formal techniques, themes, images; in General, on artistic thinking.

APA, Harvard, Vancouver, ISO, and other styles

5

Ge, Cheng, and Cheng Lu. "Analysis of the Influence of Primitive Art on Contemporary Art." In 6th International Conference on Social Science, Education and Humanities Research (SSEHR 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/ssehr-17.2018.81.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Zhou, Hao. "Virtual Reality in the Art Museum." In SA '19: SIGGRAPH Asia 2019. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3366344.3366441.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Chang, Yujin. "SIMPLE LIFE (CHANG UCCHIN MUSEUM OF ART)." In Bridging Asia and the World: Globalization of Marketing & Management Theory and Practice. Global Alliance of Marketing & Management Associations, 2014. http://dx.doi.org/10.15444/gmc2014.06.09.02.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Jiang, Fei. "An Augmented Reality Art Work for Museum." In 2015 International Conference on Computer Science and Intelligent Communication. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/csic-15.2015.22.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Chang, Wen-Thong. "Proactive guiding with iBeacon in Art Museum." In 2017 Pacific Neighborhood Consortium Annual Conference and Joint Meetings (PNC). IEEE, 2017. http://dx.doi.org/10.23919/pnc.2017.8203530.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Stella, Stella, Eddy Supriyatna Marizar, and Maria Florencia. "Interactive Design Concept on Art: 1 New Museum and Art Space." In International Conference on Economics, Business, Social, and Humanities (ICEBSH 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210805.092.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Museum of Primitive Art"

1

Westermann, Mariët, Liam Sweeney, and Roger Schonfeld. Art Museum Staff Demographic Survey 2018. Ithaka S+R, January 2019. http://dx.doi.org/10.18665/sr.310935.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Schonfeld, Roger, and Liam Sweeney. Organizing the Work of the Art Museum. Ithaka S+R, July 2019. http://dx.doi.org/10.18665/sr.311731.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Fox, Andrew, and Sadie Walters. North Carolina Museum of Art West Building Expansion. Landscape Architecture Foundation, 2015. http://dx.doi.org/10.31353/cs0940.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Sweeney, Liam, and Jennifer Frederick. Ithaka S+R Art Museum Director Survey 2020. Ithaka S+R, November 2020. http://dx.doi.org/10.18665/sr.314362.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Butyrina, Maria, and Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.

Full text

Abstract:

The research is devoted to the study of the phenomenon of mediatization of art on the example of virtual museums. Main objective of the study is to give communication characteristics of the mediatized socio-cultural institutions. The subject of the research is forms, directions and communication features of virtual museums. Methodology. In the process of study, the method of communication analysis, which allowed to identify and characterize the main factors of the museum’s functioning as a communication system, was used. Among them, special emphasis is put on receptive and metalinguistic functions. Results / findings and conclusions. The need to be competitive in the information space determines the gradual transformation of socio-cultural institutions into mass media, which is reflected in the content and forms of dialogue with recipients. When cultural institutions begin to function as media, they take on the features of media structures that create a communication environment localized by the functions of communicators and audience expectations. Museums function in such a way that along with the real art space they form a virtual space, which puts the recipients into the reality of the exhibitions based on the principle of immersion. Mediaization of art on the example of virtual museum institutions allows us to talk about: expanding of the perceptual capabilities of the audience; improvement of the exposition function of mediatized museums with the help of Internet technologies; interactivity of museum expositions; providing broad contextual background knowledge necessary for a deep understanding of the content of works of art; the possibility to have a delayed viewing of works of art; absence of thematic, time and space restrictions; possibility of communication between visitors; a huge target audience. Significance. The study of the mediatized forms of communication between museums and visitors as well as the directions of their transformation into media are certainly of interest to the scientific field of “Social Communications”.

APA, Harvard, Vancouver, ISO, and other styles

6

Miller, N. J., and S. M. Rosenfeld. Demonstration of LED Retrofit Lamps at the Smithsonian Art Museum, Washington, DC. Office of Scientific and Technical Information (OSTI), June 2012. http://dx.doi.org/10.2172/1220103.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Miller, Naomi J. Demonstration of LED Retrofit Lamps at the Jordan Schnitzer Museum of Art. Office of Scientific and Technical Information (OSTI), September 2011. http://dx.doi.org/10.2172/1062520.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Sweeney, Liam. Reflecting Los Angeles, Decentralized and Global: Los Angeles County Museum of Art. Ithaka S+R, January 2018. http://dx.doi.org/10.18665/sr.306187.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Miller, Naomi J., and Scott M. Rosenfeld. Demonstration of LED Retrofit Lamps at the Smithsonian American Art Museum, Washington, DC. Office of Scientific and Technical Information (OSTI), June 2012. http://dx.doi.org/10.2172/1044507.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!