Academic literature on the topic 'Museum registration methods'

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Journal articles on the topic "Museum registration methods"

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Van Horn, Deborah Rose. "Museum Registration Methods, Fifth Edition." Collections 7, no. 1 (March 2011): 17–18. http://dx.doi.org/10.1177/155019061100700105.

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Bottallo, Marilúcia. "Brazilian Pre-Colonial Archaeology Collection: an exercise on museum registration methods." Revista do Museu de Arqueologia e Etnologia, no. 8 (December 2, 1998): 257. http://dx.doi.org/10.11606/issn.2448-1750.revmae.1998.109549.

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O presente estudo se ocupa em descrever os métodos de trabalho da documentação de gestão museológica aplicada à realidade institucional do MAE e, mais especificamente, a partir das questões apresentadas pela coleção de arqueologia pré-histórica brasileira.
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Glukhovskikh, I. A. "Formation of the ethnographic collection at The State Art Museum of Altai Krai in 2001–2020." Ethnography of Altai and Adjacent Territories 10 (2020): 328–31. http://dx.doi.org/10.37386/2687-0592-2020-10-328-331.

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The article makes an attempt to explore the process of forming the ethnographic collection of the State Art Museum of the Altai Krai based of the museum’s registration documentation, identify methods and sources of enter, factors of influence.
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Elvina, Syafira, and Yusra Dewi Siregar. "DINAMIKA PERKEMBANGAN KOLEKSI MUSEUM KOTA LANGSA." Jurnal Ilmu Sosial dan Ilmu Politik Malikussaleh (JSPM) 4, no. 2 (December 30, 2023): 308. http://dx.doi.org/10.29103/jspm.v4i2.10929.

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In addition to allowing you to learn by looking, listening, and perhaps touching, museums also encourage critical thought and questioning. Collection management is a sequence of tasks that includes many different tasks, starting with collection acquisition, registration and inventory, care, and research, and ending with the presentation of the collection in the showroom or storage room. The data for this study were gathered by observation, documentation, and interviews utilizing descriptive qualitative research methods. In order to better understand how the Langsa City Museum has developed, researchers will speak with museum directors and experts. A public museum called Langsa City Museum was founded in 2016. This museum has a wide variety of historical artifact collections, from household items to royal items like antique ceramics, saladon plates, guro saladon, and so on. The Balai Juang Building in Langsa City is home to the public museum known as Langsa City Museum, which opened its doors in 2016. A bon kontan, or office for printing money, with a value of Rp. 100, was previously housed in this structure. Ethnografika, Historika, Keramologika, and other sorts of collections are now on display in the museum. Has a total collection of 217 collections in 2023Selain memungkinkan Anda belajar dengan melihat, mendengarkan, dan mungkin menyentuh, museum juga mendorong pemikiran dan pertanyaan kritis. Manajemen koleksi adalah urutan tugas yang mencakup banyak tugas berbeda, dimulai dengan perolehan koleksi, pendaftaran dan inventarisasi, perawatan, dan penelitian, dan diakhiri dengan presentasi koleksi di ruang pamer atau ruang penyimpanan. Data penelitian ini dikumpulkan melalui observasi, dokumentasi, dan wawancara dengan menggunakan metode penelitian deskriptif kualitatif. Untuk lebih memahami bagaimana Museum Kota Langsa berkembang, peneliti akan berbicara dengan direktur museum dan pakar. Sebuah museum umum bernama Museum Kota Langsa didirikan pada tahun 2016. Museum ini memiliki berbagai macam koleksi artefak sejarah, mulai dari barang-barang rumah tangga hingga barang-barang kerajaan seperti keramik antik, piring saladon, saladon guro, dan lain sebagainya. Gedung Balai Juang di Kota Langsa merupakan tempat museum umum yang dikenal dengan Museum Kota Langsa, yang dibuka pada tahun 2016. Sebuah bon kontan, atau kantor untuk mencetak uang, dengan nilai Rp. 100, sebelumnya ditempatkan di struktur ini. Ethnografika, Historika, Keramologika, dan koleksi lainnya kini dipamerkan di museum ini. Memiliki total koleksi 217 koleksi pada tahun 2023.
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Salman, Alp, and Cem Izmirli. "Ege University Faculty of Fisheries Museum (ESFM) cephalopod inventory." Ege Journal of Fisheries and Aquatic Sciences 37, no. 4 (December 15, 2020): 357–61. http://dx.doi.org/10.12714/egejfas.37.4.06.

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In this study, cephalopod individuals exemplified in scientific studies from 1988 to 2015 were registered and listed in the Ege University Faculty of Fisheries Museum (ESFM). Cephalopod species examined in the museum were obtained from the Marmara Sea, the Aegean Sea, the Mediterranean and Northern Cyprus waters. In this study, cephalopod individuals exemplified in scientific studies from 1988 to 2015 were registered and listed in the Ege University Faculty of Fisheries Museum (ESFM). These studies showed that Turkey seas surrounding the 46 species of sepiida orders from 58 pieces, the orders in Sepiolida 230, Teuthida orders of 106 pieces and order Octopoda total 146 storage in a jar. As a result of this study surrounding Turkey seas it has been identified 46 species of cephalopods. The cephalopod types found in the museum were first cleaned and fixed to the jars using the formalin fixation method, which is the most suitable of the 4 known fixation methods, and then the necessary information regarding the sampling was labeled on the jars and the ESFM museum registration was performed.
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Assi, R., T. Landes, A. Murtiyoso, and P. Grussenmeyer. "ASSESSMENT OF A KEYPOINTS DETECTOR FOR THE REGISTRATION OF INDOOR AND OUTDOOR HERITAGE POINT CLOUDS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (August 20, 2019): 133–38. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w15-133-2019.

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<p><strong>Abstract.</strong> In the context of architectural heritage preservation, constructing building information models is an important task. However, conceiving a pertinent model is a difficult, time consuming and user-dependent task. Our laboratory has been researching methods to decrease the time and errors inferred by manual segmentation of point clouds. In the perspective of automatization of the process, we implemented an automated registration method that used only keypoints. Keypoints are special points that hold more information about the global structure of the cloud. In order to detect keypoints, we used the Point Cloud Library (PCL) toolbox. The pertinence of the method was evaluated by registering more than 300 clouds of the zoological museum of Strasbourg. The quality of the keypoint detection was first verified on geo-referenced indoor point clouds. Then we applied this method to register the indoor and outdoor point clouds that have much less area in common; those common points being generally the doors and windows of the façade. The registrations of indoor point clouds were satisfying, with mean distances to the ground truth inferior to 20&amp;thinsp;cm. While the first result for joint indoor/outdoor registration are promising, it may be improved in future works.</p>
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Khotimah, Wininda Qusnul, and Vilya Dwi Agustini. "Instagram @Jakartabiennale Sebagai Media Promosi Dalam Pelaksanaan Exhibition Jakarta Biennale 2021 “ESOK”." JUSS (Jurnal Sosial Soedirman) 6, no. 2 (November 2, 2023): 123. http://dx.doi.org/10.20884/juss.v6i2.8194.

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The Use of Instagram as a Promotional Tool for the 2021 “ESOK” Jakarta Biennale Exhibitions. The Jakarta Biennale has been using the Instagram feature to help promote exhibitions by the Museum of Indonesia National Awakening (Museum Kebangkitan Nasional) for some time. The collection was considered a dormant tourist destination that needs to be reactivated. This research elaborates on how the official account @jakartabienalle projects promotional content about the event. Using the content marketing theory, we employ content analysis methods to describe the promotions' narratives spectrum qualitatively. Complementary to that, we also conducted in-depth interviews, observations, and documentation upon the account followers. We found a specific trace of the “ESOK” signature in the upper-left part of every post. Along with that, a two-long paragraph caption also completes the picture-based pieces of information that consist of registration pieces of information and details of the pictures. Finally, we also conclude that hashtags and geotagging features play an essential part in helping audiences locate the event.
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Markiewicz, J. S., Ł. Markiewicz, and P. Foryś. "THE COMPARISON OF 2D AND 3D DETECTORS FOR TLS DATA REGISTRATION &ndash; PRELIMINARY RESULTS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W9 (January 31, 2019): 467–72. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w9-467-2019.

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<p><strong>Abstract.</strong> This paper presents the analysis of possible methods of a terrestrial laser scanning (TLS) data registration using 2D/3D detectors and descriptors. The developed approach, where point clouds are processed in form of panoramic images, orthoimages and 3D data, was described. The accuracy of the registration process was preliminary verified. The two approaches were analysed and compared: the 2D SIFT (Scale-Invariant Feature Transform) detector and descriptor with the rasterized TLS data and the 3D SIFT detector with the 3D FPFH (Fast Point Feature Histograms) descriptor. The feature points were found and preliminary matched using the OpenCV and PCL (Point Cloud Library) libraries. In order to find the best point cloud representation for the registration process, both the percentage and distribution of the correctly detected and matched points were analysed. The materials consisted of the point clouds of two chambers from the Museum of King John III’s Palace in Wilanów. They were acquired using the Z+F 5006h and 5003 TLS scanners. The performed analysis showed that the lowest RMSE values were for the 2D detectors and orthoimages. However, in the case of the point number and distribution, better results were obtained for using the 3D detector.</p>
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9

Лосева, М. А. "The History of the Formation of the Russian Numismatic Collection of the State Historical Museum (1883–1917)." Nasledie Vekov, no. 2(30) (June 30, 2022): 93–100. http://dx.doi.org/10.36343/sb.2022.30.2.007.

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В статье определены основные характеристики коллекции русских монет отдела нумизматики Государственного исторического музея (ГИМ) в Москве и выделены особенности процесса формирования этой коллекции в досоветский период истории музея. Опираясь на учетную документацию музея и изданную справочную литературу по коллекции ГИМ, автор определил круг поступлений (от древнерусских монет до современных денег); выявил их основные источники: дары (пожертвования) частных лиц, передача из научных обществ, государственных учреждений. Характерными чертами коллекции и процесса ее формирования являлись: широта хронологии представленных памятников нумизматики, хаотичный характер фондообразования, происходившего без четких принципов, преобладание даров (пожертвований) как основной формы комплектования фондов, достаточно разнообразный состав дарителей, развитие профессиональных связей сотрудников музея с отдельными учеными-нумизматами и нумизматическими научными обществами. The study is aimed at determining the main characteristics of the collection of Russian coins of the Numismatics Department of the State Historical Museum in Moscow and highlighting the features of the formation of this collection at the stage of the development of the museum in 1883–1917. The main sources of the study are the museum’s accounting documentation (the Main Inventory Book, the Registration Book of the Numismatics Department, acts of acceptance and transfer for permanent use), as well as indexes, catalogs, and the report of the Historical Museum for 1883–1908. In the study, methods of historical research (descriptive, diachronic, historical comparative and historical typological) were used. The author identifies and analyzes the totality of the first numismatic accessions to the museum’s funds; establishes the main sources of these accessions; and assesses the possibility of having certain principles of forming the collection. The author learns that the numismatic collection has been an integral part of the museum collection since the founding of the State Historical Museum, and was formed in the 1880s–1890s due to numerous gifts. Scientific societies of that time (the Imperial Moscow Archaeological Commission and the Moscow Numismatic Society) were important sources of accessions. In 1895, the museum began to receive copies of modern money of each denomination from the Mint. At the beginning of the 20th century, the museum began to receive collections from individuals’ wills. Various non-scientific institutions assisted the museum in the formation of the collection. The forming of the collection at the initial stage of the State Historical Museum’s development was characterized by a certain chaotic nature, the absence of clear principles for the acquisition of funds. The author concludes that the main characteristics of the collection itself and its formation were: (1) a wide chronology of the presented numismatic monuments (from ancient Russian coins to modern money), (2) the prevalence of gifts as the main form of collecting funds against the background of the relative rarity of purchases, (3) a fairly wide range of donors (individuals, public organizations, officials and government agencies), (4) development of professional ties between museum staff and individual numismatists and numismatic scientific societies.
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Chen, Yu-Hsun, Guan-Chen Chen, Ching-Tai Wu, Chi-Lin Lee, You-Rou Chen, Jun-Fu Huang, Kuo-Hung Hsiao, and Jong-I. Lin. "Object Investigation of Industrial Heritage: The Forging and Metallurgy Shop in Taipei Railway Workshop." Applied Sciences 10, no. 7 (April 1, 2020): 2408. http://dx.doi.org/10.3390/app10072408.

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As a special plant for train maintenance in northern Taiwan, the Taipei Railway Workshop was founded in 1885 and moved in 2011, reflecting the changes in Taiwan’s history, transportation, and industrial technology. Now, it is planned to change the maintenance plant into a railway museum in the form of an in situ site. This study briefly introduces the historical background and present situation of the Taipei Railway Workshop and takes its forging workshop as the object for investigation and exhibition planning. According to the preservation and maintenance methods of the cultural heritage of the museum, the investigation process proposed includes four steps: Site exploration, object registration, object research, and exhibition planning. The work area in the plant is divided into shaping and forging areas, as based on the categories of the machines on the site of the forging workshop. In this study, a total of 85 industrial relics in the forging workshop are registered for systematic research. The working conditions, including machine parts for train maintenance, manufacturing processes of parts, and the relationship between in-line on-site machines and tools, of the forging workshop before closing are restored, as based on the principles of machine manufacturing, literature, and retired workers’ oral histories. Finally, an in situ exhibition plan of the forging workshop is put forward based on the results of the object research.
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Dissertations / Theses on the topic "Museum registration methods"

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Simms, Melinda. ""Found in collections" : reconciling undocumented objects in historical museums /." 2003. http://www.foundincollections.com.

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Immelman, Helene Ferda Lelong. "Principles for museum documentation." Thesis, 1993. http://hdl.handle.net/10413/11388.

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Books on the topic "Museum registration methods"

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Museums, American Association of, ed. Museum registration methods. 5th ed. Washington, DC: AAM Press, American Association of Museums, 2010.

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Buck, Rebecca A. Museum registration methods. 5th ed. Washington, DC: AAM Press, American Association of Museums, 2010.

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1946-, Buck Rebecca A., Gilmore Jean Allman 1946-, and American Association of Museums, eds. The new museum registration methods. Washington, DC: American Association of Museums, 1998.

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B, Reibel Daniel, ed. Registration methods for the small museum. 3rd ed. Walnut Creek, Calif: AltaMira Press, 1997.

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Reibel, Daniel B. Registration methods for the small museum. 4th ed. Lanham, Md: AltaMira Press, 2008.

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Summerfield, Patricia. Historical collections classification scheme for small museums. Perth, WA: Museums Association of Australia, W.A. Branch, 1988.

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Grant, Alice. SPECTRUM essentials. Cambridge: Museum Documentation Association, 1994.

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Nath, Sandra. Research study for a national documentation organization in the United States. [San Francisco, Calif: John F. Kennedy University], 1987.

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B, Light Richard, Roberts D. Andrew, and Stewart Jennifer D, eds. Museum documentation systems: Developments and applications. London: Butterworths, 1986.

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Andrés, Carretero Pérez, ed. Normalización documental de museos: Elementos para una aplicación informática de gestión museográfica. Madrid: Ministerio de Educación y Cultura, 1996.

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