Relevant bibliographies by topics / Museum techniques

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Museum techniques'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Museum techniques.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Museum techniques"

1

Greenwald, Michael T. "Techniques for collecting large vertebrate fossils." Paleontological Society Special Publications 4 (1989): 264–74. http://dx.doi.org/10.1017/s2475262200005232.

Full text
Abstract:
When visiting the dinosaur displays in museums such as the American Museum of Natural History, the Tyrrell Museum of Palaeontology, or the United States National Museum of Natural History, one is overwhelmed by the abundance, diversity, and completeness of dinosaur skeletons. What is not obvious to the average visitor is that the majority of those skeletons are not from an individual animal. They are almost invariably composite skeletons containing bones from at least two individials, and many missing bones have been filled in with sculptured models constructed of plaster or fiberglass. How is it possible for paleontologists to reconstruct and mount these titanic skeletons? Perhaps even more fundamentally, how do such enormous fossil bones find their way to museums to begin with?
APA, Harvard, Vancouver, ISO, and other styles
2

Puspasari, Shinta, and Ermatita Ermatita. "A Survey of Data Mining Techniques for Smart Museum Applications." JUITA: Jurnal Informatika 9, no. 1 (May 22, 2021): 33. http://dx.doi.org/10.30595/juita.v9i1.9247.

Full text
Abstract:
This research aims to find out what data mining techniques are effectively implemented in museums and what application trends are currently being used to improve museum performance towards modern museums based on intelligent system technology. The review was carried out on a number of articles found in journals and proceedings in the 2004-2020 period. It is found that the majority of data mining techniques are implemented in museum virtual guide applications, recommender systems, collection clustering and classification system, and visitor behaviour prediction application. Data classification, clustering, and prediction technique commonly used for museum application. Collections with historical and artistic value contain a lot of knowledge making data mining an important technique to be included in various applications in museums so that they can have an impact on the achievement of museum goals not only in the fields of education and culture but also economics and business.
APA, Harvard, Vancouver, ISO, and other styles
3

Mulyana, Eldi, Alni Dahlena, and Slamet Nopharipaldi Rohman. "Strengthening Social Studies Learning Sources through Culture And History Of Yogyakarta Ulen Sentalu Museum." Journal Civics and Social Studies 6, no. 1 (June 6, 2022): 9–15. http://dx.doi.org/10.31980/civicos.v6i1.1600.

Full text
Abstract:
AbstractThe existence of culture and history in the museum as a place to store a collection of historical objects often gives the impression that the museum is an ancient, dark and unkempt building. Meanwhile, the new paradigm in museum management is that museums are no longer just a place to store historical objects, but need to present collections in attractive packaging so that visitors are interested in coming back to the museum. This research method is a qualitative method with interview data collection techniques, observation and documentation studies. Data analysis techniques include data collection, data presentation, data reduction and data verification. The results of this study are (1) the cultural and historical values of the ulen sentalu museum in attaching existing philosophical values, (2) cultural and historical values related to the rules of conduct in the museu ulen sentalu used as a source of social studies learning. Thus, it can be used as culture and history contained in the Ulen Sentalu museum and used as a source of social studies learning as part of educational literacy.Keywords : Ulen Sentalu Museum, Culture and History, Social Studies Learning Resource
APA, Harvard, Vancouver, ISO, and other styles
4

Valtysson, Bjarki, Sanne Lynge Nilsson, and Christine Eva Pedersen. "Reaching Out to be in Reach. Museum Communication in the Current Museum Zeitgeist." Nordisk Museologi 31, no. 1 (May 31, 2021): 8. http://dx.doi.org/10.5617/nm.8821.

Full text
Abstract:
This article focuses on art museums as multi-layered media- and eventmakers. By discussing the National Gallery of Denmark’s Mysteries from the Museum podcast series and the event SMK Fridays, Louisiana’s digital platform Louisiana Channel and the Glyptotek’s Slow arrangements, we scrutinise these museums’ onsite and offsite outreach techniques and strategies. These are further discussed regarding the current museum zeitgeist, and how this relates to dominant cultural policy paradigms in Denmark. The article is based on interviews with museum professionals, observations of onsite events and document analysis; they indicate that museums constantly renew their outreach techniques and strategies, adding layers to their museum communication. While museums succeed in creating quality digital content and arranging events attracting attention and audiences, these productions do not challenge the power dynamics between museums and their users described in current literature on the museum zeitgeist, as in dominant cultural policy strategies in a Danish context.
APA, Harvard, Vancouver, ISO, and other styles
5

Tötszegi, Tekla. "Noi metode și tehnici de antrenare pentru persoanele cu dizabilități vizuale în activitățile de profil desfășurate în cadrul Muzeului Etnografic al Transilvaniei." Anuarul Muzeului Etnograif al Transilvaniei 31 (December 20, 2017): 245–58. http://dx.doi.org/10.47802/amet.2017.31.13.

Full text
Abstract:
In 2009, a project funded by AFCN proposed for the first time the development of a methodology for the cultural integration of persons with visual impairments and its application to museum techniques, the outputs of which was a tactile exhibition having a permanent character. In the project "BaGMIVI PROJECT: Bridging the Gap between Museums and Individuals with Visual Impairment", the Transylvanian Museum of Ethnography has proposed the development and deepening of certain areas, presented briefly in the tactile exhibition through museum educational activities.
APA, Harvard, Vancouver, ISO, and other styles
6

Salim, Polniwati, Christianto R, and Sri Rachmayanti. "PERANCANGAN DESAIN INTERIOR MUSEUM DENGAN TEKNIK INTERAKTIF SEBAGAI RUANG PUBLIK MASA KINI." Jurnal Dimensi Seni Rupa dan Desain 15, no. 1 (September 1, 2018): 45. http://dx.doi.org/10.25105/dim.v15i1.4196.

Full text
Abstract:
Abstract This study aims to analyze a museum interior design to be able to find the latest output regarding displaying or circulation techniques in a public space, especially museum. This study background is a public phenomenon visited by museums nowadays, which is seen on their social media accounts. Especially for contemporary and art design museums, it becomes an attractive icon for young people, as well as seniors. However, there are many things that need to be considered in designing a museum interior where many factors support for a success interior design, including: display techniques, gallery categorization, signage systems, and lighting. This study will examine how to applied the above items. As a comparison, contemporary art museums in Jakarta and New York. By doing these comparisons, researcher expected there will be a resume on how designing a good contemporary art museum. With good and attractive interior design in a contemporary art museum, it will further increased visitors interest and the awareness of the community to explore the museum. The method used is by observing and documenting techniques and analyzing the interior of research objects, combined with literature studies, hopefully this research can contribute to the museum design technique as an ergonomic and interactive public space for the wider community. For future development of the museum, this research contributes for a better, good and friendly display techniques. Abstrak Penelitian ini bertujuan untuk menganalisa perancangan interior sebuah museum untuk dapat ditemukan luaran terbaru perihal teknik display maupun sirkulasi dalam sebuah ruang publik yakni museum. Latar belakang penelitian adalah fenomena masyarakat luas yang terlihat kesadaran untuk berkunjung ke museum, yang terlihat pada akun sosial media masyarakat jaman sekarang yang demikian semarak, khususnya untuk museum bernafaskan contemporary dan art design, menjadi satu ikon menarik bagi kalangan muda, juga para senior. Namun demikian banyak hal yang perlu diperhatikan pada perancangan sebuah interior museum dimana banyak factor yang mendukung kesuksesan sebuah desain museum, antara lain dalam hal teknik display, pengkategorian gallery, system signage, maupun pencahayaan. Dengan design interior yang baik dan menarik pada sebuah museum kontemporer, diharapkan akan semakin menaikkan minat para pengunjung dan kesadaran masyarakat akan semakin meningkat untuk mengeksplorasi isi dari museum tersebut. Metode yang digunakan adalah dengan teknik pengamatan dan pendokumnetasian serta analisa interior objek penelitian, dipadukan dengan studi literature, diharapkan penelitian ini memberikan kontribusi pada teknik perancangan museum sebagai sebuah ruang public yang ergonomis dan interaktif menyenangkan bagi masyarakat luas. Untuk pengembangan museum ke depannya, penelitian ini memberikan sumbangsih perihal teknik display yang baik dan bersahabat
APA, Harvard, Vancouver, ISO, and other styles
7

Juairiah, Juairiah. "Manajemen koleksi museum dan problematika pengelolaannya di Kalimantan Selatan pada era new normal." Berkala Ilmu Perpustakaan dan Informasi 18, no. 2 (December 1, 2022): 204–18. http://dx.doi.org/10.22146/bip.v18i2.4290.

Full text
Abstract:
Introduction. Museum collection management is interesting to discuss because it is one of the main activities in museum management as an information institution with problems, especially in the new normal era of famous museums in South Kalimantan (Lambung Mangkurat Museum, Wasaka Museum, and Sultan Suriansyah Museum). Research methods. This study uses a qualitative method by applying data collection techniques are: interviews, observations, and documents. Data Analysis. The data analysis process includes data reduction, data presentation, and conclusions/verification. Results and Discussion. In the new normal era, the Lambung Mangkurat Museum and Wasaka Museum have implemented the concept of museum collection management. In contrast, the Sultan Suriansyah Museum has not properly implemented the collection management concept. There were various problems in the management of museum collections and the solutions sought by each museum. Conclusions and Suggestions. Lambung Mangkurat Museum, Wasaka Museum, and the Sultan Suriansyah Museum continue to manage museum collections in the new normal era according to their capacity. Therefore, it is recommended that the government pay more attention to coaching and competency development for museum collection managers and the need for an e-catalog system in all museums.
APA, Harvard, Vancouver, ISO, and other styles
8

Burlina, Elena. "From Bonn to Yekaterinburg: chronotope of the modern museum." KANT Social Sciences & Humanities, no. 7 (July 2021): 68–78. http://dx.doi.org/10.24923/2305-8757.2021-7.7.

Full text
Abstract:
The article is devoted to the comparative analysis of innovative trends in domestic and foreign museums. The analysis is interdisciplinary and methodological in nature. The main purpose of the article is to show examples of fundamental changes and the communicative nature of museum forms, dictated by the massization of museums, which changed the quantitative and qualitative composition of the public. According to the author, the museum includes directing and design necessary for communication with the mass audience. In this aspect, the article analyzes the exposition principles of two museums located in different countries. The philosophical foundations of one of the most authoritative museum centers in Europe: the "House of German History" in Bonn are presented in the most detailed way. Noting the integrity of the exhibition in the "House of German History", the author identifies several key principles of the museum exhibition: including:"museum drama", "path", "local space" (chronotope). These staging techniques are comparable to the "Yeltsin Center": the path through 7 rooms is the basis of the exhibition. "Problem Rooms" and the chronotope "Paths" form a common dramatic concept. The scientific novelty of the article also lies in the substantiation of the connection between the museum's drama and mass character. The flow of visitors could not but influence the choice of techniques that are easily read by the mass audience.
APA, Harvard, Vancouver, ISO, and other styles
9

Dubois, Arnaud. "How to understand engineering sciences with the techniques of the body: The case of the bridges collection of the Musée des Arts et Métiers explained by circus acrobatics." Social Science Information 56, no. 2 (April 13, 2017): 254–69. http://dx.doi.org/10.1177/0539018417697387.

Full text
Abstract:
In this article, I will examine an experimental mediation performed by acrobats at the Paris Musée des Arts et Métiers in May 2016. I will ask if body techniques can facilitate the public’s understanding of the abstract engineering sciences exhibited in a science and technology museum. Using the ethnographic study of this performance, I will ask if this new type of museum mediation opens up new research issues about technical gestures and helps us to blur boundaries between tangible and intangible heritage in the museum context. In doing so I try to redeploy the methods of analysis of museum collections and to contribute to the theoretical and methodological renewal of the history of technology. I show that this new way to mediate science and technology museum collections using body techniques and gestures produces a methodological indistinctness between intentionality and contingency that often marks the epistemological break between art, technology and science in western culture. This anthropological way of looking at museums of science and technology opens up new research issues not only for the museum’s scientific and technical heritage but also for the history of science and techniques.
APA, Harvard, Vancouver, ISO, and other styles
10

Canbakal Ataoğlu, Nihan. "Architectural Promenade and MAXXI Museum." Mimarlık Bilimleri ve Uygulamaları Dergisi (MBUD) 9, no. 1 (July 1, 2024): 492–509. http://dx.doi.org/10.30785/mbud.1456902.

Full text
Abstract:
There exists disagreement over the content, purpose, and form of museums, which can be traced back to the Greek temples of antiquity. There is, however, consensus over how museums should be organized, display their art, and circulate their collection. Le Corbusier's concept of the promenade was defined to analyze the circulation setup of the MAXXI museum, which attracts attention with its design in contemporary museology. In this study, the components of the promenade setup for the MAXXI Museum were identified by analyzing photographic sequences taken from the perspective of a mobile observer. To bring out the current museum circulation design, the MAXXI Museum promenade layout was analyzed using spatial experiences, observations, syntactic analysis techniques, and semantic analysis. The purpose of the study is to shed light on how the circulation structure of modern spaces is changing through an analysis concept of a promenade. This brand-new museum area provides a spatial journey with surprises.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Museum techniques"

1

Higgins, Elizabeth M. Hafertepe Kenneth C. "Museums of social conscience interpreting a troubled past /." Waco, Tex. : Baylor University, 2009. http://hdl.handle.net/2104/5329.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Wills, Brian Wesley. "An immersive extension for the Michael C Carlos Museum : making space from within." Diss., Georgia Institute of Technology, 1995. http://hdl.handle.net/1853/23057.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Gray, Pamela Clelland. "Public learning and the art museum : future directions /." View thesis View thesis, 2002. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030407.154108/index.html.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Wade, Amanda E. "Balancing preservation and interaction in the museum setting." Greensboro, N.C. : University of North Carolina at Greensboro, 2007. http://libres.uncg.edu/edocs/etd/1509Wade/umi-uncg-1509.pdf.

Full text
Abstract:
Thesis (M.S.)--University of North Carolina at Greensboro, 2007.
Title from PDF t.p. (viewed Feb. 28, 2008). Directed by Patrick Lee Lucas; submitted to the School of Human Environmental Sciences. Includes bibliographical references (p. 149-152).
APA, Harvard, Vancouver, ISO, and other styles
5

Benne, Marcie Rae. "Methods for assessing influences of the visual-spatial environment on museum display attraction." Diss., Georgia Institute of Technology, 2001. http://hdl.handle.net/1853/30341.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Nielsen, Jane K. "Museum communication : learning, interaction and experience." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5770.

Full text
Abstract:
'Museum Communication: Learning, Interaction and Experience' is a study of how museums have evolved and handled their communication approaches at both theoretical and practical levels. It discusses questions like; how has museum communication developed? What influences do these developments have on museology and its related disciplines? How will museum communication develop in the future? These are questions closely connected with essential concepts of learning, interaction, participation and experience, which will be discussed throughout the thesis. Learning and exhibition theories will be considered alongside discussions of epistemological and philosophical approaches, interpretation, and social development of museological research. The research forms a discourse analysis of museums' own views and opinions of these issues through replies of a questionnaire. It also focuses on specific case studies and examples in order to combine theoretical definitions and empirical approaches with museological developments. To form a deeper understanding of how museological communication is developing, the research includes interviews with professionals of philosophy and storytelling as well. Finally, the approaches are summarised in a new museum model developed from future studies. This model, called 'The Transformative Museum', identifies essential points in which museums have developed their communication practices and theories, and discusses how these may develop in the future. As the responsibilities of museum curators develop, museums have to embrace the concepts of transformation and flexibility too. Inquiries, research, learning and participation have to be transformed into all kinds of experiences in order to respond to changing needs and flexible structures of communities and societies. The transformative museum will have to acknowledge past traditions, current trends and future opportunities simultaneously in order to become a museum of both present and future relevance for all kinds of visitors and users.
APA, Harvard, Vancouver, ISO, and other styles
7

Mutch, Hollis Hafertepe Kenneth. "Institutional critique artists focus on museological issues /." Waco, Tex. : Baylor University, 2008. http://hdl.handle.net/2104/5285.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Gray, Pamela Clelland. "Public learning and the art museum : future directions." Thesis, View thesis View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/354.

Full text
Abstract:
The question of the art museum's failure to engage wider audiences remains relatively unexamined and has neither widely catalysed nor changed professional practice either in curatorial, educational, or public program domains. In this study, the educational aim of the art museum is discussed. The work of Pierre Bourdieu is examined. Bourdieu argues that museum display principles, interpretive strategies, and educational techniques, propagated within the paradigm of modernism, implicitly assume possession of cultural literacy skills which are the sole privilege of the educated.The author concludes that working within and across the curatorial and educational environments of an art museum, while avoiding the pitfalls of the modernist tradition, is also a significant step toward engaging wider audiences than the cultual 'elite' in the development of visual literacy skills.
APA, Harvard, Vancouver, ISO, and other styles
9

Monteiro, Susana Isabel Gonçalves. "Use of immunohistochemical techniques to investigate museum specimens of neurological disease." Master's thesis, Universidade de Aveiro, 2008. http://hdl.handle.net/10773/3062.

Full text
Abstract:
Mestrado em Métodos Biomoleculares
Os espécimes de museu são um recurso valioso tanto para o ensino como para a investigação, mas geralmente têm sido utilizados para demonstrar a morfologia macroscópica. O objectivo da presente dissertação é determinar se modernas técnicas neuropatológicas, tal como a histologia e a imunohistoquímica, podem ser aplicadas com sucesso a espécimes de museu preservados por períodos superiores a 50 anos. Poderá ser esperado que a qualidade do material histológico recuperado de espécimes de museu seja afectada por vários factores. Estes incluem a idade do espécime, o tipo e a duração da fixação/preservação, condições do acondicionamento do espécime, informação relativa ao paciente e o período post-mortem. É importante compreender como é que os métodos de preservação mudaram com o passar dos tempos, consequentemente uma breve revisão desta história foi feita. É descrito o processo de selecção dos espécimes para este estudo e é apresentada uma investigação às características das diferentes soluções de montagem. Grande parte desta dissertação refere-se ao desenvolvimento de formas que permitam a aplicação de técnicas histológicas modernas a espécimes de museu. É demonstrado que uma pós-fixação em formaldeído 10% e um ajuste do pH da solução corante de eosina para um intervalo entre 4.8 e 5.0, são especialmente importantes em tecidos envelhecidos. Foi obtida uma coloração imunohistoquímica satisfactória utilizando o sistema EnVision+ (Dako), um polímero acoplado com HRP, com o anticorpo anti-neurofilamento (Dako). No entanto, apenas alcançou-se resultados satisfatórios com cortes de crióstato, os quais, aparentemente, produzem melhor coloração imunohistoquímica quando comparados com cortes de tecidos fixados em formaldeído e incluídos em parafina (FFPE), sugerindo assim, que o processamento em solventes orgânicos e as altas temperaturas da parafina derretida alteram a conformação do antigénio impedindo a detecção imunohistoquímica. Um estudo detalhado de três casos datados de 1953, 1954 e 1955 confirma que técnicas modernas (incluíndo imunohistoquímica) podem ser utilizadas em tecidos envelhecidos a um ponto de serem consideradas diagnosticamente válidas. Este estudo demonstra que com ajustes cuidados aos protocolos é possível obter-se notáveis resultados histológicos de alta qualidade em tecidos que foram preservados por muitos anos. Confirma também, que espécimes de museu representam um valioso recurso para ensino e para a investigação a um nível ultraestrutural. ABSTRACT: Museum Specimens are a valuable resource both for teaching and research but have generally been used to show the gross morphology. The aim of this dissertation is to determine if modern neuropathological techniques, such as histology and immunohistochemistry, can be applied successfully in museum specimens that have been preserved for periods in excess of 50 years. It may be expected that many factors could affect the quality of histological material retrieved from museum specimens. These include the age of the specimen, type and length of fixation/preservation, storage conditions, patient information and post-mortem period. It is important to understand how preservation methods had changed over time, and therefore, the complex history of “potting” is reviewed. The process of selecting specimens for this study is described and an investigation into the characteristics of mounting solutions is presented. The major part of the dissertation concerns the development of ways in which to apply modern histological techniques to museum specimens. It is shown that post-fixation in formaldehyde 10% and an adjustment of the eosin stain solution to a pH ranging between 4.8 and 5.0 are especially important in older tissues. Satisfactory immunohistochemistry staining was obtained using EnVision + (Dako) system, a HRP labeled polymer, with anti-neurofilament antibody (Dako). Nevertheless, successful results were only achieved with cryostat sections, as they appeared to produce better immunohistochemistry staining when compared to formalin-fixed paraffin-embedded (FFPE) sections, suggesting that processing in organic solvents and high temperatures of molten paraffin alters the conformation of the antigen hampering immunohistochemistry detection. A detailed study of three cases from 1953, 1954 and 1955 confirms that modern techniques (including immunohistochemistry) can be used in aged tissue to the point where they are useful diagnostically. This study shows that with careful adjustment to protocols it is possible to achieve remarkably high quality histological results in tissues that have been preserved for many years. It confirms that specimens in museums represent a valuable resource for teaching and research at an ultrastructural level.
APA, Harvard, Vancouver, ISO, and other styles
10

Smith, Charlotte H. F. "The house enshrined : great man and social history house museums in the United States and Australia /." Online version, 2002. http://bibpurl.oclc.org/web/24545.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Museum techniques"

1

Okpoko, Alex Ikechukwu. Fundamentals of museum practice. Nsukka, Nigeria: Afro-Orbis Pub. Co., 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Crispin, Paine, ed. Museum basics. 3rd ed. Milton Park, Abingdon, Oxon: Routledge, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

(Italy), Veneto, ed. Per una critica della museografia del Novecento in Italia: Il "saper mostrare" di Carlo Scarpa. Venezia: Regione del Veneto, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Satomi, Chikayuki. Hakubutsukan tenji no riron to jissen. Tōkyō: Dōseisha, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Emiliani, Marisa Dalai. Per una critica della museografia del Novecento in Italia: Il "saper mostrare" di Carlo Scarpa. Venezia: Regione del Veneto, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Frade, Juan Pablo Rodríguez. Manual de museografía: De la emoción al conocimiento. [Córdoba]: Almuzara, 2019.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Fernández, Luis Alonso. Museología y museografía. Barcelona: Ediciones del Serbal, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Šola, Tomislav. Essays on museums and their theory: Towards the cybernetic museum. Helsinki, Finland: Suomen museoliitto, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Štěpánek, Pavel. Obrysy muzeologie: Pro historiky umění. Olomouc: Univerzita Palackého v Olomouci, Filozofická fakulta, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Krŭsteva, Stefanka. Studii po muzeologii︠a︡: Totemi, tesaurusi, kunstkameri, virtualni prostranstva. Sofii︠a︡: FDK, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Museum techniques"

1

Waters, Brenda L. "Museum Techniques." In Handbook of Autopsy Practice, 151–56. Totowa, NJ: Humana Press, 2009. http://dx.doi.org/10.1007/978-1-59745-127-7_16.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Karbe, Ariane. "Suspense techniques." In Museum Exhibitions and Suspense, 45–56. London: Routledge, 2022. http://dx.doi.org/10.4324/781003153962-5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Ludwig, Jurgen, and William D. Edwards. "Museum Techniques and Autopsy Photography." In Handbook of Autopsy Practice, 137–41. Totowa, NJ: Humana Press, 2002. http://dx.doi.org/10.1007/978-1-59259-286-9_15.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Mariani, Fabio, Lynn Rother, and Max Koss. "Teaching Provenance to AI." In Edition Museum, 163–72. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-014.

Full text
Abstract:
Our paper addresses how artificial intelligence technologies can transform museum records of provenance into structured and machine-readable data, which is the first critical step in undertaking a large-scale cross-institutional analysis of object history. Drawing on research on natural language processing (NLP), we have identified sentence boundary disambiguation and span categorization as highly effective techniques for extracting and structuring information from provenance texts. Our paper focuses on a provenance-specific annotation scheme that enables us to retain historical nuances when constructing provenance linked open data (PLOD).
APA, Harvard, Vancouver, ISO, and other styles
5

Schubbach, Arno. "AI and Art." In Edition Museum, 41–56. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-005.

Full text
Abstract:
Recent advances in the computer generation of pictures using methods and programs from artificial intelligence research, or, more precisely, machine learning, have once again raised the question of whether computers can make art. Based on Michael Noll's early experiments with computer art from the 1960s, I argue by contrast that even the latest tools cannot make do without human work and can only be part of an artistic practice thanks to this work. Rather than asking whether machines can make art, we should therefore develop creative practices in which it is possible to leverage the potential of new techniques for design and art.
APA, Harvard, Vancouver, ISO, and other styles
6

Coslor, Erica. "Physical and Epistemic Objects in Museum Conservation Risk Management." In Materiality and Managerial Techniques, 193–220. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-66101-8_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Not, E., C. Callaway, C. Rocchi, O. Stock, and M. Zancanaro. "Cinematographic Techniques for Automatic Documentary-like Presentations." In PEACH - Intelligent Interfaces for Museum Visits, 23–44. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/3-540-68755-6_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Biondo, Sandra. "Corporate Fashion Museums Communication Strategies: The Case of the Louis Vuitton Maison de Famille in Asnières-sur-Seine." In Fashion Communication in the Digital Age, 304–15. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-38541-4_28.

Full text
Abstract:
AbstractThe case of the Louis Vuitton ‘maison de famille’ in Asnières-sur-Seine allows investigation of communications strategies implemented by Corporate Fashion Museums. It is argued these museum types are used by luxury fashion brands as marketing tools to retain their customers. The data relied upon are primarily qualitative: interviews and exploratory observations were specifically conducted between January 2020 and November 2022. It is suggested that the process of commodification of the family patrimonium as well as the enhancement of for-sale products within the museum is made possible through the wise use of various techniques mainly related to the artification and the heritagization processes. The combination of those techniques – linking fashion brands with the art and museum world(s) – enables fashion firms to produce a coherent corporate narrative while pursuing seemingly oppositional goals.
APA, Harvard, Vancouver, ISO, and other styles
9

Brandt, C., G. Kyriakaki, W. Lamotte, R. Lüling, Y. Maragoudakis, Y. Mavraganis, K. Meyer, and N. Pappas. "The SICMA multimedia server and virtual museum application." In Multimedia Applications, Services and Techniques — ECMAST'98, 83–96. Berlin, Heidelberg: Springer Berlin Heidelberg, 1998. http://dx.doi.org/10.1007/3-540-64594-2_87.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Constantin, Felicia, and Androniki Kavoura. "Boosting Multilingualism of Websites in Digital Cultural Heritage with Chat Generative Pre-training Transformer (ChatGPT) in Accredited Museums, Romania." In Strategic Innovative Marketing and Tourism, 651–60. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-51038-0_70.

Full text
Abstract:
AbstractIn the context of the creative industries, the museum serves as a promoter of tourism, economic development, education, and science. In the era of the onslaught of Artificial Intelligence (AI), we are witnessing an expansion of opportunities to optimize its role as a communicator of values and information. In order to openly serve communities, a modern museum employs marketing and digital promotion techniques and creates a communication strategy. Within this strategy, adopting a linguistic approach can strengthen a museum’s brand, stimulate cultural mediation, and enhance visitor services. Taking into consideration the European concern for multilingualism in digital cultural heritage, we employed content analysis to examine the multilingualism on the websites of all 133 accredited museums and museum sections in Romania in 2023. On one hand, the paper highlights the lack of systematic consideration towards multilingualism, as physical and virtual visitors are generally left to “manage” with the languages. On the other hand, the research presents relevant solutions for providing websites in multiple languages: among these solutions, we suggest ChatGPT, which is starting to stand out as a revolutionary tool capable of translating diverse content for free, instantly, and accurately in multiple languages. Managerial implications are discussed since a website with comprehensive content in multiple foreign languages, strengthens the brand image and exponentially expands its global reach.
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Museum techniques"

1

Dawkins, Paloma, Maral Mohammadian, and Tali Goldstein. "Museum of symmetry." In SIGGRAPH '18: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3226552.3226568.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Knight, Melissa. "Night at the museum." In SIGGRAPH '15: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2745234.2746824.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Ronco, Francesca. "Smart technologies in the museum environment. AR experiments on physical models at the Museum of Oriental Art in Turin." In HEDIT 2024 - International Congress for Heritage Digital Technologies and Tourism Management. Valencia: Universitat Politècnica de València, 2024. http://dx.doi.org/10.4995/hedit2024.2024.17472.

Full text
Abstract:
The concept of Smart Tourism has developed rapidly within the Smart Cities paradigm, which emerged at the beginning of the new millennium in various scientific fields. Museums, traditionally centres of cultural and technological dissemination and display, are becoming places to experiment with smart technologies (digital survey, AR, VR, digital fabrication, and AI) for analytical purposes and to enhance the visitor experience. This technological revolution affects the way museum visitors interact with cultural heritage. This process is part of the Fourth Industrial Revolution and is based on multiple technologies that blend physical and virtual environments. These tools have shown benefits for accessing, comparing, and understanding space-related information about artefacts and advantages in developing compelling forms of storytelling aimed at visitors. Trying to give an overview of the technologies used, which have some relevance to the disciplinary field of representation, one can talk about digital acquisition techniques, Augmented Reality, Virtual Reality, digital fabrication, and artificial intelligence. The models obtained with different digital acquisition techniques allow new ways of content fruition. Both virtual and physical outputs aim to increase the inclusiveness of collections, meeting the various needs of users related to age, physical, sensory, cognitive, cultural, and experiential factors. The paper presents the outcomes of some experiments conducted in Museo d'Arte Orientale of Turin aimed to explore the continuum between real and virtual in the museum field through intelligent technologies. The experiments illustrate how to integrate AR technologies into the enjoyment of content, inside and outside the museum, with the support of real models.
APA, Harvard, Vancouver, ISO, and other styles
4

Vardhan, Harsh, Ayush Saxena, Ashish Dixit, Sourbh Chaudhary, and Ansh Sagar. "AR Museum: A Virtual Museum using Marker less Augmented Reality System for Mobile Devices." In 2022 3rd International Conference on Issues and Challenges in Intelligent Computing Techniques (ICICT). IEEE, 2022. http://dx.doi.org/10.1109/icict55121.2022.10064611.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Craddock, P. T. "Radiographic and microanalytical techniques at the British Museum." In IEE Colloquium on `NDT in Archaeology and Art'. IEE, 1995. http://dx.doi.org/10.1049/ic:19950771.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Pepu, Lindelwa. "Re-Imagining the Role of Female Players in the Making and Restoring of the UHADI Musical Bow." In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35904.

Full text
Abstract:
This paper, written from an African feminist perspective, focuses on the uhadi musical bow, a historical instrument found in museums, particularly in Museum Africa in Johannesburg. The mislabelling and lack of contextual information about the uhadi bow in the museum collection hinder the understanding of its origin and the recognition of its makers. The research highlights the role of women as the likely original makers and performers of the uhadi bow. It explores the unique features, construction, and playing techniques of the instrument. The study also profiles female uhadi players, emphasising their contribution to reviving and preserving the instrument’s cultural significance.
APA, Harvard, Vancouver, ISO, and other styles
7

Pretzel, Boris. "NDT techniques used at the Victoria and Albert Museum." In IEE Colloquium on `NDT in Archaeology and Art'. IEE, 1995. http://dx.doi.org/10.1049/ic:19950772.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Rehnberg, Morgan, Ginger Alford, Doug Roberts, Joanna Boulton, Abigail Hofbauer, and Seth Stubbs. "Deploying VR in a Science Museum: Lessons Learned." In SIGGRAPH '20: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3388530.3412518.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Nunziati, Giacomo, Christian Di Maio, Angel Martinez Palomares, and Alessandro Mecocci. "Enhancing Museum Security with Advanced Scene-Based Action Recognition Techniques." In 2023 IEEE International Conference on Metrology for eXtended Reality, Artificial Intelligence and Neural Engineering (MetroXRAINE). IEEE, 2023. http://dx.doi.org/10.1109/metroxraine58569.2023.10405601.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

G. Kamath, Venkatesh. "Evolution of Anatomy Museums and Museum Techniques: A Chronological Review A journey from model making to plastination." In Annual International Conference on Microscopic and Macroscopic Anatomy. Global Science & Technology Forum (GSTF), 2014. http://dx.doi.org/10.5176/2382-6096_cmma14.31.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Museum techniques"

1

Andersson, Elise. Proceedings of the symposium Woodworking Tools and Techniques –Past, Present and Future, Stockholm 16-19 September 2022. Linköping University Electronic Press, November 2023. http://dx.doi.org/10.3384/9789180754149.

Full text
Abstract:
The 3rd Swedish Symposium on Furniture Technology& Design was held in Stockholm the 16th through the19th of September 2022, this time arranged by MalmstensAlumni in collaboration with the Swedish History Museum,Skokloster Castle and LiU Malmstens.
APA, Harvard, Vancouver, ISO, and other styles
2

Mills, Kathy, Elizabeth Heck, Alinta Brown, Patricia Funnell, and Lesley Friend. Senses together : Multimodal literacy learning in primary education : Final project report. Institute for Learning Sciences and Teacher Education, Australian Catholic University, 2023. http://dx.doi.org/10.24268/acu.8zy8y.

Full text
Abstract:
[Executive summary] Literacy studies have traditionally focussed on the seen. The other senses are typically under-recognised in literacy studies and research, where the visual sense has been previously prioritised. However, spoken and written language, images, gestures, touch, movement, and sound are part of everyday literacy practices. Communication is no longer focussed on visual texts but is a multisensory experience. Effective communication depends then on sensory orchestration, which unifies the body and its senses. Understanding sensory orchestration is crucial to literacy learning in the 21st century where the combination of multisensory practices is both digital and multimodal. Unfortunately, while multimodal literacy has become an increasing focus in school curriculum, research has still largely remained focussed on the visual. The Sensory Orchestration for Multimodal Literacy Learning in Primary Education project, led by ARC Future Fellow Professor Kathy Mills, sought to address this research deficit. In addressing this gap, the project built an evidence base for understanding how students become critical users of sensory techniques to communicate through digital, virtual, and augmented-reality texts. The project has contributed to the development of new multimodal literacy programs and a next-generation approach to multimodality through the utilisation of innovative sensorial education programs in various educational environments including primary schools, digital labs, and art museums.
APA, Harvard, Vancouver, ISO, and other styles
3

Graphics from Latin America and the Caribbean: September 10 - November 15, 2002. Inter-American Development Bank, September 2002. http://dx.doi.org/10.18235/0005919.

Full text
Abstract:
20 lithographs, etchings, linocuts, woodcuts, silkscreens and other works in various graphic techniques by artists from the Americas were presented at the Robert V. Fullerton Art Museum, California State University, San Bernardino, California. This is the first group exhibition organized by the museum of works on paper by some of the most recognized artists of the 20th century from Latin America and the Caribbean. It includes graphics by José Clemente Orozco, Diego Rivera, David Alfaro Siqueiros; Roberto Sebastián Matta; Enrique Grau, and others.
APA, Harvard, Vancouver, ISO, and other styles
4

Graphics from Latin America and the Caribbean: January 18th - March 9th, 2002. Inter-American Development Bank, January 2002. http://dx.doi.org/10.18235/0005918.

Full text
Abstract:
43 lithographs, etchings, linocuts, woodcuts, silkscreens and other works in various graphic techniques by 40 artists from the Americas were presented at the Riverside Art Museum, Riverside, California. On loan from the IDB Cultural Center; the artistic holdings serve to promote understanding of the cultural heritage of its member countries. Included in the exhibit are graphics by important 20th century Mexican muralists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros; the surrealist Roberto Sebastián Matta; Carlos Mérida and others.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Museum techniques' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography