Relevant bibliographies by topics / Museums – Historiography

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Museums – Historiography'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Museums – Historiography"

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Divall, Colin. "Transport Museums: Another Kind of Historiography." Journal of Transport History 24, no. 2 (September 2003): 259–65. http://dx.doi.org/10.7227/tjth.24.2.8.

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Morrow, Paul. "Are Holocaust Museums Unique?" Royal Institute of Philosophy Supplement 79 (October 2016): 133–57. http://dx.doi.org/10.1017/s1358246116000114.

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AbstractHolocaust museums record and memorialize deeply affecting historical events. They can nevertheless be described and criticized using standard categories of museum analysis. This paper departs from previous studies of Holocaust museums by focusing not on ethical or aesthetic issues, but rather on ontological, epistemic, and taxonomic considerations. I begin by analysing the ontological basis of the educational value of various objects commonly displayed in Holocaust museums. I argue that this educational value is not intrinsic to the objects themselves, but rather stems from the extrins
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Hughes, Patrick. "New Media in the ‘New Museums’: Much Technology, Little Historiography." Media International Australia 95, no. 1 (May 2000): 183–90. http://dx.doi.org/10.1177/1329878x0009500116.

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New communications technologies offer museum curators opportunities to create exhibitions that are ‘open’ to diverse interpretations and are ‘democratic’ in privileging no particular interpretation. However, a fascination with the new forms of exhibition that communications technologies offer can distract us from the fact that they inevitably represent a particular view of the past. Reconsidering the collection of articles titled ‘Museums and New Media’ (Media International Australia incorporating Culture and Policy, no. 89) highlights the need to assert the primacy of historiography over the
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Zubanova, Nadezda A. "Museums of a “manufacturing type” in the USSR: Emergence, experience and liquidation. The history of museum development in the USSR in the 1920s–1930s." Issues of Museology 11, no. 2 (2020): 197–209. http://dx.doi.org/10.21638/11701/spbu27.2020.205.

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The article examines the experience of the museums of a “manufacturing type” that appeared in Soviet Russia in the 1920s. References to the existence of such museums are repeatedly found in official reports, museums’ documentation and periodicals of those years. At the same time, we note that up to now there is no definition of this type of museum in the national historiography of the history of museums. The reference to the experience of their work remains on the periphery of the research interest. The article explores the example of two Moscow’s museums — the Museum of Porcelain and the Muse
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Philipp Dominik Keidl. "Toward a Public Media Archaeology: Museums, Media, and Historiography." Moving Image: The Journal of the Association of Moving Image Archivists 17, no. 2 (2017): 20. http://dx.doi.org/10.5749/movingimage.17.2.0020.

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Danуluik, Igor. "Educational Museums of the Ivano-Frankivsk Region." Науковий вісник Чернівецького національного університету імені Юрія Федьковича. Історія 2, no. 46 (December 20, 2017): 111–17. http://dx.doi.org/10.31861/hj2017.46.111-117.

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Educational museums are one of the most widespread types of museums not only in the Ivano-Frankivsk region, but on the whole and in Ukraine. Development of educational museums especially increased in 90th of the ХХ th on territory of Prykarpattya such museums are practically in every settlement. In villages it is mainly regional museums at schools or educational-educator complexes. The article analyses development, and becoming of educational museums on territory of our region.
 This theme is practically not studied and not investigationed in historiography. Basis of the article are the w
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Huzhalouski, Alexander A. "Museums of the Soviet Belarus during the Khrushchev’s ‘Thaw’ (1953–1968)." Issues of Museology 12, no. 1 (2021): 35–47. http://dx.doi.org/10.21638/spbu27.2021.104.

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The historical perspective allows us to take a fresh look at a complex and contradictory period in the development of museum affairs in the USSR, which entered into historiography under the name of Khrushchev’s ‘thaw’. Using archival sources that are part of the Ministry of Culture of the Byelorussian SSR record, published statistical data, as well as periodicals, the article attempts to show the growth of the museum network in the BSSR and trace the process of its profile differentiation and museum branch development during this period. Using the specified source base, an analysis of state po
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Carreño, Miryam. "The New Museums of Education, an International Movement." Encounters in Theory and History of Education 9 (October 9, 2008): 75–91. http://dx.doi.org/10.24908/eoe-ese-rse.v9i0.1769.

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In this article the resurgence of interest in museums of education during the last twenty years of the twentieth century and their development up to this day is analyzed. The “new museums” of education are different from their predecessors, the pedagogical museums, which were created
 in the last fifty years of the nineteenth century. The new museums constitute an international movement that is developing in an age of deep transformation. Some of them are analyzed here with the goal of looking for the explanation
 of that great development: new historiography tendencies; the current
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Stead, Lisa. "Digital opportunities for feminist film historiography." Alphaville: Journal of Film and Screen Media, no. 20 (January 27, 2021): 191–204. http://dx.doi.org/10.33178/alpha.20.14.

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This paper discusses some of the key methodological challenges emerging from the AHRC project Reframing Vivien Leigh: Stardom, Archives and Access, led by PI Dr. Lisa Stead at the University of Exeter. This twenty-month project examined how the legacies of screen star Vivien Leigh are archived and curated by a range of public institutions in the South West of England, taking audiences behind the scenes of local archives and museums. The paper reflects on how researching within rural heritage centres and volunteer run archives encourages the introduction of new voices and new case studies withi
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Overton, Keelan, and Kimia Maleki. "The Emamzadeh Yahya at Varamin: A Present History of a Living Shrine, 2018–20." Journal of Material Cultures in the Muslim World 1, no. 1-2 (February 9, 2021): 120–49. http://dx.doi.org/10.1163/26666286-12340005.

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Abstract The Emamzadeh Yahya at Varamin, a tomb-shrine located south of Tehran, is well known for supplying global museums with iconic examples of Ilkhanid-period luster tilework. After providing a historiography of the site, including its plunder in the late nineteenth century, we explore its current (2018–20) “life” in order to illuminate the many ways that it can be accessed, used, perceived, and packaged by a wide range of local, national, and global stakeholders. Merging past and present history, art history and amateur anthropology, and the academic, personal, and popular voice, this art
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Dissertations / Theses on the topic "Museums – Historiography"

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Livne, Inbal. "Tibetan collections in Scottish museum 1890-1930 : a critical historiography of missionary and military intent." Thesis, University of Stirling, 2013. http://hdl.handle.net/1893/20606.

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This thesis looks at Tibetan material culture in Scottish museums, collected between the mid-nineteenth and early twentieth centuries. It examines how collectors used Tibetan objects to construct both Tibet in the western imagination and to further personal, organisational and imperial desires and expectations. Through an analysis of the highly provenanced material available in Scottish museums, collectors will be grouped in three categories: missionaries, military personnel and colonial collectors. These are not only divided by occupation, but also by ideological frames of reference. The hist
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Sippel, Elizabeth. "The role of memory, museums and memorials in reconciling the past : the Apartheid Museum and Red Location Museum as case studies." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1005773.

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When South Africa became a democracy, many of its cultural institutions were tainted by the stigma of having been tools for the production and propagation of apartheid ideology. This thesis examines two key facets of post-apartheid museums and memorials. Firstly, how they have repositioned themselves as institutions of cultural and social standing. Secondly, their role as tools of nation building, social change, and creators of national collective memory within the new democratic South Africa. Through an analysis of cultural memory theory pertaining to museology, this study elaborates on the m
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Leon, Ethel. "Design em exposição: o design no Museu de Arte Moderna do Rio de Janeiro (1968-1978), na Federação das Indústrias de São Paulo (1978-1984) e no Museu da Casa Brasileira (1986-2002)." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-04042013-115331/.

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O trabalho configura uma contribuição para os estudos do campo do design brasileiro. Avalia iniciativas institucionais brasileiras de expor publicamente design, particularmente no Museu de Arte Moderna do Rio de Janeiro, com as Bienais de Design e o Instituto de Desenho Industrial; na Federação das Indústrias de São Paulo e no Museu da Casa Brasileira, reconhecendo-as como momentos de construção do campo. As concepções de design em jogo, sua aproximação com a esfera doméstica e sua heteronomia estão em questão, apontando para mudanças do próprio conceito de design no Brasil de 1970 a 2002. Rev
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Espírito, Santo Silvia Maria do [UNESP]. "O colecionador público documentalista: museu histórico e de ordem geral Plínio Travassos dos Santos de Ribeirão Preto." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/100795.

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Made available in DSpace on 2014-06-11T19:31:01Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-03-02Bitstream added on 2014-06-13T19:19:54Z : No. of bitstreams: 1 espiritosanto_sm_dr_mar.pdf: 639676 bytes, checksum: 303974d8b535e48f196ca218db6c9bda (MD5)<br>A presente tese estuda os conteúdos do desenvolvimento das coleções e da documentação sobre a representação museológica do Oeste paulista (Oeste Paulista, 1948-1958) no Brasil. O trabalho também inclui a análise da personagem agenciadora no exemplo específico e o caso sobre o processo de criação do museu de história natural e ofic
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Espírito, Santo Silvia Maria do. "O colecionador público documentalista : museu histórico e de ordem geral "Plínio Travassos dos Santos" de Ribeirão Preto /." Marília : [s.n.], 2009. http://hdl.handle.net/11449/100795.

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Orientador: Eduardo Ismael Murguia Marañon<br>Banca: Oswaldo Francisco de Almeida Júnior<br>Banca: Suely Moraes Ceravolo<br>Banca: Marília Cury Xavier<br>Banca: Maria Lúcia Lamonier<br>Resumo: A presente tese estuda os conteúdos do desenvolvimento das coleções e da documentação sobre a representação museológica do Oeste paulista (Oeste Paulista, 1948-1958) no Brasil. O trabalho também inclui a análise da personagem agenciadora no exemplo específico e o caso sobre o processo de criação do museu de história natural e oficial e sobre a economia do café. O contexto econômico e da cultura material,
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Sido, Anna E. "Making History: How Art Museums in the French Revolution Crafted a National Identity, 1789-1799." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/663.

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This paper compares two art museums, both created during the French Revolution, that fostered national unity by promoting a cultural identity. By analyzing the use of preexisting architecture from the ancien régime, innovative displays of art and redefinitions of the museum visitor as an Enlightened citizen, this thesis explores the application of eighteenth-century philosophy to the formation of two museums. The first is the Musée Central des Arts in the Louvre and the second is the Musée des Monuments Français, both housed in buildings taken over by the Revolutionary government and present t
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Silva, Ana Celina Figueira da. "Investigações e evocações do passado : o Departamento de História Nacional do Museu Julio de Castilhos (Porto Alegre-RS, 1925-1939)." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/180928.

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Este trabalho analisa o início da transformação do Museu Julio de Castilho (Porto Alegre-RS) de um museu de caráter enciclopédico, que priorizou durante as suas duas primeiras décadas as coleções de ciências naturais, a um museu histórico, tomando como recorte temporal o período compreendido entre 1925 e 1939, relativo à gestão do segundo diretor da instituição, Alcides Maya. Insere o surgimento do MJC, no ano de 1903, no contexto da Era brasileira de museus, quando predominavam os museus de caráter enciclopédico, bem como vincula o seu processo de especialização rumo à história ao declínio de
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Wood, Eleanor. "Displaying dress : new methodologies for historic collections." Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/displaying-dress-new-methodologies-for-historic-collections(8ac9a65f-f153-43ca-88d5-d6e04ea5db1b).html.

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At the beginning of the twenty-first century British costume museums were failing to attract audiences; consequently, all but the Gallery of Costume, Manchester and the Fashion Museum, Bath were closed to the public. This thesis has sought to examine the traditional display methodologies of historic costume museums, using the Gallery of Costume as its primary case study of practice. This investigation problematises the theoretical assumptions upon which the gallery’s display methodologies are founded and compares its approaches to those taken in contemporary displays of historic dress. The fin
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Oliveira, Ana Amélia Rodrigues de. "Juntar, separar, mostrar: memória e escrita da história no Museu do Ceará (1932 - 1976)." www.teses.ufc.br, 2008. http://www.repositorio.ufc.br/handle/riufc/2846.

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OLIVEIRA, Ana Amelia Rodrigues de. Juntar, separar, mostrar : memória e escrita da história no Museu do Ceará (1932 - 1976). 2008. 184 f. Dissertação (Mestrado em História) - Universidade Federal do Ceará, Departamento de História, Programa de Pós-Graduação em História Social, Fortaleza-CE, 2008.<br>Submitted by Maria Josineide Góis (josineide@ufc.br) on 2012-06-19T16:35:09Z No. of bitstreams: 1 2008_Dis_AAROliveira.pdf: 7577605 bytes, checksum: 2d2ed05c12a7833536b80d26fae56de7 (MD5)<br>Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-06-25T12:45:56Z (GMT) No
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Pitches, Ceri Louise. "From explosions to explaining : a new historiography of the Science Museum Group Explainer role." Thesis, University of Leeds, 2016. http://etheses.whiterose.ac.uk/15867/.

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This thesis explores the role of the UK Science Museum Group Explainer, a public-facing role with responsibility for engaging visitors and enhancing their experience of the museums within the Group. Arguing for new recognition of the performative complexity of this role, the research is driven by the view that its significance is currently undervalued within the science museum context. The thesis offers an original perspective on the contemporary Explainer, positioning it as the latest vital iteration in a performed science communication tradition that is here traced first, to the practices of
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Books on the topic "Museums – Historiography"

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Babelon, Jean Pierre. Quel musée d'histoire pour la France? Paris: A. Colin, 2011.

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Quel musée d'histoire pour la France? Paris: A. Colin, 2011.

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Arkhangelov, S. A. (Sergeĭ Aleksandrovich), editor and Gosudarstvennyĭ t︠s︡entralʹnyĭ muzeĭ sovremennoĭ istorii Rossii, eds. Istoricheskoe znanie i muzei: Materialy Vserossiĭskoĭ nauchno-prakticheskoĭ konferent︠s︡ii, sostoi︠a︡vsheĭsi︠a︡ v g. Bri︠a︡nske 7-11 senti︠a︡bri︠a︡ 2009 g. Moskva: Gosudarstvennyĭ t︠s︡entralʹnyĭ muzeĭ sovremennoĭ istorii Rossii, 2011.

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The poetic museum: Reviving historic collections. Munich: Prestel, 2002.

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George, Gerald. Visiting history: Arguments over museums and historic sites. Washington, DC: American Association of Museums, 1990.

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George, Gerald. Visiting history: Arguments over museums and historic sites. Washington, D.C: American Association of Museums, 1990.

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Historia de la documentación museológica: La gestión de la memoria artística. Gijón, Asturias: Ediciones Trea, 2002.

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George, Gerald. Visiting history. Washington, DC: American Association of Museums, 1990.

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Recht, Roland. Penser le patrimoine: Mise en scène et mise en ordre de l'art. Paris: Hazan, 1998.

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Museum memories: History, technology, art. Stanford, Calif: Stanford University Press, 1999.

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Book chapters on the topic "Museums – Historiography"

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Stone, Dan. "Memory, Memorials and Museums." In The Historiography of the Holocaust, 508–32. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230524507_24.

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Spalink, Angenette, and Scott Magelssen. "Performing Speciation: The Nature/Culture Divide at the Creation Museum." In Theatre/Performance Historiography, 17–40. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137397300_2.

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Peacocke, Emma. "Facing History: Galleries and Portraits in Waverley’s Historiography." In Romanticism and the Museum, 57–86. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137471444_3.

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Harlaftis, Gelina. "The Maritime Historiography of Greece in Recent Decades." In Maritime History at the Crossroads. Liverpool University Press, 1995. http://dx.doi.org/10.5949/liverpool/9780969588580.003.0006.

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This essay surveys the range of Greek maritime research studied over the last twenty years and explores the development of maritime history within the context of political, social and economic history in Greece. It also strives to examine the main vehicles of historical research, research institutes, historical journals and museums, and determines the main problems encountered by researchers.
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Bruijn, Jaap R. "Recent Developments In the Historiography of Maritime History in the Netherlands." In Maritime History at the Crossroads. Liverpool University Press, 1995. http://dx.doi.org/10.5949/liverpool/9780969588580.003.0009.

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This chapter examines existing research on Maritime History in the Netherlands. The essay looks at the sources of history and research in Dutch Maritime and pays close attention to the research of the navy, museums, universities and the world of amateur historians, and addresses the development across maritime research since the 1970s.
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Wawruschka, Celine. "Stadtmuseen als kulturelle Praxis. Zur Geschichte eines bürgerlichen Phänomens." In Niederösterreich im 19. Jahrhundert, Band 2: Gesellschaft und Gemeinschaft. Eine Regionalgeschichte der Moderne, 575–660. NÖ Institut für Landeskunde, 2021. http://dx.doi.org/10.52035/noil.2021.19jh02.22.

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Municipal Museums as Cultural Practice. On the History of a Bourgeois Phenomenon. Research on the history of bourgeois collections in Lower Austria in the long 19th century turns its attention to a regional culture of science and historiography that formed part of the cultural practices that united the increasingly heterogeneous middle classes. Until the mid-19th century, the oldest bourgeois collections were still guided by the ideals of the Enlightenment and hence they closely resembled the contemporary aristocratic and monastic collections. In the second half of the 19th century, the municipal museums focussed on exhibiting local history. Thus municipal museums created, stabilised and represented the identity of the provincial middle classes (Bürgertum) and reflected their emancipatory ambitions. Nevertheless, the elites of the society of orders, the nobility and the clergy, still exerted considerable influence, particularly via the learned societies at the time.
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Whitehead, Christopher. "Historiography, Connoisseurship and Museum Space." In The Public Art Museum in Nineteenth Century Britain, 3–37. Routledge, 2017. http://dx.doi.org/10.4324/9781315237565-ch-1.

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"CHAPTER 7. Film Museum Exhibition Spaces." In Film Museum Practice and Film Historiography, 131–50. Amsterdam University Press, 2017. http://dx.doi.org/10.1515/9789048526741-009.

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"ACKNOWLEDGEMENTS." In Film Museum Practice and Film Historiography, 9–10. Amsterdam University Press, 2017. http://dx.doi.org/10.1515/9789048526741-001.

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"Introduction." In Film Museum Practice and Film Historiography, 11–28. Amsterdam University Press, 2017. http://dx.doi.org/10.1515/9789048526741-002.

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Conference papers on the topic "Museums – Historiography"

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Chin, Irene. "Le Corbusier’s Musée à croissance illimitée: A Limitless Diagram for Museology." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.584.

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Abstract: “Let us imagine a true museum, one that contained everything, one that could present a complete picture after the passage of time, after the destruction by time…” This paper considers La Musée à croissance illimitée, an unrealized proposal from 1939 by Le Corbusier in which a series of galleries elevated on pilotis and organized about a square courtyard would extend – infinitely. The paper unfolds as an analysis of the museum and its relationship to history and time, structured by the form of Le Corbusier’s proposal. Four themes establish the parameters of the investigation – spatial
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TSYREMPILOVA, I. S. "HISTORIOGRAPHY OF THE HISTORY OF THE MUSEUM STUDIES IN BURYATIA." In Scientific conference, devoted to the 95th anniversary of the Republic of Buryatia. Publishing House of the Buryat Scientific Center of the Siberian Branch of the Russian Academy of Science, 2018. http://dx.doi.org/10.30792/978-5-7925-0521-6-2018-205-207.

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