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Journal articles on the topic 'Museums – Historiography'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Divall, Colin. "Transport Museums: Another Kind of Historiography." Journal of Transport History 24, no. 2 (September 2003): 259–65. http://dx.doi.org/10.7227/tjth.24.2.8.

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Morrow, Paul. "Are Holocaust Museums Unique?" Royal Institute of Philosophy Supplement 79 (October 2016): 133–57. http://dx.doi.org/10.1017/s1358246116000114.

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AbstractHolocaust museums record and memorialize deeply affecting historical events. They can nevertheless be described and criticized using standard categories of museum analysis. This paper departs from previous studies of Holocaust museums by focusing not on ethical or aesthetic issues, but rather on ontological, epistemic, and taxonomic considerations. I begin by analysing the ontological basis of the educational value of various objects commonly displayed in Holocaust museums. I argue that this educational value is not intrinsic to the objects themselves, but rather stems from the extrins

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3

Hughes, Patrick. "New Media in the ‘New Museums’: Much Technology, Little Historiography." Media International Australia 95, no. 1 (May 2000): 183–90. http://dx.doi.org/10.1177/1329878x0009500116.

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New communications technologies offer museum curators opportunities to create exhibitions that are ‘open’ to diverse interpretations and are ‘democratic’ in privileging no particular interpretation. However, a fascination with the new forms of exhibition that communications technologies offer can distract us from the fact that they inevitably represent a particular view of the past. Reconsidering the collection of articles titled ‘Museums and New Media’ (Media International Australia incorporating Culture and Policy, no. 89) highlights the need to assert the primacy of historiography over the

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4

Zubanova, Nadezda A. "Museums of a “manufacturing type” in the USSR: Emergence, experience and liquidation. The history of museum development in the USSR in the 1920s–1930s." Issues of Museology 11, no. 2 (2020): 197–209. http://dx.doi.org/10.21638/11701/spbu27.2020.205.

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The article examines the experience of the museums of a “manufacturing type” that appeared in Soviet Russia in the 1920s. References to the existence of such museums are repeatedly found in official reports, museums’ documentation and periodicals of those years. At the same time, we note that up to now there is no definition of this type of museum in the national historiography of the history of museums. The reference to the experience of their work remains on the periphery of the research interest. The article explores the example of two Moscow’s museums — the Museum of Porcelain and the Muse

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Philipp Dominik Keidl. "Toward a Public Media Archaeology: Museums, Media, and Historiography." Moving Image: The Journal of the Association of Moving Image Archivists 17, no. 2 (2017): 20. http://dx.doi.org/10.5749/movingimage.17.2.0020.

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Danуluik, Igor. "Educational Museums of the Ivano-Frankivsk Region." Науковий вісник Чернівецького національного університету імені Юрія Федьковича. Історія 2, no. 46 (December 20, 2017): 111–17. http://dx.doi.org/10.31861/hj2017.46.111-117.

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Educational museums are one of the most widespread types of museums not only in the Ivano-Frankivsk region, but on the whole and in Ukraine. Development of educational museums especially increased in 90th of the ХХ th on territory of Prykarpattya such museums are practically in every settlement. In villages it is mainly regional museums at schools or educational-educator complexes. The article analyses development, and becoming of educational museums on territory of our region. This theme is practically not studied and not investigationed in historiography. Basis of the article are the w

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Huzhalouski, Alexander A. "Museums of the Soviet Belarus during the Khrushchev’s ‘Thaw’ (1953–1968)." Issues of Museology 12, no. 1 (2021): 35–47. http://dx.doi.org/10.21638/spbu27.2021.104.

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The historical perspective allows us to take a fresh look at a complex and contradictory period in the development of museum affairs in the USSR, which entered into historiography under the name of Khrushchev’s ‘thaw’. Using archival sources that are part of the Ministry of Culture of the Byelorussian SSR record, published statistical data, as well as periodicals, the article attempts to show the growth of the museum network in the BSSR and trace the process of its profile differentiation and museum branch development during this period. Using the specified source base, an analysis of state po

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Carreño, Miryam. "The New Museums of Education, an International Movement." Encounters in Theory and History of Education 9 (October 9, 2008): 75–91. http://dx.doi.org/10.24908/eoe-ese-rse.v9i0.1769.

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In this article the resurgence of interest in museums of education during the last twenty years of the twentieth century and their development up to this day is analyzed. The “new museums” of education are different from their predecessors, the pedagogical museums, which were created in the last fifty years of the nineteenth century. The new museums constitute an international movement that is developing in an age of deep transformation. Some of them are analyzed here with the goal of looking for the explanation of that great development: new historiography tendencies; the current

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Stead, Lisa. "Digital opportunities for feminist film historiography." Alphaville: Journal of Film and Screen Media, no. 20 (January 27, 2021): 191–204. http://dx.doi.org/10.33178/alpha.20.14.

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This paper discusses some of the key methodological challenges emerging from the AHRC project Reframing Vivien Leigh: Stardom, Archives and Access, led by PI Dr. Lisa Stead at the University of Exeter. This twenty-month project examined how the legacies of screen star Vivien Leigh are archived and curated by a range of public institutions in the South West of England, taking audiences behind the scenes of local archives and museums. The paper reflects on how researching within rural heritage centres and volunteer run archives encourages the introduction of new voices and new case studies withi

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10

Overton, Keelan, and Kimia Maleki. "The Emamzadeh Yahya at Varamin: A Present History of a Living Shrine, 2018–20." Journal of Material Cultures in the Muslim World 1, no. 1-2 (February 9, 2021): 120–49. http://dx.doi.org/10.1163/26666286-12340005.

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Abstract The Emamzadeh Yahya at Varamin, a tomb-shrine located south of Tehran, is well known for supplying global museums with iconic examples of Ilkhanid-period luster tilework. After providing a historiography of the site, including its plunder in the late nineteenth century, we explore its current (2018–20) “life” in order to illuminate the many ways that it can be accessed, used, perceived, and packaged by a wide range of local, national, and global stakeholders. Merging past and present history, art history and amateur anthropology, and the academic, personal, and popular voice, this art

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Flothow, Dorothea. "Historical Crime Fiction as Popular Historiography." Crime Fiction Studies 1, no. 2 (September 2020): 203–20. http://dx.doi.org/10.3366/cfs.2020.0021.

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Due to the current history boom in the UK, which manifests itself in the conspicuous popularity of historical novels, costume dramas, and in rising visitor numbers to museums, the study of popular historiography has become a growing and vibrant field. Popular historiography formats such as costume dramas, historical romances, and re-enactments have been recognised as a key influence on the public's knowledge of the past. Consumed informally and voluntarily, entertaining and easily accessible, popular histories are often more significant for the public's perception of ‘historical fact’ than ‘ac

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Ryzhenko, V. G. "Local transformations of museum «places of memory» in post-soviet era: historiographical notes and direct observations." Vestnik of Samara University. History, pedagogics, philology 27, no. 1 (April 26, 2021): 23–31. http://dx.doi.org/10.18287/2542-0445-2021-27-1-23-31.

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The problem of transition from soviet era to modern Russia and associated transformations attracted the attention of scientists (sociologists specially). Within the framework of recent sociological research (the project Russia reforming), it was noted that in the historical memory of the population, the collapse of the USSR and the realities of the new Russia have ambiguous manifestations, and the collective memory is declining. It is necessary to refer to the characterization of the situation with assessments of ongoing transformations by representatives of other scientific fields in the cont

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Mokhov, A. S., and K. R. Kapsalykova. "Role of S. V. Korolenko in Evacuation of the Poltava Literary and Memorial Museum of V. G. Korolenko to Sverdlovsk in 1941." Nauchnyi dialog 1, no. 10 (October 31, 2020): 368–83. http://dx.doi.org/10.24224/2227-1295-2020-10-368-383.

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The article is devoted to the problem of the evacuation of cultural values during the Great Patriotic War. The relevance of the research is due to the fact that in historiography insufficient attention is paid to the salvation of the treasures of provincial museums in 1941—1942. The question is raised about the lack of a unified plan for the evacuation of museum collections from the western regions of the USSR in the initial period of the war. The novelty of the research is in the introduction into scientific circulation of a unique document — a report on the evacuation of the literary and mem

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Benitez Herrera, Sandra, and Patrícia Figueiró Spinelli. "Girls of Today and Women from the Past: When the History of Female Scientists is Used to Engage Girls with Science." Transversal: International Journal for the Historiography of Science, no. 6 (June 30, 2019): 35. http://dx.doi.org/10.24117/2526-2270.2019.i6.05.

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“Girls in the Museum” is a project aimed at school students to encourage them to explore scientific careers and engage with science. To achieve its goals, the project uses a variety of methodologies during the training sessions, always emphasizing the contributions of women to science and society throughout history. In one activity, the participants had to select 14 scientists and philosophers and compile their contributions in a talk that they presented in various Museum events. 1,5 years after the first presentation, we have interviewed and analysed the impressions and memories of the girls

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15

PICKSTONE, JOHN. "Obituary: Professor Donald Cardwell (4 August 1919–8 May 1998)." British Journal for the History of Science 32, no. 4 (December 1999): 485–88. http://dx.doi.org/10.1017/s0007087499003799.

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Before the Second World War, few scholars knew how to incorporate science, technology and medicine into social, political or economic history. Nowadays many historians know the methods: university courses, books and (some) museums manifest their skills. For the ‘greats’ of science, and for many lesser figures and groups, we are able to relate scientific ‘works’ to ‘lives’, contexts and audiences, with an analytical sophistication matching the best of current intellectual and cultural history. This progress in historiography owes much to the intellectual and institutional bases built in the 195

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Flores Silva, Joana Angélica. "Mulheres Negras e a Discussão de Gênero na Construção das Narrativas nos Museus de Salvador." Mosaico 9, no. 2 (May 27, 2017): 178. http://dx.doi.org/10.18224/mos.v9i2.5239.

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O artigo trata da representação das mulheres negras nos museus históricos de Salvador, a partir dos vieses em gênero, raça e classe ao analisar o lugar que as mesmas ocupam nas exposições de longa duração, levando em consideração a teia de relações estabelecidas na tríade HomemXObjetoXRealidade. A abordagem se debruça sobre o discurso construído pelos museus ao atribuir à mulher branca o papel de protagonista na historiografia do país, enquanto que concede a figura da escravizada à mulher negra nesse mesmo contexto histórico, o que retroalimenta o imaginário coletivo quando lhe outorga a condi

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17

Bud, Robert. "Science, brands and the museum." Journal of Science Communication 15, no. 06 (December 16, 2016): C03. http://dx.doi.org/10.22323/2.15060303.

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This paper argues that for citizens to be engaged with science they need to be able to share analytical techniques as well as the results of analyses. The category of "brand" which condenses the instrumental with the symbolic is both powerful in its uses and familiar to laypeople. The paper shows briefly how the categories of penicillin, biotechnology and applied science can be analysed in this way. It suggests that historians apply such an approach to the historiography of such new categories as synthetic biology and that this might be useful to curators of such topics in museums.

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Macchiavello Cornejo, Carla. "Weaving Forms of Resistance: The Museo de la Solidaridad and The Museo Internacional de la Resistencia Salvador Allende." Arts 9, no. 1 (January 21, 2020): 12. http://dx.doi.org/10.3390/arts9010012.

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From the starting point of a 1975 artwork made by Norwegian artist Kjartan Slettemark in Sweden to stop a tennis match in resistance to the Chilean military dictatorship, this article reframes the linear image of networks of solidarity and resistance through the gaps and connectivity of a mesh. It expands the figure of the mesh taken from critical materialism into the affective realm of art, historiography, and art institutions by exploring the cases of the museums Museo de la Solidaridad (1971–1974) and Museo Internacional de la Resistencia “Salvador Allende” (1975–1990). As this article delv

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Hu, Alice Joan. "Jan Philip van Thielen and his flower garland paintings." Культура и искусство, no. 3 (March 2021): 58–65. http://dx.doi.org/10.7256/2454-0625.2021.3.33322.

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The subject of this research is the artworks of the Flemish painter Jan Philipp van Thielen &ndash; a prominent author of the pieces depicting flower garlands in the XVII century, but so little-known nowadays. His name is unjustly forgotten in Russian historiography, although his paintings exhibited in the national museums; although in Western historiography, his popularity has grown in recent decades. Special attention is given to the painter&rsquo;s works in different genres (religion, portraits, mythology), which are framed by a flower garland accentuating and symbolizing the centra

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Kolář, Ondřej. "Different Stories of One Battle: The Moravian-Ostrava Offensive in Historiography and Collective Memory." Pogranicze. Polish Borderlands Studies 8, no. 2 (June 30, 2020): 61–79. http://dx.doi.org/10.25167/ppbs2039.

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The paper focuses on the historiography and remembrance of a significant battle, fought between the Red Army and German forces in the last week of World War II in Europe on the present Czech-Polish border. In the opening part of the paper, the historical surveys are depicted and analysed. The text also examines “official” forms of remembrance, such as museums and memorials, as well as popular narratives, myths and common tales surrounding the military operation, which are seen in the context of a specific collective identity of the population of the borderland. The article seeks correlations b

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Stoškutė, Neringa. "Tension Between Everyday Practice and the New Museology Theory: A Case of the National Gallery of Art in Vilnius." Art History & Criticism 13, no. 1 (December 1, 2017): 76–87. http://dx.doi.org/10.1515/mik-2017-0006.

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Summary This article aims to present the main aspects of the New Museology theory and discuss the possibilities of its adaptation in Lithuanian museum practice. To date, the New Museology theory, which was formed in the 1980’s and places the emphasis on the contextual presentation of artworks and the social role museums play in public cultural life, is not widely used in Lithuanian museum practice and a comprehensive survey of art museum permanent collection displays has not been carried out in regards to this particular framework. The first part of this article presents the New Museology theo

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Falcucci, Beatrice. "Sources for Colonial Historiography: Museums and Colonial Collections, a Mapping and Memory Project on the Italian National Territory." Cahiers d'histoire 37, no. 1 (2019): 21. http://dx.doi.org/10.7202/1067955ar.

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Lyubichankovsky, Sergey V. "Emperor Alexander II and the South Urals: A New Collection of Documents Published by Archivists of the Chelyabinsk Region." Herald of an archivist, no. 1 (2020): 306–11. http://dx.doi.org/10.28995/2073-0101-2020-1-306-311.

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The article reviews the collection of documents “Emperor Alexander II and the Southern Urals,” published in 2019 and dedicated to the 200th anniversary of the Emperor. The book tells of the Tsarevich’s journey through the Southern Urals in 1837 and of manufacture of gifts to him by the Zlatoust craftsmen; a separate part consists of documents devoted to the reign of Alexander II and the impact of the Great Reforms on the development of the region. The collection ends with documents on the perpetuation of the Emperor’s memory. The review proves that this collection of documents closes the topic

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Bogochanova, Albina. "EFFORT OF EXPLANATION OF SOVIET RUSSIA'S ETHNOGRAPHIC HERITAGE OF THE 1920S." Proceedings of Altai State Academy of Culture and Arts 4 (2020): 28–33. http://dx.doi.org/10.32340/2414-9101-2020-4-28-33.

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The paper considers some tendencies appeared in Soviet ethnographic science in 1920s after acceptance by young Soviet state a new political line in inter-ethnic relation issues named “localization policy” or “indigenisation” in Russian historiography. The author's conclusions are based on analysis of the Academy of Sciences of the Soviet Union's scholars' subject-matter key writings and reports of major ethnographic fieldworks started by special expert committees opened in major Soviet ethnographic museums at the first quarter of the 20th century. On the author's opinion, increased research ac

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Lakishyk, Dmytro. "Features of Implication of Memory Policy in Norway and Denmark." European Historical Studies, no. 8 (2017): 147–64. http://dx.doi.org/10.17721/2524-048x.2017.08.147-164.

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The consolidation potential of memory policy in Norway and Denmark is analyzed. During the study, the distinctive features of the implementation of the memory policy of Norway and Denmark have been revealed. As in most European countries, the policy of the memory of the Scandinavian countries is reflected at the state level after the events of the Second World War. But the process of reconciliation with the past in Norway and Denmark in the 1970’s began to differ from a similar Western-European one. The north of the European continent was permeated with radical challenges to post-war historiog

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Kutsaieva, Tamara O. "Marginal Inscriptions as Objects of Museum Studies: the Case Study of the Library of the National Museum of Ukrainian History." SUMY HISTORICAL AND ARCHIVAL JOURNAL, no. 33 (2019): 14–23. http://dx.doi.org/10.21272/shaj.2019.i33.p.14.

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The first attempt in the scientific practice of the National Museum Ukrainian History to conduct an individual and complex studying of marginal inscriptions has been done in this article. There is the case study of the Hand Press Books and antiquarian books from the library of the mentioned museum. The object of the study has been characterized and reasoning why the antiquarian books published in XIX century, but after 1830, have been chosen as the objects of this research, besides the classical objects of the study of marginal inscriptions (Hand Press Books and antiquarian books). Sources and

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Campbell, Claire. "On Fertile Ground: Locating Historic Sites in the Landscapes of Fundy and the Foothills." Journal of the Canadian Historical Association 17, no. 1 (July 23, 2007): 235–65. http://dx.doi.org/10.7202/016109ar.

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Abstract Since the 1972 National Museums Policy announced its goals of “democratization and decentralization,” national historic sites have been marked by a trend toward regionalization. While scholars have focused on the nationalizing impetus of twentieth-century historiography before 1970, subsequently there have been consistent efforts to incorporate local environmental and cultural diversity into the “family” of national sites. This paper demonstrates this system-wide trend by comparing historic sites in the Bay of Fundy and the Alberta foothills. In both places, designation has evolved fr

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Lebedenko, Roman V., and Victoria B. Prozorova. "SOURCES ON THE PARTICIPATION OF SOVIET PEOPLE IN THE FRENCH RESISTANCE MOVEMENT. PART 1." History and Archives, no. 4 (2020): 36–52. http://dx.doi.org/10.28995/2658-6541-2020-4-36-52.

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Based on Russian and French materials, a comparative analysis of the informational value of French and Soviet (archived in Russia) documents on the participation of Soviet citizens in the French Resistance was carried out for the first time, their authenticity and reliability were evaluated. In this article, the authors examined the difficulties of documenting the participation of Soviet people in the French Resistance during and after World War II. The authors showed how the processes of “liquidation” of the Resistance structures and the repatriation of displaced Soviet citizens caused lacuna

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Lebedenko, Roman V., and Victoria B. Prozorova. "SOURCES ON THE PARTICIPATION OF SOVIET PEOPLE IN THE FRENCH RESISTANCE MOVEMENT. PART 2." History and Archives, no. 1 (2021): 67–87. http://dx.doi.org/10.28995/2658-6541-2021-1-67-87.

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The article reveals the history of the formation, description, and use of the documentary systems preserved in France and Russia about the participation of Soviet people in the Resistance and the creation of their scientific and reference apparatus. For the first time, historians analyzed Russian and French materials, comparing the informative value of the French and Soviet documents on the participation of Soviet citizens in the French Resistance, evaluating their authenticity and reliability. The article also describes the integration methodology of the Resistance movement participants Datab

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Schmidgen, Henning. "Successful Paranoia: Friedrich Kittler, Lacanian Psychoanalysis, and the History of Science." Theory, Culture & Society 36, no. 1 (August 7, 2018): 107–31. http://dx.doi.org/10.1177/0263276418791722.

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With studies like Discourse Networks 1800/1900 and Gramophone, Film, Typewriter, Friedrich A. Kittler contributed significantly to transforming the history of media into a vital field of inquiry. This essay undertakes to more precisely characterize Kittler’s historiographical approach. When we look back on his early contributions to studies of the relationship between literature, madness and truth – among others, his doctoral dissertation on the Swiss poet and writer Conrad Ferdinand Meyer – what strikes us is the significance that Jacques Lacan’s structuralist psychoanalysis had in shaping th

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Ţoca, Vlad. "Romanian Art Historiography in the Interwar Period. Between the Search for Scholarship and Commitment to a Cause." Artium Quaestiones, no. 30 (December 20, 2019): 93–122. http://dx.doi.org/10.14746/aq.2019.30.5.

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At the end of World War I, Romania emerged as a much stronger nation, with a greatly enlarged territory. During the two world wars, the Romanian state was permanently looking for the best way to preserve the newly created national state and defend its frontiers. This was the only matter all Romanian parties seemed to agree on. The threat of territorial revisionism coming from Hungary, the Soviet Union and, to a lesser extent, Bulgaria united all the political actors in defending the peace system of Versailles and supporting the League of Nations as the guarantor of this peace and stability. Th

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Nikolay, Nevostruev, and Lyadova Valentina. "Medicine of the Kama Region during the Great Patriotic War 1941-1945." TECHNOLOGOS, no. 3 (2020): 73–87. http://dx.doi.org/10.15593/perm.kipf/2020.3.05.

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Attention is drawn to the lag in research of Perm medicine history during the Great Patriotic War from the general mainstream of historical publications of this period in domestic and foreign literature. So the filling of this lacuna presents one of the most perspective directions in the Ural historiography. The importance of Molotov (Perm) region in providing medical care to wounded and sick soldiers in the union and Ural system is emphasized. In this process a special role of Medical Institute becoming the basis of the organizational and personnel medical potential of the region has been hig

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Tweedale, Geoffrey. "Geology and industrial consultancy: Sir William Boyd Dawkins (1837–1929) and the Kent Coalfield." British Journal for the History of Science 24, no. 4 (December 1991): 435–51. http://dx.doi.org/10.1017/s0007087400027631.

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In Britain's development as the first industrial nation, the crucial importance of surveyors, mining engineers and geologists in prospecting and exploiting minerals and raw materials seems self-evident. Yet historians of geology have yet to take proper account of this aspect of geological science. Why is this ? One reason may simply be that the historiography of the subject itself is only relatively recent and many areas, besides industrial geology, await coverage. Or perhaps the nature of the source material is to blame. While scientific geologists filled museums with their fossils and notebo

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Lee, Seunghye. "Korea's First Museum and the Categorization of “Buddhist Statues”." Sungkyun Journal of East Asian Studies 21, no. 1 (May 1, 2021): 51–81. http://dx.doi.org/10.1215/15982661-8873892.

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Abstract The establishment of a museum in the precinct of Ch'anggyŏnggung Palace in 1909 marked an important moment in the historiography of Korean art. Although recent studies have examined the founding, organization, and financing of the first Korean museum, the formation of its Buddhist art collection and its historical implications remain unexamined. Given that not a single Buddhist temple was allowed to exist within the capital city, the entry of these objects into the palace demonstrates a radical paradigm shift in the royal court's relation to Buddhist icons. The museum's Buddhist art c

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Sidorov, Sergey. "V International Scientific Conference “Military History of Russia: Problems, Search, Decisions” Devoted to the 75th Anniversary of the Victory in the Great Patriotic War (September 11–12, 2020, Volgograd)." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija 26, no. 1 (March 2021): 253–60. http://dx.doi.org/10.15688/jvolsu4.2021.1.22.

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The article presents information about the V International scientific conference “Military history of Russia: problems, search, solutions” held in Volgograd on September 11–12, 2020, dedicated to the 75th anniversary of Victory in the Great Patriotic War. The conference was held at Volgograd State University. The conference was informative and representative in its composition: more than 220 representatives of scientific institutions of the Russian Academy of Sciences, civil and military universities and centers, archives, museums and libraries in 48 cities of Russia, Azerbaijan, Belarus, Grea

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Fine, Steven. "The Menorah: Cult, History, and Myth Exhibiting the Past and Future of Catholic-Jewish Relations." IMAGES 11, no. 1 (December 4, 2018): 141–51. http://dx.doi.org/10.1163/18718000-12340083.

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AbstractLa Menorà: Culto, Storia E Mito, The Menorah: Worship, History and Myth was a monumental exhibition mounted by the Vatican Museums and the Jewish Museum of Rome in the Spring of 2017. Bringing together many of the most important artifacts relating to the history of the biblical lampstand in both Jewish and Christian traditions, this exhibition marks a milestone in Jewish-Catholic engagement, and was an active agent in that process. This article presents this act of museological diplomacy, describing many of its most significant artifacts as well as the historiographic challenges presen

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Feizabadi, Azin. "Chronicles from Majnun until Layla." ARTMargins 3, no. 1 (February 2014): 81–86. http://dx.doi.org/10.1162/artm_a_00072.

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Chronicles from Majnun until Layla is a film project structured in three stages: 1.) The Museum of Modern Iranian History (2011–2013), 2.) Layla and Majnun (in preparation), and 3.) The Film (in preparation). Each stage bears its own approach, format, and mode of presentation. The first two stages are conceived as preparation for the third and final stage: the merging moment, which will be in the form of a feature-length, hybrid fiction/documentary film. The film depicts a couple, lovers, visiting a virtual museum of modern Iranian history. The lovers appear both as themselves and as “Layla an

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Tetuev, Alim. "COMMEMORATIVE PRACTICES IN KABARDINO-BALKARIA ABOUT THE GREAT PATRIOTIC WAR." History, Archeology and Ethnography of the Caucasus 17, no. 1 (March 28, 2021): 69–88. http://dx.doi.org/10.32653/ch17169-88.

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The article explores commemorative practices about the Great Patriotic War on the example of Kabardino-Balkaria. The state of historiography and the sources of the studied problem is analyzed, its relevance, novelty, theoretical and practical significance are substantiated. The regulatory legal acts of the Russian Federation and Kabardino-Balkaria, providing for various commemorative practices to preserve the memory of the Great Patriotic War, are considered. The experience of state, municipal authorities and civil society institutions on the formation of commemorative practices at

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Baker, James, and Andrew Salway. "Curatorial labour, voice and legacy: Mary Dorothy George and the Catalogue of Political and Personal Satires, 1930–54*." Historical Research 93, no. 262 (November 1, 2020): 769–85. http://dx.doi.org/10.1093/hisres/htaa026.

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Abstract Between 1930 and 1954 Mary Dorothy George wrote catalogue entries for 12,553 ‘Golden Age’ satirical prints, entries that have become foundational to the historiography of British History in the long eighteenth century. This article examines George as a curatorial voice, an interlocutor between the archived past and her readers. It examines the labour processes that produced George’s contributions to the British Museum’s Catalogue of Political and Personal Satires Preserved in the Department of Prints and Drawings in the British Museum, her writing as a corpus, and her interpretations

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Tostões, Ana. "Towards a fresh reading of MoMo historiography." An Eastern Europe Vision, no. 59 (2018): 2–3. http://dx.doi.org/10.52200/59.a.vhvqpxas.

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While visiting the MAO (Museum of Architecture and Design) in Ljubljana one can appreciate the architectural power of Stanko Kristl’s work. The impressive buildings of this Slovenian architect revealed through the exhibition "Humanity and Space", illuminate the beauty of the museum space with some astonishing works and show why Eastern Europe deserves to be included in the historiography of the Modern Movement, to clearly demonstrate the contribution of Iron Curtain countries to the modern avant-garde. As Matevz Celik recognizes, “through his architecture he worked to provide responses to the

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Mariz, Vera. "From Portugal to England." Journal of the History of Collections 32, no. 1 (December 13, 2018): 91–102. http://dx.doi.org/10.1093/jhc/fhy057.

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Abstract In 1865 John Charles Robinson travelled to Portugal in the service of the South Kensington Museum and plunged into the art market with the intention of acquiring works for that institution’s collections that were representative of Portuguese artistic production. This article provides a broad and contextualized approach to this connoisseur’s experience on the Portuguese market, framing it within a hitherto undervalued phenomenon: the persistent presence of English agents in this system. An original identification of all the works acquired in Portugal by Robinson and of all those so-far

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Zherebtsova, Kristina O. "ON THE HISTORIOGRAPHY OF MUSEUM BUSINESS IN NOVOSIBIRSK." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 32 (December 1, 2018): 135–43. http://dx.doi.org/10.17223/22220836/32/14.

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Tokhtieva, Larisa N., and Elena K. Mineeva. "PROFESSIONAL ACTIVITY OF THE TEACHING COMMUNITY OF CHUVASHIA (1917–1941): HISTORIOGRAPHIC ASPECT." Historical Search 1, no. 4 (December 25, 2020): 148–60. http://dx.doi.org/10.47026/2712-9454-2020-1-4-148-160.

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The paper analyzes the sources, first introduced into the scientific circulation, extracted from the State Archive of the Russian Federation and five regional archives: the National Archive of the Republic of Tatarstan, the State Archive of the Mari El Republic, the State Historical Archive of the Chuvash Republic, the State Archive of Modern History of the Chuvash Republic, the State Press Archive of the Chuvash Republic as well as from the current archives of general education organizations. The article presents a review of materials extracted from the Chuvash National, Poretsky historical a

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Kapeliushnyi, Valerii. "Review of the monograph by V. M. Tkachenko «The Phenomenon of Ukrainian Easter Eggs Decoration of the Late XIX – the Beginning of the XXI Century. (Historiographical and Source-related Aspect). Kiev: Millennium, 2020. – 430 p.»." Ethnic History of European Nations, no. 60 (2020): 98–101. http://dx.doi.org/10.17721/2518-1270.2020.60.11.

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The author reviewed the monograph of V. M. Tkachenko «The Phenomenon of Ukrainian Easter Eggs Decoration of the Late XIX – the Beginning of the XXI Century. (Historiographical and Source-related Aspect). It is noted that the generalization and comprehension of V. Tkachenko of the available material on the studied problem and the detailed historiographic and source study analysis of sources and literature made by him significantly expand the existing ideas about Easter eggs as a deep layer of folk culture. It is noted that the reviewed monograph is the first special work in which V. M. Tkachenk

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Pejović, Snežana. "Appraisal of Personal Records in Archival Profession and in Historiography." Atlanti 28, no. 1 (November 12, 2018): 123–38. http://dx.doi.org/10.33700/2670-451x.28.1.123-138(2018).

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This paper deals with the private archival material created/owned by a natural person, not a private legal entity. We attempted to ponder the problem of appraising private archives within archival practice from several angles, but also the one of appraising private records in historiography. We analysed mutual relationship between archival and historiographic appraisal of private archives and their influences in that process (both positive and negative ones) from the point of view of both areas. Mutual correlation in the appraisal process is presented through an example of a thematic archival

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Hebert, Kirsten. "Treating Museum Objects as Text: A Case Study." Hindsight: Journal of Optometry History 49, no. 4 (November 6, 2018): 91–96. http://dx.doi.org/10.14434/hindsight.v49i4.25914.

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Medical instrument collections are neglected primary source material that can be used to produce original scholarship on thehistory of medicine and the history of optometry. Opening museum collections and associated archives to researchers allowscollections managers to simultaneously address curatorial backlogs, facilitate research, and provide a foundation for craftingpublic-facing exhibits. In order to add to the historiography, research should not only focus on the technical aspects of theinstruments, but also employ theory to examine of the meaning of the objects in context. In this way, o

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N., Demirova. "Personal archives of V. A. Gorodtsov and the experience of their scientific use (after materials of registration and inquiry of OPI SHM)." Archaeological news 30 (2020): 349–55. http://dx.doi.org/10.31600/1817-6976-2020-30-349-355.

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Since 1989, documents of the prominent Russian archaeologist Vasiliy A. Gorodtsov are available for scientific studies. Registration of various documents conducted at the Department of Written Sources of the State His- torical Museum (OPI SHM) allows the researchers to analyse and systemize the practice of the scientific usage of the museum’s documentary collection. In the present paper, summary data are presented on the academic belonging of the researchers who studied materials from these archives, the geography of the scientific centres which they represented and analysis of the subjects of

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Rygalova, M. V., and E. V. Rygalov. "Museum Collections as a Historical Source (Review of Domestic Historiography)." Izvestiya of Altai State University, no. 5 (2018): 135–39. http://dx.doi.org/10.14258/izvasu(2018)5-24.

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Seta, Fabrizio Della. "Some difficulties in the historiography of Italian opera." Cambridge Opera Journal 10, no. 1 (March 1998): 3–13. http://dx.doi.org/10.1017/s0954586700005309.

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The historiography of Italian opera is particularly well suited to illustrate some problems in the general field of music history and musicology. On the one hand, there is little doubt that Italian opera belongs to the canon, not to say the museum, of learned western music; indeed, today's opera houses surpass concert halls in projecting the ‘museum character’ in which musical tradition seems ‘frozen’. On the other hand, it is also true that only in recent years has international musicology accepted Italian opera as unquestionably deserving of attention. The reasons for this delay are clear en

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Alberti, Samuel J. M. M. "Shaping scientific instrument collections." Journal of the History of Collections 31, no. 3 (November 29, 2018): 445–52. http://dx.doi.org/10.1093/jhc/fhy046.

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Abstract Many histories of scientific instruments concentrate on their manufacture and original function, but such artefacts as survive often do so in collections – many will have spent far longer in a museum than anywhere else. Alongside the rich literature on the history of scientific instruments, accordingly, there is a body of work on the histories of scientific instrument collections. This survey outlines genres and themes in the historiography of scientific instruments, focusing in particular on display and other collection-based functions. Fluid and contingent, collections are instrumen

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