Relevant bibliographies by topics / Museus - La Plata

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Museus - La Plata'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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Journal articles on the topic "Museus - La Plata"

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Lopes, Maria Margaret, and Sandra Elena Murriello. "Ciências e educação em museus no final do século XIX." História, Ciências, Saúde-Manguinhos 12, suppl (2005): 13–30. http://dx.doi.org/10.1590/s0104-59702005000400002.

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Nas últimas décadas do século XIX, os museus de história natural estabeleceram sólidas redes de comunicação entre si, com seus diferentes públicos conformando o processo internacional caracterizado como o 'movimento dos museus'. Nesse contexto de intercâmbios apresenta-se o discurso que pronunciou William H. Flower, em 1889, sobre os papéis que cabiam aos museus de história natural. Neste trabalho analisa-se a sua influência no recém-inaugurado Museo de La Plata, Argentina, integrante desse circuito de museus que se ampliava no período.
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Soler, Mariana Galera, and Maria Isabel Landim. "O silêncio dos inocentes: o papel dos animais em narrativas expositivas." Anais do Museu Paulista: História e Cultura Material 25, no. 2 (2017): 269–89. http://dx.doi.org/10.1590/1982-02672017v25n0210.

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RESUMO Os animais são entidades polissêmicas que se tornaram objetos de museus tão cedo as coleções surgiram. Neste trabalho, o animal é entendido como interface entre duas áreas: enquanto objeto de estudo da zoologia e também como musealia. Discutem-se, então, as funções comunicativas exercidas por animais em exposições contemporâneas de museus de história natural. Para tanto, foram descritas e analisadas exposições de três museus sul-americanos de história natural: “Las aves” - Museo Argentino de Ciencias Naturales Bernadino Rivadavia; “Tiempo y materia: laberintos de la evolución” - Museo d
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Margaret Lopes, Maria, and Sandra Elena Murriello. "El movimiento de los museos en Latinoamérica a fines del siglo XIX: el caso del museo de la Plata." Asclepio 57, no. 2 (2005): 203–22. http://dx.doi.org/10.3989/asclepio.2005.v57.i2.64.

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Uno, Kei. "Consuming the Tower of Babel and Japanese Public Art Museums—The Exhibition of Bruegel’s “The Tower of Babel” and the Babel-mori Project." Religions 10, no. 3 (2019): 158. http://dx.doi.org/10.3390/rel10030158.

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Two Japanese public art museums, the Tokyo Metropolitan Art Gallery and the National Art Museum of Osaka, hosted Project Babel, which included the Babel-mori (Heaping plate of food items imitating the Tower of Babel) project. This was part of an advertising campaign for the traveling exhibition “BABEL Collection of Museum Boijmans Van Beuningen: Bruegel’s ‘The Tower of Babel’ and Great 16th Century Masters” in 2017. However, Babel-mori completely misconstrued the meaning of the Tower of Babel in Genesis 11:1–9. I explore the opinions of the curators at the art museums who hosted it and the uni
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Paitan Leonardo, Diego. "¡Adiós, melancolía! Relatos sobre la crítica y la institucionalidad artística en los ensayos En viaje. Del Rímac al Plata (1917-1918) de Teófilo Castillo." Illapa Mana Tukukuq, no. 15 (February 7, 2019): 24–33. http://dx.doi.org/10.31381/illapa.v0i15.1839.

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La serie de ensayos En viaje. Del Rímac al Plata (1917-1918) de Teófilo Castillo revelaron un balance de la realidad artístico-cultural peruana en el concierto sudamericano. Al detectar que la institucionalidad era responsable de las insuficiencias estatales, trató de configurarla como herramienta de restructuración de los museos y academia nacionales, además de funcionar –ligado al concepto de patriotismo– como ente protector del artista nacional. 
 Palabras clave: crítica de arte, institucionalidad, patriotismo, viaje.
 AbstractThe series of essays En viaje. Del Rímac al Plata (191
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Costa, Luíza Teixeira, Yasmin Vidal Hirao, and Erika Hingst Zaher. "Ilustrações no vitral do Museu do Instituto de Botânica de São Paulo." Cadernos de História da Ciência 12, no. 1 (2016): 186–208. http://dx.doi.org/10.47692/cadhistcienc.2016.v12.33862.

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Apresentamos aqui alguns aspectos sobre a origem e o papel dos vitrais na arquitetura e seus primeiros empregos no Brasil, tanto no contexto decorativo quanto no de divulgação científica. Discutimos o estudo das plantas úteis no Brasil, sua relação com a história da Botânica e o papel do botânico Frederico Carlos Hoehne no contexto científico e de divulgação. Relacionamos também o emprego de ilustrações científicas ao amplo uso popular de espécies vegetais até o começo do século XX no Brasil, em especial aquelas de interesse ao ramo da medicina. Buscamos discutir tal relação por meio de anális
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Slobodian, Veronica, Bruno Abreu-Santos, and Murilo Nogueira de Lima Pastana. "The rediscovery of Pimelodella longipinnis (Borodin, 1927), an enigmatic Atlantic Rainforest catfish species from Southeastern Brazil (Siluriformes: Heptapteridae)." Papéis Avulsos de Zoologia 61 (August 24, 2021): e20216173. http://dx.doi.org/10.11606/1807-0205/2021.61.73.

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This article is a redescription of Pimelodella longipinnis, an enigmatic catfish previously known only from its holotype and with uncertain type locality. The species is redescribed based on recently collected materials from streams of the Mata Atlântica bioregion, in Santos municipality, São Paulo State, Brazil. Pimelodella longipinnis is assigned to a putatively monophyletic group, the Pimelodella leptosoma-group, diagnosed by the presence of a supraoccipital process not reaching the anterior nuchal plate, with a gap of ca. 20-25% of the supraoccipital process total length, and whose tip not
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Vertiienko, Hanna. "The Saknivka Plate." Eikon / Imago 10 (February 8, 2021): 259–70. http://dx.doi.org/10.5209/eiko.74150.

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This paper proposes the reconstruction of the Scythian eschatological concepts on the basis of semantics of the Sakhnivka plate composition (4th century BC, Museum of Historical Treasures of Ukraine, branch of the National Museum of History of Ukraine). Taking into account the ritual detour of the sacral center from left to right in the Indo-Iranian tradition, the plate plots show a consecutive visual statement of the episodes of the myth of Kolaxais’ destiny. The culmination scene of the plate includes three figures. The half-turned and full-face iconography of the Goddess shows her belonging
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De Asúa, Miguel. "The Entomology in Argentina until the creation of the Sociedad Entomológica Argentina. A historical survey." Revista de la Sociedad Entomológica Argentina 80, no. 1 (2021): 1–9. http://dx.doi.org/10.25085/rsea.800101.

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In this paper, a historical survey of the development of the entomological studies in Argentina from the 18th century to 1925, the year in which the Sociedad Entomológica Argentina was created, is presented. Three periods are distinguished in this historical survey: (a) research on insects in colonial and early independent Río de la Plata, and in early Argentina until the 1870s; (b) the period from c. 1870 to c. 1900, in which entomology functioned as a core around which much of the zoological studies were organized; (c) the period from c. 1910 to c. 1925, which involved the development of lar
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Goulão, Maria José. "A arte da prataria no Brasil e no Rio da Prata no período colonial: estudo comparativo." Anales del Instituto de Investigaciones Estéticas 21, no. 74-75 (1999): 135. http://dx.doi.org/10.22201/iie.18703062e.1999.74-75.1868.

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Maria José Goulão realiza en este artículo un análisis formal de diversas obras elaboradas en plata durante la época colonial y conservadas en algunos museos brasileños; muchas de las piezas son de origen argentino y provienen principalmente del Río de la Plata. Mediante un recuento histórico de las corrientes migratorias (en especial las de tipo clandestino) entre los principales puertos de Brasil y Argentina, la autora consigue demostrar la preeminencia de los patrones estéticos portugueses o luso-brasileños sobre los modelos peruanos o altoperuanos que tradicionalmente se habían considerado
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Dissertations / Theses on the topic "Museus - La Plata"

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Murriello, Sandra Elena. "As exposições e seus publicos : a paleontologia no Museo de La Plata (Provincia de Buenos Aires, Argentina)." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/287025.

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Orientador: Maria Margaret Lopes<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Geociencias<br>Made available in DSpace on 2018-08-05T20:39:23Z (GMT). No. of bitstreams: 1 Murriello_SandraElena_D.pdf: 14825804 bytes, checksum: 45916d6bf7d7c3f01c5d850370b3d210 (MD5) Previous issue date: 2006<br>Resumo: Esta tese pretende ser uma contribução à compreensão do diálogo estabelecido nas instituições museais com seus múltiplos visitantes, o que vem permitindo a sobrevivência, quando não a transformação, e consolidação dos museus como espaços culturais valorizados socialmente.
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Eriksson, Hanna. "Museet en plats för alla? : Föreställningar om ett kommunalt museum." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-96331.

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Lundberg, Inger. "Fornföreningen Fibulas museum : Svårigheter med att rekonstruera en plats." Thesis, Uppsala universitet, Institutionen för ABM, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-235047.

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Fornföreningen Fibula on the Aland Islands contacts the author because its members want to create a museum.The purpose of this two years master’s thesis in Archive, Library and Museum studies is to shed light on what a museum really is. The research question I have answered is “what is a museum and is this what Fibula really wants in their reconstructed Viking village?”. Based on interview material, ethnographic field studies, relevant research in the subject and documents from Fibula, I have answered the research question. My theory is grounded and the methods are qualitative.The result of th
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Svensson, Elin. "Arbetets musuem som plats och arbetsplats." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-124407.

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Denna studie ämnar undersöka hur Arbetets museum är som arbetsplats och plats. För att nå studiens syfte besvaras först frågan vad en arbetsplats är innan den specifika platsen, Arbetets museum diskuteras och sätts in i en bredare platskontext. Slutsatsen av denna undersökning är att en arbetsplats är relativ svår att förklara men att den fysiska platsen betonas och även rörelsen till och från arbetet. Den teknologiska utvecklingen har lett till mer platslösa och mindre tidsbundna arbetsplatser men att den fysiska platsen och rummet fortfarande är att föredra. Arbetets museum som arbetsplats ä
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Permert, Johanna. "En plats för förundran." Thesis, KTH, Arkitektur, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-172380.

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ATT FÖRUNDRAS När man träder in i ett museum händer något.
Man kommer någon annanstans. Man kommer bort från vardagen.Det handlar om mer än själva utställningen.
Det handlar om att komma in i en annan värld. En värld där tid och rum försvinner.Världen utanför skärmas av och bleknar bort för en stund.
Människan i rummen upplever en förskjuten plats, långt ifrån de rum och de ytor man upplever i sin vardag. Uppsalas nya konstmuseum ska beröra besökaren och få dem att fastna i dess värld.Skala, ljus och människans förhållande i rummet skapar olika rumsupplevelser och förutsättningar för olika typ
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Arenas, Álvarez-Calderón Sebastián. "Museo del Rímac: Atrio de la Plaza de Acho." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2015. http://hdl.handle.net/10757/346250.

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El tema descrito a continuación es una intervención urbana de una zona monumental del distrito del Rímac, ubicado en la ciudad de Lima, directamente relacionada con la Plaza de Acho, con el Mirador de Ingunza y con la Casona frente a este, declarada monumento. Este se desarrollará dentro del marco del plan maestro del proyecto “Vía Parque Rímac” y se llevará a cabo en dos etapas; una primera etapa urbana que consiste en retomar el parque frente a la Plaza de Acho para fungir la tipología de atrio y una segunda etapa que busca desarrollar un edificio de equipamiento, sobre los jirones Hualgayoc
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Waldenström, Stella. "Lite närmare mänskligheten : Deltagande och empowerment på ett lokalt museum." Thesis, Uppsala universitet, Institutionen för ABM, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-352670.

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This thesis is based on a case study of a local museum that challenges the idea of what a museum constitutes today. The museum elaborates on the idea of considering the visitor as a participant and examines the possibility of contributing to empowerment among the local community. The aim of this thesis is to analyze the museum's external work and its participatory elements in a place characterized by migration and marginalization, and thereby achieve a deeper knowledge of the relationship between the museum and its visitors. The study is conducted through qualitative methods, such as participa
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Sharma, Arjun. "Contemporary Arts Museum in Roanoke: an Entrance to the City." Thesis, Virginia Tech, 2008. http://hdl.handle.net/10919/35953.

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Roanoke, as a city, needs to redefine itself and to constantly respond to what new should come to the city. Society and culture become an important factors in design. The insertion into an existing fabric requires a careful dialogue between past, present and future. The proposed building sets in contrast to the existing structures in the neighborhood of the site, establishing its own response to time. Although contrasting the existing buildings the proposition is responsive to context in terms of scale and materials. The context is important to continue the harmony and rhythm of the urban fa
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Klint, Maria. "Bungemuseet : En kvalitativ studie om Bungemuseets verksamhet och dess plats i de gotländska skolorna." Thesis, Uppsala universitet, Kulturvård, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-304512.

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Forskningen kring kommunikationen mellan museiverksamhet och skolverksamhet är inte utbredd, hur man når målgruppen skolan är heller inte alldeles givet och skolorna är en svår målgrupp att nå för landets alla museum. Uppsatsen behandlar detta fenomen med fallstudien och friluftsmuseet Bungemuseet på Gotland som ett konkret exempel. Bungemuseet har genomgått en omorganisation på grund av kraftigt reducerade besökssiffror och i samband med omorganisationen gjorde Henrik Zipsane en utredning kring verksamheten. Uppsatsen ämnar att följa upp Zipsanes utredning kring verksamheten, genom att gå vid
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Brown, Margaret. "Museum-Making in Women's Poetry: How Sylvia Plath and Emily Dickinson Confront the Time of History." TopSCHOLAR®, 2007. http://digitalcommons.wku.edu/theses/965.

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In The Newly Born Woman, Helene Cixous and Catherine Clement note that Michelet and Freud "both thought that the repressed past survives in woman; woman, more than anyone else, is dedicated to reminiscence" (5). Whether or not this is true of woman, that expectation of her—as keeper of the past—has perhaps subsisted in the deepest realms of the collective unconscious. From the work of Cixous and Clement, Julia Kristeva and Angela Leighton, I ultimately deduce that there are two perceptions of time: man's time has been associated with the straight, the linear, the historical, and the prosaic; w
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Books on the topic "Museus - La Plata"

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R, Srinivasa Ayyangar, ed. Catalogue of copper plate grants. Government Museum, 2000.

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The Sixth Floor Museum at Dealey Plaza. The Donning Company Publishers, 2013.

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Plaza de la Cultura: 25 aniversario. Fundación Museos del Banco Central de Costa Rica, 2007.

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Plata, Museo de La. Expresiones artísticas indígenas del Museo de Ciencias Naturales de La Plata. Fundación Museo de La Plata "Francisco Pascasio Moreno", 1994.

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Werner, Fischer. Sakrale Kunst: Museum im Ahlener Goldschmiedehaus. Profil-Verlag, 1988.

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Manuel de la Fuente Orte. Museo Taurino de Madrid, Plaza de Toros de las Ventas. Comunidad de Madrid, Consejería de Educación, Centro de Asuntos Taurinos, 2000.

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Pepe, Fernando Miguel. El familiar: Del ingenio La Esperanza al Museo de La Plata. De la Campana, 2011.

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Church plate from the collections of the National Museum of History. Borina, 1995.

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Universidad Nacional de La Plata. Grupo Universitario de Investigación en Antropología Social. Fueguinos en el Museo de La Plata: 112 años de ignominia. De la Campana, 2011.

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Michael, Ryan. Early Irish communion vessels. Country House, 2000.

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Book chapters on the topic "Museus - La Plata"

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Kletter, Raz. "A museum for Jewish prayer in a Mamluk bathhouse – the Ohel Yitzhak Synagogue." In Archaeology, Heritage and Ethics in the Western Wall Plaza, Jerusalem. Routledge, 2019. http://dx.doi.org/10.4324/9780429031311-4.

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Abate, Andrea F., Silvio Barra, Giuseppe Galeotafiore, et al. "An Augmented Reality Mobile App for Museums: Virtual Restoration of a Plate of Glass." In Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01762-0_47.

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Loitfellner, Sabine. "„.·. dass das Museum in Lienz tatsächlich der geeignetste Platz zur Bewahrung von Werken Eggers ist." Provenienzforschung in der Albin Egger-Lienz Sammlung auf Schloss Bruck und der Umgang mit entzogenen Kunstwerken." In ... wesentlich mehr Fälle als angenommen. Böhlau Verlag, 2009. http://dx.doi.org/10.7767/boehlau.9783205118862.375.

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"7. Das Publikum im Museum." In Der Platz des Publikums. Böhlau Verlag, 2011. http://dx.doi.org/10.7788/boehlau.9783412213831.287.

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"Pioneer Museum Plaza & Lyons O‡ce." In Furniture, Structure, Infrastructure. Routledge, 2017. http://dx.doi.org/10.4324/9781315254814-23.

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Bergeron, Marianne. "Revisiting a Plate in the Ashmolean Museum:." In Greek Art in Motion: Studies in honour of Sir John Boardman on the occasion of his 90th Birthday. Archaeopress Publishing Ltd, 2019. http://dx.doi.org/10.2307/j.ctvndv598.23.

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"Plate caption for the Stedelijk museum catalogue 1966." In The Writings of Robert Motherwell. University of California Press, 2007. http://dx.doi.org/10.1525/9780520940512-057.

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von Streit, Alexandra, and CHRISTIAN. "Den Jüngeren Platz machen." In "Man muss es selbst erlebt haben…“. Verlag Barbara Budrich, 2008. http://dx.doi.org/10.2307/j.ctvhktkm3.18.

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"Chapter IV. Tablet 29628, Plate 19, Hymn to Tammuz." In Sumerian Hymns from Cuneiform Texts in the British Museum. Gorgias Press, 2007. http://dx.doi.org/10.31826/9781463212902-008.

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Kearney, Joseph D., and Thomas W. Merrill. "The Watchdog of the Lakefront." In Lakefront. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501754654.003.0004.

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This chapter discusses the role of the Michigan Avenue property owners (or the Prairie Avenue owners) in opposing the ambitions of the Illinois Central Railroad on the lakefront. It examines how they became instrumental in blocking plans to locate the World's Columbian Exposition in Lake Park, and helped scuttle any number of settlement possibilities that would have allowed an expansion of the railroad's harbor facilities in the lake. The chapter highlights the Michigan Avenue owners' efforts to preserve the value of their property, and introduces the antagonists they had to contend with as Lake Park began to grow through additional landfilling and proposals proliferated to fill the lakefront with exhibition halls, armories, libraries, and museums. It investigates how the Michigan Avenue owners employed a legal tool called public dedication doctrine against proposed buildings in the park. The chapter refers to the public dedication doctrine as the right of a private landowner to enforce statements on publicly recorded plats and maps that certain lands will be devoted to public uses, such as streets, public squares, or parks. Ultimately, the chapter describes a growing number of precedents endorsing the public dedication doctrine from other jurisdictions — including several prominent decisions of the Supreme Court of the United States.
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Conference papers on the topic "Museus - La Plata"

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Fry, J. Andrew, Daryl Boggs, Kevin Solberg, and Brian Morgen. "Wind Engineering for Louisville Museum Plaza." In Structures Congress 2009. American Society of Civil Engineers, 2009. http://dx.doi.org/10.1061/41031(341)78.

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Rietveld, Hillegonda C. "Dubstep: Dub plate culture in the age of digital DJ-ing." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.30.

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Li, Gang, Rongdi Yuan, Zuyuan Yang, and Xiyue Huang. "A Yellow License Plate Location Method Based on RGB Model of Color Image and Texture of Plate." In Second Workshop on Digital Media and its Application in Museum & Heritages (DMAMH 2007). IEEE, 2007. http://dx.doi.org/10.1109/dmamh.2007.35.

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Li, Gang, Rongdi Yuan, Zuyuan Yang, and Xiyue Huang. "A Yellow License Plate Location Method Based on RGB Model of Color Image and Texture of Plate." In Second Workshop on Digital Media and its Application in Museum & Heritage (DMAMH 2007). IEEE, 2007. http://dx.doi.org/10.1109/dmamh.2007.4414524.

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Wang, Haijiao, Xinnian Wang, Wenju Li, and Xiaodan Jia. "Color Prior Knowledge-Based License Plate Location Algorithm." In Second Workshop on Digital Media and its Application in Museum & Heritage (DMAMH 2007). IEEE, 2007. http://dx.doi.org/10.1109/dmamh.2007.4414525.

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Wang, Haijiao, Xinnian Wang, Wenju Li, and Xiaodan Jia. "Color Prior Knowledge-Based License Plate Location Algorithm." In Second Workshop on Digital Media and its Application in Museum & Heritages (DMAMH 2007). IEEE, 2007. http://dx.doi.org/10.1109/dmamh.2007.6.

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Martínez Medina, Andrés. "Elogio del cuadrado: cuadrícula, cuadro, cuatro, cubo." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.837.

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Resumen: Un recorrido por la producción de Le Corbusier evidencia la insistente presencia del cuadrado como base de las composiciones en diversos campos (urbanismo, arquitectura, pintura, mobiliario…) y en diferentes formatos (en planta, alzado y sección, o como marco, módulo y cuadrícula). La presente comunicación realiza un análisis formal (gráfico y simbólico) de sus proyectos y obras, rastreando los modos en que se utiliza el cuadrado permaneciendo en el tiempo como una constante recurrente. Para ello se recorren cuatro áreas temáticas que descienden en escala y en dimensiones: 1) capitoli
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Li, Zhiye, and Michael Lepech. "Development of a Model of Synergistic Effects Between Deterioration Mechanisms and Damage in Woven Glass Fiber Reinforced Polymeric Composite Structure." In ASME 2020 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/imece2020-23295.

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Abstract The adoption of fossil-based hydrocarbon polymer composites has been successful in both the automotive and aircraft industries, and is rapidly expanding into buildings and civil infrastructure. One challenge to broader adoption of polymer composites in buildings and civil infrastructure is a limited ability to model the synergistic effects of the combined physical/chemical processes of environmental exposure and mechanical loading. Unlike other building materials, long-term experience and field performance data of polymer composites in buildings and civil infrastructure applications d
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Geißler, Linda, Nico Herzberg, and Natalie Mundt. "Co-Creation bei komplexen Consumer Products." In Entwerfen Entwickeln Erleben - EEE2021. Prof. Dr.-Ing. habil Ralph H. Stelzer, Prof. Dr.-Ing. Jens Krzywinski, 2021. http://dx.doi.org/10.25368/2021.53.

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Endkunden legen bei ihren Kaufentscheidungen immer mehr Wert auf Individualität. Als Reaktion darauf, haben Unternehmen das Potential der Co-Creation erkannt. Dies beschreibt die Zusammenstellung eines komplexen Produktes durch den Kunden selbst. Auch Campeleon nutzt Co-Creation im Rahmen der Produktentwicklung. Das Start Up entwickelt in enger Zusammenarbeit mit Pilotkunden modulare Ausstattungsmodule für Reisemobile. Durch die intensive Interaktion mit dem Kunden konnten Anforderungen an die Produkte identifiziert werden, die ansonsten unentdeckt geblieben wären. So sind erste modulare Ausst
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10

Alcino, Valeria Fabiana. "La imagen inmaterial. Visualidad, sonoridad y política en el arte contemporáneo argentino." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9095.

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Este trabajo analiza la relación entre la imagen visual, la dimensión sonora y la historia política argentina en la obra Evidencias de Norberto Puzzolo y Eva. La lluvia de Nicola Costantino. La capacidad evocadora de lo sonoro como una dimensión de las emociones, de las huellas de presencias arrebatadas de un tiempo pasado, se propone como un punto de partida para la reflexión sobre el pasado de la historia reciente argentina, una historia en constante revisión y re-construcción. "Evidencias" (2010) -Museo de la Memoria de Rosario- es una instalación en proceso de Norberto Puzzolo (Rosario, 19
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