Relevant bibliographies by topics / Mushra

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Mushra'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Mushra"

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Zieliński, Sławomir. "Is a Multi-Slider Interface Layout Responsible for a Stimulus Spacing Bias in the MUSHRA Test?" Archives of Acoustics 40, no. 4 (2015): 585–94. http://dx.doi.org/10.1515/aoa-2015-0058.

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Abstract The multi-stimulus test with hidden reference and anchors (MUSHRA) is commonly used for subjective quality assessment of audio systems. Despite its wide acceptance in scientific and industrial sectors, the method is not free from bias. One possible source of bias in the MUSHRA method may be attributed to a graphical design of its user interface. This paper examines the hypothesis that replacement of the standard multi-slider layout with a single-slider version could reduce a stimulus spacing bias observed in the MUSHRA test. Contrary to the expectation, the aforementioned modification
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Völker, Christoph, Thomas Bisitz, Rainer Huber, Birger Kollmeier, and Stephan M. A. Ernst. "Modifications of the MUlti stimulus test with Hidden Reference and Anchor (MUSHRA) for use in audiology." International Journal of Audiology 57, sup3 (2016): S92—S104. http://dx.doi.org/10.1080/14992027.2016.1220680.

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Glista, Danielle, Marianne Hawkins, Jonathan M. Vaisberg, Nazanin Pourmand, Vijay Parsa, and Susan Scollie. "Sound Quality Effects of an Adaptive Nonlinear Frequency Compression Processor with Normal-Hearing and Hearing-Impaired Listeners." Journal of the American Academy of Audiology 30, no. 07 (2019): 552–63. http://dx.doi.org/10.3766/jaaa.16179.

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AbstractFrequency lowering (FL) technology offers a means of improving audibility of high-frequency sounds. For some listeners, the benefit of such technology can be accompanied by a perceived degradation in sound quality, depending on the strength of the FL setting.The studies presented in this article investigate the effect of a new type of FL signal processing for hearing aids, adaptive nonlinear frequency compression (ANFC), on subjective speech quality.Listener ratings of sound quality were collected for speech stimuli processed with systematically varied fitting parameters.Study 1 includ
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Gößling, Nico, Daniel Marquardt, and Simon Doclo. "Perceptual Evaluation of Binaural MVDR-Based Algorithms to Preserve the Interaural Coherence of Diffuse Noise Fields." Trends in Hearing 24 (January 2020): 233121652091957. http://dx.doi.org/10.1177/2331216520919573.

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Besides improving speech intelligibility in background noise, another important objective of noise reduction algorithms for binaural hearing devices is preserving the spatial impression for the listener. In this study, we evaluate the performance of several recently proposed noise reduction algorithms based on the binaural minimum-variance-distortionless-response (MVDR) beamformer, which trade-off between noise reduction performance and preservation of the interaural coherence (IC) for diffuse noise fields. Aiming at a perceptually optimized result, this trade-off is determined based on the IC
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Watanabe, Takayuki, and Masahiro Ikeda. "Improvement of the Acoustics under the Balcony in Auditoria Using the Electro-Acoustic Method—A Study with a Full-Scale Model." Building Acoustics 18, no. 3-4 (2011): 281–92. http://dx.doi.org/10.1260/1351-010x.18.3-4.281.

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In auditoria, the acoustical properties of audience areas located under balconies are regarded as inferior to the main area. This is caused by the reduction of direct and reflected sound energy due to the smaller open area and the reduction of diffusive energy due to the limited acoustical space. In this paper, a new electro-acoustic system is proposed to compensate for this acoustical condition. The proposed system is a non-regenerative system and consists of directional microphones, head amps, a convolver, a matrix processor, amplifiers, and ceiling loudspeakers located under the balcony. Th
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Pretto, Niccolò, Edoardo Micheloni, Anthony Chmiel, et al. "Multimedia Archives: New Digital Filters to Correct Equalization Errors on Digitized Audio Tapes." Advances in Multimedia 2021 (March 30, 2021): 1–11. http://dx.doi.org/10.1155/2021/5410218.

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Multimedia archives face the problem of obsolescing and degrading analogue media (e.g., speech and music recordings and video art). In response, researchers in the field have recently begun studying ad hoc tools for the preservation and access of historical analogue documents. This paper investigates the active preservation process of audio tape recordings, specifically focusing on possible means for compensating equalization errors introduced in the digitization process. If the accuracy of corrective equalization filters is validated, an archivist or musicologist would be able to experience t
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Hakim, Abdul. "PERBANDINGAN RASM MUSHAF STANDAR INDONESIA,MUSHAF PAKISTAN, DAN MUSHAF MADINAH." SUHUF 10, no. 2 (2018): 371–404. http://dx.doi.org/10.22548/shf.v10i2.291.

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Sejak tahun 1984, melalui Keputusan Menteri Agama (KMA) No. 25, Indonesia memiliki tiga jenis Mushaf Al-Qur’an Standar, yaitu Mushaf Standar Usmani, Mushaf Bahriyah dan Mushaf Braille. Mushaf Standar Usmani dijadikan acuan bagi penerbitan dan peredaran Al-Qur’an di Indonesia. Pada kenyataannya, tidak semua masyarakat menggunakan Mushaf Standar Usmani tersebut. Sebagian masyarakat ada yang menggunakan mushaf terbitan India, Mesir, Saudi Arabia, Lebanon dan lain-lain. Selain itu, muncul pula pengakuan di masyarakat bahwa Mushaf Madinah adalah “paling usmani” dibanding mushaf lainnya. Hal
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Mustopa, Mustopa, and Zainal Arifin Madzkur. "MUSHAF BAHRIYAH." SUHUF 13, no. 2 (2020): 247–67. http://dx.doi.org/10.22548/shf.v13i2.578.

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Mushaf Bahriyah ditetapkan menjadi salah satu jenis Mushaf Standar Indonesia guna memfasilitasi santri atau masyarakat yang menghafal Al-Qur'an. Sistem pojok mushaf ini memberikan kemudahan dalam menghafal Al-Qur'an. Melalui studi lapangan dan literatur diperoleh gambaran bahwa Mushaf Bahriyah sebagai mushaf standar kurang mendapat respons dari masyarakat. Hal ini dapat dilihat dari sedikitnya penerbit yang mencetak mushaf ini. Penerbit Menara Kudus mencetak mushaf model Bahriyah, namun tidak bisa dimasukkan dalam kategori mushaf standar Bahriyah karena tidak mengikuti butir-butir yang distand
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Rosyad, Achmad Faizur. "Karakteristik Diakritik Mushaf Magribi, Arab Saudi, dan Indonesia." SUHUF 8, no. 1 (2015): 69–90. http://dx.doi.org/10.22548/shf.v8i1.15.

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Penelitian ini didasarkan atas pemikiran penulis bahwa ada banyak Mushaf yang memiliki perbedaan diakritik. Perbedaan-perbedaan yang mendasar adalah pemberian tanda titik pada Hija’iyah, pemberian tanda vokal dan tajwid atau teknik membaca, dan pemberian tanda waqaf dan ibtida’. Permasalahan yang ingin penulis ungkap adalah (i) mengapa semua Mushaf dianggap memiliki rasm yang sama, yakni Rasm Uthman, padahal mushaf-mushaf tersebut memiliki tanda dan diakritik yang berbeda; (ii) mengapa mushaf tersebut memiliki diakritisasi yang berbeda, padahal sumber yang digunakan sama; dan (iii) bagaima
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Madzkur, Zaenal Arifin, Mustopa Mustopa, and Irwan Irwan. "PENTASHIHAN DAN PARA PENTASHIH MUSHAF AL-QUR'AN DI INDONESIA, 1957-2020." SUHUF 13, no. 2 (2020): 289–307. http://dx.doi.org/10.22548/shf.v13i2.589.

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Tulisan ini menjelaskan tentang pentashihan dan para pentashih mushaf Al-Qur'an di Indonesia, sejak sebelum berdirinya Lajnah Pentashihan Mushaf AlQur'an pada tahun 1957 hingga 2020. Mushaf Al-Qur'an yang akan dicetak ditashih terlebih dahulu untuk menghindari kesalahan dan menjaga keautentikannya. Dengan menggunakan pendekatan sejarah, diketahui bahwa pola pentashihan terus berkembang, dengan cara mengkaji literatur-literatur terkait penulisan mushaf Al-Qur'an, hingga memperbandingkan master mushaf yang akan dicetak dengan naskah master Mushaf Al-Qur'an Standar Indonesia. Pola pengangkatan pe
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Dissertations / Theses on the topic "Mushra"

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Le, Bagousse Sarah. "Elaboration d'une méthode de test pour l'évaluation subjective de la qualité des sons spatialisés." Thesis, Brest, 2014. http://www.theses.fr/2014BRES0064/document.

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Aujourd'hui, les technologies de captation et de restitution sonore se développent dans le but de diffuser des scènes avec un rendu spatialisé. Avant leur diffusion, les extraits sonores peuvent être évalués en terme de qualité par des méthodes recommandées par I'Union lnternationale des Télécommunications (évaluation des codecs de compression, procédés de prise ou restitution sonore...). Cependant, ces standards d'évaluation montrent certaines faiblesses notamment en ce qui concerne les attributs de qualité à évaluer. La dimension spatiale n'est pas prise en compte spécifiquement. Dans ce tra
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Karlsson, David. "Mixing pop in 9.1: How do listeners perceive different delay/panning combinations, applied to solo pop guitar?" Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74086.

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There is little information about mixing music for 9.1 surround, and the information available are mostly for classical music and the use of ambience in the height channels. The production methods for pop music differs from classical music and the productions does not have to sound realistic. In this study, a solo pop guitar was recorded and placed in the center channel. A 9.1 surround playback environment was created and two short delays were added to increase the perceived width of the guitar and shifted between the front L,R speakers, the back L,R, the front height L,R and back height L,R.
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Emilsson, Adrian. "Artificial Reverb vs. Real Recorded Reverb in the Back Channels in a 5.1 Surround Setup." Thesis, Luleå tekniska universitet, Medier ljudteknik och upplevelseproduktion och teater, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-69369.

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When recording music for surround audio engineers sometimes face limitations in time, ideal microphone positions or a noisy audience. If this cannot be dealt with at the location, artificial reverbs are often used in the mixing to “fill in the blanks”. In this study, three instruments were recorded separately with two 5.1 surround microphone setups. Two audio engineer students created artificial reverbs that replaced the back channels of each microphone setup. A listening test was conducted where test subjects compared the 5.1 real recording to the two other stimuli with artificial back channe
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Špeta, Marek. "Programová implementace subjektivnich testů zvukové kvality." Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2011. http://www.nusl.cz/ntk/nusl-219297.

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The focus of this diploma thesis is on methods for the subjective assessment of sound quality according to recommandations given by International Telecommunication Union ITU. The thesis is thematically divided into four parts. The first part is an interpretation of methods based on internationally accepted standards (method of small impairments, MUSHRA, general methods). The second part describes the functional blocks of application developed for this thesis in LabVIEW enviroment. Next part explains its practical application, especially its running possibilities. The last part describes a list
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Braude, David Adam. "Head motion synthesis : evaluation and a template motion approach." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/20418.

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The use of conversational agents has increased across the world. From providing automated support for companies to being virtual psychologists they have moved from an academic curiosity to an application with real world relevance. While many researchers have focused on the content of the dialogue and synthetic speech to give the agents a voice, more recently animating these characters has become a topic of interest. An additional use for character animation technology is in the film and video game industry where having characters animated without needing to pay for expensive labour would save
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Gillam, Robert Wesley. "Musica Stellarum." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/596102.

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Musica Stellarum is an original composition for full symphony orchestra. It seeks to evoke the life of a star from its birth in a gaseous nebula to its death as a massive supernova using musical parallels. The chemical processes involved in stellar nucleosynthesis are represented through an exploration of TC relationships. Lighter elements are represented by smaller pitch class sets and as they combine together through processes such as inversion and transposition, larger, "heavier" sets are created. Elements of Sonata Form and a strong structural emphasis on Golden Section (GS) relationships
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Jean, de Murs Falkenroth Christoph. "Die Musica speculativa /." Stuttgart : F. Steiner, 1992. http://catalogue.bnf.fr/ark:/12148/cb35548361q.

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Rolli, Paolo Caruso Carlo. "Libretti per musica /." Milano : Francoangeli, 1993. http://catalogue.bnf.fr/ark:/12148/cb356843089.

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Tesi--Zürich, 1989.<br>Contient les livrets suivants : Narciso, Muzio Scevola, Floridante, Scipione, Alessandro, Riccardo I, Arianna in Naxo, David e Bersabea, Enea nel Lazio, Polifemo, Ifigenia in Aulide, Orfeo, Festa d'Imeneo, Deidamia. Bibliogr. p. XLVII-XLIX. Index.
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Freire, Vanda Lima Bellard. "Musica e sociedade." Rio de Janeiro (RJ), 1992. http://repositorio.ufsc.br/xmlui/handle/123456789/76915.

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Miranda, Suzana Reck. "A musica no cinema e a musica do cinema de Krzystof Kieslowski." [s.n.], 1998. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285119.

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Orientador: Fernão Ramos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-07-25T18:17:36Z (GMT). No. of bitstreams: 1 Miranda_SuzanaReck_M.pdf: 3650245 bytes, checksum: f0a4026342db96e0e4783c077ead7f0d (MD5) Previous issue date: 1998<br>Resumo: A pesquisa apresentada se propõe a descrever caracteristicas específicas da utilização da música de Zbigniew Preisner em dois filmes de Krzysztof Kieslowski: A Dupla Vida de Véronique - 1991 e A Liberdade é Azul - 1993. Acredita-se que, nos exemplos levantados, a relação da música co
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Books on the topic "Mushra"

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Shishkin, M. V. Nakhlystovai͡a︡ mushka. Lininter, 2002.

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N, Mi͡a︡mlin A., and Smirnov V. K, eds. Obzor metodov sborki musora. In-t prikladnoĭ matematiki im. M.V. Keldysha AN SSSR, 1989.

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Sviridov, K. N. Opticheskai︠a︡ lokat︠s︡ii︠a︡ kosmicheskogo musora. Znanie, 2006.

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Tuckermann, Anja. Muscha. E. Klopp, 1994.

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Sato, Hiroaki. Amerika honʾyaku musha shugyō. Maruzen, 1993.

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Navarra, Museo de. Nafarroako Museoa. Nafarroako Gobernua, Hezkuntza, Kultura eta Kirol Departamentua, 1989.

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Yamamura, Misa. Tatsuno musha gyōretsu satsujin jiken. Jitsugyō no Nihonsha, 1997.

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Ozawa, Seiji. Boku no ongaku musha shugyō. Shinchōsha, 2002.

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Taiwan Musha Jiken gunji kankei shiryō. Fuji Shuppan, 1992.

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Hakubutsukan, Adachi Kuritsu Kyōdo. Amakakeru tsuwamonotachi: Musha edako no sekai. Adachi Kuritsu Kyōdo Hakubutsukan, 1988.

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Book chapters on the topic "Mushra"

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MacGregor, J. "River Mushra—”Field of Zoan “—Strange Creatures—A Lost Needle— “ Fire in Zoan”—Qualms—Flamingoes—Rigs—a Yarn—Lubbers—By moonlight—Port Said—Parting Shot—Squall." In A Canoe Cruise in Palestine, Egypt and the Waters of Damascus. Routledge, 2019. http://dx.doi.org/10.4324/9781315828664-5.

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Jackson, Brian M. "Musica Universalis." In The Music Producer’s Survival Guide. Routledge, 2018. http://dx.doi.org/10.4324/9781315519777-2.

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Mehlhorn, Heinz. "Musca." In Encyclopedia of Parasitology. Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-43978-4_2035.

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Mehlhorn, Heinz. "Musca." In Encyclopedia of Parasitology. Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-642-27769-6_2035-2.

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Caye, Pierre. "Préface. Fabrica corporis, musica corporis." In Musica corporis. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.stsa-eb.4.00197.

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Malhomme, Florence. "Avant-propos. Harmonie, beauté et grâce." In Musica corporis. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.stsa-eb.4.00198.

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Rispoli, Gioia Maria. "Harmonie du corps, harmonie de l’âme dans la culture grecque." In Musica corporis. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.stsa-eb.4.00199.

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Villari, Elisabetta. "La représentation du corps dans le monde grec classique: le Canon de Polyclète, entre construction d’une norme et invention de l’antique." In Musica corporis. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.stsa-eb.4.00200.

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Wersinger, Anne Gabrièle. "De «l’âme-harmonie» et du «corps-lyre» au paradoxe du corps immortel: les aventures d’une métaphore, de Platon et Aristote à Dicéarque de Messène." In Musica corporis. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.stsa-eb.4.00201.

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Perceau, Sylvie. "Corps chantés, corps chantant chez Homère et les Tragiques." In Musica corporis. Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.stsa-eb.4.00202.

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Conference papers on the topic "Mushra"

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Mohammed, Hussain M., and Nikolaus Farber. "Subjective evaluation of Hierarchical B-Frames using Video-MUSHRA." In 2010 Picture Coding Symposium (PCS). IEEE, 2010. http://dx.doi.org/10.1109/pcs.2010.5702532.

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Thoma, Herbert. "A system for subjective evaluation of audio, video and audiovisual quality using MUSHRA and SAMVIQ methods." In 2012 Fourth International Workshop on Quality of Multimedia Experience (QoMEX 2012). IEEE, 2012. http://dx.doi.org/10.1109/qomex.2012.6263877.

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Schinkel-Bielefeld, Nadja. "Training listeners for multi-channel audio quality evaluation in MUSHRA with a special focus on loop setting." In 2016 Eighth International Conference on Quality of Multimedia Experience (QoMEX). IEEE, 2016. http://dx.doi.org/10.1109/qomex.2016.7498952.

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Cabras, Giuseppe, Sergio Canazza, PierLuca Montessoro, and Roberto Rinaldo. "The restoration of low-quality audio recordings based on non-negative matrix factorization and perceptual assessment by means of the ebu mushra test method." In the second workshop. ACM Press, 2010. http://dx.doi.org/10.1145/1877922.1877930.

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Saha, Swetank Kumar, Shivang Aggarwal, Rohan Pathak, Dimitrios Koutsonikolas, and Joerg Widmer. "MuSher." In MobiCom '19: The 25th Annual International Conference on Mobile Computing and Networking. ACM, 2019. http://dx.doi.org/10.1145/3300061.3345435.

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Capozzi, Alfredo, Roberto De Prisco, Michele Nasti, and Rocco Zaccagnino. "Musica Parlata." In the 14th international ACM SIGACCESS conference. ACM Press, 2012. http://dx.doi.org/10.1145/2384916.2384975.

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Weiler, Jennifer, and Sudarshan Seshasayee. "Mushi." In SUI '16: Symposium on Spatial User Interaction. ACM, 2016. http://dx.doi.org/10.1145/2983310.2989179.

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Hala, Petr. "Musica viva in schola XXIII." In XXVI. mezinárodní hudebně pedagogická konference Musica viva in schola. Masarykova univerzita, 2012. http://dx.doi.org/10.5817/cz.muni.p210-6106-2012.

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Chen, Sheng, Haibo He, Kang Li, and Sachi Desai. "MuSeRA: Multiple Selectively Recursive Approach towards imbalanced stream data mining." In 2010 International Joint Conference on Neural Networks (IJCNN). IEEE, 2010. http://dx.doi.org/10.1109/ijcnn.2010.5596538.

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Vuylsteke, Pieter, and Emile P. Schoeters. "Multiscale image contrast amplification (MUSICA)." In Medical Imaging 1994, edited by Murray H. Loew. SPIE, 1994. http://dx.doi.org/10.1117/12.175090.

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Reports on the topic "Mushra"

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Itskhoki, Oleg, and Dmitry Mukhin. Mussa Puzzle Redux. National Bureau of Economic Research, 2021. http://dx.doi.org/10.3386/w28950.

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Bergin, Paul, Reuven Glick, and Jyh-Lin Wu. Mussa Redux and Conditional PPP. National Bureau of Economic Research, 2012. http://dx.doi.org/10.3386/w18331.

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Turner, Adrian. Mushy Layer Physics in Sea Ice Models. Office of Scientific and Technical Information (OSTI), 2021. http://dx.doi.org/10.2172/1772379.

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Ostry, Michael E., Louis F. Wilson, and Harold S. Jr McNabb. Impact and control of Septoria musiva on hybrid poplars. U.S. Department of Agriculture, Forest Service, North Central Forest Experiment Station, 1989. http://dx.doi.org/10.2737/nc-gtr-133.

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MacKay, W. W., W. Fischer, P. Pile, and M. Blaskiewicz. MuSR Beam Line Design Studies. Office of Scientific and Technical Information (OSTI), 2013. http://dx.doi.org/10.2172/1119570.

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Lichti, Roger. SISGR-MuSR Investigations of Magnetic Semiconductors for Spintronics Applications. Office of Scientific and Technical Information (OSTI), 2014. http://dx.doi.org/10.2172/1148701.

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Telka, A. M., and G. R. Brooks. Macrofossil reports from core MUS1, Muskrat Bay, lower French River area, and core DPN2, Depensier Lake, North Bay, Ontario. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2008. http://dx.doi.org/10.4095/225740.

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Hoffmaster, Jan C. Training Air National Guard Contract Security Personnel: How Mush is Enough. Defense Technical Information Center, 1993. http://dx.doi.org/10.21236/ada276928.

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MacKay, W., M. Blaskiewicz, W. Fischer, and P. Pile. Target and orbit feedback simulations of a muSR beam line at BNL. Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1210188.

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Miller, James E. Muskrats. U.S. Department of Agriculture, Animal and Plant Health Inspection Service, 2018. http://dx.doi.org/10.32747/2018.7208744.ws.

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Abstract:
The muskrat (Ondatra zibethicus) is a common, semi-aquatic rodent native to the United States. It spends its life in aquatic habitats and is well adapted for swimming. Although muskrats are an important part of native ecosystems, their burrowing and foraging activities can damage agricultural crops, native marshes and water control systems, such as aquaculture and farm ponds and levees. Such damage can significantly impact agricultural crops like rice that rely on consistent water levels for growth. Laws, regulations, and ordinances regarding the take of muskrats varies by state and province w
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