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Relevant bibliographies by topics / Music and geography

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Dissertations / Theses

Academic literature on the topic 'Music and geography'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Dissertations / Theses on the topic "Music and geography"

1

Keough, Sara Beth. "The Geography of Community Bands in Virginia." Thesis, Virginia Tech, 2003. http://hdl.handle.net/10919/32308.

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In the first half of the twentieth century in Virginia, the town band was a popular concert venue and sometimes a symbol of community pride. Originally, community bands faced few competitors for entertainment popularity, but the advent of movie theaters in the 1930â s, and eventually television in the 1950â s, challenged the bandâ s former role. Attendance decreased at band concerts and the community space that bands had occupied was allotted for other uses. Despite this decline, the town band survived. Virginia is home to at least 34 community bands today. This study presents a geographic

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2

Samuels, Richard. "A multi-level perspective analysis of the change in music consumption, 1989-2014." Thesis, Cardiff University, 2018. http://orca.cf.ac.uk/116065/.

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This thesis seeks to examine the historical socio-technical transitions in the music industry through the 1990s and 2000s which fundamentally altered the way in which music is consumed along with the environmental resource impact of such transitions. Specifically, the investigation seeks to establish a historical narrative of events that are significant to the story of this transition through the use of the multi-level perspective on socio-technical transitions as a framework. This thesis adopts a multi-level perspective for socio-technical transitions approach to analyse this historical narra

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3

Forsberg, Hansson Love. "The Sound of Globalization : Mapping the Dynamics in Contemporary Urban Landscape of Concert Venues." Thesis, Stockholms universitet, Kulturgeografiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-147290.

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This study compares and describes the urban landscape of concert venues in Berlin and Stockholm with a focus on popular music. It features research of spatial patterns among concert venues, gathered from participant observations and semi-structured interviews with agencies and officials in the music scene. These patterns make us want to understand the relationship between venues, why they sometimes agglomerate by size in a more gentrified environment. By comparing the spatial patterns with music export data, an illustration of globalization is developed. Further, this study connects to the pol

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4

Thompson, Deborah J. "PERFORMING COMMUNITY: THE PLACE OF MUSIC, RACE AND GENDER IN PRODUCING APPALACHIAN SPACE." UKnowledge, 2012. http://uknowledge.uky.edu/geography_etds/1.

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Traditional, participatory music is a powerful medium through which people express and shape their ideas about identity, mobility, social relations, and belonging, and through which people are in turn shaped. The everyday cultural practices of playing, sharing, and dancing to traditional music, as well as discussions about the nature of traditional music and production of events involving traditional music, all work to construct the region called Appalachia. Through this dissertation, I seek to answer some simple questions that have complicated answers involving place, identity, power, and soc

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5

Watson, Allan. "Sound practice : a relational economic geography of music production in and beyond the recording studio." Thesis, Loughborough University, 2012. https://dspace.lboro.ac.uk/2134/10432.

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This thesis develops a relational geography perspective on creative work and practice, with a specific focus on the recording studio sector. Drawing on an extensive social network analysis, a questionnaire survey, and nineteen semi-structured interviews with recording studio engineers and producers in London (UK), the thesis reveals how recording studios are constituted by a number of types of relations. Firstly, studios are spaces that involve a material and technological relationality between studio workers and varied means of production. Studios are material and technological spaces that in

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6

Maalsen, Sophia. "The Life History of Sound." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10588.

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Abstract In recent years, the emergence of cultures and practices of music-making associated with new music-making technologies has generated controversy and conflict, being both variously embraced and vilified. Just as some are determined to explore the possibilities that these technologies afford for the re-use and re-circulation of music, others have been determined to regulate such practices through aggressive assertions of ownership over sounds. Central to these controversies is a deeper question concerning the nature of musical sounds and their relationship to the people who produce and

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7

Thirlwall, Stephen Lawrence Carleton University Dissertation Geography. "Musical landscape: a definition and a case study of musical landscape in its contribution to the development of Quebecois identity." Ottawa, 1992.

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8

Lundequist, Per. "Spatial clustering and industrial competitiveness : Studies in economic geography." Doctoral thesis, Uppsala : Department of Social and Economic Geography, Uppsala University, 2002. http://publications.uu.se/theses/99-2002-0429140456/.

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9

Nooshin, Laudan. "The processes of creation and recreation in Persian classical music." Thesis, Goldsmiths College (University of London), 1996. http://openaccess.city.ac.uk/4149/.

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This thesis presents a critical examination of the processes of creativity in the performance of Persian classical music. Using current literature, information from musicians, and detailed musical analyses, the thesis endeavours to reach an understanding of what creativity means in the Persian context, and to examine the ways in which creativity takes place and the factors which affect it. A consideration of the nature of human creativity in general is followed by a critique of the concepts and terminology of creativity used within (ethno)musicology. Several areas are subsequently explored for

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10

Normann, Andrew J. "Art is Not a Crime: Hip-Hop, Urban Geography, and Political Imaginaries in Detroit." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1503059494063247.

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