Relevant bibliographies by topics / Music and geography / Dissertations / Theses
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Dissertations / Theses on the topic 'Music and geography'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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1

Keough, Sara Beth. "The Geography of Community Bands in Virginia." Thesis, Virginia Tech, 2003. http://hdl.handle.net/10919/32308.

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In the first half of the twentieth century in Virginia, the town band was a popular concert venue and sometimes a symbol of community pride. Originally, community bands faced few competitors for entertainment popularity, but the advent of movie theaters in the 1930â s, and eventually television in the 1950â s, challenged the bandâ s former role. Attendance decreased at band concerts and the community space that bands had occupied was allotted for other uses. Despite this decline, the town band survived. Virginia is home to at least 34 community bands today. This study presents a geographic
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2

Samuels, Richard. "A multi-level perspective analysis of the change in music consumption, 1989-2014." Thesis, Cardiff University, 2018. http://orca.cf.ac.uk/116065/.

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This thesis seeks to examine the historical socio-technical transitions in the music industry through the 1990s and 2000s which fundamentally altered the way in which music is consumed along with the environmental resource impact of such transitions. Specifically, the investigation seeks to establish a historical narrative of events that are significant to the story of this transition through the use of the multi-level perspective on socio-technical transitions as a framework. This thesis adopts a multi-level perspective for socio-technical transitions approach to analyse this historical narra
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3

Forsberg, Hansson Love. "The Sound of Globalization : Mapping the Dynamics in Contemporary Urban Landscape of Concert Venues." Thesis, Stockholms universitet, Kulturgeografiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-147290.

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This study compares and describes the urban landscape of concert venues in Berlin and Stockholm with a focus on popular music. It features research of spatial patterns among concert venues, gathered from participant observations and semi-structured interviews with agencies and officials in the music scene. These patterns make us want to understand the relationship between venues, why they sometimes agglomerate by size in a more gentrified environment. By comparing the spatial patterns with music export data, an illustration of globalization is developed. Further, this study connects to the pol
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4

Thompson, Deborah J. "PERFORMING COMMUNITY: THE PLACE OF MUSIC, RACE AND GENDER IN PRODUCING APPALACHIAN SPACE." UKnowledge, 2012. http://uknowledge.uky.edu/geography_etds/1.

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Traditional, participatory music is a powerful medium through which people express and shape their ideas about identity, mobility, social relations, and belonging, and through which people are in turn shaped. The everyday cultural practices of playing, sharing, and dancing to traditional music, as well as discussions about the nature of traditional music and production of events involving traditional music, all work to construct the region called Appalachia. Through this dissertation, I seek to answer some simple questions that have complicated answers involving place, identity, power, and soc
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5

Watson, Allan. "Sound practice : a relational economic geography of music production in and beyond the recording studio." Thesis, Loughborough University, 2012. https://dspace.lboro.ac.uk/2134/10432.

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This thesis develops a relational geography perspective on creative work and practice, with a specific focus on the recording studio sector. Drawing on an extensive social network analysis, a questionnaire survey, and nineteen semi-structured interviews with recording studio engineers and producers in London (UK), the thesis reveals how recording studios are constituted by a number of types of relations. Firstly, studios are spaces that involve a material and technological relationality between studio workers and varied means of production. Studios are material and technological spaces that in
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6

Maalsen, Sophia. "The Life History of Sound." Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10588.

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Abstract In recent years, the emergence of cultures and practices of music-making associated with new music-making technologies has generated controversy and conflict, being both variously embraced and vilified. Just as some are determined to explore the possibilities that these technologies afford for the re-use and re-circulation of music, others have been determined to regulate such practices through aggressive assertions of ownership over sounds. Central to these controversies is a deeper question concerning the nature of musical sounds and their relationship to the people who produce and
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7

Thirlwall, Stephen Lawrence Carleton University Dissertation Geography. "Musical landscape: a definition and a case study of musical landscape in its contribution to the development of Quebecois identity." Ottawa, 1992.

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8

Lundequist, Per. "Spatial clustering and industrial competitiveness : Studies in economic geography." Doctoral thesis, Uppsala : Department of Social and Economic Geography, Uppsala University, 2002. http://publications.uu.se/theses/99-2002-0429140456/.

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9

Nooshin, Laudan. "The processes of creation and recreation in Persian classical music." Thesis, Goldsmiths College (University of London), 1996. http://openaccess.city.ac.uk/4149/.

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This thesis presents a critical examination of the processes of creativity in the performance of Persian classical music. Using current literature, information from musicians, and detailed musical analyses, the thesis endeavours to reach an understanding of what creativity means in the Persian context, and to examine the ways in which creativity takes place and the factors which affect it. A consideration of the nature of human creativity in general is followed by a critique of the concepts and terminology of creativity used within (ethno)musicology. Several areas are subsequently explored for
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10

Normann, Andrew J. "Art is Not a Crime: Hip-Hop, Urban Geography, and Political Imaginaries in Detroit." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1503059494063247.

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11

Gunnervall, Anders. "Motives of potential event visitors : A pre-event case study of the Storsjöyran music festival." Thesis, Mittuniversitetet, Institutionen för samhällsvetenskap, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:miun:diva-14090.

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The purpose of this thesis was to study potential event visitors and their motives to either attend or not attend an event. A pre-event case study of the music festival Storsjöyran was conducted and 701 potential visitors’ motives were studied through a web-based survey containing both questions with 5-point Likert-type scale and open ended questions. The main motive for visiting Storsjöyran music festival was to experience the core program (live music), but socializing and to experience the special atmosphere were also important factors. Motives for not visiting the festival were a question o
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12

Ingham, James. "Sound worlds and everyday space." Thesis, University of East London, 1999. http://roar.uel.ac.uk/1251/.

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The starting point for this project was my MPhil thesis (University of Leeds, 1995) Aural Geographies. An Investigation of Sound In Everyday Space, which has as its subject matter the concept of sound in everyday space. The MPhil thesis argued that in considering everyday space more attention should be paid to the aural experience. The argument did not try to `bolt on' what is heard to what is seen. Rather it contemplated the intricate relationships between the visual and aural senses within everyday space. Following from the work which was undertaken for the MPhil it became clear that further
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13

Hicks, Jonathan Edward. "Music, place, and mobility in Erik Satie's Paris." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:b5cca39d-7479-4a12-91de-e303a285c81c.

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Erik Satie (1866-1925) lived, worked, walked, and died in Paris. The key locations of his career – all within a single urban region – are well known and well researched. Yet he has often been presented as an eccentric individualist far removed from any social or geographical context. This thesis seeks to address – and redress – the decontextualisation of Satie’s career by re-imagining his music and biography in terms of the places and mobilities of turn-of-the-century Paris. To that end, it draws on a range of documentary and fictional material, including journalistic and scholarly reception t
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14

Hallencreutz, Daniel. "Populärmusik, kluster och industriell konkurrenskraft : En ekonomisk-geografisk studie av svensk musikindustri." Doctoral thesis, Uppsala University, Department of Social and Economic Geography, 2002. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-2030.

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<p>The economic importance of design-intensive and cultural-products industries has grown in recent decades. One case in point is Sweden, where internationally competitive industries have emerged in areas such as multimedia, fashion, and music. During the 1990s, research in economic geography and related disciplines concerned with the link between geographical location and competitive advantage has found an important source of inspiration in the cluster approach. The thesis examines the relationship between spatial clustering and industrial competitive-ness by undertaking a series of empirical
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15

Pappas, Nikos A. "Patterns in the Sacred Music Culture of the American South and West (1700-1820)." UKnowledge, 2013. http://uknowledge.uky.edu/music_etds/12.

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This narrative chronicles the dissemination of sacred music from the eastern seaboard to the West and South spanning a time frame from the colonial era to the latter part of the Early Nationalist Period (1700-1820). Musical culture in its migration away from the eastern seaboard also parallels the greater western and southern expansion of the United States from its initial configuration of localized regional subgroups to the beginnings of a larger national identity. From this conceptual base, sacred music becomes a vehicle for understanding not only religious and musical changes over time, but
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Polli, Andrea. "Communicating air : alternative pathways to environmental knowing through computational ecomedia." Thesis, University of Plymouth, 2011. http://hdl.handle.net/10026.1/889.

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This dissertation, Communicating Air: Alternative Pathways to Environmental Knowing through Computational Ecomedia, is the culmination of an art practice-led investigation into ways in which the production of ecomedia may open alternative pathways to environmental knowing in a time of urgent climate crisis. This thesis traces the author’s artistic, personal and political development across the period of study and presents an extended argument for greater public engagement with weather and climate science, greater public and private support for long-term collaborations between media art and cli
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Soares, Karen da Silva. "O Ensino da geografia permeando territorialidades juvenis pela música." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2018. http://hdl.handle.net/10183/185253.

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Esta pesquisa tem como foco analisar as territorialidades juvenis e suas representações pelo viés da música, para propor possibilidades no desenvolvimento de práticas pedagógicas nas aulas de Geografia. Assim, a música como artefato cultural da juventude foi analisada para compreender as interpelações dessa forma de expressão na constituição dos sujeitos jovens, estudantes no primeiro ano do Ensino Médio, na Escola Nísia Floresta da rede pública estadual no município de Viamão, no Rio Grande do Sul. Trilhar esse percurso investigativo justifica-se pela necessidade de aproximação entre as práti
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Pereira, Carolina Machado Rocha Busch. "Geografias de mundo reveladas nas canções de Chico Buarque." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8136/tde-19112013-100451/.

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De natureza essencialmente teórica e bibliográfica, a tese consiste em refletir sobre as geografias de mundo reveladas nas letras das canções de Chico Buarque. Uma vez que a música opera com emoções e desejos, ela influencia comportamentos, e não só transforma a mobilidade espacial, mas também é por ela transformada. As letras das canções de Chico Buarque são portadoras de sentidos, revelam o mundo e possuem potência geográfica para dialogar com o mundo, o lugar e o cotidiano a partir das relações que emolduram a vida. Os encontros geográficos com as letras das canções são possibilidades de le
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Panitz, Lucas Manassi. "Redes musicais e [re]composições territoriais no Prata: por uma Geografia da Música em contextos multi-localizados." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/164621.

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A presente tese objetiva compreender as relações entre as redes musicais no espaço platino e suas repercussões culturais / identitárias e territoriais. Tal pesquisa foi desenvolvida entre 2009 e 2016, acompanhando músicos independentes da Argentina, Uruguai e Brasil, tais como Kevin Johansen, Pablo Grinjot, Vitor Ramil, Marcelo Delacroix, Richard Serraria, Daniel Drexler, Jorge Drexler, Dani López, Ana Prada, dentre outros. A partir de um desenho de pesquisa multi-localizado, buscou-se entender como se deu o processo de formação das redes musicais transfronteiriças entre os citados países, bem
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20

Wilkinson, Catherine. "Connecting communities through youth-led radio." Thesis, University of Liverpool, 2015. http://livrepository.liverpool.ac.uk/2037460/.

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This thesis explores the extent to which, and the ways in which, KCC Live, a volunteer youth-led community radio station situated in Knowsley, neighbouring Liverpool, UK, provides a space for young people to find and realise their voices. The body of geographical work on radio has predominantly focussed on large-scale geopolitical questions at the international scale. In particular, there has been a deficit of research considering community radio in the UK. Research from other countries is not easily transferable, due to the specific regulatory paradigms in different countries. This study take
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Pendanx, Marie. "Cultures locales et identités : l’exemple des pays du Sud Sud-Ouest landais (France)." Thesis, Bordeaux 3, 2013. http://www.theses.fr/2013BOR30021/document.

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Dans le cadre de la mondialisation et dans celui, concomitant, d’une certaine uniformisation culturelle, nous sommes confrontés au paradoxe de l’émergence d’identités et de territoires très localisés (en Aquitaine comme ailleurs), s’appuyant sur des représentations comme sur des pratiques culturelles originales ou, tout au moins, qui s’affichent comme telles. En quoi consistent exactement ces cultures locales qui souvent se déclinent dans un contexte de recomposition socio-spatiale plus ou moins profonde (périurbanisation, littoralisation des populations …) ? Dans quelle mesure la confirmation
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Seman, Michael. "More buildings about songs and food: A case study of Omaha's Slowdown project." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3917/.

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The success of independent rock music ("indie rock"), once a marginalized sub-genre of the rock idiom and now a globally recognized cultural force, has impacted the urban landscape of Omaha, Nebraska via the mixed-use urban redevelopment project, "Slowdown" - a result of cultural production by the city's successful indie rock business entities. While geographic research has previously analyzed urban redevelopment initiated by fine artists, the event of indie rock music being a catalyst for urban redevelopment has never been considered in a geographic scope. By examining the topics of affordabl
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23

Snyder, Lydia L. "Voicing Mother Nature: Ecomusicological Perspectives on Gender and Philosophy in Japanese Shakuhachi Practice." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1556496056536201.

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24

Anjos, Melissa Souza dos. "Lugares e personagens do universo buarqueano." Universidade do Estado do Rio de Janeiro, 2011. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=3469.

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A partir da década de 1970, a ciência geográfica passou a entender que seus conceitos, suas categorias analíticas, bem como seus objetos de pesquisa poderiam se utilizar dos discursos literários, em suas diversas possibilidades, incluindo o cinema, a pintura e, até mesmo, a música. Compreender os lugares a partir dos panoramas narrados pelos literatos {escritores ou compositores} e fomentar uma leitura de mundo repleta de sentidos existenciais, oferecida pelas maneiras que os autores apreendem, se configura como um relevante caminho de entendimento do mundo vivido a partir da interrelação entr
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Sjöberg, Erik. "Realia i textböcker : En undersökning av realia i textböcker i spanska för årskurs 7–9." Thesis, Karlstads universitet, Institutionen för pedagogiska studier (from 2013), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-74285.

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The purpose of this study is to find out to what extent and what frequency realia is highlighted in Spanish textbooks for year 7–9. As realia is a wide concept this study has focused on geography, history and music. For this study, a content analysis of both texts and images in teaching materials for year 7-9 has been conducted in order to detect what types of realia are being highlighted and how. The results showed that both teaching materials give a large amount of realia hence a comparison has also been made. In conclusion, all the books in both series do highlight realia, however, they do
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Lupro, Michael Mooradian. "Space Oddities for the Age of Space Tourism." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1239723528.

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Hae, Laam. "Zoning out dance clubs in Manhattan : gentrification and the changing landscapes of alternative cultures." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available, full text:, 2007. http://wwwlib.umi.com/cr/syr/main.

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Benabdellah-Pickel, Alia. "Un portrait géographique de la techno de Détroit : analyse du genre dans son contexte de naissance noir américain, et de sa diffusion mondiale." Thesis, Bordeaux 3, 2020. http://www.theses.fr/2020BOR30021.

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La musique techno a été créée au sein de la communauté noire de Détroit aux États-Unis, au début des années 1980. Cette thèse s’intéresse à la ville de Détroit, à la communauté noire américaine de la plus grande ville noire des États-Unis et à ce style de musique électronique qui a obtenu rapidement une audience mondiale au point d’influencer de nombreuses musiques populaires contemporaines. Mon projet est de dresser un portrait de la musique techno, en lien avec le lieu de son apparition, et de sa diffusion à l’échelle locale, nationale et internationale, marquée en particulier par un aller-r
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Rumi, Sheila Cristina Panigassi Tamburo Ortega. "Geografia e música: leituras geográficas da construção da identidade brasileira através da música." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/12317.

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Made available in DSpace on 2016-04-27T18:15:44Z (GMT). No. of bitstreams: 1 Sheila Cristina Panigassi Tamburo Ortega Rumi.pdf: 1324744 bytes, checksum: 752cad29764c510e3aeaca0c9c55f0a0 (MD5) Previous issue date: 2014-04-25<br>This paperwork investigates the use of the arts, more specifically, the music, in the construction of the national Brazilian Identity. It does so by tracking two distinguished historical moments known by profound transformations in the country: Heitor Villa-Lobos´s musical Project based on the introduction of orpheon choirs in public schools under the Getúlio Vargas´
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Canova, Nicolas. "L'imaginaire géographique à l'épreuve du phénomène musical : L'exemple du flamenco en Andalousie." Phd thesis, Université de Grenoble, 2012. http://tel.archives-ouvertes.fr/tel-00913534.

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Au cours du 20e siècle, la musique s'est affirmée comme un objet pertinent pour les géographies francophones et anglophones. Bien que ce constat s'accompagne aujourd'hui de publications nombreuses et variées, le sujet continue d'étonner à l'intérieur même de la discipline. Ce travail explore les causes d'un tel blocage. L'hypothèse suppose que l'affirmation de la musique comme objet géographique est responsable du paradoxe constaté. Si cette idée se vérifie lorsque la justification élaborée par les music geographers est à la source d'une forme d'inertie, elle montre surtout que l'enfermement d
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Nolan, Karin. "American Elementary Music Programs: Current Instructional Methods, Goals, Resources, and Content Standards by Geographic Region and Grade Level." Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/194200.

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The purpose of this investigation was to identify current instructional practices, goals, and content standards addressed in American elementary music programs. Participants (N = 963) were sampled from elementary music teachers across the United States and administered a survey addressing music classes offered to each elementary grade level, average music instructional time, use of state standards and district music curricula, use of published materials, music integration, program goals, and perceived importance of various content standards by grade level. The three most frequently indicated m
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Alves, Cristiano Nunes 1981. "Os circuitos e as cenas da música na cidade do Recife : o lugar e a errância sonora." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/286643.

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Orientador: Adriana Maria Bernardes da Silva<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Geociências<br>Made available in DSpace on 2018-08-26T21:45:22Z (GMT). No. of bitstreams: 1 Alves_CristianoNunes_D.pdf: 14914085 bytes, checksum: 9a44c55771357ece44ec9508f7058561 (MD5) Previous issue date: 2014<br>Resumo: Intenta-se contribuir para o entendimento das dinâmicas territoriais na metrópole atual por meio de um estudo dos fixos e fluxos movimentados para a produção e a difusão da música na cidade de Recife-PE. Toma-se o período desde o final dos anos 1980 até os dias
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Justeson, Jeremy Bradford. "Performance aspects in compositions for saxophone and tape David Heuser's Deep blue spiral, Paul Rudy's Geographic bells, and James Mobberley's Spontaneous combustion /." Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3023553.

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Almeida, Alberto Alexandre Lima de. "A concep??o de paisagem de professores de geografia em escolas do munic?pio de Parnamirim (RN)." Universidade Federal do Rio Grande do Norte, 2013. http://repositorio.ufrn.br:8080/jspui/handle/123456789/14577.

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Made available in DSpace on 2014-12-17T14:36:49Z (GMT). No. of bitstreams: 1 AlbertoALA_DISSERT.pdf: 871592 bytes, checksum: e0f386e6973c880e2e8210fd92823b82 (MD5) Previous issue date: 2013-12-16<br>This work is an exploratory study based on the principles of qualitative research aiming at the conception of landscape by Geography teachers in the city of Parnamirim (RN), as well as the pedagogical implications originated from such conceptions on the formation of students. In order to start our investigative process, we used, as theoretical and methodological reference, some principles of hist
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Feaux, de la Croix Jeanne. "Moral geographies in Kyrgyzstan : how pastures, dams and holy sites matter in striving for a good life." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1862.

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This thesis is an ethnography of how places like mountain pastures (jailoos), hydro-electric dams and holy sites (mazars) matter in striving for a good life. Based on eighteen months of fieldwork in the Toktogul valley of Kyrgyzstan, this study contributes to theoretical questions in the anthropology of post-socialism, time, space, work and enjoyment. I use the term ‘moral geography’ to emphasize a spatial imaginary that is centred on ideas of ‘the good life’, both ethical and happy. This perspective captures an understanding of jailoos which connects food, health, wealth and beauty. In compar
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Rhodes, Mark A. II. "The Memory Work of Welsh Heritage: Multidimensional landscapes of a multinational Wales." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1555693473757734.

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Hoffner, Annika. "”Om man inte lyssnar på musik så kan man höra om någon går bakom en” : En kvalitativ intervjustudie om upplevd (o)trygghet i Uppsala." Thesis, Uppsala universitet, Kulturgeografiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-354551.

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Studiens övergripande syfte är att studera hur kvinnor och män rör sig i offentliga rum med upplevd (o)trygghet som utgångspunkt. Studien ämnar också undersöka vilka trygghetsskapande strategier som används och vilka åtgärder inom samhällsplaneringen som kan göras för att en stad ska upplevas som tryggare. En fallstudie i Uppsala med kvinnliga och manliga studenter har genomförts för att uppnå syftet. I studien används en feministisk metodologi och semistrukturerade kvalitativa intervjuer har genomförts. Undersökningen visar att kvinnorna upplever mer otrygghet och är mer begränsade av sin otr
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Balti, Samuel. "La territorialisation des musiques amplifiées à Toulouse : lecture renouvelée des dynamiques urbaines." Phd thesis, Université Toulouse le Mirail - Toulouse II, 2012. http://tel.archives-ouvertes.fr/tel-00776582.

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Ville et musiques amplifiées sont intimement liées, ainsi l'étude d'une scène artistique peut éclairer le fonctionnement d'un système métropolitain et les enjeux liés aux recompositions des territoires. Cette thèse a pour objectif de le montrer au regard de l'exemple toulousain. Toulouse représente une scène riche et diversifiée, constituée d'un fourmillement d'initiatives associatives, dont les activités révèlent des logiques multiples d'ancrage au territoire, sans cesse renouvelées. L'exploitation d'une série de plusieurs enquêtes de terrain menées auprès des acteurs de la scène locale condu
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Ninan, Abraham. "What are the roles of networks and clusters in the operation of an industry? The case of Queensland music." Thesis, Queensland University of Technology, 2005. https://eprints.qut.edu.au/16090/1/Abraham_Ninan_Thesis.pdf.

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The doctoral thesis examines Queensland's music industry in terms of concepts derived from cluster and network theories in the context of literature discussing creative industries. To this end, the thesis is conceived as one case study incorporating quantitative surveys, convergent interviews and document analyses as its units of investigation. This is necessary because it is the industry as a whole that is the object of theorizing (in terms of Porter and network theory). The 357 firms surveyed represent the creative content producers, distributors and suppliers that comprise Queensland's musi
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Ninan, Abraham. "What are the roles of networks and clusters in the operation of an industry? The case of Queensland music." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16090/.

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The doctoral thesis examines Queensland's music industry in terms of concepts derived from cluster and network theories in the context of literature discussing creative industries. To this end, the thesis is conceived as one case study incorporating quantitative surveys, convergent interviews and document analyses as its units of investigation. This is necessary because it is the industry as a whole that is the object of theorizing (in terms of Porter and network theory). The 357 firms surveyed represent the creative content producers, distributors and suppliers that comprise Queensland's musi
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Silva, Gilnara Karla Nicolau da. "O espa?o do consumo e o consumo do espa?o no munic?pio de Maca?ba-RN a partir das festas de Vaquejada (1980-2012)." Universidade Federal do Rio Grande do Norte, 2013. http://repositorio.ufrn.br:8080/jspui/handle/123456789/18944.

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Made available in DSpace on 2015-03-13T17:10:49Z (GMT). No. of bitstreams: 1 GilnaraKNS_DISSERT.pdf: 4990943 bytes, checksum: 1f73543f3c2c265d1d74601cbd38b6cd (MD5) Previous issue date: 2013-02-28<br>Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior<br>No decorrer dos s?culos o espa?o geogr?fico sofreu intensas transforma??es em n?vel mundial, passando a ser visto como mercadoria, portanto, revestido de valor de troca. Diante desta premissa, alguns ge?grafos ao analisar o consumo do/no espa?o t?m procurado explicar como e por que a economia, a cultura, o simb?lico e o material se e
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Pereira, Vitor Hugo Campelo. "Infer?ncia geogr?fica para delimita??o de corredores ecol?gicos: um estudo de caso para a Mata Atl?ntica do munic?pio de Tibau do Sul/RN." Universidade Federal do Rio Grande do Norte, 2013. http://repositorio.ufrn.br:8080/jspui/handle/123456789/18940.

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Made available in DSpace on 2015-03-13T17:10:48Z (GMT). No. of bitstreams: 1 VitorHCP_DISSERT.pdf: 3748116 bytes, checksum: c0dfafc19b791663a4100df02ee357a1 (MD5) Previous issue date: 2013-03-06<br>Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior<br>The Atlantic Forest biome occupies much of the Atlantic coast of Brazil, in addition to portions of Paraguay and Argentina. Due mainly to its biodiversity which falls in the group of global hotspots, i.e., areas that have high priority for conservation. Although currently there are some available devices that assist in their protection
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Hedenstrom, Aaron. "Programmatic Geographical Depictions in Large-Scale Jazz Ensemble Works: Major Works by Gil Evans and Chuck Owen and a New Work by Aaron Hedenstrom." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849643/.

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This dissertation explores the creative process in large-scale jazz ensemble works that are programmatic in depicting geographical locations. This is achieved through analyses of Gil Evans's Sketches of Spain, Chuck Owen's River Runs: A Concerto for Jazz Guitar, Saxophone, & Orchestra, and Aaron Hedenstrom's Sketches of Minnesota. Each work is examined using five analytical categories: orchestration, large-scale form, harmonic/melodic development, programmatic framework, and use of featured soloists. The analyses draw from musical scores, interviews, biographies, recordings, and articles to re
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Te?dulo, Jos? M?cio Ramalho. "Uso de t?cnicas de Geoprocessamento e Sensoriamento Remoto no levantamento e integra??o de dados necess?rios a gest?o ambiental dos campos de extra??o de ?leo e g?s do Canto do Amaro e Alto da Pedra no munic?pio de Mossor? - RN." Universidade Federal do Rio Grande do Norte, 2004. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16788.

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Made available in DSpace on 2014-12-17T15:19:59Z (GMT). No. of bitstreams: 1 JoseMRT.pdf: 3261760 bytes, checksum: 0a9e4ce701fa9ce62cb02438a86e4461 (MD5) Previous issue date: 2004-04-28<br>Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior<br>The objective of this work is to identify, to chart and to explain the evolution of the soil occupation and the envirionment vulnerability of the areas of Canto do Amaro and Alto da Pedra, in the city of Mossor?-RN, having as base analyzes it multiweather of images of orbital remote sensors, the accomplishment of extensive integrated works of f
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Reusch, Kathryn. ""That which was missing" : the archaeology of castration." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:b8118fe7-67cb-4610-9823-b0242dfe900a.

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Castration has a long temporal and geographical span. Its origins are unclear, but likely lie in the Ancient Near East around the time of the Secondary Products Revolution and the increase in social complexity of proto-urban societies. Due to the unique social and gender roles created by castrates’ ambiguous sexual state, human castrates were used heavily in strongly hierarchical social structures such as imperial and religious institutions, and were often close to the ruler of an imperial society. This privileged position, though often occupied by slaves, gave castrates enormous power to affe
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Hsu, Hui Ning, and 許慧寧. "Explore the Integration Teaching between Music and Geography through Volkslied." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/43565572582859294453.

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碩士<br>國立臺灣師範大學<br>音樂研究所<br>90<br>In responding to the enforcement of the New 1-9 Curriculum in September of 2002, in conjunction with the essence and the concept of educational reform, this study attempts to design the curriculum integration of “arts and humanities” and “social studies” through Volkslied. The main purpose is to appreciate the music which projects to the geographic environment, and to go deep into the recognition of humanities. Promoting and encouraging students to concern with the humanities, the researcher aim to introduce and prepare those with multi-cultural acceptance and
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Keough, Sara Beth. "Canada’s Cultural Media Policy and Newfoundland Music on the Radio: Local Identities and Global Implications." 2007. http://trace.tennessee.edu/utk_graddiss/208.

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As our access to information increases with the aid of communication technologies, there is concern about cultural homogenization. Ironically, however, in the face of globalization in the media, the local often becomes increasingly important. This study explores how Canada’s cultural policy toward the media, known as the Canadian Content regulations, has both local and global implications. I examine how Canadian Content regulations apply to radio, and how these radio regulations influence broadcasting in the St. John’s, Newfoundland radio market. Interviews with radio station personnel (e.g. D
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Grimes, Jeffrey Michael 1974. "The geography of Hindustani music : the influence of region and regionalism on the North Indian classical tradition." 2008. http://hdl.handle.net/2152/18235.

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This dissertation explores the influence of regional cultures and, more specifically, of regionally based and regionally determined aesthetic preferences, on the Hindustani classical music tradition. The period from the late 19th century up through the decades following independence in 1947 saw a great deal of change both in Indian society as a whole and, by extension, within the Hindustani tradition. One of these changes was a transition in the demographic profile of the average Hindustani performer from Muslim, essentially low-caste, and hereditary, to Hindu, middle-class, and largely high c
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"The Resonance of Place: Music and Race in Salvador da Bahia." Doctoral diss., 2011. http://hdl.handle.net/2286/R.I.9134.

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abstract: Geography, and the social sciences more broadly, have long operated within what is arguably a paradigm of the visual. Expanding the reach of geographical consideration into the realm of the aural, though in no way leaving behind the visual, opens the discipline to new areas of human and cultural geography invisible in ocular-centric approaches. At its broadest level, my argument in this dissertation is that music can no longer be simply an object of geographical research. Re-conceptualized and re-theorized in a geographical context to take into account its very real, active, and more
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Jorge, Ana Luísa Caldeira Balhau. "A Música no Ensino da Geografia - Aplicação ao tema "Mobilidade Populacional"." Master's thesis, 2020. http://hdl.handle.net/10316/93732.

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Relatório de Estágio do Mestrado em Ensino de Geografia no 3º ciclo do Ensino Básico e no Ensino Secundário apresentado à Faculdade de Letras<br>Este Relatório surge no âmbito do Mestrado de Ensino em Geografia no 3º ciclo do Ensino Básico e do Ensino Secundário com o objetivo apresentar uma descrição, análise e reflexão de todas as atividades que foram consolidadas ao longo da prática pedagógica supervisionada que decorreu no ano letivo 2019/2020 na Escola Secundária / 3º ciclo Dra. Maria Cândida, em Mira. Tem também como objetivo de demonstrar as linhas orientadoras da aplicação da estratégi
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