Relevant bibliographies by topics / Music and literature – Ireland

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Music and literature – Ireland'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Music and literature – Ireland"

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Erraught, Stan. "The country and Irish problem." Popular Music 39, no. 3-4 (2020): 568–84. http://dx.doi.org/10.1017/s0261143020000550.

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AbstractCountry music has been popular in Ireland since the 1960s, most notably in the work of homegrown performers. Despite the durability of this appeal in the face of huge changes in Ireland and in the Irish music industry over a half-century, it remains curiously underexamined in the literature on Irish popular music. In this paper, I wish to argue the following: (1)Country music did not simply arise ‘naturally’ in Ireland as a reflection of musical or national characteristics: it was promoted as such.(2)Both popular and academic literature on the subject have tended to unreflectively echo
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Love, Timothy M. "Irish Nationalism, Print Culture and the Spirit of the Nation." Nineteenth-Century Music Review 15, no. 2 (2017): 189–208. http://dx.doi.org/10.1017/s1479409817000015.

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Recent investigations into the survival and dissemination of traditional songs have elucidated the intertwining relationship between print and oral song traditions. Musical repertories once considered distinct, namely broadside ballads and traditional songs, now appear to have inhabited a shared space. Much scholarly attention has been focused on the print and oral interface that occurred in eighteenth- and nineteenth-century Britain.Less attention has been paid, however, to music in Ireland where similar economic, cultural and musical forces prevailed. Yet, Ireland’s engagement in various nat
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Asztalos, Andrea. "The Spread of Zoltán Kodály’s Music Education Principles in the World." Studia Universitatis Babeş-Bolyai Musica 68, no. 1 (2023): 11–27. http://dx.doi.org/10.24193/subbmusica.2023.1.01.

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"The purpose of this study is to summarize the essence of Zoltán Kodály’s music education philosophy and concept and to shed light on the presence of this music education concept in domestic and foreign music education in the 21st century. In the study, I present how music education based on Kodály’s principles has been adapted in the USA, Great Britain, Ireland, Scotland, Greece, Netherlands, Australia, Japan, and China and how it flourishes even in the 21st century. Keywords: Kodály Concept, music education, singing, music literature, adaptation of Kodály Concept"
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Bateson, Catherine. "Music and identity in Ireland and beyond." Irish Studies Review 24, no. 2 (2016): 238–40. http://dx.doi.org/10.1080/09670882.2016.1149142.

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Ferguson, Frank, and Grainne Milner-McLoone. "The Songs of a People: Steinbeck and Transatlantic Song." Steinbeck Review 19, no. 2 (2022): 156–71. http://dx.doi.org/10.5325/steinbeckreview.19.2.0156.

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Abstract In this article we will examine the significance of place and music within Steinbeck’s work. In particular, we will explore how Steinbeck’s conception of place in his ancestral County Derry has figured as part of a wider transatlantic discourse in which writers have looked to this area in the north of Ireland to explore their sense of their personal and familial identity. As part of this process, the idealization of space and memory through the literature, history, and heritage “of the people” has been invoked. In contrast, we will compare Steinbeck’s approach with that of two writers
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McLaughlin, Noel. "Bodies swayed to music: dance culture in Ireland." Irish Studies Review 12, no. 1 (2004): 77–85. http://dx.doi.org/10.1080/0967088042000192130.

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FitzPatrick Dean, Joan. "Irish Stage Censorship in the 1950s." Theatre Survey 42, no. 2 (2001): 137–64. http://dx.doi.org/10.1017/s0040557401000072.

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At the end of the 1940s, individuals and groups, as well as the government in Ireland, recognized the need for and benefits of arts enterprises. The Inter-Party coalition, which came to power in early 1948 (under John Costello), recognized the importance of tourism as an industry and the potential of theatre to attract foreign visitors to Ireland. In 1949, the Cultural Relations Committee of Ireland, operating under the auspices of the Minister for External Affairs, undertook production of a series of pamphlets designed “to give a broad, vivid, and informed survey of Irish life and culture.”1
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Erraught, Stan. "‘I was listening … but did not succeed in hearing you’: Flann O’Brien, Ralph Cusack, and the Absurdities of Silent Musical Experience." Irish University Review 51, no. 2 (2021): 360–74. http://dx.doi.org/10.3366/iur.2021.0524.

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The notion of soundless music seems contradictory, even absurd: the concept of soundless musical experience less so. In this article, I explore two quite different descriptions of this kind of experience as set out in two mid-twentieth-century Irish novels. In one, Flann O'Brien's The Third Policeman, the narrator watches one of the titular sergeants enjoy music that he – the narrator – cannot hear. In the second, Ralph Cusack's Cadenza, the narrator watches as a village priest mimes playing the piano on a café table, a performance he ‘hears’ and appreciates. Speculatively combining and extend
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Smyth, Gerry. "The Isle is full of noises: music in contemporary Ireland." Irish Studies Review 12, no. 1 (2004): 3–10. http://dx.doi.org/10.1080/0967088042000192077.

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Magennis, Caroline. "Rock and popular music in Ireland: before and after U2." Irish Studies Review 22, no. 1 (2014): 113–15. http://dx.doi.org/10.1080/09670882.2013.872375.

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Dissertations / Theses on the topic "Music and literature – Ireland"

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O'Keefe, Karen Maeve. "Relationship between music and the supernatural as that is portrayed in early medieval Irish literature." Thesis, University of Edinburgh, 1996. http://hdl.handle.net/1842/9678.

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This thesis is an essay in the phenomenology of religion; it is not primarily a study of the literature or history of early Ireland. This thesis investigates the content and meaning of the early Irish people's language and expression as it relates to music. The culture being investigated is that of early medieval Ireland, up to and including the twelfth century. The focus of the thesis is on a Collection of music references extracted by this author from selected literature; the Collection itself is presented here as an independent Appendix volume to the main body of the thesis. The specific li
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Troeger, Rebecca Louise. "The Formation of Musical Communities in Twentieth Century Irish Literature." Thesis, Boston College, 2014. http://hdl.handle.net/2345/3837.

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Thesis advisor: Marjorie Howes<br>This dissertation is situated within the opening field of Irish literary and musical interdisciplinary studies and argues that a scholarly focus on the presence of music within Irish literature and culture opens new readings and perspectives. Drawing on cultural studies and musicology, I focus on the musical moment as a limited space during which identities and relationships are dynamically refigured. Through this approach, I look at the formations of communal and individual identities in and through musical performances, the production of gendered identities
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Paterson, Adrian. "'Words for music perhaps' : W.B. Yeats and musical sense." Thesis, University of Oxford, 2007. http://ora.ox.ac.uk/objects/uuid:d288984c-254a-40bc-b13d-b8790cc8226c.

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‘Poetry’ insisted Ezra Pound, ‘is a composition of words set to music’: his Cantos remembered ‘Uncle Willie’ downstairs composing, singing poetry to himself. This study examines the nature and effects of W.B.Yeats’s idiosyncratic but profound sense of music. For his poems were compositions set to music. They were saturated with musical themes; syntactically he professed to write for the ear rather than the eye; and he flung himself repeatedly into the breach between music and words, composing ballads, songs, and plays with music, and performing poetry with musical instruments. My thesis is tha
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Richards, Fiona. "Meanings in the music of John Ireland." Thesis, University of Birmingham, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366014.

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Grasso, Eliot John. "Melodic variation in the instrumental dance music tradition of Ireland." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11557.

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xxiii, 507 p.<br>This dissertation contextualizes melodic variation within a cultural, historical, and cognitive framework. This work discusses how traditional musicians learn how to vary melodies by observing norms of social and musical behavior exhibited by senior musicians. The core of this dissertation is the transcription and analysis of fifty source recordings of fifty different Irish musicians playing one tune each dating from between 1904 and 2007. Though the transcriptions of the recordings exhibited a high instance of melodic variation (48.2% of the measures), only a small percent
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Bates, Robin E. Relihan Constance Caroline. "Shakespeare and the cultural impressment of Ireland." Auburn, Ala., 2005. http://hdl.handle.net/10415/1281.

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Lake, Wendy M. "Aspects of Ireland in children's fiction : an historical outline and analysis of children's fiction set in Ireland (1850-1986)." Thesis, University of Ulster, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.253857.

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Burgess, Frances Anne. "Narratives of women music teachers in Northern Ireland : beyond identity." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/24328.

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This study examined the narratives of three women music teachers’ professional practice, drawing on the research question: Through examining processes of subjectification: (a) How do mid-career women music teachers construct narratives of their professional and musical practice? (b) What are the implications for women music teachers’ professional and musical sustenance? Participants Hayley, Becky and Lynne, all with 12 years teaching experience, told stories of diverse musical participation within and beyond their schools and within a range of social groups and institutional settings. Taking a
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Maley, William Timothy. "Edmund Spenser and cultural identity in early modern Ireland." Thesis, University of Cambridge, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.292801.

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Kaul, Adam Robert. "An ethnography of tourism and traditional Irish music in Doolin, Ireland." Thesis, Durham University, 2004. http://etheses.dur.ac.uk/3106/.

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This thesis is an ethnographic study of the complex interplay between tourism and traditional Irish music based on fourteen months of fieldwork in Doolin, County Clare, Ireland between June 2002 and August 2003. The historical development of traditional Irish music and the localised tourist industry have become conjoined during the last three decades, and as a result the music and the idea of Doolin as a 'place' have become institutionalised and consolidated. This has further led to the development of a complex socioeconomic structure surrounding the music, its performance, and its commerciali
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Books on the topic "Music and literature – Ireland"

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Lelia, Ruckenstein, and O'Malley James A, eds. Everything Irish: The history, literature, art, music, people, and places of Ireland, from A-Z. Ballantine Books, 2003.

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Lelia, Ruckenstein, and O'Malley James A, eds. Everything Irish: The history, literature, art, music, people, and places of Ireland, from A-Z. 2nd ed. Ballantine Books, 2005.

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A, O'Malley James, ed. Everything Irish: The history, literature, art, music, people and places of Ireland from A-Z. Mercier Press, 2004.

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Healy, James N. Ballads from the pubs of Ireland. Mercier Press, 1993.

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Kirk, John M., and Andrew Noble. Cultures of radicalism in Britain and Ireland. Routledge, 2016.

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Hart, William E. Synge's first symphony: The Aran Islands. Mariel Publications, 1993.

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G, Knowles Sebastian D., ed. Bronze by gold: The music of Joyce. Garland Pub., 1999.

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1968-, Byrne Lorraine, ed. Goethe, musical poet, musical catalyst: Proceedings of the Conference hosted by the Department of Music, National University of Ireland, Maynooth, 26 & 27 March 2004. Carysfort Press, 2004.

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Kirkland, Richard. Cathal O'Byrne and the northern revival in Ireland, 1890-1960. Liverpool University Press, 2006.

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Beethoven, Wolfgang. Music in Ireland. 3rd ed. Hodges Figgis, 1997.

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Book chapters on the topic "Music and literature – Ireland"

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O’Flynn, John. "Literature-to-film adaptations and music." In Music, the Moving Image and Ireland, 1897–2017. Routledge, 2021. http://dx.doi.org/10.4324/9780203710395-5.

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Millar, Stephen R. "Popular Music as a Weapon." In Made in Ireland. Routledge, 2020. http://dx.doi.org/10.4324/9780429443367-13.

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Goodrich, Andrew. "Kara Ireland D'Ambrosio." In Peer Mentoring in Music Education. Routledge, 2022. http://dx.doi.org/10.4324/9781003243618-9.

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McGrath, John. "Music and literature." In Samuel Beckett, Repetition and Modern Music. Routledge, 2017. http://dx.doi.org/10.4324/9781315607566-2.

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Miller, Terry E., and Andrew Shahriari. "Europe: Spain, Russia, Scotland, Ireland, Georgia." In World Music CONCISE, 3rd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003288848-9.

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Miller, Terry E., and Andrew Shahriari. "Europe: Greece, Spain, Russia, Scotland, Ireland, Hungary, Georgia." In World Music. Routledge, 2020. http://dx.doi.org/10.4324/9780367823498-9.

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Hogan, Eileen. "Parochial Capital and the Cork Music Scene." In Made in Ireland. Routledge, 2020. http://dx.doi.org/10.4324/9780429443367-18.

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Webster, Gwendolen. "Music Without Music." In The Routledge Companion to Music and Modern Literature. Routledge, 2022. http://dx.doi.org/10.4324/9780367237288-24.

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Gendron, Bernard. "Music." In A Companion to Modernist Literature and Culture. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch28.

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Oliver, Kathleen M. "Frances Sheridan and Ireland." In A Companion to Irish Literature. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444328066.ch12.

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Conference papers on the topic "Music and literature – Ireland"

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Madhukar, Dahane Ganesh, and Anagha Kulkarni. "Analysis of Indian Instrumental Music on the Behavior of the Human Brain: A Literature Review." In 2025 1st International Conference on AIML-Applications for Engineering & Technology (ICAET). IEEE, 2025. https://doi.org/10.1109/icaet63349.2025.10932298.

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Low, Beatrice, Xindi Liu, Richard Z. Li, Elizabeth Ren, and Jasmine X. Zhang. "Music Therapy for Autism Spectrum Disorder: A Comprehensive Literature Review on Therapeutic Efficacy, Limitations, and AI Integration." In 2024 IEEE 15th Annual Ubiquitous Computing, Electronics & Mobile Communication Conference (UEMCON). IEEE, 2024. http://dx.doi.org/10.1109/uemcon62879.2024.10754769.

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Davis, Hannah, and Saif Mohammad. "Generating Music from Literature." In Proceedings of the 3rd Workshop on Computational Linguistics for Literature (CLFL). Association for Computational Linguistics, 2014. http://dx.doi.org/10.3115/v1/w14-0901.

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Cheng, Fangping. "Study on Music Literature Characteristics of Song Poetry." In International Conference on Education, Management and Computing Technology (ICEMCT-16). Atlantis Press, 2016. http://dx.doi.org/10.2991/icemct-16.2016.40.

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Kurniawan, Daniel Kevin, Gregorius Revyanno Alexander, and Sidharta Sidharta. "Deep Learning for Music: A Systematic Literature Review." In 2023 International Conference on Information Management and Technology (ICIMTech). IEEE, 2023. http://dx.doi.org/10.1109/icimtech59029.2023.10278072.

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Wang, Shan, and Yang Li. "Study on vocal music and Chinese traditional literature." In 2015 International Conference on Economics, Social Science, Arts, Education and Management Engineering. Atlantis Press, 2015. http://dx.doi.org/10.2991/essaeme-15.2015.17.

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De-Miguel-Molina, María, Blanca De-Miguel-Molina, Daniel Catala-Perez, Conrado Carrascosa-Lopez, Óscar Pastor-López, and Giovanni Giachetti Herrera. "The economic value of music: a literature review." In 5th International Conference. Business Meets Technology. Editorial Universitat Politècnica de València, 2023. http://dx.doi.org/10.4995/bmt2023.2023.16709.

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This work is related to the track “Cultural and creative industries” and is based on the Horizon Europe project Music360 that will develop a platform to collect data to be used to analyze and represent the value of music. The economic value of background music has been studied by the literature and different variables can be taken into account. In this literature review, we have explored from more than two hundred papers which are these main variables that can help venues and stores to increase their incomes thanks to music, direct or indirectly. From the analysis, we can infer that the music
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"A Brief Discussion on the "Art Contact" of Music in Cambodia and Music in Yunnan Province." In 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.63.

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Husin, Nanang, and Achmad Hidayanto. "Impact of Piracy on Music Sales in Digital Music Transformation - A Systematic Literature Review." In 2018 10th International Conference on Information Technology and Electrical Engineering (ICITEE). IEEE, 2018. http://dx.doi.org/10.1109/iciteed.2018.8534868.

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Keegan Hickey, CA, ZA Sarani, and MB O’Neill. "GP155 Are clinical prediction rules in paediatrics validated? a literature review." In Faculty of Paediatrics of the Royal College of Physicians of Ireland, 9th Europaediatrics Congress, 13–15 June, Dublin, Ireland 2019. BMJ Publishing Group Ltd and Royal College of Paediatrics and Child Health, 2019. http://dx.doi.org/10.1136/archdischild-2019-epa.219.

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Reports on the topic "Music and literature – Ireland"

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Redmond, Paul, Seamus McGuinness, and Klavs Ciprikis. A universal basic income for Ireland: Lessons from the international literature. ESRI, 2022. http://dx.doi.org/10.26504/rs146.

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A universal basic income (UBI) is defined as a universal, unconditional cash payment that is made regularly, is sufficient to live on, is not means tested, carries no work requirements and is paid on an individual basis. This study examines the international evidence on universal basic incomes and identifies key issues for consideration in the design of any UBI pilot for Ireland. Despite the mainstream interest in UBI as a potential policy tool, relatively little is known about the associated consequences of such policies. Even the definition of a UBI appears to be poorly understood and is oft
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Salinas-Maceda, Valeria, and Oscar Odena. Music for social cohesion in Bolivia: A literature review and two case studies. British Embassy La Paz and University of Glasgow, 2023. https://doi.org/10.36399/gla.pubs.300522.

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McDonald, Sophia. ECMI Minorities Blog. Stirring the Pot: Kneecap, Radical Politics and Nurturing the Irish Language. European Centre for Minority Issues, 2024. http://dx.doi.org/10.53779/erkp1374.

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Northern Irish hip hop group Kneecap have been causing controversy as they have rose to fame. At the core of their music is the fight to keep the Irish language alive. They have made waves in music scenes across the world and in doing so, they have given young Northern Irish people a voice when representation has become so important. However, they satirise Unionist politics and for some, stir up painful memories of violence which plagued Northern Ireland up until the 1990s. This blogpost explores Kneecap’s provocative politics and their fight for Irish language rights in Northern Ireland via c
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Connolly, Sheelah, Maev-Ann Wren, and Conor Keegan. Towards universal healthcare in Ireland – what can we learn from the literature? ESRI, 2023. http://dx.doi.org/10.26504/sustat121.

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Sun, Chenbing, Zhe Wang, and Yuening Dai. Music therapy for sleep quality in cancer patients with insomnia：A protocol for systematic review and meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2021. http://dx.doi.org/10.37766/inplasy2021.12.0128.

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Review question / Objective: The aim of this systematic review is to compare music therapy in terms of efficacy in cancer patients with insomnia disorders to better inform clinical practice. Condition being studied: The effectiveness of music therapy for cancer- associate insomnia is the main interest of this systematic review. Information sources: MEDLINE (PubMed, Ovid) The Cochrane Library, Web of Science, Embase and Electronic retrieval of Chinese Biomedical Literature Database (CBM), China National Knowledge Infrastructure (CHKD-CNKI), VIP database, Wanfang Database will be searched from i
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Zuo, Lingyan, Fengting Zhu, Rui Wang, Hongyan Shuai, and Xin Yu. Music intervention affects the quality of life on Alzheimer’s disease: a meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2021. http://dx.doi.org/10.37766/inplasy2021.12.0055.

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Review question / Objective: Inclusion criteria: population: 1) A randomized controlled study on the impact of music intervention on the QOL of patients with AD; 2) The participants in this study is patients with AD; 3) There is no significant difference among age, gender and education background in sorted groups before analysis which make these groups comparable; intervention: 1)Intervention Modality Music-based intervention; comparison: 1) All data were sorted into two groups: the music intervention group and the control group without any music intervention; outcome: 1) The indicators evalua
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Crosse, Rosemary, Patricia O'Connor, and Caroline McGregor. Profiles, Trends and Decision-Making in Private Residential Care in Two Regions in Ireland : an exploratory study. Literature Review. University of Galway, 2024. http://dx.doi.org/10.52516/rayd7915.

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Duffy, Katie, Kelly De Bruin, Loïc Henry, Clement Kyei, Anne Nolan, and Brendan Walsh. Health impacts of climate change and mitigation policies in Ireland. ESRI, 2024. http://dx.doi.org/10.26504/rs188.

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Recognition of the need to limit climate change has led countries to sign up to concerted efforts to decrease greenhouse gas (GHG) emissions. These efforts culminated in the ratification of the Paris Agreement by Ireland and 196 other countries in 2015. This agreement, and the subsequent Climate Action and Low Carbon Development Act of 2021, commit Ireland to a GHG emissions reduction goal of at least 55 per cent compared to 1990 levels by 2030 and net-zero emissions by 2050. These commitments to reduce GHG emissions through various Climate Action Plans will have considerable economic and soci
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Linehan, Margaret, and Corina Sheerin. The Black Ceiling: Employment Experiences of Women of Colour in Southwest Ireland. Munster Technological University, 2023. http://dx.doi.org/10.34719/vuzy6228.

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This report presents valuable insights of the lived experiences of women of colour in the labour market in southwest Ireland. Their voices articulate a perceived double challenge of being both female and persons of colour, challenges not shared by male persons of colour or generally by white persons in organizations. Some of these challenges arise from misunderstandings, unwarranted preconceptions, conscious and unconscious biases, but sometimes from an insensitive blending of racist and misogynist attitudes. The importance of educating the wider labour market, and society in general, to the s
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Pretorius, Christo. Populism in Ireland: Sinn Féin and the Alternative to Fine Gael and Fianna Fáil’s Political Dominance. European Center for Populism Studies (ECPS), 2024. http://dx.doi.org/10.55271/pp0039.

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This article seeks to investigate populism in Ireland, but more specifically the populist left-leaning party Sinn Féin. Although having a checkered past, in the last decade the party has seen a surge in popularity as the alternative voting option. Up until now academic literature discussing the populist nature of Sinn Féin often struggles to define it as such, and so, using political psychology and a clear definition of populism, this article not only categorizes the party as a populist, but also discusses its history and what effect it has had (or lack thereof) on its popularity in the leadup
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