Academic literature on the topic 'Music and magic in fiction'

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Journal articles on the topic "Music and magic in fiction"

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Matz, John Robert. "Scoring Mythology, Megacorps, and Magic." Journal of Sound and Music in Games 3, no. 1 (2022): 60–63. http://dx.doi.org/10.1525/jsmg.2022.3.1.60.

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The composer for the digital collectible card game Mythgard (Rhino Games, 2020) shares a perspective on the design and implementation of the game’s music. Composition challenges included creating a dynamic music system that would work across multiple platforms without middleware and crafting an iconic “sound” for the game’s mythology-infused science fiction universe.
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Fulka, Vladimír. "Román Thomasa Manna "Doktor Faustus" a hudobná estetika Theodora W. Adorna." ESPES. The Slovak Journal of Aesthetics 3, no. 2 (2014): 14–26. https://doi.org/10.5281/zenodo.6387942.

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Thomas Mann's novel Doktor Faustus. Das Leben des deutschen Tonsetzers Adrian Leverkühn erzählt von seinem Freunde (1947) is one of the most known literary works of the 20th century. The creation of this novel was closely tied with an encounter of Thomas Mann with a philosopher and musicologist Theodor W. Adorno in their american exile during the World War II. Thomas Mann's novel represents literary fiction of Adorno's theory of music and musical aesthetics, as found in the study Philosophie der neuen Musik (1949).
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Duhan, Alice. "L’Écriture en langue étrangère comme pratique et comme poétique: le cas de deux écrivains « francographes », Nancy Huston et Andreï Makine." Nottingham French Studies 56, no. 2 (2017): 212–26. http://dx.doi.org/10.3366/nfs.2017.0182.

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This article examines the claims made by translingual writers Nancy Huston and Andreï Makine about the literary function of the foreign language, and also analyses how the poetic potential of foreign words is thematized in their fiction. It focuses on two novels which portray artistic trajectories in search of a language distinct from the imperfect words of everyday expression, be it through a nostalgically opaque language of childhood as in Le Testament français, or through an exploration of the meeting point of music and language as in Lignes de faille. While both writers emphasize the defam
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Fomin, Hlib. "AUTHOR’S WORLD IN THOMAS LIGOTTI’S SHORT STORY “THE MUSIC OF THE MOON”." Odessa National University Herald. Series: Philology 28, no. 2(28) (2023): 43–49. http://dx.doi.org/10.18524/2307-8332.2023.2(28).299786.

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The purpose of the article is to study the nature of the author’s world as expressed in Thomas Ligotti’s short story “Moonlight Music”. The starting point of the article is the understanding of the author’s world as the writer’s response to the main set of problems of reality, which he reproduces in the work with the help of artistic techniques and means. The author’s world is always based on certain artistic principles and is conditioned by the structure of the writer’s soul, as well as by the peculiarities of artistic thinking specific to this writer. The main method of research in the artic
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Wood, Emma. ""In her prophetic fury sewed the work": Remembering Sybil's Handkerchief and Magical Artistries in Djanet Sears' Harlem Duet." tba: Journal of Art, Media, and Visual Culture 3, no. 1 (2021): 174–83. http://dx.doi.org/10.5206/tba.v3i1.13917.

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This paper examines the history of black women artistries, postcolonial magic, and music within Canadian playwright Djanet Sears’ 1997 Toronto production Harlem Duet. In a modern re-adaptation of Shakespeare’s Othello, Sears’ Harlem Duet resituates literary historical symbols, like the infamous handkerchief, and Shakespearean hidden characters within a diasporic and empowered space of agency, intergenerational trauma, and reclamation. With the maternal theoretical foundation of Alice Walker’s work “In Search of Our Mothers’ Gardens,” this paper matrilineally connects Harlem Duet’s protagonist
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Caballero, Carlo. "Silence, Echo: A Response to "What the Sorcerer Said"." 19th-Century Music 28, no. 2 (2004): 160–82. http://dx.doi.org/10.1525/ncm.2004.28.2.160.

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In "What the Sorcerer Said," Carolyn Abbate proposed a reading of Dukas's Sorcerer's Apprentice (1897) focused on the possibility of musical narration. The present essay shifts that focus to the question of the work's uncanniness and excess. In particular, where Abbate finds that the slow part of the epilogue resonates with her understanding of the work as an instance of narration, I begin with the final two measures of the work, which suddenly revert to the fast tempo of the central scherzo. These final measures, which Abbate does not mention, produce a disturbing regression that suggests ano
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Chesterton, G. K. "Magic and Fantasy in Fiction." Chesterton Review 31, no. 3 (2005): 11–15. http://dx.doi.org/10.5840/chesterton2005313/43.

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Horn, Wanda L. "THE MAGIC OF MUSIC." Journal of Psychosocial Nursing and Mental Health Services 40, no. 12 (2002): 8. http://dx.doi.org/10.3928/0279-3695-20021201-05.

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DiChristina, Mariette. "Music, Midlife and Magic." Scientific American Mind 26, no. 2 (2015): 1. http://dx.doi.org/10.1038/scientificamericanmind0315-1.

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Toran, Mindy R. "The Magic of Music." Case Manager 10, no. 6 (1999): 41–43. http://dx.doi.org/10.1016/s1061-9259(99)80153-2.

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Dissertations / Theses on the topic "Music and magic in fiction"

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Vollick, L. Erin. "Spellbound : magic in contemporary fiction." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102849.

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This dissertation examines five figures associated with magic in contemporary literature: voodoo ghosts, magicians, automata, fortune tellers, and freaks. While glancing at a number of novels, this study chiefly examines five books published between 1972 and 2001: Ishmael Reed's Mumbo Jumbo, Allen Kurzweil's A Case of Curiosities, Michael Chabon's The Amazing Adventures of Kavalier & Clay, Susan Sontag's The Volcano Lover, and Thomas Wharton's Salamander. In these novels, figures of magic display different aspects of the work of representation, coded as magic, as well as the effect of magic on
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Sanchez, Maria Ruth Noriega. "Magic realism in contemporary American women's fiction." Thesis, University of Sheffield, 2001. http://etheses.whiterose.ac.uk/3502/.

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The aim of the study is to illustrate the importance of magic realism in American women's fiction in the late twentieth century. The term magic realism, which has traditionally been associated with Latin American men's writing, has been known by different, and often contradictory, definitions. It may be argued that, properly defined, it can be a valid term to describe a number of characteristics common to a corpus of work, and can be considered as an aesthetic category different from others such as Surrealism or Fantastic literature, with which it has often been compared. Furthermore, magic re
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Roberts, Geri L. "Magic City Mischief." Thesis, Virginia Tech, 2010. http://hdl.handle.net/10919/77486.

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Set against a lush landscape of swaying palms and rolling waves in what should be a tropical paradise is Miami a.k.a. The Magic City—a hedonistic metropolis saturated with sex whose residents are consumed with the pleasure principle. Combine the sheer numbers and too-busy, modern lives—and the consequential ability to live anonymously—plus inhabitants who embrace the “me"? principle, whip these ingredients together, and traditional guidelines are abandoned. The linked fictional collection consists of longer, more richly-textured stories, as well as experimental and flash fiction pieces that m
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Hart, Patricia. "Narrative magic in the fiction of Isabel Allende /." Rutherford : London ; Toronto : Fairleigh Dickinson university press ; Associated university presses, 1989. http://catalogue.bnf.fr/ark:/12148/cb354990970.

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Barulich, Nadia Stosija. "Magic Wood." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/cmc_theses/1088.

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This project is a translation of Liu Qingbang's novella 'Shénmù' from Chinese into English. It is also accompanied by an analysis of the text and Li Yang's movie 'Blind Shaft', which was based on the novella.
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Norris, Marcus Duane JR. "Brown Eyes, Black Magic." FIU Digital Commons, 2017. http://digitalcommons.fiu.edu/etd/3270.

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This thesis consists of a large composition for chamber orchestra titled Brown Eyes, Black Magic and an accompanying analytical paper. The piece, approximately twelve minutes long, is a tribute to women of color in America. The title pays homage to the “Black Girl Magic” campaign that CaShawn Thompson founded in 2013 to empower women of color by highlighting their achievements in different fields (Wilson 2016). Although the piece is not programmatic, I tried to create a mysterious sound world, in which the listener focuses on the beauty of ever-shifting sonic colors. The composition explores m
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Cleveland, Chris M. "Sisters of shadow." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/941730.

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The purpose of this project was to explore the nature of relationships and the concept of light and dark aspects of personality in a fantasy setting.Sisters of Shadow is the story of telepathically linked twin sisters who study in rival schools of magic. When their unique bond is discovered, they must deal with the hostile emotions it inspires in others. The pivotal event in the story is a test both girls must undergo before they can become apprentices in their respective schools of magic. The test forces them to work together, light magic balancing and harmonizing with dark magic. An assassin
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Flegal, Kathleen M. "Magic words the phonology of fantasy neologisms /." Fairfax, VA : George Mason University, 2008. http://hdl.handle.net/1920/3283.

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Thesis (M.A,)--George Mason University, 2008.<br>Vita: p. 78. Thesis director: Steven Weinberger. Submitted in partial fulfillment of the requirements for the degree of Master of Arts in English. Title from PDF t.p. (viewed Jan. 11, 2009). Includes bibliographical references (p. 73-77). Also issued in print.
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Berg, Sharon Louise. "Magic in the North : magical realism in contemporary Scandinavian fiction /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/10243.

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Viñao, Alejandro. "Magic realism in music : four electroacoustic compositions." Thesis, City University London, 1987. http://openaccess.city.ac.uk/8344/.

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The subject of this thesis is not the text contained in this book, but the four electroacoustic compositions presented: Go, Hendrix Haze, Triple Concerto and Toccata del Mago. The purpose of this writing is to put forward a context in which these four compositions may be assessed. In chapter 1, I choose to present my work taking a lateral approach. Rather than discuss my background as a composer and the reasons or 'necessity' for using the electroacoustic medium to express my musical thinking, I have instead introduced a new idea to provide a wider context: Magic Realism in music. I have devel
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Books on the topic "Music and magic in fiction"

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Murray, W. Magic music. Ladybird, 1990.

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Crandall, Sharon Olexa. Owlie and his magic music. Featherdown Book/Astoria Productions, 2000.

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Associates, Kroha, and Yakovetic Productions, eds. The Magic melody. Disney Books by Mail, 1992.

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Marie, Robertson Eleanor. Christmas magic. Mills & Boon, 2012.

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Price, R. O. Christopher Kazoo & Bongo Boo. Little School House Books, 2008.

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Flyte, Magnus. City of dark magic: A novel. Penguin Books, 2012.

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ill, Juan Ana, ed. Bibi and the sad ballerinas. Atheneum Books for Young Readers, 2006.

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Chardiet, Bernice. The magic fish rap. Scholastic Inc., 1993.

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Frederik, Hetmann. Traumklänge: Oder, Das längste Märchen, das es je gab. Lübbe, 2004.

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Albom, Mitch. The magic strings of Frankie Presto. Sphere, 2015.

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Book chapters on the topic "Music and magic in fiction"

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Vaughan, Roger. "Making Magic." In Listen to the Music. Springer New York, 2000. http://dx.doi.org/10.1007/978-1-4612-1292-8_6.

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Howard, Natasha R. "The Magic of “Blacks’ Magic”." In Essays on Music, Adolescence, and Identity. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-55217-5_8.

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Freitag, Florian. "The Sounds of Magic." In Silence, Sounds, Music. Routledge, 2025. https://doi.org/10.4324/9781003219132-20.

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D. Dowden, Stephen. "Music as Natural Magic." In Modernism and Mimesis. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53134-8_4.

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Kuusisto, Pekka. "The Figure in the Magic Carpet." In Nordic Speculative Fiction. Routledge India, 2024. http://dx.doi.org/10.4324/9781003561101-7.

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Gamble, Sarah. "The Magic Toyshop (1967)." In The Fiction of Angela Carter. Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-08966-3_3.

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Bramwell, Peter. "Magic and Maturation: Uses of Magic in Fantasy Fiction." In Modern Children’s Literature. Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-36501-9_15.

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Wallrup, Erik. "The tune of the magic flute." In Music as Atmosphere. Routledge, 2019. http://dx.doi.org/10.4324/9780815358718-11.

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Acquisto, Joseph. "Fiction, Memory, and Music." In Proust, Music, and Meaning. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47641-4_6.

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Acquisto, Joseph. "Conclusion: Music, Subjectivity, Fiction." In Proust, Music, and Meaning. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47641-4_7.

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Conference papers on the topic "Music and magic in fiction"

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Jakupi, Syzana. "PIANO WORKS BY COMPOSER RAUF DHOMI (ANALYSIS FOR INTERPRETATION)." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.14.

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The primary purpose of the paper is to present research analysis which aims to recognize the art of Kosovan piano music through analysis for interpretation as a relatively new discipline born in the late �90s that today in the world counts numerous publications. The qualitative-descriptive methodology is used in this paper. It entails interpreting and analyzing music, with a focus on Rauf Dhomi�s Opus �70 Pieces for Piano�. Many European countries have previously experienced the splendor and enchantment of the Renaissance, but Kosovo is currently undergoing a true Renaissance following its ind
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Soares, Liliana, Ermanno Aparo, and Rita Almendra. "Design and creativeness for a three-act session." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003537.

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This paper presents the bases of a documentary about the conversion of the business sector and the performing arts in the North of Portugal, during the pandemic. The documentary intends to prove that the introduction of innovative procedures can be important to all sectors involved in society. Liquid reality (Bauman, 2005) demands constant exploration; therefore, it challenges designers to create sustainable products. Knowing that spectacle is about human connection, a process disconnected from visual culture can contribute to the public ignoring the participation of design as an area of knowl
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Naitoh, Ken. "The Engine: Inducing the Morphogenetic Process of Human Beings." In ASME 2012 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/detc2012-70667.

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The stochastic Navier-Stokes equation solves the mysteries underlying the macroscopic morphogenetic processes of human beings, which include brain, legs, arms, internal organs. (Naitoh, 2001, 2008, 2010, 2011) This is possible because main part of the living beings is filled with water flow. The theoretical studies (Naitoh, 2008, 2010, 2011) also explain the reason why inner organs such as heart and liver are left-right asymmetric at the later stage of the developmental process. Our computational results (Naitoh and Kawanobe, 2011) also reveal the morphogenetic process of main blood vessels. H
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Joshi, Prachi, Hirak Banerjee, Avdhoot V Muli, Aurobinda Routray, and Priyadarshi Patniak. "Study of Emotional contagion through Thermal Imaging: A pilot study using noninvasive measures in young adults." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004755.

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Emotional contagion, the process of unconsciously mirroring others’ emotions [6], occurs through various channels including facial expressions, vocal tone, and body language, influencing social interactions and responses to cultural stimuli like music and movies [3], [4], [1]. Facial expressions, analyzed using the Facial Action Coding System (FACS), provide insights into emotional transmission [2]. Thermal imaging, a technique for measuring facial temperature changes, offers a noninvasive method to study emotional responses [5]. However, the facial thermal response to emotional contagion rema
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