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Books on the topic 'Music and narration'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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1

Powell, Linda Crabtree. Compelling choral concerts: 13 creative programs with narration. Chicago: GIA Publications, Inc., 2014.

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2

Baier, Angelika. "Ich muss meinen Namen in den Himmel schreiben": Narration und Selbstkonstitution im deutschsprachigen Rap. Tübingen: francke VERLAG, 2012.

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3

Apolls musikalische Reisen: Zum Verhältnis von System, Text und Narration in Johann Nicolaus Forkels Allgemeiner Geschichte der Musik (1788-1801). Mainz: Are Edition, 2009.

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4

Narracje literackie i nieliterackie. Kraków: Universitas, 1997.

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5

Words and music in the Middle Ages: Song, narrative, dance, and drama, 1050-1350. Cambridge [Cambridgeshire]: Cambridge University Press, 1986.

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6

Schickele, Peter. Hornsmoke: A horse opera : for brass quintet and narration (trumpet in B♭, cornet in B♭, horn in F, trombone, tuba). Bryn Mawr, Penn: Elkan-Vogel, 1987.

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7

Les passions du récit à l'opéra: Rhétorique de la transposition dans Carmen, Mireille, Manon. Paris: Classiques Garnier, 2009.

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8

Institute, British Film, ed. Unheard melodies: Narrative film music. London: BFI, 1987.

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9

Unheard melodies: Narrative film music. London: BFI Pub., 1987.

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10

Barrett, Margaret S., and Sandra L. Stauffer, eds. Narrative Inquiry in Music Education. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-1-4020-9862-8.

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11

Bernard Herrmann: Film music and narrative. Ann Arbor, Mich: UMI Research Press, 1985.

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12

Bruce, Graham. Bernard Herrmann: Film music and narrative. Ann Arbor, Mich: UMI Books on Demand, 1999.

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13

Narrative soundings: An anthology of narrative inquiry in music education. Dordrecht: Springer, 2012.

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14

Barrett, Margaret S., and Sandra L. Stauffer, eds. Narrative Soundings: An Anthology of Narrative Inquiry in Music Education. Dordrecht: Springer Netherlands, 2012. http://dx.doi.org/10.1007/978-94-007-0699-6.

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15

Barton, William. Re-structuring of narrative in music video. London: LCP, 2001.

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16

Hart, Heidi. Music and the Environment in Dystopian Narrative. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01815-3.

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17

A theory of musical narrative. Bloomington: Indiana University Press, 2008.

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18

Lee, Finney Ross. Narrative in argument: Piano solo. New York: Henmar Press, 1991.

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19

Lee, Finney Ross. Narrative in retrospect: Piano solo. [S.l.]: Henmar Press, 1987.

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20

Silent film sound. New York: Columbia University Press, 2004.

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21

Grandt, Jürgen E. Kinds of blue: The jazz aesthetic in African American narrative. Columbus: Ohio State University Press, 2004.

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22

Kiyomoto-bushi: Narrative music of the kabuki theatre. Kassel: Bärenreiter, 1999.

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23

Pegg, Carole. Mongolian music, dance, & oral narrative: Performing diverse identities. Seattle: University of Washington Press, 2001.

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24

Aldridge, Gudrun. Melody in music therapy: A therapeutic narrative analysis. London: J. Kingsley, 2008.

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25

Goodwin, Andrew James. Music television and the politics of popular narrative. Birmingham: Universityof Birmingham, 1991.

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26

Aldridge, Gudrun. Melody in music therapy: A therapeutic narrative analysis. London: J. Kingsley, 2008.

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27

As heard on TV: American narrative television music. New York, N.Y: Oxford University Press, 2009.

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28

Albright, William. 1732, in memoriam Johannes Albrecht: Organ (narrator). New York: Hennmar Press, 1986.

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29

The narrative arts of Tianjin: Between music and language. Burlington, VT: Ashgate, 2010.

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30

Scheub, Harold. The poem in the story: Music, poetry, and the narrative. Madison: University of Wisconsin Press, 2002.

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31

Wolfe, Lawrence. Suite dreams: For narrator and orchestra. Boston, Mass: ECS Pub., 1993.

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32

Gopal, Rupa. G.N.B. centenary special: A narrative collage. [Chennai: Rupa Gopal], 2009.

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33

1910-1965, Balasubramaniam G. N., ed. G.N.B. centenary special: A narrative collage. [Chennai: Rupa Gopal], 2009.

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34

Kambe, Satoru. Jean Sibelius's Kullervo and Lemminkäinen: Form, image and musical narrative. Imatra: International Semiotics Institute of Imatra, 2005.

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35

Jean Sibelius's Kullervo and Lemminkäinen: Form, image and musical narrative. Imatra: International Semiotics Institute at Imatra : Semiotic Society of Finland : Department of Musicology, University of Helsinki, 2006.

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36

Noland, Gary. Teatime in purgatory: For narrator, piano improviser, and pantomimists : op. 16. Berkeley, CA: Freeland Publications, 1990.

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37

The St. Olaf Choir: A narrative. Northfield, Minn: St. Olaf College, 1997.

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38

Abbate, Carolyn. Unsung voices: Opera and musical narrative in the nineteenth century. Princeton, N.J: Princeton University Press, 1991.

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39

Weiner, Marc A. Undertones of insurrection: Music, politics & the socialsphere in the modern German narrative. Lincoln, Neb: University of Nebraska Press, 1993.

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40

Undertones of insurrection: Music and cultural politics in the modern German narrative. New Brunswick, NJ: Transaction Publishers, 2008.

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41

Turner, Thomas Noel. Country music night before Christmas. Gretna: Pelican Pub. Co., 2003.

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42

Brahms and the scherzo: Studies in musical narrative. Burlington, VT: Ashgate, 2009.

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43

1718-1795, Marpurg Friedrich Wilhelm, ed. Marpurg's thoroughbass and composition handbook: A narrative translation and critical study. Stuyvesant, NY: Pendragon Press, 1989.

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44

Undertones of insurrection: Music, politics & the social sphere in the modern German narrative. Lincoln: University of Nebraska Press, 1993.

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45

Langenbruch, Anna, Daniel Samaga, and Clémence Schupp-Maurer, eds. Musikgeschichte auf der Bühne - Performing Music History. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839457467.

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Abstract:

Ob als Oper, Musical, dramatische Montage oder historisches Pastiche: Performative Zugänge zur Musikgeschichtsschreibung bringen Geschichte auf die Bühne. Dazu stellen sie Verbindungen zwischen Vergangenheit und Gegenwart her und arbeiten mit Klängen, historischem Material oder etablierten Bildern von Künstler*innen. Die Beiträger*innen des Bandes fragen danach, wie Musikgeschichte auf der Bühne erzählt, komponiert, inszeniert und verkörpert wird: Was zeichnet diese intermediale Form der Musikhistoriographie aus? Wie verhält sie sich zur Geschichtsschreibung in anderen Medien? Und welche narrativen Strategien und Praktiken, welche Geschichtsbilder prägen Musikgeschichten auf der Bühne?

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46

Folkpsalms (Music and Narration/Audio Cassette). Abingdon Pr, 1993.

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47

Carey, Karla. Julie & Jackie Go A'Journeying: The Narration & Music Book. L.C. Publishing Co, 1990.

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48

Carey, Karla. Julie & Jackie at the Circus: The Narration & Music Book. L.C. Publishing Co, 1990.

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49

Carey, Karla. Julie & Jackie at Christmas-Time: The Narration & Music Book. L.C. Publishing Co, 1990.

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50

Carey, Karla. Julie & Jackie on the Ranch: The Narration & Music Book. L.C. Publishing Co, 1990.

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