Academic literature on the topic 'Music and progress'

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Journal articles on the topic "Music and progress"

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Ashman, Mike, and Sandra Corse. "Progress." Musical Times 132, no. 1786 (1991): 616. http://dx.doi.org/10.2307/965798.

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Iddon, Martin. "OUTSOURCING PROGRESS: ON CONCEPTUAL MUSIC." Tempo 70, no. 275 (2015): 36–49. http://dx.doi.org/10.1017/s0040298215000613.

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AbstractThis article addresses the phenomenon of New Conceptualism, otherwise known as conceptual music, or Konzeptmusik, and locates it within the German new music scene of the last decade. It is suggested that conceptual music may perhaps be a contradiction in terms, representing a nostalgic desire for the semantic strength of conceptual art. In particular the article focuses on Johannes Kreidler's 2009 work, Fremdarbeit, and scrutinises the composer's claim to have ‘outsourced’ the composition of the work to India and China. The significance of this – whether actual or fictional – as an exa
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Sulistyawati, Henny. "Pengaruh Terapi Musik Klasik Terhadap Lama Persalinan Kala I." J-HESTECH (Journal Of Health Educational Science And Technology) 3, no. 2 (2020): 129. http://dx.doi.org/10.25139/htc.v3i2.3225.

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ABSTRAKPersalinan normal adalah proses persalinan yang melalui kejadian secara alami dengan adanya kontraksi rahim ibu dan dilalui dengan pembukaan untuk mengeluarkan bayi. Penelitian yang bertautan dengan partus lama, ditemukan 65 % penyebabnya adalah kontraksi uterus yang tidak berkontraksi dengan baik. Apabila kemajuan persalinan terhambat dan tidak segera di tangani oleh tenaga kesehatan maka akan berakibat buruk terhadap kelancaran dan kemajuan persalinan. Maka dari itu, bila persalinan lancar diperlukan cara untuk mempercepat proses persalinan dengan cara pemberian musik klasik.Tujuan da
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Richards, Martin. "In Progress." Musical Times 134, no. 1809 (1993): 616. http://dx.doi.org/10.2307/1002793.

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Fredrickson, William E. "Progress." Journal of Music Teacher Education 17, no. 1 (2007): 5–6. http://dx.doi.org/10.1177/10570837070170010102.

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Eisler, Hanns. "Film Music—Work in progress (1941)." Historical Journal of Film, Radio and Television 18, no. 4 (1998): 591–94. http://dx.doi.org/10.1080/01439689800260401.

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Brooks, William. "Protest, Progress and (Im)possible Music." Contemporary Music Review 29, no. 4 (2010): 405–11. http://dx.doi.org/10.1080/07494467.2010.587318.

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Dean, Winton, Hans Busch, and Giuseppe Verdi. "Opera in Progress." Musical Times 130, no. 1758 (1989): 475. http://dx.doi.org/10.2307/1193605.

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Frit, Sajmon. "Can music progress?: Reflections on the history of popular music." Muzikologija, no. 7 (2007): 247–57. http://dx.doi.org/10.2298/muz0707247f.

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This paper considers schematically the various discourses through which popular music history is understood. My proposal is that five accounts of musical history (the business model, the musicological model, the sociological model, the historical model and the art history model) are commonly deployed in popular music discourse. One implies, superficially at least, that popular music evolves, gets better; four implies that, at least in the longer term, it does not. The concept of ?progress? is shown to be problematic.
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Straus, Joseph N. "The Progress of a Motive in Stravinsky's the Rake's Progress." Journal of Musicology 9, no. 2 (1991): 165–85. http://dx.doi.org/10.2307/763551.

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Dissertations / Theses on the topic "Music and progress"

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Bortz, Yuri. "Selective American perspectives on issues of Twenty-First-Century musical progress." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1110210137.

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Thesis (D.M.A.)--Ohio State University, 2005.<br>Title from first page of PDF file. Document formatted into pages; contains xiv, 128 p. Includes bibliographical references (p. 128). Available online via OhioLINK's ETD Center
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Moon, Joshua D. "Progress, Restoration, and the Life of Rock After Alternative." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1426865642.

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Degirmenci, Koray. "Turkish World Music: Multiple Fusions And Authenticities." Phd thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/3/12610077/index.pdf.

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This dissertation investigates the case of world music in Turkey as an illustration of the discursive mechanisms involved in the production of a global cultural form from what the globality has defined as the &lsquo<br>local&rsquo<br>. The study attempts to show the complicated nature of the process by examining how the musical forms and themes supposedly belonging to the &lsquo<br>local&rsquo<br>are incorporated into and appropriated in the discourses associated with world music and into the corresponding strategies of the actors. The discursive compilations, articulations and dislocations ta
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Nettheim, Nigel School of Music &amp Music Education UNSW. "Schubert's early progress: on the internal evidence of his compositions up to Gretchen am Spinnrade." Awarded by:University of New South Wales. School of Music & Music Education, 1999. http://handle.unsw.edu.au/1959.4/32816.

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Franz Schubert (1797-1828) left many musical scores containing his earliest compositional efforts. Here 'earliest' is taken, for convenience, to refer to the works from the first extant (1810) up to and including the lied Gretchen am Spinnrade (1814), his first generally recognized masterpiece. This dissertation tells the story tracing those efforts in a chronological series of analytical essays. The essays mention only incidentally the external evidence of the home environment, lessons received, concerts attended, and so on, but refer instead primarily to the internal evidence of the composi
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Lies, Mattias. "Vattenringar : En individstudie i folkmusikvågens efterdyningar." Thesis, Växjö University, School of Education, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-1273.

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<p>This essay is about two Swedish folk musicians, Anders Rosén and Leif Stinnerbom, who have been playing two important rolls in the developing process of Swedish folk music, on their separate ways. The main part of this work is focused on the era called “The Folk Music Vogue”, which was the era when my informants were in the limelight on the Swedish fiddler scene of the 70s.</p><p>Our music culture is constantly lying under the change of progress and I find it interesting to reflect how these kinds of changes are affecting the role of the musician.</p><p>In this essay I am reflecting on the
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Hines, Jane. "Reinventing Tradition: Brahms, Progress, and Basso Ostinato." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1399942904.

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Kossen-Veenhuis, Tomke Helga Marie Folkerts. "'The great thing about collaboration is that it never is perfect' : an ethnography of music and dance collaborations in progress." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25685.

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‘Art worlds’ (Becker 1982) tend to be treated as autonomous spheres but there have always been artistic enterprises that combine different art forms. Contemporary dance theatre is an example of such an intersection: the collaboration between music and dance worlds requires a network of different kinds of artists to produce a coherent artwork. This PhD research investigated the social interrelations of musicians and dancers and the development processes in a collaborative music-dance production. The artists are part of a multi-component network where all parties ideally need to cooperate closel
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Pacheco, Junior Celso. "O progresso pela viola: análise político ideológica da obra musical de Tonico e Tinoco durante a ditadura militar." Pontifícia Universidade Católica de Goiás, 2009. http://localhost:8080/tede/handle/tede/2257.

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Made available in DSpace on 2016-08-10T10:34:54Z (GMT). No. of bitstreams: 1 CELSO PACHECO JUNIOR.pdf: 594461 bytes, checksum: be1aa3980879a1fc016130e47a9bfc66 (MD5) Previous issue date: 2009-12-18<br>The present work aims to make both a political and ideological analysis of Brazilian society during Military Dictatorship and has the musical work of Tonico and Tinoco as its source. As I listened to the songs from the Dupla Coração do Brasil , I realized that some of them saw the theme progress differently from that seen by other country songs. They presented it as a non-structuring element o
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Čupka, Martin. "Technologický pokrok a jeho dopady na hudobný priemysel." Master's thesis, Vysoká škola ekonomická v Praze, 2014. http://www.nusl.cz/ntk/nusl-193295.

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This thesis deals with positive and negative effects of technological progress on the music industry. The first part presents important changes during the evolution of the music industry to its current status. Other chapters are trying to analyze current trends and their specific features in the field of production, distribution and promotion of music in the world and the Czech Republic. Special chapter is devoted to new forms of financing music project. The work also deals with the analysis of the current music consumption habits of music consumers in the Czech Republic and Slovakia. The last
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Kivling, Cecilia. "Flöjtglädje : En undersökning om vad flöjtelever tycker är roligt med sitt spel och sina flöjtlektioner." Thesis, Karlstad University, Division for Ingesund College of Music, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-1669.

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<p>This is a study of how young flutists experience playing their instrument and having music lessons, especially what they think is most enjoyable. 27 flutists between the ages of 8 and 19 years old, from three different municipal schools of music in central Sweden, were interviewed during spring 2000.</p><p>Some of the conclusions are that enjoyment coincides with meaningful when you are in a musical context, and when your progress is confirmed by the teacher.</p><p>The study is to be seen as some examples of different things that young flutists find enjoyable. It is not an enumeration of re
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Books on the topic "Music and progress"

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The progress of music in Ireland. Four Courts Press, 2005.

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Gilligan, Russell. Perfect practice promotes progress. R. Gilligan, 1991.

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Snitkin, Harvey R. Practice planner: A journal of goals and progress. HMS Publications, 2002.

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Rock in progress: Promuovere, distribuire, far conoscere la vostra musica. Effequ, 2011.

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Ortiz, Joseph M. On the Origin and Progress of the Art of Music by John Taverner. Routledge, 2018. http://dx.doi.org/10.4324/9781315207193.

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Miller, Cristi Cary. Assessment in the music classroom: Practical tips and activities for measuring student progress. H. Leonard Corp., 2005.

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Paland, Ralph. Work in Progress und Werkindividualität: Bernd Alois Zimmermanns Instrumentalwerke, 1960-1965. Schott, 2006.

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International Symposium on Progress in Fish Vaccinology (3rd 2003 Bergen, Norway). Progress in fish vaccinology: The Grieg Music Hall Conference Centre, Bergen, Norway, April 9-11, 2003. Edited by Midtlyng Paul J, International Association for Biologicals, and VESO. Karger, 2005.

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Performance standards for music: Strategies and benchmarks for assessing progress toward the national standards, grades PreK-12. Music Educators National Conference, 1996.

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J, Anderson Michael. A classified index of American doctoral dissertations and dissertation projects on choral music completed or currently in progress through 1989. American Choral Directors Association, 1990.

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Book chapters on the topic "Music and progress"

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Bilotta, E., P. Pantano, and V. Talarico. "Evolutionary Music and Fitness Functions." In Progress in Industrial Mathematics at ECMI 2000. Springer Berlin Heidelberg, 2002. http://dx.doi.org/10.1007/978-3-662-04784-2_16.

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Barreira, Luís, Sofia Cavaco, and Joaquim Ferreira da Silva. "Unsupervised Music Genre Classification with a Model-Based Approach." In Progress in Artificial Intelligence. Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-24769-9_20.

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Ferrand, Miguel, João Alexandre Leite, and Amilcar Cardoso. "Improving Optical Music Recognition by Means of Abductive Constraint Logic Programming." In Progress in Artificial Intelligence. Springer Berlin Heidelberg, 1999. http://dx.doi.org/10.1007/3-540-48159-1_24.

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Varankaitė, Ulrika. "Music and Associations: Cultural Impact on Musical Perception." In Numanities - Arts and Humanities in Progress. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47060-3_4.

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Gil, André, Carlos Grilo, Gustavo Reis, and Patrício Domingues. "A Divide and Conquer Approach to Automatic Music Transcription Using Neural Networks." In Progress in Artificial Intelligence. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-30244-3_19.

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Ribaldini, Paolo. "Political and Ethical Values of the Music of Manowar." In Numanities - Arts and Humanities in Progress. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47060-3_15.

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Lange, Nicholas, and Janet E. Lainhart. "A City Upon a Hill: making scientific progress in brain-based music research in typical development, autism and other disorders." In Music that works. Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-75121-3_10.

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Borowiecka, Renata. "The Theme of Death in the Music of Paweł Łukaszewski." In Numanities - Arts and Humanities in Progress. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47060-3_10.

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Wójtowicz, Ewa. "Religious Motifs and Existential Reflection in Zbigniew Bujarski’s Chamber Music." In Numanities - Arts and Humanities in Progress. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47060-3_11.

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Kiwała, Kinga. "New Romanticism in Polish Music. Generation 51—Knapik, Krzanowski, Lasoń." In Numanities - Arts and Humanities in Progress. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-47060-3_7.

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Conference papers on the topic "Music and progress"

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Burrows, Joel, Vivekanandan Kumar, Kinshuk, and Ali Dewan. "Assessing a Music Student's Progress." In 2018 IEEE 18th International Conference on Advanced Learning Technologies (ICALT). IEEE, 2018. http://dx.doi.org/10.1109/icalt.2018.00055.

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Miranda, Eduardo R., Simon Durrant, and Torsten Anders. "Towards Brain-Computer Music Interfaces: Progress and challenges." In 2008 First International Symposium on Applied Sciences on Biomedical and Communication Technologies (ISABEL). IEEE, 2008. http://dx.doi.org/10.1109/isabel.2008.4712626.

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"Usage Habits in Music Streaming Applications and Their Influence on Privacy Related Issues [Research in Progress]." In InSITE 2019: Informing Science + IT Education Conferences: Jerusalem. Informing Science Institute, 2019. http://dx.doi.org/10.28945/4272.

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Aim/Purpose: In this exploratory study we examine personal information management within music streaming applications. Also, we investigate the sense of ownership over songs being played on music streaming applications and whether the use of these services may be considered a social activity. In a later stage, we intend to test privacy related issues in music streaming applications and the factors that influence privacy concerns when using these services. Methodology: This is examined by using a mixed methodology and consists of two phases: qualitative and quantitative. The qualitative stage i
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Wang, Yan, and Weijian Si. "Real-valued root-MUSIC algorithm with forward/backward averaging." In 2017 Progress in Electromagnetics Research Symposium - Fall (PIERS - FALL). IEEE, 2017. http://dx.doi.org/10.1109/piers-fall.2017.8293211.

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Park, Won-Kwang. "Multi-frequency MUSIC for searching small dielectric inclusions surrounded by random scatterers." In 2016 Progress in Electromagnetic Research Symposium (PIERS). IEEE, 2016. http://dx.doi.org/10.1109/piers.2016.7735179.

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Deng, Yongli, Yuanyuan Lv, Mingliang Liu, and Qiyong Lu. "A regression approach to categorical music emotion recognition." In 2015 IEEE International Conference on Progress in Informatics and Computing (PIC). IEEE, 2015. http://dx.doi.org/10.1109/pic.2015.7489849.

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Park, Won-Kwang, Kwang-Jae Lee, Hwa Pyung Kim, and Seong-Ho Son. "Application of MUSIC to microwave imaging for detection of dielectric anomalies." In 2017 Progress In Electromagnetics Research Symposium - Spring (PIERS). IEEE, 2017. http://dx.doi.org/10.1109/piers.2017.8262251.

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Chi Young Ahn, Taeyoung Ha, Kiwan Jeon, and Won-Kwang Park. "Application of MUSIC for imaging extended dielectric inhomogeneities embedded in a inhomogeneous medium." In 2016 Progress in Electromagnetic Research Symposium (PIERS). IEEE, 2016. http://dx.doi.org/10.1109/piers.2016.7735177.

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Abou-Khousa, M. A., and R. Zoughi. "Microwave Quantitative NDE Technique for Dielectric Slab Thickness Estimation Using the Music Algorithm." In REVIEW OF PROGRESS IN QUANTITATIVE NONDESTRUCTIVE EVALUATION. AIP, 2007. http://dx.doi.org/10.1063/1.2718005.

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Billis, Steven, Nada Anid, and Steven Giordano. "Work in progress — Music synthesizers: A tool in engineering education." In 2011 Frontiers in Education Conference (FIE). IEEE, 2011. http://dx.doi.org/10.1109/fie.2011.6142754.

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Reports on the topic "Music and progress"

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Orning, Tanja. Professional identities in progress – developing personal artistic trajectories. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.544616.

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We have seen drastic changes in the music profession during the last 20 years, and consequently an increase of new professional opportunities, roles and identities. We can see elements of a collective identity in classically trained musicians who from childhood have been introduced to centuries old, institutionalized traditions around the performers’ role and the work-concept. Respect for the composer and his work can lead to a fear of failure and a perfectionist value system that permeates the classical music. We have to question whether music education has become a ready-made prototype of ce
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Raychev, Nikolay. Can human thoughts be encoded, decoded and manipulated to achieve symbiosis of the brain and the machine. Web of Open Science, 2020. http://dx.doi.org/10.37686/nsrl.v1i2.76.

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This article discusses the current state of neurointerface technologies, not limited to deep electrode approaches. There are new heuristic ideas for creating a fast and broadband channel from the brain to artificial intelligence. One of the ideas is not to decipher the natural codes of nerve cells, but to create conditions for the development of a new language for communication between the human brain and artificial intelligence tools. Theoretically, this is possible if the brain "feels" that by changing the activity of nerve cells that communicate with the computer, it is possible to "achieve
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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. Th
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