Academic literature on the topic 'Music and rhetoric'
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Journal articles on the topic "Music and rhetoric"
DEMEYERE, EWALD. "ON BWV1080/8: BETWEEN THEORY AND PRACTICE." Eighteenth Century Music 4, no. 2 (September 2007): 291–99. http://dx.doi.org/10.1017/s1478570607000966.
Full textKalό, Ildiko. "Considerations on the Elements of Musical Language in ‘La casa di peste drum’ [At the House across the Road] by Tudor Jarda." Musicology Papers 35, no. 1 (November 1, 2020): 35–40. http://dx.doi.org/10.47809/mp.2020.35.01.02.
Full textGoodman, Mark, Stephen Brandon, and Melody Fisher. "1968: Music as Rhetoric in Social Movements." IRA-International Journal of Management & Social Sciences (ISSN 2455-2267) 9, no. 2 (November 29, 2017): 71. http://dx.doi.org/10.21013/jmss.v9.v2.p4.
Full textGibson, Jonathan. "““A Kind of Eloquence Even in Music””: Embracing Different Rhetorics in Late Seventeenth-Century France." Journal of Musicology 25, no. 4 (2008): 394–433. http://dx.doi.org/10.1525/jm.2008.25.4.394.
Full textThatelo, Mopailo Thomas. "Afrocentric analysis of music in political advertisements of the Economic Freedom Fighters (EFF)." Communicare: Journal for Communication Studies in Africa 41, no. 2 (December 15, 2022): 65–74. http://dx.doi.org/10.36615/jcsa.v41i2.1431.
Full textOliinyk, Oleksandr L. "Interconnection of rhethoric and music art." Linguistics and Culture Review 5, S4 (October 23, 2021): 254–68. http://dx.doi.org/10.21744/lingcure.v5ns4.1581.
Full textRa, Julie. "Baroque Music and Rhetoric." Yonsei Music Research 18 (December 31, 2011): 41–64. http://dx.doi.org/10.16940/ymr.2011.18.41.
Full textPaschoal, Stéfano. "Anáfora ou repetição em Música: figura e recurso expressivo." ouvirOUver 13, no. 1 (May 25, 2017): 216. http://dx.doi.org/10.14393/ouv20-v13n1a2017-16.
Full textOlena, Kholodkova. "G. Ph. Telemann’s Concertos for Four Violins withoutbassocontinuoin the aspect of onomatopoeic and figurative rhetoric." Aspects of Historical Musicology 24, no. 24 (October 13, 2021): 54–70. http://dx.doi.org/10.34064/khnum2-24.03.
Full textMcClelland, John. "Music with Words: Semiotic/Rhetoric." Rhetorica 8, no. 3 (1990): 187–211. http://dx.doi.org/10.1525/rh.1990.8.3.187.
Full textDissertations / Theses on the topic "Music and rhetoric"
Tinajero, Roberto Jose. "Hip hop rhetoric relandscaping the rhetorical tradition /." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2009. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.
Full textParadiso, Laurin Anna. "Classical rhetoric in baroque music." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1208.
Full textRepertoar: J.S.Bach: f-moll konsert för cembalo och orkester; Scarlatti: Sonata K 141; Froberger: Toccata VI i a-moll; Paradies: Sonata VII i B-dur; Frescobaldi: Toccata Ottava ur Primo Libro; d'Anglebert: Prelude, Allemande, Courante ur Suite i d-moll; Scarlatti: Follia; Fontana: Sonata Seconda för blockflöjt och basso continuo. Medverkande: Dan Laurin - blockflöjt, Jonas Lindgård - violin, Josef Cabrales - violin, Toni Bauer - viola, Mats Olofsson - cello, Danijel Petrovic - kontrabas
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Rusak, Helen Kathryn. "Rhetoric and the motet passion." Title page, table of contents and introduction only, 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armr949.pdf.
Full textToumpoulidis, Themistoklis D. "Aspects of musical rhetoric in Baroque organ music." Thesis, University of Sheffield, 2005. http://etheses.whiterose.ac.uk/3032/.
Full textStedman, Kyle D. "Musical Rhetoric and Sonic Composing Processes." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4229.
Full textEmke, Andréas. "Musiklärares användning av talekonsten : Retoriska förmågor." Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4177.
Full textIn the olden literature it has been shown that the art of speech can be used to convince its listeners. An essential part of the teaching profession is to make oneself understood by pupils and students. This study examines how music teachers use rhetorical devices in their teaching and how their students perceive the music teachers' rhetoric. The study was conducted by observing the music teachers' lessons, afterwards their students were interviewed. The results show that music teachers use their voice in different ways, through conviction, tempo, strategic emphases and pauses for effect, to convey their message. The study shows that students' understanding of the subject can be influenced by the teacher adapting his or her way of speaking.
Desler, Anne. "'Il novello Orfeo' Farinelli : vocal profile, aesthetics, rhetoric." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5743/.
Full textJohnston, Gregory Scott. "Protestant funeral music and rhetoric in seventeenth-century Germany : a musical-rhetorical examination of the printed sources." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/27359.
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Westacott, Graeme John. "The rhetoric of the north German organ school /." The rhetoric of the north German organ schoolRead the abstract of the thesis, 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19396.pdf.
Full textLawrence, Daniel William. "On the digital-political topography of music." Thesis, Michigan Technological University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3643826.
Full textThe persuasive power of music is often relegated to the dimension of pathos: that which moves us emotionally. Yet, the music commodity is now situated in and around the liminal spaces of digitality. To think about how music functions, how it argues across media, and how it moves us, we must examine its material and immaterial realities as they present themselves to us and as we so create them. This dissertation rethinks the relationship between rhetoric and music by examining the creation, performance, and distribution of music in its material and immaterial forms to demonstrate its persuasive power. While both Plato and Aristotle understood music as a means to move men toward virtue, Aristotle tells us in his Laws, through the Athenian Stranger, that the very best kinds of music can help guide us to truth. From this starting point, I assess the historical problem of understanding the rhetorical potential of music as merely that which directs or imitates the emotions: that which "Soothes the savage breast," as William Congreve writes. By furthering work by Vickers and Farnsworth, who suggest that the Baroque fascination with applying rhetorical figures to musical figures is an insufficient framework for assessing the rhetorical potential of music, I demonstrate the gravity of musical persuasion in its political weight, in its violence--the subjective violence of musical torture at Guantanamo and the objective, ideological violence of music--and in what Jacques Attali calls the prophetic nature of music. I argue that music has a significant function, and as a non-discursive form of argumentation, works on us beyond affect. Moreover, with the emergence of digital music distribution and domestic digital recording technologies, the digital music commodity in its material and immaterial forms allows for ruptures in the former methods of musical composition, production, and distribution and in the political potential of music which Jacques Attali describes as being able to foresee new political realities. I thus suggest a new theoretical framework for thinking about rhetoric and music by expanding on Lloyd Bitzer's rhetorical situation, by offering the idea of "openings" to the existing exigence, audience, and constraints. The prophetic and rhetorical power of music in the aleatoric moment can help provide openings from which new exigencies can be conceived. We must, therefore, reconsider the role of rhetorical-musical composition for the citizen, not merely as a tool for entertainment or emotional persuasion, but as an arena for engaging with the political.
Books on the topic "Music and rhetoric"
Goldberg, Sander M., and Tom Beghin. Haydn and the performance of rhetoric. Chicago: University of Chicago Press, 2007.
Find full textBartel, Dietrich. Musica poetica: Musical-rhetorical figures in German Baroque music. Lincoln: University of Nebraska Press, 1997.
Find full textBartel, Dietrich. Musica poetica: Musical-rhetorical figures in German Baroque music. Lincoln, NB: University of Nebraska Press, 1997.
Find full textLahusen, Christian. The rhetoric of moral protest: Publiccampaigns, celebrity endorsement, and political mobilization. Berlin: W. de Gruyter, 1996.
Find full textBonds, Mark Evan. Wordless rhetoric: Musical form and the metaphor of the oration. Cambridge, Mass: Harvard University Press, 1991.
Find full textLahusen, Christian. The rhetoric of moral protest: Public campaigns, celebrity endorsement, and political mobilization. Berlin: W. de Gruyter, 1996.
Find full textMarco, Gozzi, ed. Struttura e retorica nella musica profana del Cinquecento: Atti del convegno, Trento, Centro S. Chiara, 23 ottobre 1988. Roma: Edizioni Torre d'Orfeo, 1990.
Find full text1941-, Carruthers Mary J., ed. Rhetoric beyond words: Delight and persuasion in the arts of the Middle Ages. New York: Cambridge University Press, 2010.
Find full textBrutian, Anait Keuchguerian. Reconciling geometry, rhetoric and harmony: A fresh look at C.P.E. Bach. Montréal: Anait Keuchguerian Brutian, 2002.
Find full textBook chapters on the topic "Music and rhetoric"
Saint-Dizier, Patrick. "Language, Music and the Rhetoric Discourse." In Musical Rhetoric, 31–60. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2014. http://dx.doi.org/10.1002/9781119004998.ch2.
Full textKock, Christian. "The Semiotics and Rhetoric of Music: A Case Study in Aesthetic Protocol Analysis." In Rhetorical Audience Studies and Reception of Rhetoric, 185–211. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61618-6_7.
Full textMenninghaus, Winfried. "Darwin’s Theory of Music, Rhetoric and Poetry." In Stephen J. Gould: The Scientific Legacy, 169–76. Milano: Springer Milan, 2013. http://dx.doi.org/10.1007/978-88-470-5424-0_11.
Full textLeikin, Anatole. "The narrative rhetoric of Beethoven’s Fifth Symphony." In The Routledge Handbook of Music Signification, 186–96. [1.] | New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351237536-16.
Full textKhazrai, Firoozeh. "Music in Khusraw Va Shirin." In The Poetry of Nizami Ganjavi: Knowledge, Love, and Rhetoric, 163–78. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-137-09836-8_9.
Full textBrocken, Mike. "Coming Out of the Rhetoric of ‘Merseybeat’: Conversations with Joe Flannery." In The Beatles, Popular Music and Society, 23–34. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1007/978-1-349-62210-8_2.
Full textSabiston, Catherine, and Brian Wilson. "Britney, the Body and the Blurring of Popular Cultures: A Case Study of Music Videos, Gender, a Transcendent Celebrity, and Health Issues." In Sport, Rhetoric, and Gender, 199–210. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230600751_17.
Full textRiley, Matthew. "Clementi’s minor-mode keyboard music and the rhetoric of ‘ancient style’." In Muzio Clementi and British Musical Culture, 185–99. Abingdon, Oxon; New York, NY: Routledge, 2018. | Series: Ashgate historical keyboard series: Routledge, 2018. http://dx.doi.org/10.4324/9781315206936-11.
Full textBredenbach, Ingo. "Musik und Rhetorik – oder: wie Musik predigt." In pop.religion: lebensstil – kultur – theologie, 113–26. Wiesbaden: Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-22255-0_6.
Full textMcCreless, Patrick. "Music and rhetoric." In The Cambridge History of Western Music Theory, 845–79. Cambridge University Press, 2002. http://dx.doi.org/10.1017/chol9780521623711.029.
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