Journal articles on the topic 'Music and rhetoric'
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DEMEYERE, EWALD. "ON BWV1080/8: BETWEEN THEORY AND PRACTICE." Eighteenth Century Music 4, no. 2 (September 2007): 291–99. http://dx.doi.org/10.1017/s1478570607000966.
Full textKalό, Ildiko. "Considerations on the Elements of Musical Language in ‘La casa di peste drum’ [At the House across the Road] by Tudor Jarda." Musicology Papers 35, no. 1 (November 1, 2020): 35–40. http://dx.doi.org/10.47809/mp.2020.35.01.02.
Full textGoodman, Mark, Stephen Brandon, and Melody Fisher. "1968: Music as Rhetoric in Social Movements." IRA-International Journal of Management & Social Sciences (ISSN 2455-2267) 9, no. 2 (November 29, 2017): 71. http://dx.doi.org/10.21013/jmss.v9.v2.p4.
Full textGibson, Jonathan. "““A Kind of Eloquence Even in Music””: Embracing Different Rhetorics in Late Seventeenth-Century France." Journal of Musicology 25, no. 4 (2008): 394–433. http://dx.doi.org/10.1525/jm.2008.25.4.394.
Full textThatelo, Mopailo Thomas. "Afrocentric analysis of music in political advertisements of the Economic Freedom Fighters (EFF)." Communicare: Journal for Communication Studies in Africa 41, no. 2 (December 15, 2022): 65–74. http://dx.doi.org/10.36615/jcsa.v41i2.1431.
Full textOliinyk, Oleksandr L. "Interconnection of rhethoric and music art." Linguistics and Culture Review 5, S4 (October 23, 2021): 254–68. http://dx.doi.org/10.21744/lingcure.v5ns4.1581.
Full textRa, Julie. "Baroque Music and Rhetoric." Yonsei Music Research 18 (December 31, 2011): 41–64. http://dx.doi.org/10.16940/ymr.2011.18.41.
Full textPaschoal, Stéfano. "Anáfora ou repetição em Música: figura e recurso expressivo." ouvirOUver 13, no. 1 (May 25, 2017): 216. http://dx.doi.org/10.14393/ouv20-v13n1a2017-16.
Full textOlena, Kholodkova. "G. Ph. Telemann’s Concertos for Four Violins withoutbassocontinuoin the aspect of onomatopoeic and figurative rhetoric." Aspects of Historical Musicology 24, no. 24 (October 13, 2021): 54–70. http://dx.doi.org/10.34064/khnum2-24.03.
Full textMcClelland, John. "Music with Words: Semiotic/Rhetoric." Rhetorica 8, no. 3 (1990): 187–211. http://dx.doi.org/10.1525/rh.1990.8.3.187.
Full textDewberry, David R., and Jonathan H. Millen. "Music as Rhetoric: Popular Music in Presidential Campaigns." Atlantic Journal of Communication 22, no. 2 (March 15, 2014): 81–92. http://dx.doi.org/10.1080/15456870.2014.890101.
Full textNEGREA, Ana Maria. ""Rhetorical figures and symbols in the aria Vidit suum from Stabat Mater by G.B. Pergolesi"." Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 13(62), no. 1 (June 20, 2020): 135–44. http://dx.doi.org/10.31926/but.pa.2020.13.62.1.15.
Full textVARWIG, BETTINA. "ONE MORE TIME: J. S. BACH AND SEVENTEENTH-CENTURY TRADITIONS OF RHETORIC." Eighteenth Century Music 5, no. 2 (September 2008): 179–208. http://dx.doi.org/10.1017/s1478570608001486.
Full textGorbman, Claudia. "Aesthetics and Rhetoric." American Music 22, no. 1 (2004): 14. http://dx.doi.org/10.2307/3592963.
Full textRanum, Patricia. "Audible rhetoric and mute rhetoric: the 17th-century French sarabande." Early Music 14, no. 1 (February 1986): 22–40. http://dx.doi.org/10.1093/earlyj/14.1.22.
Full textFADER, DON. "The Honnêête homme as Music Critic: Taste, Rhetoric, and Politesse in the 17th-Century French Reception of Italian Music." Journal of Musicology 20, no. 1 (January 1, 2003): 3–44. http://dx.doi.org/10.1525/jm.2003.20.1.3.
Full textHolmberg, Carl Bryan. "Toward the rhetoric of music: Dixie." Southern Speech Communication Journal 51, no. 1 (December 30, 1985): 71–82. http://dx.doi.org/10.1080/10417948509372647.
Full textDICKSON, IAN. "Orality and Rhetoric in Scelsi's Music." Twentieth-Century Music 6, no. 1 (March 2009): 23–41. http://dx.doi.org/10.1017/s1478572210000046.
Full textBandy, Dorian. "Beethoven's Rhetoric of Embellishment." 19th-Century Music 46, no. 2 (2022): 125–62. http://dx.doi.org/10.1525/ncm.2022.46.2.125.
Full textJONES, RHYS. "BEETHOVEN AND THE SOUND OF REVOLUTION IN VIENNA, 1792–1814." Historical Journal 57, no. 4 (November 12, 2014): 947–71. http://dx.doi.org/10.1017/s0018246x14000405.
Full textOliinyk, Oleksandr L. "The Fundamental Elements of Rhethoric and their Impact on Music Art." Revista Gestão Inovação e Tecnologias 11, no. 4 (July 22, 2021): 2443–58. http://dx.doi.org/10.47059/revistageintec.v11i4.2294.
Full textChapman, Juliana. "Musicus Animal in the Nun’s Priest’s Tale." Chaucer Review 57, no. 3 (June 1, 2022): 368–90. http://dx.doi.org/10.5325/chaucerrev.57.3.0368.
Full textBorschke, Margie. "Rethinking the Rhetoric of Remix." Media International Australia 141, no. 1 (November 2011): 17–25. http://dx.doi.org/10.1177/1329878x1114100104.
Full textHarrán, Don. "Elegance as a Concept in Sixteenth-Century Music Criticism*." Renaissance Quarterly 41, no. 3 (1988): 413–38. http://dx.doi.org/10.2307/2861755.
Full textKumanyika, Chenjerai. "‘We demand justice. We just getting started’: the constitutive rhetoric of 1Hood Media's hip-hop activism." Popular Music 34, no. 3 (September 8, 2015): 432–51. http://dx.doi.org/10.1017/s0261143015000355.
Full textSmith, Peter H. "Brahms and Subject/Answer Rhetoric." Music Analysis 20, no. 2 (July 2001): 193–236. http://dx.doi.org/10.1111/1468-2249.00136.
Full textCone, Edward T. "On Derivation: Syntax and Rhetoric." Music Analysis 6, no. 3 (October 1987): 237. http://dx.doi.org/10.2307/854204.
Full textLedbetter, David. "Review: A question of rhetoric." Early Music 33, no. 2 (May 1, 2005): 331–32. http://dx.doi.org/10.1093/em/cah077.
Full textBartel, Dietrich. "Rhetoric in German Baroque Music: Ethical Gestures." Musical Times 144, no. 1885 (2003): 15. http://dx.doi.org/10.2307/3650721.
Full textStokes, Jordan. "In Search of Machaut’s Poietics." Journal of Musicology 31, no. 4 (2014): 395–430. http://dx.doi.org/10.1525/jm.2014.31.4.395.
Full textWLODARSKI, AMY LYNN. "The Repercussions of George Rochberg's Rubble Rhetoric." Twentieth-Century Music 19, no. 2 (June 2022): 219–27. http://dx.doi.org/10.1017/s147857222200010x.
Full textStolp, Mareli. "New Music for New South Africans: The New Music Indabas in South Africa, 2000–02." Journal of the Royal Musical Association 143, no. 1 (2018): 211–32. http://dx.doi.org/10.1080/02690403.2018.1434354.
Full textCain, Melissa. "Musics of ‘The Other’: Creating musical identities and overcoming cultural boundaries in Australian music education." British Journal of Music Education 32, no. 1 (February 23, 2015): 71–86. http://dx.doi.org/10.1017/s0265051714000394.
Full textO'CALLAGHAN, JAMES. "Spectral Music and the Appeal to Nature." Twentieth-Century Music 15, no. 1 (February 2018): 57–73. http://dx.doi.org/10.1017/s1478572218000063.
Full textHarrison, Daniel. "Rhetoric and Fugue: An Analytical Application." Music Theory Spectrum 12, no. 1 (April 1990): 1–42. http://dx.doi.org/10.1525/mts.1990.12.1.02a00010.
Full textSUKMARAGA, AYYUB ANSHARI. "TINJAUAN VISUAL DESAIN KEMASAN DAN SAMPUL ALBUM BAND INDIE MOCCA PADA ALBUM BERFORMAT AUDIO CD." Serat Rupa Journal of Design 1, no. 1 (January 19, 2018): 171. http://dx.doi.org/10.28932/srjd.v1i1.448.
Full textShannon, Jonathan H. "THERE AND BACK AGAIN: RHETORICS OF AL-ANDALUS IN MODERN SYRIAN POPULAR CULTURE." International Journal of Middle East Studies 48, no. 1 (January 14, 2016): 5–24. http://dx.doi.org/10.1017/s0020743815001440.
Full textKrause, Daniel. "Musikkritische Muster – Zur Rhetorik der Rezensionsprosa." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft 58, no. 2 (2013): 123–28. http://dx.doi.org/10.28937/1000106215.
Full textGrenier Borel, Eugénie. "The Shanghai Conservatory of Music and its Rhetoric." China Perspectives 2019, no. 3 (September 1, 2019): 27–35. http://dx.doi.org/10.4000/chinaperspectives.9391.
Full textMartani, Sandra. "Music and rhetoric in ekphonesis: The neume synemba." Muzikologija, no. 11 (2011): 13–24. http://dx.doi.org/10.2298/muz1111013m.
Full textLehmann-Wermser, Andreas. "Music Education in Germany: On Policies and Rhetoric." Arts Education Policy Review 114, no. 3 (July 2013): 126–34. http://dx.doi.org/10.1080/10632913.2013.803420.
Full textBOSE, M. "HUMANISM, ENGLISH MUSIC AND THE RHETORIC OF CRITICISM." Music and Letters 77, no. 1 (February 1, 1996): 1–21. http://dx.doi.org/10.1093/ml/77.1.1.
Full textKrupej, Mihail. "Universal skill of saxophonist as phenomenon modern of musical-creative practice." Collection of scientific works “Notes on Art Criticism”, no. 39 (September 1, 2021): 113–18. http://dx.doi.org/10.32461/2226-2180.39.2021.238702.
Full textȘUTEU, Ligia-Claudia. "The psychology of music creation." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (January 20, 2021): 305–12. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.33.
Full textHodgson, Thomas. "Spotify and the democratisation of music." Popular Music 40, no. 1 (February 2021): 1–17. http://dx.doi.org/10.1017/s0261143021000064.
Full textWILSON, CHARLES. "György Ligeti and the Rhetoric of Autonomy." Twentieth-Century Music 1, no. 1 (March 2004): 5–28. http://dx.doi.org/10.1017/s1478572204000040.
Full textOsborne, Richard. "Success ratios, new music and sound recording copyright." Popular Music 36, no. 3 (October 2017): 393–409. http://dx.doi.org/10.1017/s0261143017000319.
Full textAquila, Dominic A. "Music as a Liberal Art: The Poetry of the Universe." Religions 13, no. 9 (August 29, 2022): 792. http://dx.doi.org/10.3390/rel13090792.
Full textElkan, Olga B. "MUSIC TEXT VERBALIZATION AND VISUALIZATION IN THE MUSIC RHETORIC OF J. S BACH." Scholarly Notes of Komsomolsk-na-Amure State Technical University 2, no. 33 (March 26, 2018): 72–78. http://dx.doi.org/10.17084/ii-2(33).14.
Full textPetrovic, Ivana, and Andrej Petrovic. "General." Greece and Rome 65, no. 2 (September 17, 2018): 282–97. http://dx.doi.org/10.1017/s0017383518000244.
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