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Books on the topic 'Music and the conflict'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

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1

Music and conflict. Urbana: University of Illinois Press, 2010.

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2

Ippolito, Linda M. Music, Leadership and Conflict. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-13628-4.

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3

Songs of the Vietnam conflict. Westport, Conn: Greenwood Press, 2001.

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4

The Victorian music hall: Culture, class, and conflict. Cambridge: Cambridge University Press, 1996.

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5

Homes, A. M. Music for torching. London: Doubleday, 1999.

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6

Music for torching. New York: Rob Weisbach Books, 1999.

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7

Negus, Keith. Producing pop: Culture and conflict in the popular music industry. London: E. Arnold, 1992.

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8

Peña, Manuel H. The Mexican American orquesta: Music, culture, and the dialectic of conflict. Austin: University of Texas Press, 1999.

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9

Ellis, Catherine J. The musician, the university and the community: Conflict or concord? Armidale, N.S.W: University of New England, Publication Office, 1986.

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10

Nathan, Stocker, ed. Infinite playlists: How to have conversations (not conflict) with your kid about music. Grand Rapids, MI: Kregel Publications, 2010.

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11

The musical traditions of Northern Ireland and its diaspora: Community and conflict. Burlington, VT: Ashgate, 2009.

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12

Battle notes: Music of the Vietnam War. Superior, WI: Savage Press, 2000.

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13

Nassif, Gary Tannus. Stop crying and listen to the music. [United States]: Xlibris.com, 2008.

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14

This ain't the summer of love: Conflict and crossover in heavy metal and punk. Berkeley: University of California Press, 2009.

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15

Musicking Shakespeare: A conflict of theatres. Rochester: University of Rochester Press, 2007.

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16

Herl, Joseph. Worship wars in early Lutheranism: Choir, congregation, and three centuries of conflict. Oxford: Oxford University Press, 2008.

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17

Herl, Joseph. Worship wars in early Lutheranism: Choir, congregation, and three centuries of conflict. Oxford: Oxford University Press, 2008.

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18

J, Clymer Kenton, ed. The Vietnam war: Its history, literature and music. El Paso, Tex: Texas Western Press, 1998.

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19

Phillips, Everard M. The political calypso: A sociolinguistic process of conflict transformation. Port of Spain, Trinidad and Tobago: Personal Power Unlimited, 2009.

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20

Phillips, Everard M. The political calypso: A sociolinguistic process of conflict transformation. Port of Spain, Trinidad and Tobago: Personal Power Unlimited, 2009.

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21

Phillips, Everard M. The political calypso: A sociolinguistic process of conflict transformation. Port of Spain, Trinidad and Tobago: Personal Power Unlimited, 2009.

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22

International Council for Traditional Music. Study Group on Applied Ethnomusicology and International Council for Traditional Music. Study Group on Applied Ethnomusicology. Symposium, eds. Applied ethnomusicology: Historical and contemporary approaches. Newcastle upon Tyne, UK: Cambridge Scholars, 2010.

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23

Keesing, Hugo. Vietnam on record: An overview. Columbia, MD: Keesing Musical Archives, 1993.

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24

Booth, Martin. Music on the Bamboo Radio. London: Penguin Group UK, 2009.

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25

Booth, Martin. Music on the bamboo radio. London: Hamish Hamilton, 1997.

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26

Herl, Joseph. Worship wars in early Lutheranism: Choir, congregation, and three centuries of conflict. Oxford: Oxford University Press, 2008.

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27

Haverluck, Bob. Love your enemies-- and other neighbours: Workshops for peace : meditations, worship, art, music. Toronto: United Church Pub. House, 1992.

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28

Fomenko, Serhiy. Maidan--Ukraine--road to freedom: Maĭdan--Ukraïna--shli︠a︡kh do svobody : paintings, posters, photography, film and music by Ukrainian artists who participated in Ukraine's uprising against a corrupt regime. New York: The Ukrainian Institute of America, 2014.

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29

Ellis, Catherine J. The musician, the university and the community: Conflict or concord? An inaugural public lecture delivered in Armidale, New South Wales on 10th March, 1986. Armidale: Univ. of New England, 1986.

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30

An orchestra beyond borders: Voices of the West-Eastern Divan Orchestra. London: Verso, 2009.

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31

ʻAdīlah, Muʻtaṣim. Thaqāfat al-muqāwamah fī al-ughniyah al-nisāʼīyah al-Filasṭīnīyah. Bayt Laḥam: Badīl, al-Markaz al-Filasṭīnī li-Maṣādir Ḥuqūq al-Muwāṭanah wa-al-Lājiʼīn, 2011.

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32

Estevam, Vicente. Evasão no ensino de música em conservatórios: O conflito tradição versus inovação. Curitiba: Editora Prismas, 2013.

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33

Crespo, Marcelo Guardia. Música popular y comunicación en Bolivia: Las interpretaciones y conflictos. Cochabamba, Bolivia: U.C.B., 1994.

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34

Les conflits de la musique française (1940-1965). [Paris?]: Fayard, 2001.

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35

Konflikty w przestrzeni kulturowej. Bydgoszcz: Wydawnictwo Uniwersytetu Kazimierza Wielkiego, 2015.

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36

Edmondo, Ferrario Ippolito, ed. Il nostro canto libero: Il neofascismo e la musica alternativa : lotta politica e conflitto generazionale negli anni di piombo. Roma: Castelvecchi, 2010.

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37

Bottoms, David. Any cold Jordan: A novel. Atlanta, Ga: Peachtree Publishers, 1987.

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38

Yiḥya, Avi. Amal ḥayati. Ḳiryat Gat: Ḳorʼim, 2019.

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39

Massimo, Canevacci, ed. Ragazzi senza tempo: Immagini, musica, conflitti delle culture giovanili. Genova: Costa & Nolan, 1993.

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40

O'Connell, John Morgan, and Salwa El-Shawan Castelo-Branco. Music and Conflict. University of Illinois Press, 2010.

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41

Phillips-Hutton, Ariana. Music Transforming Conflict. Cambridge University Press, 2020.

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42

Music in Conflict. Taylor & Francis Group, 2020.

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43

Music Transforming Conflict. Cambridge University Press, 2020.

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44

Sweers, Britta. Music and Conflict Resolution. Edited by Svanibor Pettan and Jeff Todd Titon. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199351701.013.18.

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45

Congregational Music, Conflict and Community. Taylor & Francis Group, 2017.

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46

Howell, Gillian. Community Music Interventions in Post-Conflict Contexts. Edited by Brydie-Leigh Bartleet and Lee Higgins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190219505.013.21.

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Abstract:

This chapter discusses the phenomenon of community-based music interventions in sites affected by violent war and conflict. The author proposes a typology of four broad fields of intention (Music Education, Cultural Regeneration, Social Development, and Healing, Health, and Well-being) that underpin many of the music interventions documented in scholarly literature thus far. This is followed with an application of the typology to an early exemplar of a post-war music intervention, the Pavarotti Music Centre in Mostar, Bosnia-Herzegovina. The typology of intentions provides an analytical framework for researchers wishing to examine post-war music interventions systematically, and a tool for organizers and practitioners wishing to position a music intervention (or other arts interventions) within the wider conflict recovery context. The concluding discussion considers the typology’s illuminating function within the intercultural, political, social, and economic complexity of post-war environments.

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47

Perone, James E. Songs of the Vietnam Conflict. ABC-CLIO, LLC, 2001.

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48

Demeter, Diane, and Philip M. Cohen. Conflict in the City. Luminare Press, LLC, 2022.

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49

Cohen, Philip M. Conflict in the City. Luminare Press, LLC, 2022.

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50

Music and Conflict Transformation: Harmonies and Dissonances in Geopolitics. I B Tauris & Co Ltd, 2007.

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