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Academic literature on the topic 'Music appreciation – Poland – 20th century'
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Journal articles on the topic "Music appreciation – Poland – 20th century"
Spencer, Piers. "John Paynter, 1931–2010: an appreciation." British Journal of Music Education 27, no. 3 (September 22, 2010): 221–23. http://dx.doi.org/10.1017/s0265051710000306.
Full textO'Loughlin, Niall. "Slovenian Music in its Central European Context: the 20th-century experience." Musicological Annual 40, no. 1-2 (December 17, 2021): 267–76. http://dx.doi.org/10.4312/mz.40.1-2.267-276.
Full textJuszyńska, Krystyna. "Conducting achievements of Witold Rowicki in Poland and abroad." Konteksty Kształcenia Muzycznego 4, no. 1 (October 19, 2017): 37–55. http://dx.doi.org/10.5604/01.3001.0010.5350.
Full textSkrzypczyk, Aleksandra. "Próba biografii akustycznej Brunona Schulza. Doświadczenia audialne." Schulz/Forum, no. 16 (May 25, 2021): 28–44. http://dx.doi.org/10.26881/sf.2020.16.02.
Full textGarlińska, Paulina, and Magdalena Bąk. "Works by the 20th/21st century composers from Łódź for a guitar – harpsichord duo." Notes Muzyczny 2, no. 12 (December 13, 2019): 61–98. http://dx.doi.org/10.5604/01.3001.0013.7168.
Full textDahlig, Piotr. "Folklorism as an Invention of the State. Contributions of Polish Ethnomusicologists in Historical Perspective." Musicology Today 15, no. 1 (December 1, 2018): 17–31. http://dx.doi.org/10.2478/muso-2018-0004.
Full textFerenc, Anna. "Reclaiming Roslavets: The Troubled Life of a Russian Modernist." Tempo, no. 182 (September 1992): 6–9. http://dx.doi.org/10.1017/s0040298200016661.
Full textDziadek, Magdalena. "Czechs in Poland in the 19th and 20th Century and Their Influence on the Development of Polish National Music." Musicologica Olomucensia 31, no. 1 (June 11, 2020): 37–49. http://dx.doi.org/10.5507/mo.2020.002.
Full textDUȚICĂ, Luminița, and Ema-Laura STANCIU. "Sound polychromes in the choral creation of the composer Gheorghe Duțică." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (January 20, 2021): 57–68. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.6.
Full textGąsiorowska, Małgorzata. "The Warsaw Autumn International Festival of Contemporary Music Transformations of Programming Policies." Musicology Today 14, no. 1 (December 1, 2017): 22–36. http://dx.doi.org/10.1515/muso-2017-0001.
Full textDissertations / Theses on the topic "Music appreciation – Poland – 20th century"
Hebda, Paul Thomas. "Spółka Nakładowa Młodych Kompozytorów Polskich (1905-1912) and the Myth of Young Poland in Music." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc331366/.
Full textLington, Victoria DiMaggio. "The piano as an orchestra, the accompanist and the twentieth-century orchestral reduction." Thesis, view full-text document. Access restricted to the University of North Texas campus, 2002. http://www.library.unt.edu/theses/open/20022/lington%5Fvictoria%5Fdimaggio/index.htm.
Full textAccompanied by 4 recitals, recorded Apr. 26, 1999, Apr. 17, 2000, Mar. 19, 2001, and Apr. 17, 2002. Includes bibliographical references (p. 83-86).
Kelly, Kenneth Todd. "Chet Baker : a study of his improvisational style, 1952-1959." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1167797.
Full textSchool of Music
Lee, Chung H. (Chung Haing). "Japanese Elements in the Piano Works of Toru Takemitsu." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332793/.
Full textYang, Shu-mei. "Piano Music of Native Chinese Composers, with Particular Focus on the Piano Works Since 1950: a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Bach, L.v. Beethoven, S. Prokofiev, F. Chopin, R. Schumann, J. Brahms, M. Ravel, and A. Skryabin." Thesis, North Texas State University, 1988. https://digital.library.unt.edu/ark:/67531/metadc331819/.
Full textSorensen, Randall J. "Original repertoire for the American Brass Quintet, 1962-1987 : a guide for performers and composers." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1118241.
Full textSchool of Music
Howard, Beverly A. (Beverly Ann). "Texture in Selected Twentieth-Century Program Music for Trumpet and Organ, A Lecture Recital, Together with Three Recitals of Selected Works of J. Alain, J.S. Bach, G. Bohm, N. Degrigny, H. Distler, M. Durufle, J. Guillou, A. Heiller, W.A. Mozart, E. Raxache, M. Reger, L. Vierne." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc330759/.
Full textEngstrom, Larry M. (Larry Milton). "Contemporary Swedish Music for Solo Trumpet and Trumpet in Mixed Chamber Ensembles with a Performance Analysis of Selected Works of Bo Nilsson, Folke Rabe, and Tommy Zwedberg." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc277573/.
Full textPacker, Max 1987. "Latência, ressonância, abertura : um estudo sobre o pensamento composicional de Luciano Berio." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284530.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-23T20:53:15Z (GMT). No. of bitstreams: 1 Packer_Max_M.pdf: 48386981 bytes, checksum: a728322300a11cb16e95a42d4267e4c7 (MD5) Previous issue date: 2013
Resumo: Este trabalho consiste numa etapa de um estudo dedicado ao pensamento composicional de Luciano Berio (1925-2003) e às maneiras pelas quais este pensamento articula o problema da abertura intrínseca à linguagem musical. Tendo em vista a peculiaridade e a abrangência da noção de abertura no pensamento Berio - que contrasta com outras concepções e converge na revisitação criativa de discursos previamente construídos -, propõe-se, aqui, a investigação analítica de um conjunto de obras de diversos períodos de sua trajetória. As noções de latência e ressonância - consideradas numa amplitude que permeia a poética beriana e manifesta-se em diversos níveis de sua elaboração - delineiam um percurso: a construção de enunciados carregados de potenciais que ainda não se encontram plenamente desenvolvidos (latência); a ampliação e o prolongamento de aspectos estruturais selecionados (ressonância); e o desdobramento de suas relações no interior do processo composicional - seja no percurso de uma mesma obra, seja no processo de uma nova composição que reconfigure estes potenciais - (abertura). Ao longo do trabalho, são abordadas as seguintes obras: Sequenza VII (1969); Erdenklavier (1969); Linea (1973); Chemins IV (1975); Sequenza IX (1980); Lied (1983); Ricorrenze (1985-87); Psy (1989); Leaf (1990); Récit [Chemins VII] (1996-2001)
Abstract: This work consists on a step of a study devoted to the compositional thinking of Luciano Berio (1925-2003) and to the ways in which this thought articulates the problem of the intrinsic openness of musical language. Given the uniqueness and the wide range of the concept of openness in Berio's thought - which contrasts with other conceptions and converges in the creative revisitation of previously constructed musical discourses -, it is proposed here the analytic investigation of a collection of works from various periods of his trajectory. The notions of latency and resonance - considered in an amplitude that pervades Berio's poetics and manifests itself on different levels of its development - outline a path: the construction of statements loaded with potentials which are not yet fully developed (latency), the expansion and continuation of selected structural aspects (resonance), and the unrolling of their relations within the compositional process - whether in the course of a same work, whether in the process of a new composition which reconfigures such potentials - (openness). Throughout this work, we approach the following works: Sequenza VII (1969); Erdenklavier (1969); Linea (1973); Chemins IV (1975); Sequenza IX (1980); Lied (1983); Ricorrenze (1985-87); Psy (1989); Leaf (1990); Récit [Chemins VII] (1996-2001)
Mestrado
Processos Criativos
Mestre em Música
Ai, Meilin. "An Introduction to Contemporary Characteristics in Twentieth-Century Piano Music for the Late-Intermediate Student: A Pedagogical Analysis of the Bagatelles, Opus 5 by Alexander Tcherepnin." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505185/.
Full textBooks on the topic "Music appreciation – Poland – 20th century"
Lee, Douglas A. Masterworks of 20th-century music: The modern repertory of the symphony orchestra. New York, NY: Routledge, 2002.
Find full textWhittall, Arnold. Musical composition in the twentieth century. New York: Oxford University Press, 1999.
Find full textMusic of the twentieth century: Style and structure. New York: Schirmer Books, 1986.
Find full textMusic of the twentieth century: Style and structure. London: Collier Macmillan, 1987.
Find full textMusic of the twentieth century: Style and structure. New York: Schirmer Books, 1995.
Find full textMusic of the twentieth century: Style and structure. 2nd ed. New York: Schirmer Books, 1996.
Find full textTowards a global music theory: Practical concepts and methods for the analysis of music across human cultures. Burlington, VT: Ashgate, 2012.
Find full textMark, Ashby Arved, ed. The pleasure of modernist music: Listening, meaning, intention, ideology. Rochester, NY: University of Rochester Press, 2004.
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