Relevant bibliographies by topics / Music appreciation Style

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Music appreciation Style'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Music appreciation Style"

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Chowrimootoo, Christopher. "Copland’s Styles." Journal of Musicology 37, no. 4 (2020): 518–59. http://dx.doi.org/10.1525/jm.2020.37.4.518.

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This article examines the relationship between Aaron Copland’s activities as composer and as pedagogue in order to illuminate the fraught midcentury relationship between musical modernism and middlebrow culture. I situate his unpublished lecture notes and music appreciation books within the middlebrow context and trace their connections with the works he composed during this period. At the center of my investigation is the contentious midcentury category of “style,” which implicated both Copland’s music and his pedagogy in ways that illuminate middlebrow cultural appreciation at large. Challen
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Zalanowski, Annette H. "The Effects of Listening Instructions and Cognitive Style on Music Appreciation." Journal of Research in Music Education 34, no. 1 (1986): 43. http://dx.doi.org/10.2307/3344797.

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Wicks, Robert. "Dependent Beauty as the Appreciation of Teleological Style." Journal of Aesthetics and Art Criticism 55, no. 4 (1997): 387. http://dx.doi.org/10.2307/430926.

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WICKS, ROBERT. "Dependent Beauty As The Appreciation of Teleological Style." Journal of Aesthetics and Art Criticism 55, no. 4 (1997): 387–400. http://dx.doi.org/10.1111/1540_6245.jaac55.4.0387.

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Davies, Matthew, Guy Madison, Pedro Silva, and Fabien Gouyon. "The Effect of Microtiming Deviations on the Perception of Groove in Short Rhythms." Music Perception 30, no. 5 (2012): 497–510. http://dx.doi.org/10.1525/mp.2013.30.5.497.

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Groove is a sensation of movement or wanting to move when we listen to certain types of music; it is central to the appreciation of many styles such as Jazz, Funk, Latin, and many more. To better understand the mechanisms that lead to the sensation of groove, we explore the relationship between groove and systematic microtiming deviations. Manifested as small, intentional deviations in timing, systematic microtiming is widely considered within the music community to be a critical component of music performances that groove. To investigate the effect of microtiming on the perception of groove w
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Gotlieb, Heidi, and Vladimir J. Konečni. "The Effects of Instrumentation, Playing Style, and Structure in the Goldberg Variations by Johann Sebastian Bach." Music Perception 3, no. 1 (1985): 87–101. http://dx.doi.org/10.2307/40285323.

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Different recordings and arrangements of the Goldberg Variations by Johann Sebastian Bach were evaluated on cognitive, emotional, and perceptual dimensions. In Study 1, eight different renditions of the piece were classified as Classical or Romantic interpretations. Both harpsichord and piano versions of each style were included. Only minimal differences were found in subjects' appreciation for the harpsichord versus the piano recordings. Comparisons between the Classical and Romantic styles also revealed only slight differences in subjects' ratings. In addition, no differences were found in s
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Agawu, Kofi. "The Amu Legacy." Africa 66, no. 2 (1996): 274–79. http://dx.doi.org/10.1017/s0001972000082437.

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AbstractEphraim Amu, 1899–1995, was the leading Ghanaian composer of ‘art music’ (the music of concerts, churches, schools and formal performance). This article is both a brief appreciation of the man as his ideas, personal practice and musical style developed over the years, and an account of the influence Ephraim Amu exercised over Ghanaian musical life.
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Smialek, Thomas, and Renee Reiter Boburka. "The Effect of Cooperative Listening Exercises on the Critical Listening Skills of College Music-Appreciation Students." Journal of Research in Music Education 54, no. 1 (2006): 57–72. http://dx.doi.org/10.1177/002242940605400105.

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The authors investigated the effectiveness of cooperative listening exercises in developing critical music-listening skills in nonmusic majors. Subjects were college freshmen and sophomores enrolled in Introduction to Western Music. Control-group subjects attended classes taught exclusively in lecture format. Two experimental groups participated in four 50-minute group-listening exercises. Experimental Group 2 engaged in five additional group-analysis exercises, comparing known and unfamiliar musical styles. The consistent use of cooperative-listening exercises proved to be more effective in d
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Urquhart, Peter. "Issues of Counterpoint in Gombert’s Missa Tempore paschali." Journal of Musicology 32, no. 3 (2015): 410–39. http://dx.doi.org/10.1525/jm.2015.32.3.410.

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Creating a new edition of the Missa Tempore paschali forces one to confront the extensive parallelisms found in the collected works edition and to consider a set of questions that are comparable to those raised by musica ficta in Gombert’s music: is an aggressive editorial stance justifiable when stylistic norms are exceeded, or might the composer have intended these unusual patterns? Answers emerge from the dense eight-voice Credo and twelve-voice Agnus dei II that both maintain our preconceptions about the style, and challenge them deeply. A new source for the Agnus dei II enriches our under
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Leder, Helmut. "Familiar and Fluent! Style-Related Processing Hypotheses in Aesthetic Appreciation." Empirical Studies of the Arts 21, no. 2 (2003): 165–75. http://dx.doi.org/10.2190/g6mk-6kl7-ketb-elnd.

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Dissertations / Theses on the topic "Music appreciation Style"

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Kelly, Kenneth Todd. "Chet Baker : a study of his improvisational style, 1952-1959." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1167797.

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The purpose of this study was to identify characteristics of jazz trumpeter Chet Baker's improvisational style, both instrumental and vocal, during the early period of his career (1952-1959). Baker's early years were divided into six periods, based on major milestones: The Charlie Parker Groups (1952-1953), The Gerry Mulligan Quartet and Tentette (1952-1953), The Chet Baker Quartets (1953-1956), The European Groups (1955-1956), Quartets, Quintets, and Sextets (1956-1957), and The Riverside Recordings (1958-1959). Improvised lines and chord changes from fifteen solos were transcribed and analyz
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King, Jason Philip Allen. "Pilot Testing a Music Appreciation Training Program for Cochlear Implant Recipients and Users of Hearing Aids." Thesis, University of Canterbury. Communication Disorders, 2013. http://hdl.handle.net/10092/9457.

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A clinically-focused music appreciation training program (MATP) was developed for use by recipients of cochlear implants (CI) and wearers of hearing aids (HA). It aimed to enhance listeners’ music appreciation abilities, with a specific focus on timbre and musical style. The MATP was pilot-tested on 17 adult postlingually deafened CI recipients (8 female, 9 male, mean age = 60.2 years) and 13 adult HA users (7 female, 4 male, mean age = 63.9 years), with each device group divided into a control and a training group. The training groups were asked to use the MATP for 30 minutes per day four tim
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Daley, Paul B. (Paul Byron). "An Investigation of Textural Activity and Its Hierarchical Structures in Selected Works by Krzysztof Penderecki." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500894/.

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This study focuses on temporal aspects of the music of Krzysztof Penderecki and deals with these on the level of textural activity. The analyses are based on a referential idea called a "discrete sound event," defined as an occurrence of a sound or collection of sounds which, as a unit, is distinct from the surrounding texture. These sound events are then used to appraise textural activity from layer fluctuation and composite density. The pieces selected for applying these techniques are the Threnody to the Victims of Hiroshima, from 1960, the Fluorescences, from 1961, and the 1965 Capriccio f
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Baek, Da Mi. "Eak Tai Ahn's Korea Fantasy: His Life, Historical Context, and Compositional Style." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505250/.

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Eak Tai Ahn is not only the first generation of Korean musicians, composers and conductors to have studied Western music and given successful musical performances in Western countries, but also is among the first to introduce the music of Korea to the West utilizing the Western music system. Korea Fantasy is an important work that helped Ahn win international acclaim. Korea Fantasy is an orchestral piece that evolved along with Ahn's unique life experiences shaped by the state of his native country. The piece is programmatic, depicting the history of Korea, which utilizes musical devices, such
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Cho, Eun. "Geonyong Lee's Violin Works, Rhapsody for Violin and Piano and Heoten Garak: A Study of Compositional Style and Stylistic Influences." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157559/.

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The purpose of this study is to research the music of Geonyong Lee (이건용), one of the most recognized active Korean composers, while determining Lee's intent to compose with influences from both Western and traditional Korean music. This paper analyses Lee's violin works Rhapsody for Piano and Violin and Heoten Garak, and explains the cultural and historical significance surrounding both works in terms of traditional Korean music. Lee asserts that his primary influence Rhapsody for Piano and Violin was Nongac (농악), a traditional form of Korean farming music. Similarly, Heoten Garak dis
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Ott, Janelle (Bassoonist). "The Concerto for Bassoon by Andrzej Panufnik: Religion, Liberation, and Postmodernism." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849689/.

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The Concerto for Bassoon by Andrzej Panufnik is a valuable addition to bassoon literature. It provides a rare opportunity for the bassoon soloist to perform a piece which is strongly programmatic. The purpose of this document is to examine the historical and theoretical context of the Concerto for Bassoon with special emphasis drawn to Panufnik's understanding of religion in connection with Polish national identity and the national struggle for democratic independence galvanized by the murder of Father Jerzy Popieluszko in 1984. Panufnik's relationship with the Polish communist regime, both
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Paxcia-Bibbins, Nancy. "The effects of the 4MAT system of instruction on the attitudes and achievement of elementary children in music listening lessons." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/897483.

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The primary purpose of this study was to compare two methods of instruction for teaching music listening to upper elementary children--an experimental approach utilizing the 4MAT instructional model of Bernice McCarthy and a conventional approach based on textbook materials. The investigator employed the 4MAT model for incorporating a holistic and whole-brain approach into music listening instruction. The study compared mean differences on two dependent variables, attitude and achievement test scores, between two groups (teaching methods) and two grade levels (fourth and fifth grades). Analyse
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Wolfinbarger, Steve M. "The Nineteenth-Century German Tradition of Solo Trombone Playing: A Lecture Recital, Together with Three Recitals of Selected Works of E. Bozza, W. Hartley, A. Frackenpohl, A. Pryor. G. Frescobaldi. L. Grondahl, P. Bonneau and Others." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc331705/.

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This study deals with trombone soloists and music of nineteenth-century Germany. Much of the discussion is based on the influence of two trombone virtuosos, Carl Traugott Queisser (1800-1846) and Friedrich August Belcke (1795- 1874) . Finally, a style and form analysis is given of several representative trombone compositions of the period. These include Ferdinand David's Concertino. Op. 4, Friedebald Grafe's Concerto. and Josef Serafin Alschausky's Concerto No. I.
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King, Deborah Simpkin. "The Full Anthems and Services of John Blow and the Question of an English Stile Antico." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc332091/.

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John Blow (1649-1708) was among the first group of boys pressed into the service of King Charles II, following the decade of Puritan rule. Blow would make compositional efforts as early as 1664 and, at the age of nineteen, began to assume professional positions within the London musical establishment, ultimately becoming, along with his pupil and colleague, Henry Purcell, London's foremost musician. Restoration sacred music is generally thought of in connection with the stile nuovo which, for the first time, came to be a fully accepted practice among English musicians for the church. But the
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Huang, Wen-Yu, and 黃玟瑜. "The effectiveness of multisensory music appreciation instruction and perceptual learning style on students’ learning." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/84299646008740069781.

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碩士<br>國立台北師範學院<br>國民教育研究所<br>91<br>The main purposes of this study were to investigate the effects of multisensory music appreciation instruction and perceptual learning style（auditory, visual, kinesthetic）on the music-appreciation learning achievement and music-appreciation learning attitude of elementary school students. A quasi-experiment pretest-posttest design was adopted. The sample were eight classes of 263 third-grade students in the 2002 academic year in Taipei County. Among them four classes received multisensory music appreciation instruction (experimental group), and t
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Books on the topic "Music appreciation Style"

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Suchoff, Benjamin. Bartók's Mikrokosmos: Genesis, pedagogy, and style. Scarecrow Press, 2002.

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Brown, Jeanell Wise. Amy Beach and her chamber music: Biography, documents, style. Scarecrow Press, 1994.

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3

Music of the twentieth century: Style and structure. Schirmer Books, 1995.

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Music of the twentieth century: Style and structure. Collier Macmillan, 1987.

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Music of the twentieth century: Style and structure. Schirmer Books, 1986.

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Music of the twentieth century: Style and structure. 2nd ed. Schirmer Books, 1996.

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Orchestration and orchestral style of major symphonic works: Analytical perspectives. E. Mellen Press, 1997.

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Stilisierung als kunstvermittelnder Prozess: Die französischen Tombeau-Stücke im 17. Jahrhundert. Laaber-Verlag, 1987.

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9

Jasińska, Danuta. Styl brillant a muzyka Chopina. Wydawn. Naukowe UAM, 1995.

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The keyboard sonatas of Domenico Scarlatti and eighteenth-century music style. Cambridge University Press, 2003.

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Book chapters on the topic "Music appreciation Style"

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Cassidy Parker, Elizabeth. "Interlude." In Adolescents on Music. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190671358.003.0006.

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Music is something that has always played a role in my life. I remember being young and listening to the Beatles; they were the only reason I would clean my room. From then on I was lucky enough to be exposed to a wide variety of music. This helped me to gain an appreciation for many different styles....
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