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1

Suchoff, Benjamin. Bartók's Mikrokosmos: Genesis, pedagogy, and style. Scarecrow Press, 2002.

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2

Brown, Jeanell Wise. Amy Beach and her chamber music: Biography, documents, style. Scarecrow Press, 1994.

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3

Music of the twentieth century: Style and structure. Schirmer Books, 1995.

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4

Music of the twentieth century: Style and structure. Collier Macmillan, 1987.

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5

Music of the twentieth century: Style and structure. Schirmer Books, 1986.

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6

Music of the twentieth century: Style and structure. 2nd ed. Schirmer Books, 1996.

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7

Orchestration and orchestral style of major symphonic works: Analytical perspectives. E. Mellen Press, 1997.

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8

Stilisierung als kunstvermittelnder Prozess: Die französischen Tombeau-Stücke im 17. Jahrhundert. Laaber-Verlag, 1987.

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9

Jasińska, Danuta. Styl brillant a muzyka Chopina. Wydawn. Naukowe UAM, 1995.

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10

The keyboard sonatas of Domenico Scarlatti and eighteenth-century music style. Cambridge University Press, 2003.

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11

Boettcher, Bonna J. A study of Stravinsky's Sonate pour piano (1924) and Sérénade en la: A performer's analysis and comparison. Mellen Research University Press, 1991.

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12

Il trittico, Turandot, and Puccini's late style. Indiana University Press, 2010.

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13

Goldberg, Clemens. Stilisierung als kunstvermittelnder Prozess: Die französischen Tombeau-Stücke im 17. Jahrhundert. Laaber-Verlag, 1987.

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14

1940-, Shalit Daniel. Yodeʻa nagen. Teṿai, 2002.

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15

A short guide to writing about music. Longman, 1999.

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16

A short guide to writing about music. 2nd ed. Pearson Longman, 2006.

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17

Frank, Macomber, ed. Musical arts & styles. University of Florida Press, 1990.

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18

William, Fleming. Musical arts & styles. University of Florida Press, 1990.

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19

The listening experience: Elements, forms, and styles in music. Schirmer Books, 1987.

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20

The listening experience: Elements, forms, and styles in music. 2nd ed. Schirmer Books, 1995.

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21

Keys, Ivor Christopher Banfield. Brahms chamber music. Ariel Music, BBC Publications, 1986.

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22

Burton, Leon. Bowmar's adventures in music listening. Belwin-Mills Pub., 1996.

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23

Burton, Leon. Bowmar's adventures in music listening. Belwin-Mills Pub. Corp., 1999.

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24

Burton, Leon. Bowmar's adventures in music listening. Warner Bros. Publications, 1997.

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25

The music press. Sanctuary, 2001.

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26

Kurt, Pahlen. The world of the oratorio: Oratorio, Mass, Requiem, Te Deum, Stabat Mater, and large cantatas. Edited by Pfister Werner, König Rosemarie, and Dox Thurston J. 1929-. Amadeus Press, 1990.

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27

Kurt, Pahlen. The world of the oratorio: Oratorio, mass, requiem, Te Deum, Stabat mater and large cantatas. Edited by Pfister Werner, König Rosemarie, Pauly Reinhard G, and Dox Thurston. Scolar, 1990.

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28

Kurt, Pahlen. Oratorien der Welt: Oratorium, Messe, Requiem, Te Deum, Stabat Mater und grosse Kantate. W. Heyne, 1985.

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29

1940-, Hanning Barbara Russano, ed. Study and listening guide for Concise history of western music, by Barbara Russano Hanning, and Norton anthology of western music, third edition, by Claude V. Palisca. W.W. Norton, 1998.

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30

1840-1893, Tchaikovsky Peter Ilich, Chaĭkovskiĭ Modest 1850-1916, and Pushkin Aleksandr Sergeevich 1799-1837, eds. The queen of spades: Tragic opera in Russian in three acts = Pique dame. Opera Journeys, 2010.

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31

Dunscomb, J. Richard. Jazz pedagogy: The jazz educator's handbook and resource guide. Warner Bros. Publishers, 2002.

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32

Willie, Hill, ed. Jazz pedagogy: The jazz educator's handbook and resource guide. Warner Bros. Publications, 2002.

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33

D, Chuck. Lyrics of a rap revolutionary: Times, rhymes & mind of Chuck D. Edited by Jah Yusuf, KRS-One (Musician), and Public Enemy (Musical group). Off Da Books, 2006.

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34

Strawinsky, Théodore. Stravinsky: A family chronicle, 1906-1940. Schirmer, 2004.

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35

Bartoks Mikrokosmos: Genesis, Pedagogy, and Style. Scarecrow Press, 2002.

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36

Bart-k's Mikrokosmos: Genesis, Pedagogy, and Style. The Scarecrow Press, Inc., 2004.

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37

Grimley, Mark C. Jazz Styles: History & Analysis. 8th ed. Prentice Hall College Div, 2003.

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38

The Heritage of Musical Style. University Press of America, 2006.

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39

Lawrenson, David Scott. Selecting literature to teach musical style in the high school band. 1990.

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40

Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works. Oxford University Press, USA, 2008.

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41

John Williams's film music: Jaws, Star wars, Raiders of the lost ark, and the return of the classical Hollywood music style. The University of Wisconsin Press, 2014.

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42

Keys, Ivor, and Ivor Key. Brahms Chamber Music (Ariel Music Guides). Gloucester, 1996.

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43

(Editor), Debbie Cavalier, and Jeannette Aguino (Illustrator), eds. Adventures in Music Listening: Level 1 (Adventures in Music Listening). Alfred Publishing Company, 1996.

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44

(Compiler), William Hughes, Leon Burton (Composer), Charles Hoffer (Composer), and June Hinckley (Editor), eds. Bowmar's Adventures in Music Listening: Level 3 (Adventures in Music Listening). Alfred Publishing Company, 1999.

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45

Palasca, Claude V., Barbara Hanning, and J. Peter Burkholder. Study and Listening Guide for Concise History of Western Music and Norton Anthology of Western Music. W W Norton & Co Inc (Np), 1997.

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46

Pahlen, Kurt, Thurston Dox, and Judith Schaeffer. The World of the Oratorio: Oratorio, Mass, Requiem, Stabat Mater and Large Cantatas. Ashgate Publishing Group, 1991.

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47

Gorman, Paul, and Charles Shaar Murray. In Their Own Write: Adventures In The Music Press. Sanctuary Publishing, Ltd., 2001.

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48

Arnold Schoenberg's A Survivor from Warsaw in Postwar Europe (California Studies in 20th-Century Music Book 17). University of California Press, 2014.

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49

Donuts. Bloomsbury Academic, 2014.

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50

Richard Hell and the Voidoids Blank Generation 33 13. Continuum Publishing Corporation, 2014.

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