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Dissertations / Theses on the topic 'Music artists'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Croner, Kevin. "”Good artists copy...” : Ett undersökande arbete om sampling som kompositionsmetod." Thesis, Örebro universitet, Musikhögskolan, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-58147.

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2

Laube, Jacob M. "Understanding artist development: How do producers support the development of artists through the production process?" Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/107899/2/Jacob_Laube_Thesis.pdf.

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This thesis examines the concept of 'artist development' in music, identifying how musicians develop through the production process, and the role that the producer can play in such development. The study outlines the history of artist development in the music industry and the role of the record producer as an auteur figure, connecting this broad context with creative practice through the production of two EP recordings. Reflecting on artist development from the perspective of producer, the author identifies key elements of the production process that can contribute to the development of artist

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3

Kamara, II Kalilu. "Music Artists' Strategies to Generate Revenue Through Technology." ScholarWorks, 2018. https://scholarworks.waldenu.edu/dissertations/5358.

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Music streaming services are increasing, compact discs (CDs) and digital download sales are declining, and many music artists are becoming affected by this positive shift in music technology. Music streaming revenue does not compensate for the decrease in revenue from CDs and paid downloads. Based on organizational configuration theory (OCT), the purpose of this multiple case study was to explore the technology and marketing strategies that small business music artists used to generate sales revenue from the Internet. Six small business music artists who were 18 years or older with different m

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4

Ferraro, Andrés. "Music recommender systems: taking into account the artists' perspective." Doctoral thesis, Universitat Pompeu Fabra, 2021. http://hdl.handle.net/10803/672852.

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Music streaming platforms nowadays play an important role in music consumption and have a big influence on the musical taste of the listeners. Machine learning-based recommender systems are a fundamental part of such streaming platforms defining what music people listen to and when. As for many applications of machine learning, there is an increasing debate in academia, industry and governments about the effects that the recommender systems have in society and the ethical implications of such systems. The bias in music recommender systems towards the more popular items has been studied ex

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Della, Rosa Jacki Lynn. "Hard rockin' mamas : female rockabilly artists of Rock'n'roll's first generation, 1953-1960." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1202427565.

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6

Kim, Yŏng-suk. "The artist-teacher as college music educator /." Access Digital Full Text version, 1993. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11396155.

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Thesis (Ed.D.)--Teachers College, Columbia University, 1993.<br>Typescript; issued also on microfilm. Sponsor: Robert Pace. Dissertation Committee: Harold Abeles. Includes bibliographical references (leaves 217-220).

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Wright, Christopher. "Carbon : Desktop Vinyl Lathe Recapturing Value In Recorded Music." Thesis, Umeå universitet, Designhögskolan vid Umeå universitet, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-110700.

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Vinyl records have re-emerged as the preferred format for music fans and artists alike. The problem is that producing vinyl records is slow and expensive; this makes it difficult for up-and-coming artists to release their music on vinyl. What if you could make your own records at home?

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8

Aguirre, Lopez Nicolas Enrique, Echeverria Carlos Augusto Garrido, Giannotti Haris Giordano Papadelis, Castro Enrique Sebastian Robles, and Chueca Flavio Cesar Rodriguez. "Modelo de negocio para validar el emprendimiento de una agencia de marketing musical en Lima Metropolitana." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/626507.

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El presente proyecto sobre nuestra agencia de marketing musical para artistas del género urbano nos muestra la viabilidad de su ejecución, en base a la investigación realizada en Lima Metropolitana de los NSE “A” y “B”, que permitió detectar una demanda insatisfecha debido a la necesidad que tienen para promocionar su música en el mercado local. Actualmente existen agencias de marketing musicales que no están enfocadas en el género urbano, sino en música de todos los tipos, lo que genera frustración en los artistas urbanos que tratan de llegar a todo su público objetivo sin éxito debido a la

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9

Brunner, Jonas. "Rap Music: Differences in Derogatory Word Use Between Mainstream and LGBTQ Artists." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-19539.

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This study aims at investigating differences in derogatory word use between heteronormative rap artists and rap artists identifying with LGBTQ norms. A list of six profane words to be content analysed was constructed. These words were divided into three subcategories: those generally related to men (dick and nigga), women (bitch and pussy), or language in general (fuck and shit). The study examines the frequency of these derogatory words in randomly selected rap music and investigates how these frequencies differ in mainstream and LGBTQ artists' song lyrics. A content analysis of four randomly

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10

Negus, Keith. "The discovery and development of recording artists in the popular music industry." Thesis, London South Bank University, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.294340.

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11

Chinburg, Jenna. "The Perception of Trust Between Athletic Trainers and Musical Performing Artists." Thesis, San Jose State University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10634918.

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<p> Trust is a crucial element for a successful patient-clinician relationship. Athletic trainers may care for musical performing artists who demonstrate unique needs compared to traditional patients. In order to provide the best care, athletic trainers must establish a basis of patient-centered care and build solid professional relationships with performers. By improving overall patient-clinician relationship factors with respect to this population, trust may be implemented and sustained. The purpose of the study was to determine factors that established or diminished trust between drum corps

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12

Koonce, Richard S. "THE SYMBOLIC RAPE OF REPRESENTATION: A RHETORICAL ANALYSIS OF BLACK MUSICAL EXPRESSION ON BILLBOARD'S HOT 100 CHARTS." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1162098669.

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13

McKenna, Libby. "Audience interpretations of the representation of women in music videos by women artists." [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001670.

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14

Lundkvist, Björn. "The Effect of Social Media on the Numbers of Streams of Unsigned Artists’ Music." Thesis, KTH, Skolan för datavetenskap och kommunikation (CSC), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-210561.

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Social media has provided a way for music artists to reach many people with their music, without having to rely on record labels to perform marketing tasks. Most previous research within the area has focused on how already established music artists can use social media as part of their marketing strategies and how digital technologies have transformed the music industry. This study focuses on how unsigned music artists’ followers and fans on social media have an impact on their music streaming numbers. The main research question of the study is: how does unsigned artists’ social media performa

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Frenneaux, Richard. "Platform Disruption and the New Music Industry: The Influence of the Co-Creative, Networked Digital Age on Music Artists." Thesis, Griffith University, 2022. http://hdl.handle.net/10072/414587.

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My experiences as an artist, writer and producer in the music industry have raised an important question: What does it mean to promote, create and distribute music in an industry undergoing substantial change due to the emergence of a participatory, networked digital culture? Over the past decade, my relationship with my audience has been reframed many times through changing online platforms, audience expectations regarding content, access and participation, and the ubiquity of personalisation. This study seeks to understand the effect of digital participatory culture on the artist and on the

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16

Ostrove, Geoffrey, and Geoffrey Ostrove. "The Political Economy of Financially Successful Independent Hip Hop Artists." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12466.

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From 2000 to 2010, America's music industry's annual revenue went from $4 billion to $2 billion. Much of this is attributed to the internet's ability to provide consumers with easy access to free music, and hip hop has been especially impacted by this trend. Utilizing document analysis and personal interviews, this study found that the success of independent artists has influenced the business strategies of major record companies. In response to a dramatic decrease in record sales, major labels have made more of an effort to sign their artists to 360 deals, which allow the labels t

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17

Barnas, Adam J. "Emotional Responses Evoked by Paintings and Classical Music in Artists, Musicians, and Non-Experts." University of Dayton / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1417794794.

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18

Descoteaux, Jillian M. "Substance Use Patterns of Performing Artists: A Preliminary Study." Ohio University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1408643234.

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Kennerley, David Thomas. "'Flippant dolls' and 'serious artists' : professional female singers in Britain, c.1760-1850." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:abea8ab2-2c48-46bb-b983-626a7b8d12b8.

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Existing accounts of the music profession argue that between 1750 and 1850 musicians acquired a new identity as professional ‘artists’ and experienced a concomitant rise in their social and cultural status. In the absence of sustained investigation, it has often been implied that these changes affected male and female musicians in similar ways. As this thesis contends, this was by no means the case. Arguments in support of female musical professionalism, artistry, and their function in public life were made in this period. Based on the gender-specific nature of the female voice, they were an i

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Prest, Vallen L. "Developing worship leaders as servant artists at Woodside Bible Church, Troy, Michigan." Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p089-0141.

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Jordan, Augustus W. III. "Ideological and narrative structures of Hip-Hop music: A study of selected Hip-Hop artists." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2009. http://digitalcommons.auctr.edu/dissertations/64.

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This study examined the discourse of selected Hip-Hop artists and the biographical aspects of the works. The study was based on the structuralist theory of Roland Barthes which claims that many times a performer’s life experiences with class struggle are directly reflected in his artistic works. Since rap music is a counter-culture invention which was started by minorities in the South Bronx borough of New York over dissatisfaction with their community, it is a cultural phenomenon that fits into the category of economic and political class struggle. The study recorded and interpreted the lyric

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22

Cuenca, Juan. "What are the affordances fostered by social media for amateurs artists?" Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-10401.

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The research engages the use of social media sites for musicians with a focus on Facebook. It determines which are the advantages the platform makes available for musicians, allowing them to employ Do It Yourself strategies of production, audience relationship management and self-management. The importance of audience response and demographics allow any musician integrate keen insight into the content delivery and thus, optimize their management accordingly. This thesis will establish the affordances that engage what aspects and uses of Facebook are changing the way amateurs operate. The resea

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23

Serrano, Manchón Miguel Angel. "The Impact of Artists on consumer's behavior : A study on how artists influences on consumer's purchasing behavior in latin countries." Thesis, Jönköping University, IHH, Redovisning, Marknadsföring, SCM, Informatik och Rättsvetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-54619.

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Background: We currently live in a time when consumers trust more on social media and less on traditional advertising as a source of information for their purchasing decisions. Social media and traditional advertising must be integrated somehow so that marketers can communicate more effectively with their target market. In this investigation, the influence of music influencers on consumer behavior is analyzed, getting to the conclusion that the benefits of influencer and social media marketing increases customer experience and credibility, as it gives a brand the ability to communicate with it

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Ruiz-Resto, Jose Valentino. "The Effects of Technical and Imagery-based Instruction on Aspiring Performing Artists' Acquisition of Learning Newly Composed Pieces and Improvisation and on Listeners' Perceived Expressivity." Thesis, University of South Florida, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10112583.

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<p>The purpose of this study was to explore the union of technical and imagery-based instruction (hereinafter, T-I instruction) in two phases. Phase one: The researcher (1) explored T-I instruction’s influences on aspiring performing artists’ acquisition of learning and performing newly composed pieces and improvisation, and; (2) observed aspiring performing artists’ feelings of learning with T-I instruction versus technical instruction. Phase two: The researcher investigated (1) listeners’ perceived expressivity of aspiring performing artists’ performances that w

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25

Cortez, Karen. "Raising the musical self-efficacy of classroom teachers: best practice collaborative strategies for visiting artists." Thesis, Sydney Conservatorium of Music, 2021. https://hdl.handle.net/2123/24519.

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This study aimed to investigate the collaborative possibilities of a modified single visit format to support the musical self-efficacy of teachers. A “truncated” action research model (Cain, 2008) was used to demonstrate at a methodological level the importance of teacher involvement in this process. The ensemble Quart-Ed worked with four teachers from Banana School over the course of two collaborative meetings in preparation for delivering a program for their classes. Using interviews, fieldnotes, video recordings, and formal and informal reflection from all participants at every stage of the

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Vazquez, Olga M. "An investigation of the teaching practices of music teaching artists participating in four selected elementary school arts integration projects." Thesis, Florida Atlantic University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3647572.

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<p> This mixed methodology study investigated the arts integration practices of music teaching artists participating in four selected elementary school arts integration projects in the United States. This study also explored the possibility that music teaching artists’ formal education, arts integration training and professional development, and their own attitudes as well as different stakeholders’ attitudes about arts integration and music education impacted their arts integration practices. The explanatory two-phase design of this study began with the collection and analysis of

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27

Primschitz, Christina. "The effects of digitization on the music industry – From the viewpoint of music creators and independent record labels in Sweden." Thesis, Malmö högskola, Fakulteten för teknik och samhälle (TS), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-20756.

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Digitaliseringen, uppkomsten och den ökade populariteten av on-demand musikstreamingtjänster har förändrat musikbranschen i snabb takt. Tidigare studier visar att digitaliseringen har påverkat sättet hur media skapas, publiceras, distribueras och konsumeras. Studier om digitaliseringens effekter på kreatörer och distributörer inom musikbranschen visade sig däremot vara få. Det ansågs därför som en möjlighet att utforska hur artister och oberoende skivbolag uppfattar digitaliseringens effekter för att minimera den nuvarande kunskapsluckan. Den explorativa sekventiella studien bestod av två fase

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Söderström, Albin, Miller Emanuel Rinaldo, and Anderberg Theodor Mörse. "Don't Scroll Past! : Exploring how independent music artists can adapt their digital content marketing strategy to attract new listeners." Thesis, Internationella Handelshögskolan, Jönköping University, IHH, Företagsekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-49033.

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Jones, Richard Earl. "Keep it Local: Music Streaming & Local Music Communities." Miami University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=miami1512137210213619.

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Lawson, Selena Michelle. "Radiohead: The Guitar Weilding, Dancing, Singing Commodity." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/communication_theses/47.

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In 2007, Radiohead released a downloadable album, In Rainbows, allowing consumers to pay what they thought the album was worth. The band responded to a moment of change in the music industry. Since then, other bands, like Nine Inch Nails and Coldplay, have made similar moves. Radiohead's capability to release an album and let the fans decide its worth relied on the image they built, which foregrounded their commodification. The historic move redefined the boundaries between art and commodity, a well know tension in popular music studies. The thesis focuses on popular music as communication in

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Erenrich, Susan J. "Rhythms of Rebellion: Artists Creating Dangerously for Social Change." Antioch University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1286560130.

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Olson, Ted S. ""Foreword"." Digital Commons @ East Tennessee State University, 2018. https://www.amzn.com/1621904180/.

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Book Summary: The Fellowship Independent Baptist Church near Stanley, Virginia, was a group of fundamental Christian believers broadly representative of southern Appalachian belief and practice. Jeff Todd Titon worked with this Baptist community for more than ten years in his attempt to determine the nature of language in the practice of their religion. He traces specialized vocabulary and its applications through the acts of being saved, praying, preaching, teaching, and in particular singing. Titon argues that religious language is performed and the context of its occurrence is crucial to ou

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Sweat, Ashley Dawn. "What is the nature of the professional practice of artist-teachers? four case studies /." unrestricted, 2005. http://etd.gsu.edu/theses/available/etd-11172005-212321/.

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Thesis (M.A. Ed.)--Georgia State University, 2005.<br>Title from title screen. Paula P. Eubanks, committee chair; Melody Milbrandt, Joseph Peragine,Teresa Bramlette-Reeves, committee members. Electronic text (50 p.) : digital, PDF file. Description based on contents viewed May 29, 2007. Includes bibliographical references (p. 49-50).

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Franklin, Serena. "Ill beats : black women rap artists and the representations of women in hip hop culture." Honors in the Major Thesis, University of Central Florida, 2004. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/336.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Anthropology

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Andersson, Sofie, Nathalie Nyman, and Josefine Orup. "Artister som (o)frivilliga ledare." Thesis, Linnéuniversitetet, Institutionen för organisation och entreprenörskap (OE), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-79408.

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Bakgrund och problem: Baserat på att ett informellt ledarskap är något som tillskrivs en person av människor som har en vilja att följa denne, är ledarskapsrollen inte nödvändigtvis alltid självvald. Därmed fanns ett intresse att lyfta ledarens förhållningssätt till sin tillskrivna ledarroll. Genom detta sågs även en möjlighet att belysa att ledarskap inte enbart ger upphov till konsekvenser för följarna utan även för ledaren i fråga. Problemformulering: Hur förhåller sig artister till sitt tillskrivna ledarskap? Syfte: Syftet med detta arbete är att redogöra för om ett tillskrivet ledarskap u

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Wechsler, Johannes L. Verfasser], Florian von [Akademischer Betreuer] [Wangenheim, and Joachim [Akademischer Betreuer] Henkel. "Openness in the music business : How record labels and artists may profit from reducing control / Johannes Wechsler. Gutachter: Florian von Wangenheim. Betreuer: Joachim Henkel." München : Universitätsbibliothek der TU München, 2011. http://d-nb.info/1014861357/34.

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37

Amorell, Elisa, and Rebecca Fredriksson. "Varumärke och image slår igenom bruset i musikbranschen : En kvalitativ studie om hur artister jobbar med sina varumärken på sina sociala medier." Thesis, Linnéuniversitetet, Institutionen för marknadsföring (MF), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-94144.

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Digitaliseringen har revolutionerat musikindustrin, alla delar av marknaden har utvecklats, marknadsföring är ett av dem. Sociala medier har blivit centrum för marknadsföringen och konsumenten begär mer relaterbara varumärken och image som ett krav för att konsumera produkter. Syftet med vår studie har varit att undersöka hur dagens artist utvecklar och hanterar sitt varumärke och image genom sociala medier. Vi ville sondera hur detta påverkar artistens karriär. Studien syftar till att tillhandahålla kunskap om hur artister och personer som verkar inom musikbranschen definierar varumärke och i

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Stokes, Justine Frances. "We're Changing the Way We Do Business: A Critical Analysis of the Dixie Chicks and the Country Music Industry." Oxford, Ohio : Miami University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1228361434.

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Thorpe, Josh. "Here hear my recent compositions in a context of philosophy and western 20th century experimental art /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ59209.pdf.

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Mazuela-Anguita, Ascensión. "Artes de canto (1492-1626) y mujeres en la cultura musical del mundo ibérico renacentista." Doctoral thesis, Universitat de Barcelona, 2012. http://hdl.handle.net/10803/84122.

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Esta Tesis Doctoral explora la cultura musical del mundo ibérico renacentista a través del estudio de artes de canto en lengua vernácula impresas entre 1492 y 1626 y de su relación con las mujeres de la época. La Tesis consta de siete capítulos, estructurados en dos partes (Vol. I), y de veinte apéndices (Vol. II). La primera parte (Capítulos I al IV) muestra que las características por las que estos libros que contenían los rudimentos de la música han sido infravalorados hasta ahora por la historiografía musical son precisamente las mismas que demuestran que respondían a una necesidad pedagóg

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Ruiz-Resto, José Valentino. "The Effects of Technical and Imagery-based Instruction on Aspiring Performing Artists’ Acquisition of Learning Newly Composed Pieces and Improvisation and on Listeners’ Perceived Expressivity." Scholar Commons, 2016. http://scholarcommons.usf.edu/etd/6373.

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The purpose of this study was to explore the union of technical and imagery-based instruction (hereinafter, T-I instruction) in two phases. Phase one: The researcher (1) explored T-I instruction’s influences on aspiring performing artists’ acquisition of learning and performing newly composed pieces and improvisation, and; (2) observed aspiring performing artists’ feelings of learning with T-I instruction versus technical instruction. Phase two: The researcher investigated (1) listeners’ perceived expressivity of aspiring performing artists’ performances that were either influenced by T-I inst

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42

Marchbanks, Jack R. "Pride and Protest in Letters and Song: Jazz Artists and Writers during the Civil RightsMovement, 1955-1965." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1522929258105629.

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43

Hayes, Susan Nanette. "Chamber music in France featuring flute and soprano, 1850-1950, and a study of the interactions among the leading flutists, sopranos, composers, artists, and literary figures of the time." College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/3482.

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Thesis (D.M.A.) -- University of Maryland, College Park, 2006.<br>Thesis research directed by: Music. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Marylandia and Rare Books Dept., University of Maryland, College Park, Md. Also available in paper. Audio available on compact disc;

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Resende, De Souza Ébano. "Une nouvelle chanson indépendante du Brésil. Les Rencontres de Compositeurs de Juiz de Fora et la création brésilienne à Paris." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH105.

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Quelle place la musique indépendante brésilienne, notamment celle liée à la chanson d'auteur, occupe-t-elle dans le marché des musiques du monde ? Quels sont les liens que la nouvelle génération de compositeurs et de musiciens Brésiliens entretient avec ce marché ? Ces questions forment le socle des questionnements qui nourrissent ce travail de recherche. Comprendre la place de la musique d'auteur et la circulation de cette pratique est fondamental dans ce contexte. Pour cela, je fais des Rencontres de Juiz de Fora (Minas Gerais) au Brésil le point de départ de ce travail. J’enquête sur ces co

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Ernst, Erinn Kelley Thompson 1980. "A Collaborative, Site-Specific Dance Performance for Alton Baker Park in Eugene, Oregon: Focus on Community Building for Participating Artists Through the Concepts of Space and Time." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11481.

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viii, 77 p. : ill.<br>The focus of this study was a free site-specific dance and music performance for the general public in Alton Baker Park (Eugene, Oregon), designed to enhance public engagement with the park and with dance. Collaborative processes with participating dancers, composers, and musicians fostered community building between the artists. Informing literature covers the impact of site-specific dance performances on communities, choreographic methodology, the history of site-specific artwork, the impact on, and consideration of, the audience in site-specific projects, and collabora

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Heidenberg, Elin. "Vem blir artist? : En studie av hur svenska skivbolag väljer ut blivande artister inom populärmusikgenren." Thesis, Uppsala universitet, Institutionen för musikvetenskap, 2000. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-173748.

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Abstract Elin Heidenberg: Vem blir artist? En studie av hur svenska skivbolag väljer ut blivande artister inom populärmusikgenren. - Uppsala: Musikvetenskao 2000. 60 p. Uppsatsens syfte är att studera skivbolagens artisturvalsprocess inom populärmusikgenren, att undersöka vilka kriterier/faktorer som påverkar deras val, vilka av dessa som är av störst betydelse samt om urvalsprocessen skiljer sig mellan skivbolag av olika storlek. Uppsatsen bygger främst på intervjuer med fyra A&R-anställda på fyra olika skivbolag. Branschlitteratur och tidningsartiklar med liknande intervjuer, samt artikl

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Hrnčíř, Petr. "Role marketingu v hudebním průmyslu se zaměřením na EDM a DJing." Master's thesis, Vysoká škola ekonomická v Praze, 2014. http://www.nusl.cz/ntk/nusl-193347.

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This thesis examines the influence of marketing communication on music industry with focus on electronic dance music. In theoretical part are processed basic terms defining marketing communication. Consequently is described development of electronic dance music from seventies. The main objective of this thesis is define important marketing tools in allotted age group and confirm knowledge of this area of music industry. The practical part is focused on the research of popularity, target group determination and also evaluates interview with specialists and artists. Base on the research results

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Calderon, Eber. "Artistic Vision and Technical Minimalism. Opportunity or Paradox?" Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-103114.

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The aim of this study was research how avoiding the use of modern music production tools like virtual instruments, samples, loops and amp emulations would affect my work as a songwriter and music producer in terms of creativity, artistic expression, efficiency and overall sound quality of the production. The project consisted of writing, producing and mixing four songs in different genres, using only a single, a Shure SM7b dynamic microphone and an Audient ID4 audio interface to record all of my sources. In the following step I compared the songs I created for this project to other songs I hav

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Falck, Lina, and Moa Thörlind. "YouTube och Musikbranschen : En studie i hur artisters användande av YouTube som marknadsföringskanal ser ut i en allt mer digital musikbransch." Thesis, Linnéuniversitetet, Institutionen för marknadsföring (MF), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-35919.

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Denna uppsats syfte är att analysera hur musikartister använder sig av YouTube som marknadsföringsverktyg, samt vilken betydelse YouTube har för dessa artisters marknadsföring. En kvalitativ och induktiv metod har tillämpats, medan ett antal intervjuer samt en innehållsanalys genomförts som grund till det empiriska materialet. Detta för att få en inblick i musikbranschens syn på ämnet, samt även ge en objektiv bild av hur plattformen används som marknadsföringsverktyg. Slutligen menade studien att ge artister och andra arbetande inom musikbranschen, en bild av hur användandet av denna marknads

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Kristianson, Kim. "Cellisten på scenen : En studie i Artistisk mental träning." Thesis, Örebro universitet, Musikhögskolan, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-58181.

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