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Relevant bibliographies by topics / MUSIC / Business Aspects

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Academic literature on the topic 'MUSIC / Business Aspects'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "MUSIC / Business Aspects"

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Conner, Thomas, and Steve Jones. "Art to Commerce: The Trajectory of Popular Music Criticism." IASPM Journal 4, no. 2 (2014): 7–23. http://dx.doi.org/10.5429/ij.v4i2.671.

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This article reports the results of a content and textual analysis of popular music criticism from the 1960s to the 2000s to discern the extent to which criticism has shifted focus from matters of music to matters of business. In part, we believe such a shift to be due likely to increased awareness among journalists and fans of the industrial nature of popular music production, distribution and consumption, and to the disruption of the music industry that began in the late 1990s with the widespread use of the Internet for file sharing. Searching and sorting the Rock’s Backpages database of ove

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Lyu, Zhuoheng, Zhenghong Nie, and Yuhan Xie. "QQ Music Business Model Competitiveness Analysis: Social Economy Perspective." Highlights in Business, Economics and Management 11 (May 9, 2023): 100–107. http://dx.doi.org/10.54097/hbem.v11i.7952.

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The social economy has played a significant role in the development of QQ Music. To explore the impact of the social economy on QQ Music’s business model, this paper analyses two aspects: first, the type of community and the community demand existed in the platform of QQ Music; second, the procession embodied in QQ Music’s business model to commercialize communities. The study shows that the competitiveness of QQ Music’s business model lies in its platform set-up and user-paid service set-up. The user community sorting mechanism helps QQ Music users find the right community that suits them and

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Sadler, D. "The Global Music Business as an Information Industry: Reinterpreting Economies of Culture." Environment and Planning A: Economy and Space 29, no. 11 (1997): 1919–36. http://dx.doi.org/10.1068/a291919.

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In this paper it is argued that the music business should be regarded as an activity trading in information. The paper begins with a review of key themes in the conceptualisation of the music industry within the cultural economies tradition. These are the tensions between creativity and commerce and between global and local processes, and the characterisation of the industry in the terms of the flexible specialisation and reflexive accumulation theses. It is then suggested that these debates have downplayed a key characteristic of the contemporary music industry, its involvement with the creat

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Pizzi, Meredith Roman. "Expanding a Music Therapy Business Using AMTA’s Aspirational Code of Ethics." Music Therapy Perspectives 38, no. 1 (2020): 34–37. http://dx.doi.org/10.1093/mtp/miaa001.

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Abstract While all music therapists look to the Code of Ethics as a guiding document, music therapists who are self-employed or managing teams rely heavily on this document to create sound business and administrative policies. This article articulates how the 2019 Code of Ethics informs the music therapy entrepreneur or manager to make thoughtful, accountable, and ethical decisions, decreases confusion about specific business practices, and addresses significant concerns related to aspects of the previous AMTA Code of Ethics that were in conflict with federal anti-trust regulations in the Unit

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Trinick, Robyn, and Lesley Pohio. "The “Serious Business” of Musical Play in the New Zealand Early Childhood Curriculum." Music Educators Journal 104, no. 4 (2018): 20–24. http://dx.doi.org/10.1177/0027432118767734.

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Children have a natural curiosity about sound. This is particularly evident in the context of musical play. The potential of play for music learning may be overshadowed by a teacher-led and performance-focused approach to music education rather than an organic, self-initiated approach. By bringing together the child’s natural curiosity about sound, a rich music environment, and effective teacher guidance, the stage is set for building a strong foundation of musical understandings during a child’s first five years, a critical period of the child’s musical development. This article draws attenti

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SCANNELL, PADDY. "Music, radio and the record business in Zimbabwe today." Popular Music 20, no. 1 (2001): 13–27. http://dx.doi.org/10.1017/s0261143001001283.

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Radio and the recording business have, since the beginning of the last century, had a profound impact upon existing musical life whenever and wherever they have decisively and irreversibly established themselves. Their arrival restructures and redefines the social relations of music in many aspects of its production, performance and reception. Radio and recording technologies have had a significant impact on the livelihoods of all those who one way or another try to make a living from music (composers, performers and - in Europe - publishers, for instance). Performance itself is transformed as

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Lv, Xin Xin. "Design and Construction on Music Online Website." Applied Mechanics and Materials 543-547 (March 2014): 3268–71. http://dx.doi.org/10.4028/www.scientific.net/amm.543-547.3268.

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Development of network technology makes people come into contact with more music mode, music online website as a network carrier, in the dissemination, creation, appreciation and other aspects have a profound impact on the development of music, the paper based on the .NET technology to design and build the music online website. Firstly, research the .NET three-tier architecture, constructed by the presentation layer, business layer, data layer MVC architecture diagram, and described the components; then, design website function, including foreground service and background management module wer

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Ardini, Ni Wayan. "Balinese Pop Music: An Industrialization Era." Journal of Music Science, Technology, and Industry 1, no. 1 (2018): 129. http://dx.doi.org/10.31091/jomsti.v1i1.509.

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ABSTRACTBalinese pop music appeared in 1970’s but its industrialization refers to the development of the involved industries which began in 1990s. The industrialization is characterized by aspects of economy, technology, and new culture in music. All the aspects are related to each other. The economy can be seen in the growing capital in such a business. Technology is in the use of digital tecnology substituting the analog. New culture in music is shown in the more awareness of the Balinese people in enjoying Balinese pop songs. The Balinese are no longer shy singing such songs. This literatur

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Barneva, Reneta P., Kamen Kanev, Stuart B. Shapiro, and Lisa M. Walters. "Enhancing Music Industry Curriculum with Digital Technologies: A Case Study." Education Sciences 11, no. 2 (2021): 52. http://dx.doi.org/10.3390/educsci11020052.

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Recent years have seen an increase in interest with regard to offering music industry undergraduate programs at institutes of higher learning. Such programs typically cover a mix of courses in both music and business areas. An emerging trend in the music industry is the rising application of digital technologies in all business aspects. This makes it necessary to enhance the curriculum with opportunities that familiarize students with various digital technologies and the possibilities they offer, so graduates are well-prepared for their future careers. This paper presents a case study conducte

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Lupak, R., V. Tarasyuk, and K. Varkholyak. "Aspects of festival events tourism development." Galic'kij ekonomičnij visnik 66, no. 5 (2020): 30–37. http://dx.doi.org/10.33108/galicianvisnyk_tntu2020.05.030.

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The importance of tourism development for the country's economy and the growing popularity of festival events tourism in the context of music, gastronomic and ethno-festival events is summarized. The conceptual characteristics of festival events tourism that require in-depth research are clarified. The economic advantages of each direction of festival event tourism and their interrelation with other economic processes are listed. Special attention is paid to marketing, technological, social, historical and other features of their formation and progressive growth. Peculiarities (in the context

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Dissertations / Theses on the topic "MUSIC / Business Aspects"

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Ballico, Christina. "Bury me deep in isolation: A cultural examination of a peripheral music industry and scene." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/682.

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Since 1998, Perth bands have had a strong presence within the Australian music scene. Primarily, each year between 1998 and 2009, songs by indie pop/rock acts from Perth have charted within national broadcaster triple j’s Hottest 100 countdown. Many of the albums from which these songs have been taken have sold in excess of 35,000 copies, and a number of successful and recognised Perth bands have toured with the nation’s largest music festival, the Big Day Out as well as their own high profile national tours. At the same time, Perth’s local indie pop/rock music industry has undergone tremendou

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Rhormens, Diego Paulo. "O negócio da música sertaneja no Brasil: tocando as emoções, as relações, o corpo e a alma." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21560.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-11-09T10:24:44Z No. of bitstreams: 1 Diego Paulo Rhormens.pdf: 1747742 bytes, checksum: f865366abd596237b133f6df0704a718 (MD5)<br>Made available in DSpace on 2018-11-09T10:24:44Z (GMT). No. of bitstreams: 1 Diego Paulo Rhormens.pdf: 1747742 bytes, checksum: f865366abd596237b133f6df0704a718 (MD5) Previous issue date: 2018-09-18<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Country music is taking the centrality of many events and the media, being the most played and listened music genre in Brazil. This w

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Books on the topic "MUSIC / Business Aspects"

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Andrew, Blake. The music business. B.T. Batsford, 1992.

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Patten, Kevan. Music business contracts. Patten Sound, 1993.

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Michael, Fink. Inside the music business: Music in contemporary life. Schirmer Books, 1989.

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Truly, Traci. Making Music Your Business. Sourcebooks, Inc., 2005.

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Sidney, Shemel, ed. More about this business of music. 5th ed. Billboard Books, 1994.

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Whitsett, Tim. Music publishing: The real road to music business riches. Midas, 1993.

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Krasilovsky, M. William. More about this business of music. Billboard Books, 1996.

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Gigante, Alice Beth. A business guide for the music teacher. Kjos West, 1987.

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Krasilovsky, M. William. This business of music: The definitive guide to the music industry. 9th ed. Watson-Guptill Publications, 2003.

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Krasilovsky, M. William. This business of music: The definitive guide to the music industry. Billboard, 2007.

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Book chapters on the topic "MUSIC / Business Aspects"

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Li, Hanchao, Xiang Fei, Ming Yang, Kuo-ming Chao, and Chaobo He. "Theoretical Aspects of Music Definition Language and Music Manipulation Language." In Advances in E-Business Engineering for Ubiquitous Computing. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-34986-8_14.

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Phillips, Michelle, and Ava Podgorski. "Best Practice Considerations for Arts Educators When Developing Intensive Online Courses for Creative Industries Higher Education Students." In FGF Studies in Small Business and Entrepreneurship. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-28559-2_13.

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AbstractThe 2-year StART Entrepreneurship Project (StART) aims to support creative industries students to develop skills and utilise real-world experience to build successful and sustainable careers. UK-based and funded by the Office for Students and Research England, StART is a collaboration between the Royal Northern College of Music (RNCM), the Royal Central School of Speech and Drama (RCSSD) and University of the Arts London (UAL). The project involves the development of new in-curricular and extracurricular content and events, tailored specifically for students studying for higher education degrees in these and other specialist creative arts institutions.This chapter explores one specific way of delivering entrepreneurship education to students, an intense period of contact time often referred to as a ‘boot camp’. The chapter outlines the planning stage of this event, including how existing research on entrepreneurial learning might be mapped onto the boot camp format and how aspects of the QAA (Enterprise and Entrepreneurship Education: Guidance for UK education providers, Quality Assurance Agency for Higher Education, Gloucester, 2018) guidance was to be integrated. The chapter will also detail how existing frameworks such as EntreComp (McCallum et al., Joint Research Centre Entrepreneurship and the creative economy (3):400–414, 2018) and the CLEAR IDEAS model (Birdi, European Journal of Work and Organizational Psychology 30(3):400–414, 2021) informed design and delivery and how input from external industry partners and students themselves (both event participants and members of the StART Student Advisory Board) was a key part of the planning.

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"A. BUSINESS ASPECTS." In Popular Music. Routledge, 2016. http://dx.doi.org/10.4324/9781315622583-24.

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Blezzard, Judith. "What Choirs Also Sang: Aspects of Provincial Music Publishing in Late-nineteenth-century England." In The Business of Music. Liverpool University Press, 2002. http://dx.doi.org/10.5949/liverpool/9780853235286.003.0003.

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O’Reilly, Dr Daragh, Dr Gretchen Larsen, and Dr Krzysztof Kubacki. "Marketing and Music." In Music, Markets and Consumption. Goodfellow Publishers, 2013. http://dx.doi.org/10.23912/978-1-908999-52-8-2255.

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The purpose of this book is to contribute to discussions about the music business from a marketing point of view. Arts marketers have long argued that marketing thinking needs to be substantially adapted to deal with the complexities and particularities of the creative and cultural industries. There are a number of books which take a practical approach to the marketing of music (e.g. Baker’s (2012) Guerilla Music Marketing Online), or provide an overview of the music industry (e.g. Kusek and Leonhard’s (2005) The Future of Music: A Manifesto for the Digital Music Revolution and Wikstrom’s (2009) The Music Industry: Music in the Cloud), or comment on economic aspects of the business from the point of view of popular music studies. This book, in contrast, deals with the application of marketing and consumer studies theory to the business. As far as the authors can establish, this has not been attempted before.

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"The Big Ones of the Music Industry: Copyright and Human Rights Aspects of the Music Business." In Expanding the Horizons of Human Rights Law. Brill | Nijhoff, 2005. http://dx.doi.org/10.1163/9789047407423_009.

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Theodore Hoppen, K. "The Business of Culture." In The Mid-Victorian Generation. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198228349.003.0012.

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Abstract As industrialization became more pervasive in the second half of the nineteenth century so the imperatives of an increasingly sophisticated commercialism began to affect all aspects of British life. High and low culture enthusiastically embraced what Dickens called a new frankness about ‘those little screws of existence—pounds, shillings, and pence’. ‘I write for money. Of course I do’, noted Trollope, ‘It is for money that we all work, lawyers, publishers, authors and the rest.’ And while this neither negated nor overwhelmed that internally generated logic which has in all periods given works of art their essential pattern and form, its influence upon the deep structures—as well as the surface appearances—of novels, poems, music, buildings, and paintings is difficult to exaggerate.

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Ramírez Barredo, Belén, Beatriz Guerrero González-Valerio, and Davinia Martín Critikián. "Zara Joins the Trends." In Advances in Human and Social Aspects of Technology. IGI Global, 2023. http://dx.doi.org/10.4018/978-1-6684-4102-2.ch013.

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Brands are the universal symbols of the modern era, comprising a set of values with which the consumer identifies. To activate a brand is to make its promise tangible through different marketing and advertising tools. The fashion film is established in the retail sector as a form of brand communication, which can encompass fashion, photography, film, advertising, music, and art, becoming heir to different and varied artistic disciplines: a format that allows interaction with customers by breaking traditional boundaries through transmediality. The aim of this chapter is to analyse the series of three fashion films, “Zara Sce-nes,” launched in 2019, in the context of the communication of changes in the brand's business strategy. With this purpose, the different chapters are analysed from the fashion film perspective as social media content and a brand communication tool.

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Heath, Mary Jo. "Broadcasting Opera to a Wide Audience." In The Oxford Handbook of Public Music Theory. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780197551554.013.24.

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Abstract For almost a century, technology has made it possible to experience opera beyond the confines of the opera house. Since it opened in 1883, the Metropolitan Opera has always kept abreast of new technologies and seized on them when they saw that employing them would make opera more widely available. One of its earliest, and still most far-reaching reaching initiatives, is the radio broadcasts which began in 1931 and continue today, some on Saturday afternoons and others more recently added on SiriusXM, and the television “Live from the Met,” broadcasts which have evolved into the Live in HD broadcasts into movie theaters. This chapter discusses the history of the Met’s use of technology, focusing on the radio broadcasts. It delves further into them and discusses many of the aspects that are considered when the broadcasts are produced, including how to create a show whose listeners range from new audience members to more knowledgeable ones, the style of presentation, the scripts, intermission features, business and artistic considerations, and more.

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Smith, Ralph A. "Recent Trends and Issues in Policy Making." In The New Handbook Of Research On Music Teaching And Learning. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195138849.003.0004.

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Abstract Discussions of policy making in the first Handbook addressed various aspects of policy for arts education (Smith, 1992). Essays ranged over such topics as the definition of policy, descriptions of particular policy decisions, the role of professional associations, the involvement of federal and private agencies, and questionable instances of policy formulation and implementation. My own contribution discussed a few of the latter. One of the flaws of policy making stemmed from inadequate considerations of the nature and value of art, without which policies can have little direction. Another consisted of limited visions of arts education that were inadequate for an effective understanding and appreciating of works of art. Yet another was attributing to both art and arts education inordinate measures of instrumental efficacy. A surfeit of benefits, for example, was believed to derive from simply having “art experiences,” a phrase characteristically left undefined. Also noted were examples of bad faith, which is to say the undertaking of purportedly unbiased and objective studies and research that were in fact intended to advance particular agendas. Termed “advocacy research,” this tendency came under strong scrutiny by critics. Advocacy, of course, is necessary and can be pursued responsibly, but in too many instances the motives and statements of advocates begged credibility. Moreover, there was a tendency to glamorize advocacy by showcasing figures from the worlds of entertainment and business whose contributions usually consisted of little more than sound bites.

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Conference papers on the topic "MUSIC / Business Aspects"

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Bajdor, Paula, Dagmara Bubel, and Tomasz Lis. "Management of a Virtual Organisation from the Aspect of Creating Business Processes." In MultiScience - XXX. microCAD International Multidisciplinary Scientific Conference. University of Miskolc, 2016. http://dx.doi.org/10.26649/musci.2016.050.

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Bialaszewski, Dennis, and Marsha Bialaszewski. "Ethics and Education: Curriculum Issues." In InSITE 2005: Informing Science + IT Education Conference. Informing Science Institute, 2005. http://dx.doi.org/10.28945/2882.

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Ethical considerations are a very important aspect for each one of us. However, faculty typically are often so concerned with covering all content associated within course structure they may not have sufficient time for class discussion regarding ethical considerations relevant for one’s discipline. This is sometimes addressed by designing a specific course with a specific purpose being ethical considerations. For example one may see the existence of a “Business Ethics” course as a requirement for a business major. One of authors of this paper has designed an “Ethics and Information Systems” c

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Reports on the topic "MUSIC / Business Aspects"

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Keogh, Brendan, Dan Golding, and Taylor Hardwick. Australian Music and Games 2023 Benchmark. Queensland University of Technology and Swinburne University of Technology, 2023. http://dx.doi.org/10.5204/rep.eprints.243139.

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Digital games are a global cultural force, of which music is a foundational aspect. Music is crucial for digital games to develop atmosphere, convey narratives, and frame player interactions. At the same time, digital games provide musicians exciting new opportunities to experiment with dynamic, adaptive, and non-linear music structures. However, writing, producing, licensing, and implementing music for digital games also poses new challenges to existing screen music practices and business models. This benchmark is the first ever investigation into the scope and scale of Australia’s game music

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