Dissertations / Theses on the topic 'Music by African American women composers'
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Smith, Bethany Jo. "Song to the dark virgin race and gender in five art songs of Florence B. Price /." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1186770755.
Full textMoham, Carren D. "The contributions of four African-American women composers to American art song." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1250881412.
Full textMoham, Carren Denise. "The contributions of four African-American women composers to American art song /." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487945015618126.
Full textNorris, Marcus Duane JR. "Brown Eyes, Black Magic." FIU Digital Commons, 2017. http://digitalcommons.fiu.edu/etd/3270.
Full textErickson, Clipper. "The six piano suites of Nathaniel Dett." Thesis, Temple University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3623149.
Full textCreasap, Susan D. "American women composers of band music : a biographical dictionary and catalogue of works." Virtual Press, 1996. http://liblink.bsu.edu/uhtbin/catkey/1019472.
Full textTanner, Robert Thomas II. "Olly Wilson, Anthony Davis, and George Lewis: The Lives, Works, and Perspectives of Three Contemporary African American Composers." The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392807962.
Full textSummers, Epiphany. "Black Women as Listeners of Hip-Hop Music." Thesis, The George Washington University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10149611.
Full textBartlow, Dianne. "On the relationship between altruism and African-American women in contemporary popular music /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9992377.
Full textPugh-Patton, Danette Marie. "Images and lyrics: Representations of African American women in blues lyrics written by black women." CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3235.
Full textWright, Delane E. (Delane Elizabeth). "Poppin' Their Thang: African American Blueswomen and Multiple Jeopardy." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc278053/.
Full textDumpson, Donald. "FOUR SCHOLARS' ENGAGEMENT OF WORKS BY CLASSICAL COMPOSERS OF AFRICAN DESCENT: A COLLECTIVE CASE STUDY." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/261236.
Full textRobb, Mary. "Music of Miriam Gideon during the McCarthy era, including a complete catalogue of her works." Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/7774.
Full textMcFadden, Alesia E. "The artistry and activism of Shirley Graham Du Bois a twentieth century African American torchbearer /." Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/open_access_dissertations/76/.
Full textHayes, Eileen M. "Black women performers of women-identified music : "they cut off my voice, I grew two voices" /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/10623.
Full textCiobanu, Jennifer Odom. ""The Wider View": Engaging a New Generation of Singers through African-American Art Song." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc31528/.
Full textBryant, Yaphet Urie. "African American female adolescents and rap music video's image of women : attitudes and perceptions." Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1045619.
Full textPatterson, DeAnna Rose. "A History of Three African-American Women Who Made Important Contributions to Music Education Between 1903 and 1960." Bowling Green State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1182182858.
Full textPeebles, Sarah Louise. "The use of the spiritual in the piano works of two African American women composers- Florence B. Price and Margaret Bonds /." Full text available from ProQuest UM Digital Dissertations, 2008. http://0-proquest.umi.com.umiss.lib.olemiss.edu/pqdweb?index=0&did=1850458341&SrchMode=1&sid=4&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1279563923&clientId=22256.
Full textKarlstrom, Sigrid. "Three Women Composers and Their Works for Viola and Piano| Marion Bauer, Miriam Gideon, and Vivian Fine and the Trajectory of Female Tradition in American Music." Thesis, University of Hartford, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10982811.
Full textMiguel, Nicholas Edward. "The art songs of Modesta Bor (1926-1998)." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6213.
Full textUnruh, Amy Elizabeth. "Louis Moreau Gottschalk (1829-1869) the role of early exposure to African-derived musics in shaping an American musical pioneer from New Orleans /." [Kent, Ohio] : Kent State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=kent1257865487.
Full textPellerin, Marquita Marie. "Perceptions of African Ameircan Females: An Examination of Black Women's Images in Rap Music Videos." Diss., Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/139738.
Full textLister, Toiya. "The Soul of Black Opera: W.E.B. Du Bois’s Veil and Double Consciousness in William Grant Still’s Blue Steel." Digital Commons @ Butler University, 2018. https://digitalcommons.butler.edu/grtheses/508.
Full textLindsay, Melanie Marie. "WHO YOU CALLIN' A BITCH? A CONTENT ANALYSIS OF THE IMAGES USED TO PORTRAY AFRICAN AMERICAN WOMEN IN RAP MUSIC." CSUSB ScholarWorks, 2016. https://scholarworks.lib.csusb.edu/etd/336.
Full textHarris, Laura Alexandra. "Troubling boundaries : women, class, and race in the Harlem Renaissance /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9804030.
Full textWellborn, Brecken. "Musicals and the Margins: African-Americans, Women, and Queerness in the 21st Century American Musical." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404583/.
Full textDerringer, Sherri Lynn. "Women’s Campaign for Culture: Women’s Clubs and the Formation of Music Institutions in Dayton, Ohio 1888-1933." Wright State University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=wright1181333969.
Full textWellborn, Brecken. "Musicals and the Margins: African-Americans, Women, and Queerness in the Twenty-First Century American Musical." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc1404583/.
Full textKeeler, Matthew. "BESSIE SMITH: AN AMERICAN ICON FROM THREE PERSPECTIVES." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1130967483.
Full textFranklin, Serena. "Ill beats : black women rap artists and the representations of women in hip hop culture." Honors in the Major Thesis, University of Central Florida, 2004. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/336.
Full textHudson, Jacqueline P. "I'm Every (Black) Woman: Negotiating Intersectionality in the Music Industry." Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1626625131222246.
Full textSennet, Rochelle. "African American composers and the piano concerto /." 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3314886.
Full textJones, Eddie Wade. "Portrait of an unsung hero Roland Hayes and his music /." 1989. http://catalog.hathitrust.org/api/volumes/oclc/24620101.html.
Full textAmes, Jeffery La'Moun Thomas André J. "A pioneering twentieth century African-American musician The choral works of George T. Walker /." Diss., 2005. http://etd.lib.fsu.edu/theses/available/etd-04112005-175424.
Full textReed, Roxanne Regina. "Preaching and piety : the politics of women's voice in African-American gospel music with special attention to gospel music pioneer Lucie E. Campbell /." 2003. http://www.library.wisc.edu/databases/connect/dissertations.html.
Full textHarvey, Bonita Michelle. "Perceptions of young African-American males about rap music and its impact on their attitudes toward women." 1999. https://scholarworks.umass.edu/dissertations/AAI9932319.
Full textWilliams, Krista Faye. "Counterspaces in band programs: experiences of African American female band directors at the secondary level." Thesis, 2021. https://hdl.handle.net/2144/42440.
Full textFarrah, Scott David Clendinning Jane Piper. "Signifyin(g) A semiotic analysis of symphonic works by William Grant Still, William Levi Dawson, and Florence B. Price /." Diss., 2007. http://etd.lib.fsu.edu/theses/available/etd-04032007-154415/.
Full textVan, Helsdingen Lentelie. "Die rol van die vrou in die westerse musiekgeskiedenis van Suid-Afrika, 1652-1952." Diss., 1995. http://hdl.handle.net/10500/17725.
Full textSmith, Arlette Miller. "Speaking the song, spreading the word, lifting the people : the reimagination of community through vocal music activism /." 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3173641.
Full textSpeller, Chrishawn A. Montgomery Maxine Lavon. "Seeing is believing exploring the intertextuality of aural and written blues in Gloria Naylor's Bailey's Café, Gayl Jones' Corregidora and Toni Morrison's Jazz /." 2003. http://etd.lib.fsu.edu/theses/available/etd-11192003-221138.
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