Relevant bibliographies by topics / Music – california – history and criticism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Music – california – history and criticism'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Music – california – history and criticism"

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Тарускин, Р. ""'Everybody Gotta be Someplace' (on Context)"." Музыкальная академия, no. 2(782) (June 26, 2023): 52–83. http://dx.doi.org/10.34690/308.

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Данная публикация представляет собой перевод 21-й главы из посмертного сборника очерков Ричарда Тарускина «О временах и судьбах: программные выступления и заметки по случаю, 2006–2019» («Musical Lives and Times Examined: Keynotes and Clippings, 2006–2019»), выпущенного издательством Калифорнийского университета в начале 2023 года. В основе текста лежит ключевой доклад американского ученого, произнесенный 25 октября 2018 года в Белградском университете искусств на XIV Международной конференции «Контекстуальность музыкознания — что, как, почему и потому» («Contextuality of Musicology—What, How,
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Botstein, Leon. "On Criticism and History." Musical Quarterly 79, no. 1 (1995): 1–5. http://dx.doi.org/10.1093/mq/79.1.1.

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Vojvodić Nikolić, Dina D. "PREDLOG ODREĐENjA POJMA MUZIČKA KRITIKA I TIPOLOGIJE KRITIČKIH TEKSTOVA MEĐURATNOG DOBA U SRBIJI." Nasledje Kragujevac XX, no. 55 (2023): 299–312. http://dx.doi.org/10.46793/naskg2355.299vn.

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The paper presents a proposal for defining the concept of music criticism and types of critical texts. The historical development of music criticism, its problems, methods, goals and main representatives are presented. The history of music criticism is ideologically connected with music, and primarily appeared in occasional publications. Criticism of musicians began continuously in the middle of the 18th century, when the first open discussions on various issues of music appeared. Jean-Jacques Rousseau, Johann Mattheson and Charles Burney stand out among the first music critics. The last years
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Tukova, Iryna, Valentina Redya, and Iryna Kokhanyk. "Ukrainian Music Criticism of the 2010s: General Situation, Problems, Directions of Development (Based on the Examples From Contemporary Art Music Scene)." Studia Universitatis Babeş-Bolyai Musica 67, no. 2 (2022): 129–43. http://dx.doi.org/10.24193/subbmusica.2022.2.07.

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"The paper focuses on the 2010s in the history of Ukrainian music criticism. The materials on contemporary art music were chosen to support the authors’ reflections and conclusions. Selection of the time, period and material for the research are conditioned both with the specific social situation of Ukraine and with the recent developments in its music scene. The paper characterizes the main media, most popular critical genres, and methods of critical coverage. It is highlighted that the problems of Ukrainian music criticism during the 2010s were linked to the post-Soviet past and, in general,
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Marcus, K. H. "Nineteenth Century California Sheet Music." Journal of American History 98, no. 1 (2011): 308. http://dx.doi.org/10.1093/jahist/jar137.

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Botstein, L. "Witnessing Music: The Consequences of History and Criticism." Musical Quarterly 94, no. 1-2 (2011): 1–8. http://dx.doi.org/10.1093/musqtl/gdr001.

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Radice, Mark A. "Reader's Guide to Music: History, Theory, Criticism (review)." Notes 58, no. 1 (2001): 66. http://dx.doi.org/10.1353/not.2001.0165.

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Foote, Thelma Wills. "Music of African Americans in California." Pacific Historical Review 69, no. 1 (2000): 89–95. http://dx.doi.org/10.2307/3641239.

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Majer-Bobetko, Sanja. "Between music and ideologies: Croatian music criticism from the beginning to World War II." Muzyka 63, no. 4 (2018): 55–64. http://dx.doi.org/10.36744/m.344.

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As the Croatian lands were exposed to often aggressive Austrian, Hungarian, and Italian politics until WWI and in some regions even later, so Croatian music criticism was written in the Croatian, German and Italian languages. To the best of our knowledge, the history of Croatian music criticism began in 1826 in the literary and entertainment journal Luna, and was written by an anonymous author in the German language.A forum for Croatian language music criticism was opened in Novine Horvatzke, i.e. in its literary supplement Danica horvatska, slavonska i dalmatinska in 1835, which officially st
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kang, sun ha. "The Problems an Improvement Direction of High School Music Appreciation and Criticism Textbook." Korean Association For Learner-Centered Curriculum And Instruction 23, no. 17 (2023): 1–15. http://dx.doi.org/10.22251/jlcci.2023.23.17.1.

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Objectives This study examines the problems in the contents of high school textbook Music Appreciation and
 Criticism, and proposes improvement directions accordingly.
 Methods For this purpose, the 2015 revised textbook Music Appreciation and Criticism's unit composition, organization,
 and Gugak contents were analyzed.
 Results The problems of high school music appreciation and criticism education are, first, that Gugak is not universally
 covered in music. Second, the majority of music pieces overlapped with general Music textbooks, and
 third, the fact that th
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Dissertations / Theses on the topic "Music – california – history and criticism"

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Hilliard, Howard (Howard Louis). "The History of Horn Playing in Los Angeles from 1920 to 1970 : a Lecture Recital, Together With Three Recitals of Selected Works for Horn by M. Haydn, Franz, Britten, Mozart, Koetsier, Hindemith, Herzogenberg, Rossini, Stevens and others." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc1038828/.

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The History of Horn Playing in Los Angeles from 1920 to 1970 begins with the horn players who played in the silent film orchestras and the Alfred Brain's tenure with the Los Angeles Philharmonic. This study details the introduction of soundtracks, the early studio orchestras, the contract studio orchestras, the musician union's role in structuring the work environment, the horn players who played in both the Los Angeles Philharmonic and the studios, major figures from the subsequent freelance period such as Vincent de Rosa, and the local and international influence of the Los Angeles Horn Club
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Kirilov, Kalin Stanchev. "Harmony in Bulgarian Music." Thesis, University of Oregon, 2007. http://hdl.handle.net/1794/13533.

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555 pages<br>This study focuses on the development of harmonic vocabulary in Bulgarian music. It analyzes the incorporation of harmony in village music from the 1930s to the 1990s, "wedding music" from the 1970s to 2000, and choral and instrumental arrangements (obrabotki, creations of the socialist period (1944-1989). This study also explains that terms which are frequently applied to Bulgarian music, such as "westernization," "socialist-style arrangements," or "Middle Eastern influence," depict sophisticated networks of codified and non-codified rules for harmonization which to date h
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Ram, Deepak. "A portfolio of original compositions exploring syncretism between Indian and western music." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002320.

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In this dissertation, overviews and detailed examinations of three compositions are presented. These compositions which constitute the portfolio of the M.MUS degree, are an attempt to explore syncretism between Indian and western music. Two of these works are written for a flute quartet (flute, violin, viola and cello) accompanied in part by a mridangam (Indian percussion instrument). The third work is written for a jazz quartet (piano, saxophone, double bass and drums). Syncretism between western and Indian music can take on a variety of forms, and while this concept is not new, there exists
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Schmid, William A. (William Albert). "An Analysis of Elements of Jazz Style in Contemporary French Trumpet Literature." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332815/.

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French trumpet works comprise a large portion of the contemporary standard repertoire for the instrument, and they frequently present unique stylistic and interpretive challenges to performers. The study establishes the influence of jazz upon Henri Tomasi, André Jolivet, Eugène Bozza and Jacques Ibert in their works for solo trumpet. Idiomatic elements of jazz style are identified and discussed in terms of performance practice considerations for modern-day trumpeters.
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Brownlee, Jane. "The Transmission of Traditional Fiddle Music in Australia." Master's thesis, Sydney Conservatorium of Music, 2009. http://hdl.handle.net/2123/13919.

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Brownlee, Jane. "The transmission of traditional fiddle music in Australia." Master's thesis, Sydney Conservatorium of Music, 2009. http://hdl.handle.net/2123/7913.

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Stewart, Shawna Lynn. "Charles C. Hirt at the University of Southern California| Significant contributions and an enduring legacy." Thesis, University of Southern California, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3564029.

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<p> Dr. Charles Hirt and the Department of Church and Choral Music at the University of Southern California (USC) produced some of America's most successful choral conductors and administrators. Many of those students are conducting or administrating at the finest colleges and universities, secondary schools, churches, and community choral organizations in the nation. From the earliest moments of his career, Charles Hirt himself received a seemingly endless string of accolades. Always focused on the betterment and future of the choral arts, he was a "founding father" of significant choral orga
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Williams, Stephanie E. (Stephanie Evangeline). "On folk music as the basis of a Jamaican primary school music programme." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63211.

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Sarmast, Ahmad Naser. "A survey of the history of music in Afghanistan, from ancient times to 2000 A.D., with special reference to art music from c.1000 A.D." Monash University, School of Music-Conservatorium, 2004. http://arrow.monash.edu.au/hdl/1959.1/9685.

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Papanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /." London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Books on the topic "Music – california – history and criticism"

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Haslam, Gerald W. Workin' man blues: Country music in California. University of California Press, 1999.

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Wood, Jack. Surf city: The California sound. Friedman/Fairfax Publishers, 1995.

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Reyes, David. Land of a thousand dances: Chicano rock 'n' roll from Southern California. University of New Mexico Press, 1998.

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Reyes, David. Land of a thousand dances: Chicano rock 'n' roll from Southern California. University of New Mexico Press, 1998.

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Reyes, David. Land of a thousand dances: Chicano rock 'n' roll from Southern California. University of New Mexico Press, 1998.

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Country Music Hall of Fame & Museum (Nashville, Tenn.), ed. The Bakersfield sound: Buck Owens, Merle Haggard, and California country. Country Music Foundation Press Country Music Hall of Fame, 2012.

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Yang, Mina. California polyphony: Ethnic voices, musical crossroads. University of Illinois Press, 2008.

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Yang, Mina. California polyphony: Ethnic voices, musical crossroads. University of Illinois Press, 2008.

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Yang, Mina. California polyphony: Ethnic voices, musical crossroads. University of Illinois Press, 2008.

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Fowley, Kim. California confidential: A small taste of California dreamin' and California schemin' : in conversation with Kim Fowley. 2nd ed. CMusic Books, 2001.

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Book chapters on the topic "Music – california – history and criticism"

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Wehrs, William. "Affect and Film Music: A Brief History." In The Palgrave Handbook of Affect Studies and Textual Criticism. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63303-9_28.

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Brüstle, Christa. "Gender Issues as Criticism Within (New) Music Institutions." In New Music and Institutional Critique. Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_3.

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AbstractWhy is the thematisation of gender linked to social criticism and criticism of music institutions as well as criticism of music as institution? Institutions and institutionalised organisations should be regarded as intermediate instances located between society as a whole and the individual. In them, gender relations are created and reproduced, discussed, and transformed. The thematisation of gender and the associated criticism within institutions then means, above all, dealing with gender-specific power relations. Moreover, the spectrum of approaches in art and art studies for themati
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Lockhart, Ellen. "Giuditta Pasta and the History of Musical Electrification." In Animation, Plasticity, and Music in Italy, 1770-1830. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520284432.003.0006.

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Chapter 5 traces the theme of human plasticity into Italian aesthetic discourse and opera of the 1820s and 1830s. The echoes of the musical statues of the late Enlightenment can be heard in the reception of performers of Ottocento opera, especially the women. Figures like Maria Malibran and particularly Giuditta Pasta were construed as living statues or artificially animated interlopers from an ancient past. This quality of animatedness was described with a very new kind of imagery within music criticism, one that drew on well-known developments in the nascent scientific field later known as e
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Kramer, Lawrence. "History." In Interpreting Music. University of California Press, 2010. http://dx.doi.org/10.1525/california/9780520267053.003.0006.

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"History and Criticism." In Italian Ars Nova Music, 2nd ed. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8306149.10.

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Dahl, Per. "Music Criticism in Norway." In The Cambridge History of Music Criticism. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.021.

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Solie, Ruth A. "Beethoven as Secular HumanistIdeology and the Ninth Symphony in Nineteenth-Century Criticism." In Music in Other WordsVictorian Conversations. University of California Press, 2004. http://dx.doi.org/10.1525/california/9780520238459.003.0002.

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Karnes, Kevin C. "MUSIC CRITICISM AS LIVING HISTORY." In Music, Criticism, and the Challenge of History. Oxford University Press, 2008. http://dx.doi.org/10.1093/acprof:oso/9780195368666.003.0003.

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Frey, Emily. "Music Criticism in Imperial Russia." In The Cambridge History of Music Criticism. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.012.

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Watt, Paul. "British Music Criticism, 1890–1945." In The Cambridge History of Music Criticism. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781139795425.020.

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Conference papers on the topic "Music – california – history and criticism"

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Kolomiets, G. "ON THE QUESTION OF MUSICAL HERMENEUTICS IN AESTHETICS." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2548.978-5-317-06726-7/65-69.

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The report assumes a dialogue between aesthetic and art history methods of interpreting a piece of music. Musical hermeneutics in art criticism, guided by a more historical, educational and detailed approach, is complemented by an anthropo-axiological method in aesthetics.
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