Log in

Relevant bibliographies by topics / Music copyright

Contents

Dissertations / Theses

Academic literature on the topic 'Music copyright'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Music copyright.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Dissertations / Theses on the topic "Music copyright"

1

Barr, Kenneth W. "Music copyright in the digital age : creators, commerce and copyright : an empirical study of the UK music copyright industries." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7752/.

Full text

Abstract:

Copyright markets, it is said, are ‘winner takes all’ markets favouring the interests of corporate investors over the interests of primary creators. However, little is known about popular music creators’ ‘lived experience’ of copyright. This thesis interrogates key aspects of copyright transactions between creators and investors operating in the UK music industries using analysis of various copyright related documents and semi-structured interviews with creators and investors. The research found considerable variety in the types of ‘deal’ creators enter into and considerable divergence in the

APA, Harvard, Vancouver, ISO, and other styles

2

Ebadi, Solmaz, and Mirja Johansson. "Music File Sharing : Genius Technology or Copyright Infringement?" Thesis, Jönköping University, JIBS, Commercial Law, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-7598.

Full text

Abstract:

<p>Today’s technology of music file sharing in peer-to-peer networks is genius. Peer-to-peer are networks composed of several computers enabling files to be shared among users. A substantial part of the files shared constitute unlawful copies; uploading and downloading of such files infringes copyright legislation. File sharing through peer-to-peer networks is therefore both a genius technology and a copyright infringement.</p><p>Peer-to-peer technology has been subject to heavy debate in media, both nationally and internationally. The issue of illegal downloads of music is an international di

APA, Harvard, Vancouver, ISO, and other styles

3

Sharmin, Sadia. "Music Copyright Management on Blockchain : Is it legally viable?" Thesis, Uppsala universitet, Juridiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-353704.

Full text

Abstract:

The thesis begins by describing the current problems in the fragmented world of music copyrights indicating musicians are not being paid accurately due to lack of transparency in the calculation of royalties and this lead to legal battle. Later we investigate how blockchain technology can alleviate much of the difficulties associated with this complexity. We further explore the legislative and institutional support for the technology necessary for a successful implementation, in form of legislations and governmental projects. We find out that numerous authorities have started voting favourable

APA, Harvard, Vancouver, ISO, and other styles

4

Carretta, Silvia A. "Blockchain challenges to copyright : Revamping the online music industry." Thesis, Stockholms universitet, Juridiska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-173248.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Montgomery, Anna Lucille Ford. "Governing a copyright culture in post-WTO China : copyright in the film and music industries, 2001 - 2005." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/49147/2/49147.pdf.

Full text

Abstract:

In 2001 China amended its copyright law in accordance with the requirements of the Agreement on Trade Related Aspects of Intellectual Property (TRIPS). This thesis explores the impact of copyright reform on China’s domestic film and music industries. Through extensive interviews with film and music industry workers – directors, producers, executives, judges, lawyers and musicians – it investigates the role of copyright in film and music’s shift from state driven to commercially focussed. The construction and negotiation of a new ‘copyright culture’ in China is examined through the lens of Yurc

APA, Harvard, Vancouver, ISO, and other styles

6

Leo, Katherine M. "Blurred Lines: Musical Expertise in the History of American Copyright Litigation." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461148846.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Wikstrom, Patrik. "Reluctantly virtual : modelling copyright industry dynamics." Thesis, Karlstad University, Sweden, 2006. https://eprints.qut.edu.au/67930/1/FULLTEXT01.pdf.

Full text

Abstract:

During the evolution of the music industry, developments in the media environment have required music firms to adapt in order to survive. Changes in broadcast radio programming during the 1950s; the Compact Cassette during the 1970s; and the deregulation of media ownership during the 1990s are all examples of changes which have heavily affected the music industry. This study explores similar contemporary dynamics, examines how decision makers in the music industry perceive and make sense of the developments, and reveals how they revise their business strategies, based on their mental models of

APA, Harvard, Vancouver, ISO, and other styles

8

Bennett, Joe. "Constraint, creativity, copyright and collaboration in popular songwriting teams." Thesis, University of Surrey, 2014. http://researchspace.bathspa.ac.uk/5037/.

Full text

Abstract:

This PhD study starts with a single question: 'how do songwriters collaborate to write effective songs?' I will test several hypotheses, including 'amateur and professional songwriters demonstrate different behaviours','songwriting represents the collision of existing ideas', 'song form is market-driven', 'songwriters learn by hearing extant songs' and 'process and product are interrelated and it is possible to change the latter by consciously manipulating the former'. In testing the hypotheses, I will discuss the titular 'Four Cs' - Constraint, Creativity, Copyright and Collaboration. The las

APA, Harvard, Vancouver, ISO, and other styles

9

Barrett, Brandon T. "Modernizing Copyright for Equitable Treatment in the Streaming Age." Thesis, Florida Atlantic University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10096023.

Full text

Abstract:

<p> Society’s progression through the digital streaming age has created a music licensing landscape of grave concern to all stakeholders in the industry. These drastic changes have occurred under an outdated legal framework. This paper will recommend a comprehensive reform to our copyright law to uphold the intentions of copyright in the modern, digital age of today. By looking at the history of copyright and its evolution, one can assess how Congress has been tasked with establishing a fair market value for music by promoting the public interest and fairly compensating copyright owners.

APA, Harvard, Vancouver, ISO, and other styles

10

Sirois, Andre. "Copyright Law Inadequacies in the Case of Digital Sampling: Adding Color to a Grey Area." Fogler Library, University of Maine, 2005. http://www.library.umaine.edu/theses/pdf/SiroisA2005.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!