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Books on the topic 'Music copyright'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 January 2023

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1

Rosen, Ronald S. Music and copyright. New York: Oxford University Press, 2008.

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2

Cheryl, Slay, ed. Music copyright law. Boston, MA: Course Technology, Cengage Learning, 2012.

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3

Simon, Frith, and Marshall Lee, eds. Music and copyright. 2nd ed. New York: Routledge, 2004.

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4

Simon, Frith, ed. Music and copyright. Edinburgh: Edinburgh University Press, 1993.

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5

Bob, Kohn, and Kohn Al, eds. Kohn on music licensing. 2nd ed. Englewood Cliffs, NJ: Aspen Law & Business, 1996.

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6

Kohn, Al. Kohn on music licensing. 3rd ed. New York: Aspen Law & Business, 2000.

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7

Bob, Kohn, ed. Kohn on music licensing. 4th ed. [Frederick, MD]: Aspen Publishers, 2010.

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8

Kohn, Al. Kohn on music licensing. 3rd ed. New York: Aspen Law & Business, 2002.

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9

Pitt, Ivan L. Economic Analysis of Music Copyright. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-6318-5.

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10

Group, Music Copyright Reform. Copyright reform: 1986 : proposals of the Music Copyright Reform Group. London: The Group, 1986.

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11

Bob, Kohn, ed. The art of music licensing. Englewood Cliffs, NJ: Prentice Hall Law & Business, 1992.

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12

Music licensing rights and royalty issues. Hauppauge, N.Y: Nova Science Publishers, Inc., 2010.

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13

Copyright: The complete guide for music educators. 2nd ed. [S.l.]: Music in Action, 1997.

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14

Rothenberg, Stanley. Copyright and public performance of music. Littleton, Colo: F.B. Rothman, 1987.

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15

Unfreie Benutzung und Zitierfreiheit bei urheberrechtlich geschützten Werken der Musik. Frankfurt am Main: P. Lang, 1990.

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16

Der Schutz von in der Popularmusik verwendeten elektronisch erzeugten Einzelsounds nach dem Urheberrechtsgesetz und dem Gesetz gegen den unlauteren Wettbewerb. Frankfurt am Main: P. Lang, 1998.

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17

Rothenberg, Stanley. Legal protection of literature, art, and music. Littleton, Colo: F.B. Rothman, 1988.

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18

Fitzgerald, Brian F., and Benedict A. C. Atkinson. Copyright law. Farnham, Surrey, England: Ashgate, 2011.

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19

Omomowo, Ann. Copyright issues with music on the internet. London: LCP, 2000.

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20

Dunn, Tim. The Bob Dylan copyright files. Grand Junction, Colo: Rolling Tomes, 2000.

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21

Office, Library of Congress Copyright. Copyright registration for musical compositions. Washington, D.C: Copyright Office, Library of Congress, 1995.

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22

Alter, Lisa A. Protecting your musical copyrights. 2nd ed. New York: Alter & Rosen, 2008.

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23

Alter, Lisa A. Protecting your musical copyrights. 2nd ed. New York: Alter & Rosen, 2008.

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24

Moroniak, Steve. Copyright and song protection. Rolling Meadows, IL: S.P. Moroniak, Reel Productions, 1989.

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25

Insider's guide to music licensing. New York: Allworth Press, 2014.

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26

Deanna, Schwartz Daylle, ed. The musician's guide to licensing music: How to get music into film, TV, advertising, digital media, and beyond. New York: Watson-Guptill, 2010.

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27

Library of Congress. Copyright Office. Copyright registration of musical compositions and sound recordings. [Washington, D.C: Library of Congress, Copyright Office, 2000.

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28

Matějičný, Tomáš. Kolektivní správa autorských práv. Plzeň: Vydavatelství a nakladatelství Aleš Čeněk, s.r.o., 2014.

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29

Kunishio, Kōichirō. Kunishio Kōichirō chosakuken ronbunshū. Tōkyō: Nihon Ongaku Chosakuken Kyōkai, 1987.

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30

Hajime, Taniguchi, ed. Ongaku bijinesu no chosakuken. Tōkyō: Chosakuken Jōhō Sentā, 2008.

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31

Goldmann, Bettina C. Die kollektive Wahrnehmung musikalischer Rechte in den USA und Deutschland: Eine vergleichende Studie zu Recht und Praxis der Verwertungsgesellschaften. München: C.H. Beck, 2001.

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32

Gorski, Sebastian. Effizienz, Wahlfreiheit und Gleichbehandlung?: Eine Untersuchung der Einführung von Wettbewerb zwischen musikalischen Verwertungsgesellschaften durch die Europäische Kommission. Frankfurt am Main: P. Lang, 2009.

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33

Library of Congress. Copyright Office. Copyright registration of musical compositions and sound recordings. [Washington, D.C: Library of Congress, Copyright Office, 1999.

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34

Kunishio, Kōichirō. Kunishio Kōichirō chosakuken ronbunshū. Tōkyō: Nihon Ongaku Chosakuken Kyōkai, 1987.

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35

The music business--a legal perspective: Music and live performances. Westport, Conn: Quorum Books, 1994.

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36

Music & copyright in America: Toward the celestial jukebox. Chicago: American Bar Association, 2012.

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37

Gani, Mary W. Creative Autonomy, Copyright and Popular Music in Nigeria. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-48694-5.

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38

Wilsey, Darren. The musician's guide to licensing music: How to get music into film, TV, advertising, digital media, and beyond. New York: Watson-Guptill, 2010.

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39

Law, Simon. Keep music legal: From the manuscript to mass production. 2nd ed. London: Sea Dream Music, 1986.

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40

Law, Simon. Keep music legal: From the manuscript to mass production. 3rd ed. London: Sea Dream Music, 1990.

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41

Jensen, Timothy S. VLA guide to copyright for musicians and composers. New York: Volunteer Lawyers for the Arts, 1987.

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42

Lipton, Nigel. Music: The law and music contracts. Welwyn Garden City, Hertfordshire: CLT Professional Pub., 2000.

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43

Publications, LandMark. Music Copyright. Independently Published, 2019.

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44

Marshall, Lee. Music and Copyright. 2nd ed. Routledge, 2004.

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45

Music and copyright. 2nd ed. New York: Routledge, 2004.

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46

Frith, Simon. Music and Copyright. Edinburgh University, 2004.

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47

Marshall, Lee. Music and Copyright. Routledge, 2004.

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48

Marshall, Lee, and Simon Frith. Music and Copyright. Taylor & Francis Group, 2013.

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49

Rosen, Ronald. Music and Copyright. Oxford University Press, 2008.

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50

Marshall, Lee, and Simon Frith. Music and Copyright. Taylor & Francis Group, 2013.

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