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Dissertations / Theses on the topic 'Music copyright'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 January 2023

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1

Barr, Kenneth W. "Music copyright in the digital age : creators, commerce and copyright : an empirical study of the UK music copyright industries." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7752/.

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Copyright markets, it is said, are ‘winner takes all’ markets favouring the interests of corporate investors over the interests of primary creators. However, little is known about popular music creators’ ‘lived experience’ of copyright. This thesis interrogates key aspects of copyright transactions between creators and investors operating in the UK music industries using analysis of various copyright related documents and semi-structured interviews with creators and investors. The research found considerable variety in the types of ‘deal’ creators enter into and considerable divergence in the

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2

Ebadi, Solmaz, and Mirja Johansson. "Music File Sharing : Genius Technology or Copyright Infringement?" Thesis, Jönköping University, JIBS, Commercial Law, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-7598.

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<p>Today’s technology of music file sharing in peer-to-peer networks is genius. Peer-to-peer are networks composed of several computers enabling files to be shared among users. A substantial part of the files shared constitute unlawful copies; uploading and downloading of such files infringes copyright legislation. File sharing through peer-to-peer networks is therefore both a genius technology and a copyright infringement.</p><p>Peer-to-peer technology has been subject to heavy debate in media, both nationally and internationally. The issue of illegal downloads of music is an international di

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3

Sharmin, Sadia. "Music Copyright Management on Blockchain : Is it legally viable?" Thesis, Uppsala universitet, Juridiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-353704.

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The thesis begins by describing the current problems in the fragmented world of music copyrights indicating musicians are not being paid accurately due to lack of transparency in the calculation of royalties and this lead to legal battle. Later we investigate how blockchain technology can alleviate much of the difficulties associated with this complexity. We further explore the legislative and institutional support for the technology necessary for a successful implementation, in form of legislations and governmental projects. We find out that numerous authorities have started voting favourable

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4

Carretta, Silvia A. "Blockchain challenges to copyright : Revamping the online music industry." Thesis, Stockholms universitet, Juridiska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-173248.

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5

Montgomery, Anna Lucille Ford. "Governing a copyright culture in post-WTO China : copyright in the film and music industries, 2001 - 2005." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/49147/2/49147.pdf.

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In 2001 China amended its copyright law in accordance with the requirements of the Agreement on Trade Related Aspects of Intellectual Property (TRIPS). This thesis explores the impact of copyright reform on China’s domestic film and music industries. Through extensive interviews with film and music industry workers – directors, producers, executives, judges, lawyers and musicians – it investigates the role of copyright in film and music’s shift from state driven to commercially focussed. The construction and negotiation of a new ‘copyright culture’ in China is examined through the lens of Yurc

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6

Leo, Katherine M. "Blurred Lines: Musical Expertise in the History of American Copyright Litigation." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1461148846.

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7

Wikstrom, Patrik. "Reluctantly virtual : modelling copyright industry dynamics." Thesis, Karlstad University, Sweden, 2006. https://eprints.qut.edu.au/67930/1/FULLTEXT01.pdf.

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During the evolution of the music industry, developments in the media environment have required music firms to adapt in order to survive. Changes in broadcast radio programming during the 1950s; the Compact Cassette during the 1970s; and the deregulation of media ownership during the 1990s are all examples of changes which have heavily affected the music industry. This study explores similar contemporary dynamics, examines how decision makers in the music industry perceive and make sense of the developments, and reveals how they revise their business strategies, based on their mental models of

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8

Bennett, Joe. "Constraint, creativity, copyright and collaboration in popular songwriting teams." Thesis, University of Surrey, 2014. http://researchspace.bathspa.ac.uk/5037/.

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This PhD study starts with a single question: 'how do songwriters collaborate to write effective songs?' I will test several hypotheses, including 'amateur and professional songwriters demonstrate different behaviours','songwriting represents the collision of existing ideas', 'song form is market-driven', 'songwriters learn by hearing extant songs' and 'process and product are interrelated and it is possible to change the latter by consciously manipulating the former'. In testing the hypotheses, I will discuss the titular 'Four Cs' - Constraint, Creativity, Copyright and Collaboration. The las

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9

Barrett, Brandon T. "Modernizing Copyright for Equitable Treatment in the Streaming Age." Thesis, Florida Atlantic University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10096023.

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<p> Society’s progression through the digital streaming age has created a music licensing landscape of grave concern to all stakeholders in the industry. These drastic changes have occurred under an outdated legal framework. This paper will recommend a comprehensive reform to our copyright law to uphold the intentions of copyright in the modern, digital age of today. By looking at the history of copyright and its evolution, one can assess how Congress has been tasked with establishing a fair market value for music by promoting the public interest and fairly compensating copyright owners.

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10

Sirois, Andre. "Copyright Law Inadequacies in the Case of Digital Sampling: Adding Color to a Grey Area." Fogler Library, University of Maine, 2005. http://www.library.umaine.edu/theses/pdf/SiroisA2005.pdf.

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11

Rogowski, Adrian. "How to copy a song with impunity : a legal perspective on copyright infringement cases for musical works." Thesis, Stellenbosch : Stellenbosch University, 2015. http://hdl.handle.net/10019.1/97618.

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Thesis (LLM)--Stellenbosch Univeristy, 2015<br>ENGLISH ABSTRACT: Music has, and continues to play, an important role in society. It is therefore natural that more music composers enter the scene to capitalize upon this role that music has in society. It is however becoming more common place for music composers to start copying each other, either directly or indirectly. Fortunately, copyright laws have been developed to further protect the rights enjoyed by copyright holders, such as music composers, and these laws essentially protect the composers from the unlawful reproduction of their origin

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12

Okorie, Chijioke Ifeoma. "Open and freemium music business models in Africa - copyright and competition consequences." Doctoral thesis, University of Cape Town, 2018. http://hdl.handle.net/11427/28396.

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This thesis considers how South Africa and Nigeria can apply copyright and competition laws to regulate the open and freemium music business model that involves the use of copyright-protected music content to generate revenue from advertising. To enhance their competitiveness and escape copyright infringement liability, the firms that deploy the business model impose contractual terms to explain their use of protected content and direct the actions of platform users. Using case law from the Court of Justice of the European Union (CJEU), the thesis argues that although these terms result in fre

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13

Bartholomew, Peter G. "Personal rights, property rights and Section 55(2) of the Copyright Act 1968 : a consideration of the adaptation right in the compulsory licensing scheme for recording of musical works." Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/36898/1/36898_Digitised%20Thesis.pdf.

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14

Marshall, Lee. "Losing one's mind : bootlegging and the sociology of copyright." Thesis, University of Warwick, 2001. http://wrap.warwick.ac.uk/3068/.

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This thesis offers a sociological analysis of authorship and copyright. It analyses how a specific model of authorship (characterised as 'Romantic') has come to form the foundation for understanding copyright even though such an understanding does not have any basis in the original purposes of copyright. This argument is then illustrated with a case study of an area of popular music known as 'bootlegging'. The thesis begins with a discussion of the early history of copyright law. It is argued that, rather than being for the benefit of authors, copyright was initially intended as a means of sec

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15

Niemi, Libby Ellen. "Walking the line: Finding a balance between music copyright law and technological innovation." Diss., Connect to online resource, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1433469.

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16

Kaye, David Stewart Valdovinos. "Golden pagodas and platinum albums: Developing and decolonizing copyright in Myanmar." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/207883/1/David%20Stewart%20Valdovinos_Kaye_Thesis.pdf.

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This thesis investigates copyright and musical artists in Myanmar. Theoretically framed by critical media industries studies and decolonizing methodologies and informed by in-depth qualitative interviews with key informants in the Myanmar music industry, this thesis illustrates how a music recording industry can flourish in the relative absence of copyright. Further, findings demonstrate how cultural conceptions of copying and authorship can shift dramatically in the absence of or prior to copyright reform. This thesis raises questions about the colonial legacy and power dynamics of internatio

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17

Wikström, Patrik. "Reluctantly Virtual : Modelling Copyright Industry Dynamics." Doctoral thesis, Karlstad University, Faculty of Economic Sciences, Communication and IT, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-478.

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<p>During the evolution of the music industry, developments in the media environment have required music firms to adapt in order to survive. Changes in broadcast radio programming during the 1950s; the Compact Cassette during the 1970s; and the deregulation of media ownership during the 1990s are all examples of changes which have heavily affected the music industry. This study explores similar contemporary dynamics, examines how decision makers in the music industry perceive and make sense of the developments, and reveals how they revise their business strategies, based on their mental models

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18

Ouma, Marisella Nabongo. "Enforcement of copyright in the music industry : a critical analysis of the legal and institutional framework on enforcement in Sub Saharan Africa." Thesis, Queen Mary, University of London, 2010. http://qmro.qmul.ac.uk/xmlui/handle/123456789/28087.

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It is trite to state that law without effective enforcement is of no use to those it seeks to protect. Nevertheless, it must be emphasised that for a law to be effective, there have to be corresponding institutional structures. Enforcement of copyright involves two phases. The first is formulation and enactment of law. The second phase is the implementation of legal provisions that includes interpretation of law and determination of cases by the courts, investigation of copyright violations, prevention of unauthorised exploitation of the rights and the use of sanctions and remedies provided by

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19

Bednarz, Tobias. "Diversity in online music : a European Union debate on cultural diversity and the collective management of authors' rights." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/33294.

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facilitated the licensing of music to the benefits of right holders and commercial users alike. In the online realm, however, the rationale of the collective administration of copyright has been challenged and its functioning re-configured. At a moment in time where the Internet has made the cross-border distribution of recorded music easier than ever, right holders are yet to find licensing solutions appropriate for multi- territorial online uses. This, in turn, slows down the uptake of legal online music services and prevents the realisation of the Digital Single Market, pursued within the E

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20

McConnachie, Boudina. "Legal access to our musical history: an investigation into the copyright implications of archived musical recordings held at the International Library of African Music (ILAM) in South Africa." Thesis, Rhodes University, 2009. http://hdl.handle.net/10962/d1002313.

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This thesis explores the South African Copyright Act No. 98 of 1978 as it pertains to the archived holdings at the International Library of African Music (ILAM) situated at Rhodes University, Grahamstown, South Africa. The purpose of analysing this law is to advise and assist ILAM in fulfilling royalty payment obligations as stipulated in a contract signed between ILAM and the Smithsonian Global Sound (formally Global Sound Network) in 2001. In order to clearly comprehend the scope of the royalty payment clause in the Smithsonian Institution’s contract with ILAM, this research includes an exam

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21

Kanellopoulou, Evgenia. "Test for echo : competition law and the music industries from a business model perspective." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31351.

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The thesis asks whether there is a role for competition law and policy in the music industries. It is argued that there is a need for updated competition policy in order to safeguard both end consumer welfare and the competitive process in these markets, characterised by fast-paced developments and business model innovation. Indeed, the past two decades saw the music industries undergo seismic changes, as even the term 'music industries' was not in use as such before the advent of the internet era and the decline in sales of recordings in physical format. Soon it became obvious that the tradit

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22

Mogis, Jay D. "Transparency, technology and trust: Music metrics and cultural distortion." Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/199497/1/Jay_Mogis_Thesis.pdf.

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Transparency issues influence many aspects of modern society and are critical in balancing the dichotomy between personalisation and privacy. Transparency behaviours have previously been refined into the disclosure, clarity and accuracy (DCA) model (Schnackenberg & Tomlinson, 2014). This thesis has two projects. Project 1 makes a significant contribution to the research literature on transparency and music industry practices by testing the DCA model. Project 2 presents an investigation into music licensing, missing revenue and technology transfer in Australia. The findings suggest an accredita

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23

Rynderman, Benjamin. "The licensing of new recorded music business models in Australia: Current practice, the barriers to entry and an investigation in to the need for legislative reform." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/97527/4/Benjamin_Rynderman_Thesis.pdf.

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This thesis identifies Australia’s place in the worldwide recorded music industries and seeks the reasons behind the delays of launches in Australia of online music services. It concludes that while there is no clear cut answer to this question, there is considerable tension between the parties involved and a clear opportunity for the review of Australia’s copyright law. Constantly shifting and dynamic, the recorded music industries in Australia and worldwide have been in a state of flux since the turn of the millennium and the democratisation of music distribution.

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24

Baloyi, Jele Joel. "Intellectual property, entrepreneurship and the music industry :a new ray of hope for enhancing African international trade capacity? A South African case study." Thesis, University of the Western Cape, 2005. http://etd.uwc.ac.za/index.php?module=etd&amp.

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This thesis aimed to examine the prevailing international intellectual property regime as embodied especially in the TRIPS Agreement, for purposes of outlining some of the criticisms levelled against it especially by the less developed world. The work aimed to illustrate how, despite the imperfections of the system, certain intellectual property rights could still be used strategically by African countries to bolster the entrepreneurial spirit, in the form of musical entrepreneurship for purposes of enhancing their international trade capacity.

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25

Klein, Jeff. "Identity Protection: Copyright, Right of Publicity, and the Artist's Negative Voice." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395585265.

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26

Finley, Nathan. "MANAGING CREATIVE INTELLECTUAL PROPERTY IN DISRUPTEDINDUSTRIES: A BUSINESS PLAN FOR ATHENA PUBLISHING LLC." Ohio University Honors Tutorial College / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1619186560810578.

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27

Murray, Sarah Joy. "Legitimating the Remix: Exploring Electronic Dance Music’s Hybrid Economy." Thesis, Boston College, 2009. http://hdl.handle.net/2345/701.

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Thesis advisor: Judith Schwartz<br>Increased access to media and production tools has given the civilized masses the means not only to consume an increasingly comprehensive wealth of content, but also the means to interact with that content in ways never before imagined. This has allowed the digital generation to grow ever more comfortable creating and editing content outside of the professional environment. Much of the creative output of our day comes in the form of the “remix,” a piece of content which is constructed, in full or in part, from bits (most often in the form of bytes) of other m

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28

Lai, Yang. "Learning Copyright in Chinese Fandom: A Study of Informal Learning in Cyberspace." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1605279450637024.

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29

Fisk, Nathan W. "Social learning theory as a model for illegitimate peer-to-peer use and the effects of implementing a legal music downloading service on peer-to-peer music piracy /." Online version of thesis, 2006. https://ritdml.rit.edu/dspace/handle/1850/2737.

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30

Bazarsky, Jason. "The effect of illegal music downloading and iTunes Store on CD collection size." Diss., Connect to the thesis, 2008. http://hdl.handle.net/10066/1569.

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31

Jinkerson, Jeremy. "DOES MUSIC PIRACY INFLUENCE PURCHASE INTENTION?: ADAPTING AJZEN'S THEORY OF PLANNED BEHAVIOR MODEL." MSSTATE, 2008. http://sun.library.msstate.edu/ETD-db/theses/available/etd-06202008-234405/.

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The Recording Industry Association of America claims to lose millions of dollars each year from music piracy (RIAA, 2007). However, instead of causing loss, digital music piracy may activate norms of reciprocity in music pirates. When pirating music, people may feel some obligation to reciprocate by purchasing music or related merchandise. The theory of planned behavior was used to investigate such a possibility and to provide a framework for scale development. Reliable scales were developed for all measured constructs. Regarding piracy, the RIAAs claim may have some merit. Specifically, previ

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32

Guobužaitė, Gražina. "Muzikos kūrinių autorių teisių administravimas Lietuvoje: autorinio atlyginimo pasiskirstymas." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120618_153043-21107.

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Šiame magistriniame darbe nagrinėjamas muzikos kūrinių autorių teisių administravimas, kuris yra aktualus kiekvienam muzikos atstovui, tiek pačiam kūrėjui, tiek vartotojui. Analizuojama muzikos kūrinių autorių teisių administravimo sistema bei teoriniai muzikos autorių teisių apsaugos modeliai, aptariama pasaulyje bei Lietuvoje autorių teisių apsaugą užtikrinanti institucinė bei įstatyminė sistema, akcentuojant autorinio atlyginimo pasiskirstymą, bei jo įtaką kūrėjams. Taikant kokybinio ir kiekybinio tyrimo metodikas analizuojamas autorinio atlyginimo pasiskirstymas, palyginant ir su kitomis v

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33

Scheivert, Joseph Elliot. "Big life. Big stage. Big Ten. an examination of Big Ten Conference marching band policies and procedures concerning social media, copyright, relationships with athletic departments, and behavioral expectations." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6272.

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34

Pang, Sam I. "The rhythm of everyday life : a study on the impact of illegal music downloading and the life of adult women in Macau." Thesis, University of Macau, 2006. http://umaclib3.umac.mo/record=b1874193.

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35

Lappyová, Nella. "Distribuce hudby českých interpretů po nástupu internetu." Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-198228.

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This thesis deals with the actual topic in the world of music, distribution of music of Czech musicians after the birth of the Internet. The work is written mainly from a practical point of view, but in the first chapters the reader is also familiar with theoretical concepts such as digitization, distribution, Long -tail Theory or Digital Rights Management. After the introduction to the topic analysis of sales of albums and songs on Czech music market follows, based on the statistics of the International Federation of the Phonographic Industry IFPI. Following chapter focuses on the business mo

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36

Sivill, Jason R. "Two Phenomena in Contemporary Music Education: Mental Toughness and the Law." Scholar Commons, 2019. https://scholarcommons.usf.edu/etd/7947.

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This collection of works involved examinations of two phenomena that currently impact music education in the United States and constitute challenges for both pre-service and in-service music educators. Article one is an exploration of college aged musicians, their experiences with critical commentary and stressful scenarios encountered in and through applied music studies, and the role that mental toughness might play in these experiences. This study examined the perceptions of college level studio teachers and their students. Results of the study indicated that significant differences in ment

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Steedman, Sam, and sam steedman@gmail com. "Change and Growth of Australian Music Value Chains." RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20091029.161558.

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The Australian music industry is growing and developing yet specific information about the ways in which distribution systems develop is limited. In this study I examined the growth and change of the Australian music value chain. This includes the development of digital distribution systems and the effect that peer-to-peer technology has on system development, specifically the disintermediation between consumers and artists to the detriment of the multinational value chains. The drivers of this change are broken into social and technical elements in order to describe the growth and change occ

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38

Hill, Christopher. "The anarchist's jukebox? a historical account of the file sharing conflict : a thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts (Communication Studies), Auckland University of Technology, 2005." Full thesis. Abstract, 2005.

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Thesis (MA--Communication Studies) -- Auckland University of Technology, 2005.<br>Chapter 5 not included in e-thesis. Also held in print (viii, 177 leaves, 30 cm.) in Wellesley Theses Collection. (T 338.4778149 HIL)

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Beránek, Tadeáš. "Specifika amerického maloobchodního trhu s hudbou." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-197243.

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This diploma thesis deals with complex issue of American recording industry and its specifics in retail industry. The thesis is composed of three main parts which are being linked with its theme, and they complement one another. The first part is a theoretical framework of American recording industry. The chapters pursue basic terminology of music market, analysis of business environment in the USA and comparison of the recorded music to other entertainment markets. The second part engages in history of the recorded music, yet it specially concentrates on market's outputs, i.e. volume of sold

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Mengoli, Chiara. "Plagiarism." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amslaurea.unibo.it/20928/.

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This document aims to provide an overview of the current situation of plagiarism. This survey presents a taxonomy of various plagiarism forms and includes discussion on each of these forms. Moreover, it presents the existence of various tools and systems for detecting plagiarism. The easy access to the Web, its increasing use, and the development of technologies have led to the need to adapt plagiarism laws, implement new mechanisms anti-plagiarism or mechanisms of detection and empower people on the problem of plagiarism. Therefore, there will be a dedicated section for each of these aspects.

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Kubešová, Eliška. "Aktuální právní otázky využití a zneužití záznamů hudebního díla." Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-197997.

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This diploma thesis identifies the most important changes in legislation and submitted proposals in the area of copyright between years 2012 and 2013 and in the beginning of 2014 in the Czech Republic, the EU and the USA. These changes are evaluated from a legislative point of view and also from the point of view of a music consumer. For thorough understanding, the thesis contains also an overview of the current Czech legislation of copyright. Furthermore, it evaluates the current situation in a broader context of law, history, technology, culture and consumer behaviour and defines it as oppos

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Cruz, Leonardo Ribeiro da 1982. "Internet e arquiteturas de controle : as estratégias de repressão e inserção do mercado fonográfico digital." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281177.

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Orientador: Laymert Garcia dos Santos<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-26T13:04:28Z (GMT). No. of bitstreams: 1 Cruz_LeonardoRibeiroda_D.pdf: 2081819 bytes, checksum: 83edc0f34085d32e2f4e01a345734b85 (MD5) Previous issue date: 2014<br>Resumo: Essa pesquisa discute as estratégias de combate e de inserção do mercado fonográfico na internet e seus efeitos no desenvolvimento da rede. Para tal, ela parte da análise do mercado tradicional de discos, que durante todo o século XX se solidificou a

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Kazadi, Kanyabu Solomon. "A sociological analysis of the production, marketing and distribution of contemporary popular music by Zambian musicians." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1018933.

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The purpose of this research was to gather information about the production, marketing and distribution of Zambian contemporary music by Zambian musicians. Very little information has been documented about the development of the Zambian music industry, particularly from the perspective of those within the industry. As a result this study attempted to add to this knowledge. To achieve this Pierre Bourdieu’s theoretical concepts of ‘fields’ and ‘habitus’ were used to gain an understanding of what affects the creation of art forms such as music as well as the structures and underlying processes w

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Wiséen, Martin, and Johanna Herbertsson. "The legality of music sampling in Sweden : Complicated issues demand complicated measures." Thesis, Internationella Handelshögskolan, Högskolan i Jönköping, IHH, Redovisning och Rättsvetenskap, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-26787.

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The legality of music sampling is in Sweden unknown. The reason for this is mainly the lack of relevant case law and that the legislation and legislative history has not reach clarity within this subject. There are generally two different routes and perspectives on sample issues. The first main route is that samples should be judged according to the “common” copyright rules where originality, similarity and other factors need to be investigated. The second route is that sampling issues should be judged upon the neighbouring rights, and within these rules no other tests needs to be included. It

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Pires, Mateus Macedo. "Distribuição de música na cultura digital: a relação de artistas autônomos com as plataformas de Streaming." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21053.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-04-24T12:29:01Z No. of bitstreams: 1 Mateus Macedo Pires.pdf: 1396139 bytes, checksum: b6790d2b9dd3ec545f2dabee084ce38d (MD5)<br>Made available in DSpace on 2018-04-24T12:29:01Z (GMT). No. of bitstreams: 1 Mateus Macedo Pires.pdf: 1396139 bytes, checksum: b6790d2b9dd3ec545f2dabee084ce38d (MD5) Previous issue date: 2018-03-08<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The basic assumption of this research is that contemporary digital technologies provide differentiated ways of producing, distributing

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Latson, Christopher Craig. "Contemporary Pirates: An Examination of the Perceptions and Attitudes Toward the Technology, Progression, and Battles that Surround Modern Day Music Piracy in Colleges and Universities." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4595/.

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The pilot study used in this thesis examined the attitudes and perceptions of a small group of students at the University of North Texas. The participants in this pilot study (n=22) were administered an online music file sharing survey, a Defining Issues Test (DIT), and participated in a small focus group. This thesis also outlined the history and progression of online music piracy in the United States, and addressed four research questions which aimed to determine why individuals choose to engage in the file sharing of copyrighted music online.

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Losso, Fabio Malina. "Os direitos autorais no mercado da música." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/2/2131/tde-28092009-082901/.

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A presente tese parte da constatação de que diversas crises nos direitos autorais impactaram o mercado da música, todas coincidentes com a introdução de novas tecnologias. Com o advento das tecnologias digitais de fixação de obras musicais e da internet, passou-se a questionar se o momento atual permite identificar uma autêntica crise no direito do autor e, a partir disso, como se pode refletir sobre as questões decorrentes das novas tecnologias que, fatalmente, são pensadas com as velhas normas e teorias. São linhas essenciais do trabalho: a) a criatividade musical e o impacto de diferentes t

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McDonagh, Luke Thomas. "Does the law on copyright in the UK and Ireland conflict with the creative practices of Irish tradional musicians? : a study of the impact of law on a traditional music network." Thesis, Queen Mary, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.535764.

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Akermark, Adam, and Martin Svensson. "Piratkopiering - en oändlig historia?" Thesis, Växjö University, School of Mathematics and Systems Engineering, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-809.

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<p>Abstrakt (svenska)</p><p>Bakgrund: Piratkopieringen bara ökar och ökar. Program-, spel- och musikbranschen har idag stora problem. En i stort sett okunnig användare kan fixa en nyutgiven skiva innan den nått butikerna på grund av piratkopieringen. Detta problem möjliggörs genom att ingen bra lösning finns i form av fungerande kopieringsskydd samt att fildelningstjänsterna får stort spelrum. Vi går in specifikt och undersöker musikbranschen.</p><p>Syfte: Fördjupa oss i begreppet piratkopiering. Vidare vill vi upplysa och informera såväl musikbranschen som användare om problemet och dess fram

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Castro, Armando Alexandre. "A música baiana e o mercado: a gestão da obra como estratégia de negócio." Escola de Administração da UFBA, 2011. http://repositorio.ufba.br/ri/handle/ri/16196.

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Submitted by Armando Alexandre Castro (aaccastro@gmail.com) on 2014-09-23T20:02:55Z No. of bitstreams: 1 TESE COMPLETA - ARMANDO CASTRO.pdf: 3733774 bytes, checksum: 1b74a6b916131a1e136401591bafa42c (MD5)<br>Approved for entry into archive by Tatiana Lima (tatianasl@ufba.br) on 2014-09-29T18:22:24Z (GMT) No. of bitstreams: 1 TESE COMPLETA - ARMANDO CASTRO.pdf: 3733774 bytes, checksum: 1b74a6b916131a1e136401591bafa42c (MD5)<br>Made available in DSpace on 2014-09-29T18:22:24Z (GMT). No. of bitstreams: 1 TESE COMPLETA - ARMANDO CASTRO.pdf: 3733774 bytes, checksum: 1b74a6b916131a1e136401591ba

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