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Books on the topic 'Music Dialogue in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Italy) Convegno Interartes: dialoghi tra le arti (2003 Cassino. Interartes: Dialoghi tra le arti. FrancoAngeli, 2004.

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2

Dialoge und Resonanzen: Musikgeschichte zwischen den Kulturen : Theo Hirsbrunner zum 80. Geburtstag. ET+T, Edition Text + Kritik, 2011.

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3

Sell, Roger D., ed. Literature as Dialogue. John Benjamins Publishing Company, 2014. http://dx.doi.org/10.1075/ds.22.

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4

Claude, Marie-Sylvie, and Geneviève Di Rosa. Le dialogue. Gallimard, 2005.

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5

The improvisation of musical dialogue: A phenomenology of music. Cambridge University Press, 2003.

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6

Turco, Lewis. Dialogue: A socratic dialogue on the art of writing dialogue in fiction. Writer's Digest Books, 1989.

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7

Turco, Lewis. Dialogue: A Socratic Dialogue on the Art of Writing Dialogue in Fiction. Writer's Digest Books, 1989.

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8

Turco, Lewis. Dialogue: A Socratic dialogue on the art of writing dialogue in fiction. Robinson, 1991.

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9

Betten, Anne, and Monika Dannerer, eds. Dialogue Analysis IX/2: Dialogue in Literature and the Media. DE GRUYTER, 2005. http://dx.doi.org/10.1515/9783110946055.

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10

Betten, Anne, and Monika Dannerer, eds. Dialogue Analysis IX/1: Dialogue in Literature and the Media. DE GRUYTER, 2005. http://dx.doi.org/10.1515/9783110946062.

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11

Baksa, Robert F. Dialogue: For 2 solo flutes (1994). Composers Library Editions, 1994.

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12

Wittgenstein as philosophical tone-poet: Philosophy and music in dialogue. Rodopi, 2014.

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13

Motherwell, Robert. Robert Motherwell: A dialogue with literature. Galerie/Edition Bernd Klüser, 2001.

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14

Collaborative Dubliners: Joyce in dialogue. Syracuse University Press, 2012.

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15

Dickens's dialogue: Margins of conversation. AMS Press, Inc., 2013.

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16

Tull, Fisher. Dialogue: For saxophone duet (alto and tenor). Southern Music Co., 1989.

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17

Michel, Guiomar, ed. Dialogue avec l'audible: La neige, la voix, présences sonores. Harmattan, 2006.

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18

Dehaene, Stanislas. Parole et musique: Aux origines du dialogue humain : colloque annuel 2008. Jacob, 2009.

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19

Literature as dialogue: Invitations offered and negotiated. John Benjamins Publishing Company, 2014.

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20

Denning-Bolle, Sara. Wisdom in Akkadian literature: Expression, instruction, dialogue. Ex Oriente Lux, 1992.

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21

Communicational criticism: Studies in literature as dialogue. John Benjamins Pub. Co., 2011.

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22

Wisdom in Akkadian literature: Expression, instruction, dialogue. Ex Oriente Lux, 1992.

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23

Fontanilles, Rissell Parra. El nuevo banquete. Editorial El Mar y la Montaña, 2003.

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24

Krishna's dialogue on the soul. Penguin Books, 1995.

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25

Swan and shadow: Yeats's dialogue with history. Catholic University of America Press, 1989.

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26

Bergez, Daniel. Peindre, écrire: La dialogue des arts. La Martinière, 2008.

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27

Proust and Joyce in dialogue. Legenda, 2008.

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28

Indian music literature. Indian Bibliographies Bureau, 1991.

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29

name, No. Literature and music. Rodopi, 1999.

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30

Michael, Fink. Exploring music literature. Schirmer Books, 1999.

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31

Bodden, Valerie. Creating a character: Dialogue and characterization. Creative Education, 2008.

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32

The strange music of social life: A dialogue on dialogic sociology. Temple University Press, 2011.

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33

Verba, Cynthia. Music and the French enlightenment: Reconstruction of a dialogue, 1750-1764. Clarendon Press, 1993.

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34

1891-, Simpson Lesley Byrd, ed. The celestina: A novel in dialogue. University of California Press, 2006.

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35

Mathet, Marie-Thérèse. Le dialogue romanesque chez Flaubert. Atelier national reproduction des thèses, Université Lille III, 1988.

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36

Paul Valéry: Le dialogue des choses divines. J. Corti, 1989.

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37

Nabokov, Vian, and Kharms: From solipsism to dialogue. P. Lang, 1996.

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38

Marietti, Marina, and C. Perrus. Les voix multiples: Du conflit au dialogue. Presses Sorbonne Nouvelle, 2003.

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39

Wole, Soyinka. Art, dialogue & outrage: Essays on literature and culture. New Horn Press, 1988.

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40

Gladischefski, Anke. Gelungene Gespräche: Beispiele aus der französischen Literatur. WUV-Universitätsverlag, 1995.

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41

Harnoncourt, Nikolaus. The musical dialogue: Thoughts on Monteverdi, Bach, and Mozart. Amadeus Press, 1989.

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42

G, Pauly Reinhard, ed. The musical dialogue: Thoughts on Monteverdi, Bach, and Mozart. Amadeus Press, 1997.

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43

Harnoncourt, Nikolaus. The musical dialogue: Thoughts on Monteverdi, Bach and Mozart. Edited by Pauly Reinhard G. Helm, 1989.

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44

G, Pauly Reinhard, ed. The musical dialogue: Thoughts on Monteverdi, Bach, and Mozart. Amadeus Press, 1989.

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45

1966-, Borenstein Eliot, ed. Russian postmodernist fiction: Dialogue with chaos. M.E.Sharpe, 1999.

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46

Macarthur, Fiona. The fictional dialogue of L.P. Hartley. Universidad de Extremadura, 1992.

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47

Stimeling, Travis D. Recording Practice in Country Music. Edited by Travis D. Stimeling. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190248178.013.5.

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This chapter explores the influence of recording technologies on the creation and reception of country music from the first hillbilly recordings to the twenty-first century. Following a survey of recent literature from the musicology of recording and sound studies, country music’s voice-centered recording strategies are explored through case studies drawn from early hillbilly, honky tonk, and “hot country” recordings. Country music’s history as a recorded musical practice is shaped by technological and aesthetic developments that can be heard in a wide range of recorded popular musics. Further

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48

Hickmott, Sarah. Music, Philosophy and Gender in Nancy, Lacoue-Labarthe, Badiou. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474458313.001.0001.

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This book looks at the way music is used, characterised and understood in the work of Nancy, Labarthe and Badiou. Despite the differences in their philosophical-theoretical positions, they all invoke music – both directly and indirectly – to negotiate their relationship to ontology, politics, ethics and aesthetics. The book situates these texts in a longer genealogy of musico-philosophical interactions and also brings them into dialogue with recent musicological approaches, thus showing how an inherited idea of what music ‘is’ is often assumed rather than critically re-evaluated. It argues tha

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49

Sound: Dialogue, music, and effects. Rutgers University Press, 2015.

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50

(Translator), Claude V. Palisca, ed. Dialogue on Ancient and Modern Music. Yale University Press, 2003.

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