Academic literature on the topic 'Music – Ecuador'

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Journal articles on the topic "Music – Ecuador"

1

Wolkowicz, Vera. "Incan or Not? Building Ecuador’s Musical Past in the Quest for a Nationalist Art Music, 1900–1950." Journal of Musicology 36, no. 2 (2019): 228–60. http://dx.doi.org/10.1525/jm.2019.36.2.228.

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When the development of Ecuadorian national art music began at the end of the nineteenth century, composers and music historians followed European models and studied folklore as a window onto the past. In this quest to discover and articulate what was truly “Ecuadorian,” Incan culture occupied a complex position, sometimes hailed as a primary component of Ecuador’s musical heritage and sometimes dismissed as irrelevant. This article explores the music histories written by composers Pedro Pablo Traversari, Segundo Luis Moreno, and Sixto María Durán, and investigates a selection of Traversari’s
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2

Schechter, John M., Carlos Alberto Coba Andrade, Jose Penin, Ronny Velasquez, and Marcelo Valdospinos Rubio. "Musica Etnografica y Folklorica del Ecuador." Latin American Music Review / Revista de Música Latinoamericana 12, no. 2 (1991): 204. http://dx.doi.org/10.2307/780091.

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3

Alberto, Carlos, and Coba Andrade. "Danzas Y Bailes En El Ecuador." Latin American Music Review / Revista de Música Latinoamericana 6, no. 2 (1985): 166. http://dx.doi.org/10.2307/780200.

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4

Windmeyer, J. "THE OTAVALEŃOS OF ECUADOR." Acta Ethnographica Hungarica 44, no. 3-4 (2000): 355–71. http://dx.doi.org/10.1556/aethn.44.1999.3-4.4.

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5

Wibbelsman, Michelle. "Encuentros: Dances of the Inti Raymi in Cotacachi, Ecuador." Latin American Music Review 26, no. 2 (2005): 195–226. http://dx.doi.org/10.1353/lat.2006.0014.

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6

Palacios, Fernando. "ARRULLOS, CHIGUALOS AND ALABAOS: TRADITIONAL AFRO-ESMERALDENIAN MUSIC IN ECUADOR." African Music: Journal of the International Library of African Music 11, no. 2 (2020): 119–40. http://dx.doi.org/10.21504/amj.v11i2.2317.

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In this article I examine traditional Afro-Esmeraldenian music as manifested in religious and spiritual contexts. I discuss the repertoire’s formal musical aspects and its associated factors. I argue that the traditional music of the Afro-Esmeraldenian community is evidence of a performance culture that has taken on the characteristics of first nation Americans and Spanish colonisers, while retaining a distinct African identity mostly in the musical instruments such as the marimba, rattles and drums, in the polyrhythms and in the distinctive responsorial singing. )e religious sphere is a funda
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7

Abril, Johanna E. "The state of music education in the basic general public schools of Ecuador: The administrators’ perspective." International Journal of Music Education 37, no. 3 (2019): 370–89. http://dx.doi.org/10.1177/0255761419842415.

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This study examines the state of music education in the public schools of Ecuador from the perspective of school administrators. A survey that was distributed to 1800 school administrators (27.4% response rate) was used to answer the following research questions: What are administrators’ perceptions of the current national policies for arts education? What are administrators’ perceptions of the current state of the music curriculum? Is there a difference between administrators’ perceptions of current and ideal states? What are administrators’ perceptions of the degree to which numerous variabl
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8

O´'Reilly Viamontes, Mónica. "Jerarquía de valores y práctica coral en el contexto universitario de Ecuador." Revista Electrónica Complutense de Investigación en Educación Musical - RECIEM 17 (July 3, 2020): 13–20. http://dx.doi.org/10.5209/reciem.66276.

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El objetivo del presente estudio es explorar la contribución de la práctica coral en el desarrollo de los valores dentro de un grupo de cantores universitarios de Ecuador. Para tal propósito, se aplica una encuesta basada en la Teoría de los Valores de Schwartz que busca discernir cuáles valores se desarrollan según el criterio de los participantes, en mayor o menor medida, dentro del coro. De esta forma, se pudo establecer una jerarquía donde hedonismo, conformidad y benevolencia figuran como los valores que más se han desarrollado, mientras que poder y seguridad se ubican entre los valores m
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Walker, John L. "Incans, Liberators, and Jungle Princesses: The Development of Nationalism in the Art Music of Ecuador." Latin American Music Review 37, no. 1 (2016): 1–33. http://dx.doi.org/10.7560/lamr37101.

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10

DeVale, Sue Carole, and John M. Schechter. "The Indispensable Harp: Historical Development, Modern Roles, Configurations, and Performance Practices in Ecuador and Latin America." Latin American Music Review / Revista de Música Latinoamericana 15, no. 1 (1994): 110. http://dx.doi.org/10.2307/3085951.

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