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Journal articles on the topic 'Music – Ecuador'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Wolkowicz, Vera. "Incan or Not? Building Ecuador’s Musical Past in the Quest for a Nationalist Art Music, 1900–1950." Journal of Musicology 36, no. 2 (2019): 228–60. http://dx.doi.org/10.1525/jm.2019.36.2.228.

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When the development of Ecuadorian national art music began at the end of the nineteenth century, composers and music historians followed European models and studied folklore as a window onto the past. In this quest to discover and articulate what was truly “Ecuadorian,” Incan culture occupied a complex position, sometimes hailed as a primary component of Ecuador’s musical heritage and sometimes dismissed as irrelevant. This article explores the music histories written by composers Pedro Pablo Traversari, Segundo Luis Moreno, and Sixto María Durán, and investigates a selection of Traversari’s

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2

Schechter, John M., Carlos Alberto Coba Andrade, Jose Penin, Ronny Velasquez, and Marcelo Valdospinos Rubio. "Musica Etnografica y Folklorica del Ecuador." Latin American Music Review / Revista de Música Latinoamericana 12, no. 2 (1991): 204. http://dx.doi.org/10.2307/780091.

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3

Alberto, Carlos, and Coba Andrade. "Danzas Y Bailes En El Ecuador." Latin American Music Review / Revista de Música Latinoamericana 6, no. 2 (1985): 166. http://dx.doi.org/10.2307/780200.

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4

Windmeyer, J. "THE OTAVALEŃOS OF ECUADOR." Acta Ethnographica Hungarica 44, no. 3-4 (2000): 355–71. http://dx.doi.org/10.1556/aethn.44.1999.3-4.4.

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5

Wibbelsman, Michelle. "Encuentros: Dances of the Inti Raymi in Cotacachi, Ecuador." Latin American Music Review 26, no. 2 (2005): 195–226. http://dx.doi.org/10.1353/lat.2006.0014.

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6

Palacios, Fernando. "ARRULLOS, CHIGUALOS AND ALABAOS: TRADITIONAL AFRO-ESMERALDENIAN MUSIC IN ECUADOR." African Music: Journal of the International Library of African Music 11, no. 2 (2020): 119–40. http://dx.doi.org/10.21504/amj.v11i2.2317.

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In this article I examine traditional Afro-Esmeraldenian music as manifested in religious and spiritual contexts. I discuss the repertoire’s formal musical aspects and its associated factors. I argue that the traditional music of the Afro-Esmeraldenian community is evidence of a performance culture that has taken on the characteristics of first nation Americans and Spanish colonisers, while retaining a distinct African identity mostly in the musical instruments such as the marimba, rattles and drums, in the polyrhythms and in the distinctive responsorial singing. )e religious sphere is a funda

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7

Abril, Johanna E. "The state of music education in the basic general public schools of Ecuador: The administrators’ perspective." International Journal of Music Education 37, no. 3 (2019): 370–89. http://dx.doi.org/10.1177/0255761419842415.

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This study examines the state of music education in the public schools of Ecuador from the perspective of school administrators. A survey that was distributed to 1800 school administrators (27.4% response rate) was used to answer the following research questions: What are administrators’ perceptions of the current national policies for arts education? What are administrators’ perceptions of the current state of the music curriculum? Is there a difference between administrators’ perceptions of current and ideal states? What are administrators’ perceptions of the degree to which numerous variabl

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8

O´'Reilly Viamontes, Mónica. "Jerarquía de valores y práctica coral en el contexto universitario de Ecuador." Revista Electrónica Complutense de Investigación en Educación Musical - RECIEM 17 (July 3, 2020): 13–20. http://dx.doi.org/10.5209/reciem.66276.

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El objetivo del presente estudio es explorar la contribución de la práctica coral en el desarrollo de los valores dentro de un grupo de cantores universitarios de Ecuador. Para tal propósito, se aplica una encuesta basada en la Teoría de los Valores de Schwartz que busca discernir cuáles valores se desarrollan según el criterio de los participantes, en mayor o menor medida, dentro del coro. De esta forma, se pudo establecer una jerarquía donde hedonismo, conformidad y benevolencia figuran como los valores que más se han desarrollado, mientras que poder y seguridad se ubican entre los valores m

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9

Walker, John L. "Incans, Liberators, and Jungle Princesses: The Development of Nationalism in the Art Music of Ecuador." Latin American Music Review 37, no. 1 (2016): 1–33. http://dx.doi.org/10.7560/lamr37101.

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10

DeVale, Sue Carole, and John M. Schechter. "The Indispensable Harp: Historical Development, Modern Roles, Configurations, and Performance Practices in Ecuador and Latin America." Latin American Music Review / Revista de Música Latinoamericana 15, no. 1 (1994): 110. http://dx.doi.org/10.2307/3085951.

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11

Ennis, Georgia C. "Affective Technologies." Resonance 1, no. 4 (2020): 376–93. http://dx.doi.org/10.1525/res.2020.1.4.376.

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The ways Amazonian Kichwa (Quichua) women produce, circulate, and engage with other women’s songs demonstrates that both music and radio media are significant methods for linguistic and cultural activism in the province of Napo, Ecuador. Indigenous engagements with aural mediation and media, particularly those of Indigenous women, allow for new insights within both studies of media and cultural revitalization. Media technologies alone may not be enough to return a language to daily use, but they are an important support for language activism and site of soundwork for Indigenous peoples. Focuse

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12

Holguín Barrera, Daniela. "THE USE OF CLASSICAL MUSIC TO IMPROVE READING COMPREHENSION." Investigación y Desarrollo 11, no. 1 (2019): 27. http://dx.doi.org/10.29033/id.v11i1.640.

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This study focuses on an action research project related to the use of classical music to improve reading comprehension in a foreign language classroom at a university level in the town of Ambato, Tungurahua, Ecuador. The need for university students to improve reading skills in this society was analysed, due to the fact that young people have not developed reading habits, even in their mother tongue. This aspect was conside- red, as well as students’ results on reading exercises applied to them, before and after being exposed to the use of classical music in the language classroom, which were

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13

González, Juan Pablo. "Third Latin American Conference of the International Association for the Study of Popular Music." Popular Music 20, no. 2 (2001): 263–74. http://dx.doi.org/10.1017/s0261143001001465.

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Thanks to the generous support of the Municipality of Bogota, the Academia Superior de Artes of Bogota and the Colombian Ministry of Culture, IASPM held its Third Latin American Conference under excellent technical and organisational conditions. Almost seventy papers and plenaries were presented and debated in the Luis Angel Arango Library in Bogota between 23 and 27 August 2000. Scholars took part from Colombia, Venezuela, Argentina, Chile, Uruguay, Brazil, Mexico, Peru, Bolivia, Ecuador, Cuba, Puerto Rico, El Salvador, Canada, the US, the UK, Switzerland and Spain.

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14

HERRERA, EDUARDO. "Electroacoustic Music At CLAEM: A Pioneer Studio in Latin America." Journal of the Society for American Music 12, no. 2 (2018): 179–212. http://dx.doi.org/10.1017/s1752196318000056.

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AbstractDuring the 1950s and ’60s, many composers began exploring the possibilities provided by commercially available magnetic tape recording and electronically produced sound. In Latin America, the most successful early electroacoustic studio was hosted at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM), part of the Torcuato Di Tella Institute in Buenos Aires, Argentina. This article chronicles the eight years of existence of CLAEM's Laboratorio de música electrónica (1964–1971), and its role in the training of composers hailing from Argentina, Bolivia, Brazil, Colombia, Costa

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15

O’Neil, Megan. "A stranger in my own home: Prolonged travel and the (re)negotiation of Otavalo identity in Carlos Arcos Cabrera’s Memorias de Andrés Chiliquinga (‘Memories of Andrés Chiliquinga’) (2013)." Crossings: Journal of Migration & Culture 11, no. 1 (2020): 55–70. http://dx.doi.org/10.1386/cjmc_00016_1.

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As one of Ecuador’s largest indigenous groups, Otavalos have become unique in their successful marketing of cultural products both nationally and internationally. The Otavalo diaspora has led to sizeable communities settling not only in larger cities within Ecuador, but around the world. Travel, especially to Europe and the United States, is now a rite of passage for young Otavalos, and these travelling merchants spread their heritage through the sale of products, from clothing and fabrics, to music and handicrafts. In turn, many spend a significant portion of the year (and their life) detache

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16

Smith, Sandra, and John M. Schechter. "The Indispensable Harp: Historical Development, Modern Roles, Configurations, and Performance Practices in Ecuador and Latin America." Ethnomusicology 38, no. 3 (1994): 530. http://dx.doi.org/10.2307/852120.

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17

Carola Schormann. "Marimbas in Latinamerika. Historische Fakten und Status quo der Marimbatraditionen in Mexiko, Guatemala, Belize, Honduras, El Salvador, Nicaragua, Costa Rica, Kolumbien, Ecuador, und Brasilien (review)." Latin American Music Review 30, no. 1 (2009): 105–7. http://dx.doi.org/10.1353/lat.0.0027.

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18

Olsen, Dale A., and John M. Schechter. "The Indispensable Harp: Historical Development, Modern Roles, Configurations, and Performance Practices in Ecuador and Latin America." Notes 50, no. 1 (1993): 181. http://dx.doi.org/10.2307/898739.

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19

Lindfors, Antti. "Sisällysluettelo." Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 32, no. 2 (2019): 2. http://dx.doi.org/10.23994/lk.83445.

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LÄHIKUVA 2/2019Teemana MusiikkiToimittaneet Ira Österberg ja Taneli HiltunenPääkirjoitusIra Österberg ja Taneli Hiltunen: Musiikki, elokuvat ja arvostusArtikkelitIra Österberg: Musiikki ja kerronnan tasot Kirill Serebrennikovin elokuvassa KesäKari Kallioniemi: Toposkartta, kliseekokoelma ja moderni panoraama – kansallisen musiikkitähden elämäkertaelokuva mediakulttuurin jatkumossaKaapo Huttunen: Nordic noir -televisiosarjan Rikos ääniraidan Lähi-itään viittaavat topoksetKatsauksetTaneli Hiltunen: Tunteiden ja tunnelmien voimalla: brittinaiset historiallisten elokuvien ja tv-sarjojen säveltäjin

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20

Smith, Justen O., and Robert N. Pate. "Cultures Around the World: A Unique Approach to Youth Cultural Diversity Education." Journal of Youth Development 2, no. 2 (2007): 174–79. http://dx.doi.org/10.5195/jyd.2007.354.

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Increasingly diverse cultural trends have significant implications for the educational needs of American youth. Learning about and valuing diverse cultures will help prepare youth to become better citizens in an ever-changing society. Cultures Around the World was developed to meet the educational needs of youth in the area of cultural diversity. The Cultures Around the World program brings to life exciting cultures and customs from countries all over the world. Countries are presented in a unique format by teaching youth (ages 10 to 18) a specific country’s history, culture, food, music, danc

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21

Tornero, Paz. "Relationships between Art, Science and Epistemology: The Earth as a Laboratory and the “Intruder Artist”." Leonardo 51, no. 2 (2018): 191–92. http://dx.doi.org/10.1162/leon_a_01538.

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This article is a brief review on the contemporary artistic epistemology and its use of the transdisciplinary practices as a form of developing artwork. The main objective is to analyze the artist’s interest and creativity on scientific issues and their peculiar view on new scientific and ecological paradigms to generate new knowledge, critical thinking, creative processes or new innovations. The author also explains his experience as researcher in the Institute of Microbiology at San Francisco University of Quito, Ecuador, where perhaps his presence could have been viewed as an “invasion” of

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22

Steere, William Campbell. "Trachyodontium, a New Genus of the Pottiaceae (Musci) from Ecuador." Bryologist 89, no. 1 (1986): 17. http://dx.doi.org/10.2307/3243070.

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23

MENDES, HUMBERTO F., TROND ANDERSEN, and OLE A. SÆTHER. "A review of Antillocladius S ther, 1981; Compterosmittia S ther, 1981 and Litocladius new genus (Chironomidae, Orthocladiinae)." Zootaxa 594, no. 1 (2004): 1. http://dx.doi.org/10.11646/zootaxa.594.1.1.

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A parsimony analysis of recently collected species sharing several features such as scalpellate acrostichals, often setae apically on the wing membrane and often strongly extended costa, together with 38 genera show that the collected species can be assigned to Antillocladius S ther, 1981, Compterosmittia S ther, 1981, and one new genus, Litocladius. Nine new species of Antillocladius are described and figured as male imagines: A. calakmulensis, A. herradurus and A. zempoalensis from Mexico; A. venequatoriensis from Ecuador and Venezuela; A. ubatuba from Brazil and Venezuela; and A. biota, A.

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24

Cossé, Peter. "Klaviertage in Ecuador." Österreichische Musikzeitschrift 65, no. 1 (2010). http://dx.doi.org/10.7767/omz.2010.65.1.56.

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25

Tuaza Castro, Luis Alberto. "EXPERIENCIAS COTIDIANAS DE INTERCULTURALIDAD EN EL ECUADOR: EL GUARACAZO MUSICAL." REVISTA CIENCIAS PEDAGÓGICAS E INNOVACIÓN 3, no. 3 (2015). http://dx.doi.org/10.26423/rcpi.v3i3.93.

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El presente artículo analiza los alcances de la interculturalidad en la relación interétnica blanco – mestiza e indígena en el Ecuador contemporáneo. Se argumenta que la música del cantautor indígena Ángel Guaraca ha logrado unir a estos dos grupos étnicos históricamente confrontados, más allá de las fronteras étnicas y al mismo tiempo ha posibilitado la valoración de las expresiones culturales indígenas por parte de la sociedad ecuatoriana, dentro y fuera del país. Palabras Clave: etnicidad, música e interculturalidad.  ABSTRACT  This article analyzes the scope o

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26

Rodeland, Jürgen. "Restauración del órgano histórico Sauer de la Catedral de Loja, Ecuador." Revista musical chilena 51, no. 187 (1997). http://dx.doi.org/10.4067/s0716-27901997018700004.

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27

Aguirre Navarrete, Juan. "Intellectual property rights in the Ecuadorian music industry: Digital media." Revista Facultad de Jurisprudencia RFJ, August 5, 2020, 249–67. http://dx.doi.org/10.26807/rfj.v2i8.296.

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Inside the panorama of the music industry have been generated by several legal relationships. Generally, the artist is only concerned with expressing his ideas through songs, based on deep feelings or experiences that have marked him, but he does not realize that he is in a very complicated legal relationship when privatizing his creations. Many artists throughout their careers legal issues related to the use of copyrights in their discography; a very recent case is that of the famous artist Taylor Swift where the problem lies in the snatching of their copyright author. This miscellaneous arti

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28

Vélez, Jean Carlos López, and Jhonny Saulo Villafuerte Holguin. "Educational innovation into English as a Foreign Language Practices for Early Children: Neuroeducation and the Total Physical Response Method." Education Quarterly Reviews 4, no. 3 (2021). http://dx.doi.org/10.31014/aior.1993.04.03.346.

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This work aims to improve the practices of English as a foreign language of early children through the articulation of Neuroeducation and the Total Physical Response methodology. This work subscribes to the postmodern paradigm and the mixed educational research approach. The participants were thirty-five students from the second grade of primary education from Ecuador. The research team designed an educational intervention that mixed music and dance for creating more meaningful learning environments in language practices. The instruments used were contextualized observation, semi-structured in

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29

Hammond, Anita. "Treasure by M. K. Doman." Deakin Review of Children's Literature 4, no. 4 (2015). http://dx.doi.org/10.20361/g2c31g.

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Doman, Mary Kate. Treasure. Costa Mesa: Saddleback, 2013. Print.Treasure, one installment from The Heights series, is the story of Todd Bardo Jr., a junior at Penn State and his adventure diving for treasure off the shore of Ecuador. As a thank you for his work with the poor in that country, Todd’s father, a prominent and respected doctor, was awarded salvage rights to five miles of the reef by the Ecuadorian government. Todd inherits the salvage rights at his father’s death, and needs to complete the dive before his rights expire. With the help of a diving team headed by his best friend’s fat

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