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1

Singing poets: Literature and popular music in France and Greece. London: Legenda, 2007.

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2

Die musikkritischen Schriften von Paul Dukas. Frankfurt am Main: Peter Lang, 2010.

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3

The composer as intellectual: Music and ideology in France 1914-1940. New York: Oxford University Press, 2005.

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4

Debussy redux: The impact of his music on popular culture. Bloomington: Indiana University Press, 2012.

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5

Olivier, Messiaen. Music and color: Conversations with Claude Samuel. Portland, Or: Amadeus Press, 1994.

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6

Shen, Sin-yan. Chinese music in the 20th Century. Chicago: Chinese Music Society of North America, 2001.

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7

Hao, Huang, ed. Music in the 20th century. Armonk, NY: M.E. Sharp, 1999.

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8

Illegal harmonies: Music in the 20th century. Sydney: Hale & Iremonger, 1997.

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9

20th-century microtonal notation. New York: Greenwood Press, 1990.

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10

Twentieth-century chamber music. 2nd ed. New York: Routledge, 2003.

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11

Twentieth-century chamber music. New York: Schirmer Books, 1996.

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12

Melody Maker history of 20th century popular music. London: Bloomsbury, 1999.

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13

Jonathan, Dunsby, ed. Early twentieth-century music. Oxford: Blackwell, 1993.

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14

Twentieth-century music. Englewood Cliffs, NJ: Prentice-Hall, 1988.

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15

Green, Robert A. The hurdy-gurdy in eighteenth-century France. Bloomington: Indiana University Press, 1995.

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16

The hurdy-gurdy in eighteenth-century France. Bloomington: Indiana University Press, 1995.

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17

Morris, Mark. A guide to 20th-century composers. London: Methuen, 1996.

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18

David, Sanjek, ed. American popular music business in the 20th century. New York: Oxford University Press, 1991.

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19

The companion to 20th-century music. New York: Da Capo Press, 1996.

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20

The new music. 2nd ed. Oxford: Oxford University Press, 1988.

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21

Music in the late twentieth century. New York: Oxford University Press, 2009.

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22

Taruskin, Richard. Music in the early twentieth century. New York: Oxford University Press, 2009.

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23

Born, Georgina. Rationalizing culture: IRCAM, Boulez, and the institutionalization of the musical avant-garde. Berkeley: University of California Press, 1995.

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24

Born, Georgina. Rationalizing culture: IRCAM, Boulez, and the institutionalization of the musical avant-garde. Berkeley: University of California Press, 1995.

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25

Salzman, Eric. Twentieth-century music: An introduction. 3rd ed. Englewood Cliffs, N.J: Prentice-Hall, 1988.

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26

Ledbetter, David. Harpsichord and lute music in 17th-century France. Bloomington: Indiana University Press, 1987.

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27

Ledbetter, David. Harpsichord and lute music in 17th-century France. London: Macmillan, 1987.

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28

Li, Lanqing. Biographies and notes: Chinese music 20th century and beyond. Singapopre: Gale Asia, Cengage Learning, 2012.

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29

Watkins, Glenn. Soundings: Music in the twentieth century. New York: Schirmer Books, 1988.

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30

The development of western music: A history. 3rd ed. Dubuque, IA: Wm. C. Brown Publishers, 1998.

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31

Music and the elusive revolution: Cultural politics and political culture in France, 1968-1981. Berkeley: University of California Press, 2011.

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32

The Musical Legacy of Wartime France (California Studies in 20th-Century Music Book 16). University of California Press, 2013.

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33

Sciannameo, Franco. Music As Dream: Essays on Giacinto Scelsi. Scarecrow Press, Incorporated, 2013.

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34

Pellegrini, Alessandra Carlotta, and Franco Sciannameo. Music As Dream: Essays on Giacinto Scelsi. Scarecrow Press, Incorporated, 2013.

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35

Messiaen Perspectives 1: Sources and Influences. Taylor & Francis Group, 2013.

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36

Shenton, Andrew. Messiaen the Theologian. Taylor & Francis Group, 2017.

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37

Shenton, Andrew. Messiaen the Theologian. Taylor & Francis Group, 2016.

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38

Dingle, Christopher, and Robert Fallon. Messiaen Perspectives 1: Sources and Influences. Taylor & Francis Group, 2016.

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39

Shenton, Andrew. Messiaen the Theologian. Taylor & Francis Group, 2017.

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40

Oliver Messiaen: A Research and Information Guide: A Research and Information Guide (Routledge Music Bibliographies). Routledge, 2007.

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41

Sprout, Leslie A. Musical Legacy of Wartime France. University of California Press, 2013.

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42

The musical legacy of wartime France. University of California Press, 2013.

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43

Papanikolaou, Dimitris. Singing Poets: Literature and Popular Music in France and Greece. Taylor & Francis Group, 2017.

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44

1962-, Shenton Andrew, ed. Messiaen the theologian. Burlington, VT: Ashgate, 2009.

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45

Healey, Gareth. Messiaen's Musical Techniques: The Composer's View and Beyond. Taylor & Francis Group, 2016.

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46

Healey, Gareth. Messiaen's Musical Techniques: The Composer's View and Beyond. Taylor & Francis Group, 2016.

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47

Grande Guerre en Musique: Vie et Création Musicales en France Pendant la Première Guerre Mondiale. Lang AG International Academic Publishers, Peter, 2014.

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48

Maindreville, Florence Doé de, and Stéphan Etcharry. Grande Guerre en Musique: Vie et Création Musicales en France Pendant la Première Guerre Mondiale. Lang AG International Academic Publishers, Peter, 2014.

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49

Maindreville, Florence Doé de, and Stéphan Etcharry. Grande Guerre en Musique: Vie et Création Musicales en France Pendant la Première Guerre Mondiale. Lang AG International Academic Publishers, Peter, 2014.

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50

Maindreville, Florence Doé de, and Stéphan Etcharry. Grande Guerre en Musique: Vie et Création Musicales en France Pendant la Première Guerre Mondiale. Lang AG International Academic Publishers, Peter, 2014.

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