Relevant bibliographies by topics / Music historian

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Music historian'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Music historian"

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Russell, Dave. "The ‘social history’ of popular music: a label without a cause?" Popular Music 12, no. 2 (1993): 139–54. http://dx.doi.org/10.1017/s0261143000005523.

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During the coffee break at a recent conference, I described myself to a new acquaintance as ‘a social historian of music’. He replied that he was glad to meet me as he now knew all four of us. The ‘club’, of course, has never been quite that exclusive, but the joke highlighted the essentially submerged and inchoate nature of work in this field. What follows is a decidedly personal article, designed not as a polished, final argument but as a review of some recent developments within the social history of popular music and as a stimulus to further work and argument. Aimed most particularly at th
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Alberto Arias, Enrique. "Cerone as historian." Anuario Musical, no. 58 (December 30, 2003): 87. http://dx.doi.org/10.3989/anuariomusical.2003.58.71.

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En 1997, el profesor Robert Stevenson escribió el artículo titulado "Pedro Cerone (1566-1625): Impostor or Defender of the Faith" El profesor Stevenson finaliza su provocativo artículo (que incluye un brillante análisis de la historia de la recepción de El Melopeo y Maestro, Nápoles, 1613, así como una biografía completa de su autor) con una invitación a continuar con las investigaciones sobre diversos aspectos de El Melopeo. En respuesta a su invitación, el presente artículo persigue llegar más allá en nuestra comprensión del tratado, a menudo malinterpretado. A menudo me he planteado una cue
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Mukhitdin Kadirovich, Muradov, and Khalilov F.N. "Improvement of professional quality of skills of music teachers." International Journal on Integrated Education 2, no. 4 (2019): 16–18. http://dx.doi.org/10.31149/ijie.v2i4.102.

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Much profile is a discriminating particularity to activity of the teacher of the music. As is well known, lesson of the music comprises of itself choral chant, performance on music instrument, listening the music and analysis heard, questions historian-theoretical cycle, solfeggio and t d. Teacher of the music must possess deep "three-dimensional" knowledge’s, broad range of the music professions
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Karpova, Elena Konstantinovna. "Music in Works of Ruf Ignatiev - South Uralian Historian." Manuskript, no. 5 (May 2020): 213–16. http://dx.doi.org/10.30853/manuscript.2020.5.42.

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Volk, Terese M. "Looking Back in Time: On Being a Music Education Historian." Journal of Historical Research in Music Education 25, no. 1 (2003): 49–59. http://dx.doi.org/10.1177/153660060302500106.

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Godfrey, Mark. "The Artist as Historian." October 120 (April 2007): 140–72. http://dx.doi.org/10.1162/octo.2007.120.1.140.

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Kourbana, Stella. "The Birth of Music Criticism in Greece: The Case of the Historian Konstantinos Paparrigopoulos." Nineteenth-Century Music Review 8, no. 1 (2011): 85–100. http://dx.doi.org/10.1017/s1479409811000073.

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The birth of music criticism in Greece is connected with the creation of the Greek state and the consequent reception of opera in Athens, its capital. In the newly formed Greek society, opera was not only considered as a cultural fact, but also as the principal symbol of the European lifestyle, which stood as a model for the new citizens of the European community. The young Konstantinos Paparrigopoulos, before becoming the principal founder of the Greek nationalist historiography, published a number of music reviews on the opera performances in Athens in 1840, eager to contribute to the musica
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Ardini, Ni Wayan, I. Komang Darmayuda, and Ricky Irawan. "Musik Popular Bali 1950-1965 dalam Dinamika Kebudayaan Nasional." Journal of Music Science, Technology, and Industry 3, no. 2 (2020): 147–66. http://dx.doi.org/10.31091/jomsti.v3i2.1154.

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Purpose: This research discusses the development of popular music in Bali and its relation to national cultural issues in the 1950-1965 period. Research methods: This research uses the theoretical framework of historical ethnomusicology and emphasizes the verstehen method to understand the meaning of music. Beside the documentary study, the collecting technique of this research uses some interviews with the musical practitioner, historian, and cultural expert. Results and discussion: Keroncong, which popular during that period, was not only an aesthetic expression in the realm of music but it
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GOODMAN, GLENDA. "Music before 1800." Journal of the Society for American Music 9, no. 4 (2015): 470–76. http://dx.doi.org/10.1017/s1752196315000395.

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Here are two important lessons about information control: first, there is always “too much to know.” This phrase comes from historian Ann Blair, who argues in her book of the same title that in the early modern period the attempt to gather and systematize knowledge was already regarded as a hubristic task. Second, information control is inherently ideological. Think of Denis Diderot and Jean le Rond d'Alembert's magisterial Encyclopédie (1751–77), which in thirty-two volumes attempted to map the world of knowledge and, in doing so, determined what counted as “knowable” and what was ruled out.
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Kirkman, Andrew. "The Invention of the Cyclic Mass." Journal of the American Musicological Society 54, no. 1 (2001): 1–47. http://dx.doi.org/10.1525/jams.2001.54.1.1.

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Abstract This article explores the origins of the notion of the polyphonic mass as an epoch-making early embodiment of the principle of musical unity and as the quintessence of the Renaissance “masterwork.” Finding no evidence for this status in the fifteenth and early sixteenth centuries, it uses surviving written materials to inquire how the mass might have been perceived by its original users. Taking this inquiry as its point of departure, the study details how the modern status of the mass evolved gradually in the course of the “rediscovery” of early music from the late eighteenth century
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Dissertations / Theses on the topic "Music historian"

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Roman, Zoltan. "Gustav Mahler: Conductor and Composer as ’Music Historian’." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A38338.

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Möller, Hartmut. "How Much Globalisation Can the European Music Historian Bear? A Comment on the Contributions of Timothy Rice and Tim Taylor." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71784.

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Heinemann, Michael. "Die Bibliothek als Labor des Musikhistoriker." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-25701.

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Manchmal habe ich Zweifel, ob ich als Wissenschaftler öffentliche Bibliotheken noch benötige. Denn die Bücher, die ich für meine Arbeiten brauche, habe ich daheim. Online-Lexika bieten Informationen kostenlos, bequem und schnell. Die Digitalisierung besorgt den Rest. Zeitschriften, von denen Bibliotheken häufig ohnehin nur einzelne Jahrgänge besitzen, sind im Internet komplett verfügbar, und selbst von gerade erst erschienenen Bücher liefern Google und Amazon inzwischen mehr als nur Inhaltsangaben. Kurz: Internet und Digitalisierung machen den „realen“ Besuch von Bibliotheken mehr und mehr übe
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Berenguer, Caro Mónica. "Interpretation of Mozart Horn concertos with an historical view." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2699.

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This thesis is an historical, thechnical dn stylistic investigation of Mozart horn concertos. It includes a description of Mozart's life; the moment in his life where the concertos were developed. It contains information about Inaz Leitgeb, the horn player who has a close friendship with Mozart. Also, the explanation of his technical characteristics of the natural horn and the way of Mozart deal with the resources and limis instrument, as well as the way of the interpretation of these pieces had beed facilitated by the arrival of the chromatic horn. I found out that the knowledge of these conc
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Sundberg, David. "Chopin Sonat i h-moll 1a sats : Historia och analys." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3665.

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Chopins tredje pianosonat i h-moll op.58 är inte alls lika spelad som hans andra sonat i b♭-moll. Anledningen är kanske att det finns en djupare historia bakom hans andra sonat medan den tredje är ett verk som han komponerade för att tysta vissa kritiker men också för att tillägna verket sin släkt. Chopins tredje sonat kan uppfattas som ett av de mest fantastiska och berättande verken inom pianolitteraturen och om man jämför med andra sonater från samma epok så anser jag att även denna sonat förtjänar mer uppmärksamhet. En av anledningarna till att den inte är så spelad kan
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Silva, Marcia Regina Carvalho da. "A canção popular na historia do cinema brasileiro." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/283986.

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Orientador: Claudiney Rodrigues Carrasco<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-15T03:28:45Z (GMT). No. of bitstreams: 1 Silva_MarciaReginaCarvalhoda_D.pdf: 1640701 bytes, checksum: 69204ec432c76f603c318f71b491b203 (MD5) Previous issue date: 2009<br>Resumo: O principal foco desta pesquisa é investigar o diálogo entre a produção musical e a produção cinematográfica brasileira a partir do mapeamento da presença da canção popular na história do cinema brasileiro. A tese apresenta um levantamento historiográfico do uso d
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Bergström, Pontus. "En tung historia : En undersökning om metalbandet Sabatons historiebruk." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-40594.

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The purpose of this paper has been to examine the heavy metal band Sabatons use of history and to relate it to societal trends in today’s Sweden. I have examined Sabatons music, album covers and music videos in order to define a certain use of history. To do this I have used a use of history theory and a heavy metal theory. My results showed that some of Sabatons use of history could be defined as commercial and that the societal trends in today`s Sweden have in some cases affected the selection and presentation of events and characters that`s been portrayed by Sabaton. Earlier use of history
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Björk, Arne. "Konsertformen och dess tecken : En dekonstruktiv läsning – och en historia om en ensemble en dirigent och en Bellman." Thesis, Kungl. Musikhögskolan, Institutionen för komposition, dirigering och musikteori, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3543.

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Denna text kommer att kretsa kring min komposition Historien om en ensemble en dirigent och en Bellman, det filosofiska begreppet dekonstruktion och de tankar som uppstod när jag fördjupade min kunskap om detta filosofiska tankegods, vilket resulterade i en mängd idéer och ledde i sin tur fram till kompositionen Historien om en ensemble en dirigent och en Bellman. Som inledning till denna text kommer jag börja med att göra en kort presentation av min tolkning av begreppet dekonstruktion med utgångspunkt i texten Den okända texten av Anders Olsson. I efterföljande kapitel kommer jag at
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Mudge, Ethne. "Molla's music." Thesis, University of the Western Cape, 2017. http://hdl.handle.net/11394/5542.

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Magister Artium - MA<br>Molla's Music is a novella about Maureen (Molla), a white Afrikaans woman born in 1935 in Cape Town, who faced poverty and abandonment before apartheid and who, during apartheid, faced the choice between an unwanted pregnancy with a married man, and a carreer in music funded by the father who had betrayed her. Maureen is introduced in three sections with very different voices in each. In the first section she is depicted in the context of being cared for by a single mother with severe post natal depression. The short chapters and long sentences reflect the naïvity of th
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Qin, Ying. "A historical survey of music recommendation systems: Towards evaluation." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=117223.

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The development of the Internet and the emergence of audio compression technologies have contributed to the realization of making millions of music titles accessible to millions of users. Due to the extensive distribution of music, consumers are being presented with a problem of information overload, while the music industry is being faced with the challenge of personalized promotion and distribution. Music recommendation systems aim to ease the task of finding the music items that might interest the users by generating meaningful recommendations. The recommendation for music is different from
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Books on the topic "Music historian"

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Historias para una historia. Ediciones Museo de la Música, 2012.

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Amo, Joaquin Arnau. Musica e Historia. Universidad Politecnica, 1987.

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Chomiński, Józef M. Historia muzyki. Polskie Wydawn. Muzyczne, 1989.

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Moreno, Antonio Martín. Historia de la música española. Alianza, 1985.

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Heikinheimo, Markku. Urkutaiteen historia. 2nd ed. Valtion painatuskeskus, 1986.

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Israelsson, Christina. Populärmusikens historia. Svensk Skolmusik, 1995.

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Rasmusson, Ludvig. Rockens historia. Norstedts, 1988.

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Rubio, S. Historia de la musica espanola. Vol. 2, Desde el "ars nova" hasta 1600. Alianza Editorial, 1988.

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Criville, i. Bargallo. Historia de la musica espanola. Vol. 7, El folklore musical. Alianza Editorial, 1988.

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Lopez-Calo, J. Historia de la musica espanola. Vol. 3, Siglo XVII. Alianza Editorial, 1988.

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Book chapters on the topic "Music historian"

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Milmeister, Gérard. "Historical Overview." In Computational Music Science. Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-642-00148-2_7.

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Green, Ben. "Histories of listening." In Peak Music Experiences. Routledge, 2021. http://dx.doi.org/10.4324/9781003093244-3.

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Sesigür, Onur. "Historical transformation of music containers." In Playlisting. Routledge, 2021. http://dx.doi.org/10.4324/9781003220541-3.

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Trezise, Simon. "Historical Introduction." In Music and Sound in Silent Film. Routledge, 2018. http://dx.doi.org/10.4324/9781315276274-1.

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Mazzola, Guerino. "Historical and Theoretical Prerequisites." In The Topos of Music. Birkhäuser Basel, 2002. http://dx.doi.org/10.1007/978-3-0348-8141-8_52.

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Bowan, Kate. "R. G. Collingwood, Historical Reenactment and the Early Music Revival." In Historical Reenactment. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277090_9.

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Ellis, Katharine. "Patrimoine in French music." In Historical Interplay in French Music and Culture, 1860–1960. Routledge, 2017. http://dx.doi.org/10.4324/9781315586847-2.

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Glynn, Stephen. "Afterlife: The Historical Pop Music Film." In The British Pop Music Film. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9780230392236_5.

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Mazzola, Guerino. "Historical and Theoretical Prerequisites." In The Topos of Music II: Performance. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64444-8_22.

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Lee, Jonathan Rhodes. "Histories and Other Surveys." In Film Music in the Sound Era. Routledge, 2020. http://dx.doi.org/10.4324/9781351190794-2.

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Conference papers on the topic "Music historian"

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November, Nancy. "Teaching Music Historical Literacy Using Video Clips." In Fifth International Conference on Higher Education Advances. Universitat Politècnica València, 2019. http://dx.doi.org/10.4995/head19.2019.9395.

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Four professionally-created, student-presented, three- to five-minute videos were integrated into two undergraduate music history courses at the University of Auckland, to support the development of key historical literacy skills. These include crucial skills and understandings that music students need to master in their first two years: identifying different kinds of music scores; understanding the difference between primary and secondary sources for music historical topics; finding one’s way around critical, “complete works” editions of music; and finding and assessing music-related literatu
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Dias, Ricardo, Manuel J. Fonseca, and Daniel Gonçalves. "Interactive exploration of music listening histories." In the International Working Conference. ACM Press, 2012. http://dx.doi.org/10.1145/2254556.2254637.

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Vidulin, Sabina. "MUSIC TEACHING AND LISTENING TO ART MUSIC IN THE FUNCTION OF STUDENTS’ HOLISTIC DEVELOPMENT." In SCIENCE AND TEACHING IN EDUCATIONAL CONTEXT. FACULTY OF EDUCATION IN UŽICE, UNIVERSITY OF KRAGUJEVAC, 2020. http://dx.doi.org/10.46793/stec20.391v.

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Music is a part of a child’s everyday life. In family and in preschool institutions, its function is different from the one in school. Music teaching influences the overall students’ development, which can be seen from a pedagogical and artistic perspective. It is aimed at acquiring knowledge and developing students’ skills in the field of art; it encourages aesthetic education, but also the preservation of historical and cultural heritage. The domain in which this is mostly realized is listening to music and music understanding. With the intention of bringing art music closer to children and
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Liu, Hongfei. "Historical Development Overview on Cucurbit Flute Music." In 2016 International Conference on Education, Sports, Arts and Management Engineering. Atlantis Press, 2016. http://dx.doi.org/10.2991/icesame-16.2016.26.

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Tyszka, Konrad, and Michał Jagosz. "Polish music press in the face of systemic change in 1989 as an example of cultural transformation in post-communist countries." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.09103t.

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The systemic transformation has significantly increased and diversified the music press market. Liquidation of the monopoly, privatization, censorship abolition and media pluralism are just some of the factors that contributed to shaping new cultural policy in Poland. The research material used for this paper’s analytical purposes consists of Polish music magazines; based on a query covering over 110 journals being published since 1946 to the present, a historical and comparative analysis was made. It allowed to determine what new solutions the publishers started to put into practice to make t
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Tyszka, Konrad, and Michał Jagosz. "Polish music press in the face of systemic change in 1989 as an example of cultural transformation in post-communist countries." In 6th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade, 2020. http://dx.doi.org/10.32591/coas.e-conf.06.09103t.

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The systemic transformation has significantly increased and diversified the music press market. Liquidation of the monopoly, privatization, censorship abolition and media pluralism are just some of the factors that contributed to shaping new cultural policy in Poland. The research material used for this paper’s analytical purposes consists of Polish music magazines; based on a query covering over 110 journals being published since 1946 to the present, a historical and comparative analysis was made. It allowed to determine what new solutions the publishers started to put into practice to make t
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Miyazaki, Shintaro. "Musik für Maschinen?! – Wo sich die Wissenschaft der Medien, des Computers und der Musik treffen und wie sie zusammenarbeiten könnten." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.105.

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Musicology and computer science do not only come together in areas such as the use, analysis and performance of digitized data, but also meet in unexpected places such as in context of critical media studies and inquiries about the material and aesthetic conditions of digitality. Such „exploratory interactions“ with computers and their aesthetics might resonate well with musicology. This mini-contribution firstly presents a historical situation in which for a short period in the 20th century the machinic music of digitality became audible. It then formulates, just as briefly and sketchily, the
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Pasdzierny, Matthias. "How much is the glitch? Das digitale Paradigma als Herausforderung und Chance für die historische Musikwissenschaft." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.104.

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Musicology has long since been established as central part of the so-called Digital Humanities. For many areas of music culture as a whole, digitization is considered the central paradigm of our time. But what exactly does this mean, and is it not unusual for technical and cultural developments to be thrown through and into each other? In literary studies as well as in cultural and contemporary history, a critical discussion has already begun on the multiple narratives and projections about „(post)digitality“, which are particularly common in science itself. Against this background, the articl
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Yue, Shengdong. "Brief Discussion on Historical Evolution of Sichuan Opera Tune Music." In 2016 International Conference on Economy, Management and Education Technology. Atlantis Press, 2016. http://dx.doi.org/10.2991/icemet-16.2016.158.

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Belonosova, Irina. "Chamber Music Art of Siberia Historical Pages and Modern Life." In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.34.

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Reports on the topic "Music historian"

1

Stahl, Geoff, and Alex Gyde, eds. Popular Music Worlds, Popular Music Histories: Conference Proceedings, Liverpool 2009. International Association for the Study of Popular Music, 2011. http://dx.doi.org/10.5429/2225-0301/2009.

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