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1

1954-, Carter Tim, and Butt John, eds. The Cambridge history of seventeenth-century music. Cambridge: Cambridge University Press, 2005.

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2

Ledbetter, David. Harpsichord and lute music in 17th-century France. London: Macmillan, 1987.

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3

Ledbetter, David. Harpsichord and lute music in 17th-century France. Bloomington: Indiana University Press, 1987.

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4

Rivera, Benito V. German music theory in the early 17th century: The treatises of Johannes Lippius. Rochester, N.Y: University of Rochester Press, 1995.

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5

Anthony, James R. French baroque music from Beaujoyeulx to Rameau. Portland, Ore: Amadeus Press, 1997.

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6

Selfridge-Field, Eleanor. Venetian instrumental music from Gabrieli to Vivaldi. 3rd ed. New York: Dover, 1994.

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7

1953-, Walker Paul, ed. Church, stage, and studio: Music and its contexts in seventeenth-century Germany. Ann Arbor, Mich: UMI Research Press, 1990.

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8

Stauffer, George B. Bach, the Mass in B minor: The great Catholic Mass. New Haven, CT: Yale University, 2003.

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9

Palisca, Claude V. Baroque music. 3rd ed. Englewood Cliffs, NJ: Prentice-Hall, 1991.

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10

(Singapore), Nalanda-Sriwijaya Centre, ed. Musical terms in Malay classical literature: The early period (14th-17th century). Singapore: Nalanda-Sriwijaya Centre, ISEAS-Yusof Ishak Institute, 2017.

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11

Andrew, Ashbee, and Holman Peter 1946-, eds. John Jenkins and his time: Studies in English consort music. Oxford: Clarendon Press, 1996.

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12

Iain, Fenlon, ed. The Renaissance: From the 1470s to the end of the 16th century. London: Macmillan, 1989.

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13

Schulenberg, David. Music of the Baroque. New York, NY: Oxford, 2001.

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14

1935-, Silbiger Alexander, ed. 17th-century keyboard music: Sources central to the keyboard art of the baroque. New York: Garland, 1987.

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15

Nieden, Gesa Zur. Europäische Musiker in Venedig, Rom und Neapel (1650-1750): Les musiciens européens à Venise, Rome et Naples (1650-1750) = Musicisti europei a Venezia, Roma e Napoli (1650-1750). Kassel: Bärenreiter, 2015.

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16

Thomas, Robinson. New citharen lessons (1609). Waco, Texas: Baylor University Press, 1997.

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17

Höfer, Karlheinz. Cornelius Burgh, um 1590-um 1638: Italienische Monodie und geistliches Konzert im Rheinland. Mönchengladbach: B. Kühlen Verlags, 1993.

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18

Carter, Tim, and John Butt. Cambridge History of Seventeenth-Century Music. Cambridge University Press, 2008.

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19

Bryant, David, and Lorenzo Bianconi. Music in the Seventeenth Century. Cambridge University Press, 2011.

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20

Bryant, David, and Lorenzo Bianconi. Music in the Seventeenth Century. Cambridge University Press, 2012.

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21

Buelow, George J. History of Baroque Music. Indiana University Press, 2004.

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22

Fabris, Dinko. Music in Seventeenth-Century Naples: Francesco Provenzale. Taylor & Francis Group, 2017.

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23

McClary, Susan. Desire and Pleasure in Seventeenth-Century Music. University of California Press, 2012.

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24

McClary, Susan. Desire and Pleasure in Seventeenth-Century Music. University of California Press, 2012.

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25

Hammond, Susan Lewis. Music of the Baroque: History, Culture, and Performance. Taylor & Francis Group, 2015.

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26

Baroque Music In Focus. Rhinegold Publishing Ltd, 2010.

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27

Hammond, Susan Lewis. Music in the Baroque World: History, Culture, and Performance. Taylor & Francis Group, 2015.

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28

Hammond, Susan Lewis. Music in the Baroque World: History, Culture, and Performance. Taylor & Francis Group, 2015.

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29

Hammond, Susan Lewis. Music in the Baroque World: History, Culture, and Performance. Taylor & Francis Group, 2015.

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30

Hammond, Susan Lewis. Music in the Baroque World: History, Culture, and Performance. Taylor & Francis Group, 2015.

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31

HaCohen, Ruth, and Reinhard Strohm. Calssicist Ideology: Music and Culture of the 17th and 18th Centuries. Taylor & Francis Group, 2018.

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32

Taruskin, Richard. Music in the Seventeenth and Eighteenth Centuries: The Oxford History of Western Music. Oxford University Press, Incorporated, 2011.

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33

Eisenhardt, Lex. Italian Guitar Music of the Seventeenth Century. University of Rochester Press, 2019.

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34

Tomlinson, Gary, Giulio Ongaro, James Haar, and Tim Carter. European Music, 1520-1640. Boydell & Brewer, Incorporated, 2006.

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35

Tomlinson, Gary, Giulio Ongaro, James Haar, and Tim Carter. European Music, 1520-1640. Boydell & Brewer, Incorporated, 2006.

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36

Haar, James. European Music, 1520-1640. Boydell & Brewer, Incorporated, 2014.

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37

Anthology For Music In The Baroque. W. W. Norton & Company, 2013.

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38

Jensen, Claudia R. Musical Cultures in Seventeenth-Century Russia. Indiana University Press, 2009.

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39

Jensen, Claudia R. Musical Cultures in Seventeenth-Century Russia. Indiana University Press, 2010.

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40

Gordon-Seifert, Catherine. Music and the Language of Love: Seventeenth-Century French Airs. Indiana University Press, 2011.

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41

Gordon-Seifert, Catherine. Music and the Language of Love: Seventeenth-Century French Airs. Indiana University Press, 2011.

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42

Mathiesen, Thomas J., and Claude V. Palisca. Music and Ideas in the Sixteenth and Seventeenth Centuries. University of Illinois Press, 2017.

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43

Mathiesen, Thomas J., and Claude V. Palisca. Music and Ideas in the Sixteenth and Seventeenth Centuries. University of Illinois Press, 2010.

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44

Johnson, H. Earle, and Bonnie Hedges. Music in America Before Eighteen Twenty-Five. Da Capo Pr, 1998.

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45

Music of the Baroque. 2nd ed. New York: Oxford University Press, 2008.

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46

Anthony Newman: Music, energy, spirit, healing. Lanham, Md: Scarecrow Press, 2001.

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47

Cross, sword, and lyre: Sacred music at the imperial court of Ferdinand II of Habsburg (1619-1637). Oxford: Clarendon Press, 1995.

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48

The Renaissance (Man & Music). Palgrave Macmillan, 1990.

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49

Eisenhardt, Lex. Italian Guitar Music of the Seventeenth Century: Battuto and Pizzicato. University of Rochester Press, 2015.

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50

Anthony, James R. French Baroque Music from Beaujoyeulx to Rameau: Revised and Expanded Edition. Amadeus Press, 2003.

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