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Relevant bibliographies by topics / Music History and criticism19th century

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Academic literature on the topic 'Music History and criticism19th century'

Author: Grafiati

Published: 11 December 2022

Last updated: 31 July 2025

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Journal articles on the topic "Music History and criticism19th century"

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Coleman, Billy, and J. M. Mancini. "Music in American nineteenth-century history." American Nineteenth Century History 24, no. 3 (2023): 253–55. http://dx.doi.org/10.1080/14664658.2023.2303224.

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Kendall, G. Yvonne, and Ron Byrnside. "Music in Eighteenth-Century Georgia." Journal of Southern History 64, no. 4 (1998): 717. http://dx.doi.org/10.2307/2587521.

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Marcus, K. H. "Nineteenth Century California Sheet Music." Journal of American History 98, no. 1 (2011): 308. http://dx.doi.org/10.1093/jahist/jar137.

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Hamilton, A. "The Cambridge History of Nineteenth-century Music." British Journal of Aesthetics 43, no. 1 (2003): 86–89. http://dx.doi.org/10.1093/bjaesthetics/43.1.86.

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Champion, Matthew S., and Miranda Stanyon. "MUSICALISING HISTORY." Transactions of the Royal Historical Society 29 (November 1, 2019): 79–103. http://dx.doi.org/10.1017/s0080440119000045.

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ABSTRACTWhile there have been growing calls for historians to listen to the past, there are also significant barriers to integrating music in particular into broader historical practice. This article reflects on both the gains and difficulties of this integration, moving from an interrogation of the category of music to three case studies. These concern musical terms, compositional practices and cultures from the fifteenth to eighteenth centuries, revisiting some key debates in musicology: first, the highly charged language of sweetness deployed in the fifteenth century; second, connections di

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Kudiņš, Jānis. "FRAGMENTARY AND MODERATE MODERNISM IN LATVIAN MUSIC HISTORY ." Culture Crossroads 19 (October 11, 2022): 111–25. http://dx.doi.org/10.55877/cc.vol19.31.

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The question of 20th century modernism in the history of Latvian academic genres music is still topical. The prevailing opinion in musicological research (literature) is that representation of modernism in the history of Latvian music has been fragmentary. In various decades of the 20th century (the first and second half of the century), Latvian composers have rarely turned to the most radical expression of modernism, the avant-garde. Much more often possible identified stylistically moderate manifestations of modernism. However, these issues have still been little researched. This article off

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Öner, Onur. "Music in Early Twentieth-Century Istanbul." Archiv orientální 89, no. 1 (2021): 63–84. http://dx.doi.org/10.47979/aror.j.89.1.63-84.

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This study addresses the social history of music in early twentieth-century Ottoman Istanbul. The paper argues that private music schools were at the center of transformations in music and that their history is profoundly related to the political crises the Ottoman state experienced after the turn of the twentieth century. More precisely, by approaching the Ottoman bureaucracy from a musical perspective, the paper tries to link the reorganization of the Ottoman bureaucracy in 1909 with the emergence of private music schools in Istanbul. To explore the process, the paper follows some official f

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Johnson, Bruce. "From Music to Noise: The Decline of Street Music." Nineteenth-Century Music Review 15, no. 1 (2017): 67–78. http://dx.doi.org/10.1017/s147940981700009x.

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The history of live street music is the history of an endangered species, either suppressed or trivialized as little more than ‘local colour’. Five hundred years ago the streets of Elizabethan London were rich with the sounds of street vendors, ballad-makers and musicians, and in general the worst that might be said of the music was that the same songs were too often repeated – what we would now call ‘on high rotation’. By the beginning of the nineteenth century, the poet Wordsworth and advocate of the ‘common man’ was describing street music as ‘monstrous’, and throughout that century vigorou

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Chelaru, Carmen. "History – Culture – Music in the Romanian Eighteenth Century." Artes. Journal of Musicology 23, no. 1 (2021): 1–40. http://dx.doi.org/10.2478/ajm-2021-0001.

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Abstract Recently, I made a few forays in the history of the society, culture and music of the people in the Carpathian-Danubian space, without the intention and claim of unlocking doors thrown widely open before me by established researchers such as Lucian Boia, Theodor T. Burada, Gheorghe Ciobanu, Octavian Lazăr Cosma, Neagu Djuvara, Costin Moisil and many others. I did it especially in order to try to tear myself away from the old spread-eagle patterns, from prejudice. Thus, I ascertained that, in the flow of time, of events, of facts, the European eighteenth century constitutes a page abou

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Rosendorf, Neal M. "Music and International History in the Twentieth Century." Journal of American History 104, no. 1 (2017): 218–19. http://dx.doi.org/10.1093/jahist/jax074.

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Dissertations / Theses on the topic "Music History and criticism19th century"

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Strahle, Graham. "Fantasy and music in sixteenth- and seventeenth-century England /." Title page, contents and abstract only, 1987. http://web4.library.adelaide.edu.au/theses/09PH/09phs896.pdf.

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Garatt, James. "Palestrina and the German romantic imagination : interpreting historicism in nineteenth-century music." Thesis, Cardiff University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285243.

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Rusak, Helen Kathryn. "Rhetoric and the motet passion." Title page, table of contents and introduction only, 1986. http://web4.library.adelaide.edu.au/theses/09ARM/09armr949.pdf.

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Papanikolaou, Dimitris. "Singing poets : literature and popular music in France and Greece /." London : Legenda, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016510046&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Wood, Sienna M. "Chansons, madrigales and motetz a 3 parties by Noe Faignient| A Composer's Debut in 16th-Century Antwerp." Thesis, University of Colorado at Boulder, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3743677.

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<p>Chansons, madrigales & motetz a 3 parties of 1568 is one of two volumes that constitute the debut of Antwerp composer Noe Faignient (c.1537-1578). This musical collection (henceforth CM&M a 3) survives only in manuscript in three partbooks held at the Stifts- och Landsbiblioteket in Linkoping, Sweden and has never before appeared as a complete modern edition. Like its sister volume for 4, 5, and 6 voices, Faignient?s 3-voice collection contains French chansons, Italian madrigals, Latin motets, and Dutch liedekens. A multi-genre debut was well chosen for the diverse city of Antwerp, the c

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Trochimczyk, Maja. "Space and spatialization in contemporary music : history and analysis, ideas and implementations." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116333.

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Note: Pages have been removed from this digital copy due to copyright restrictions. A print copy is available in the McGill Library.<br>This dissertation presents the history of space in the musical thought of the 2Othcentury (from Kurth to Clifton, from Varèse to Xenakis) and outlines the development of spatialization in the theory and practice of contenlporary music (after 1950). The text emphasizes perceptual and temporal aspects of musical spatiality, thus reflecting the close connection of space and time in human experience. A new definition of spatialization draws from Ingarden’s notion

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Flores, Carlos A. (Carlos Arturo). "Music Theory in Mexico from 1776 To 1866: A Study of Four Treatises by Native Authors." Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc331988/.

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This investigation traces the history and development of music theory in Mexico from the date of the first Mexican treatise available (1776) to the early second half of the nineteenth century (1866). This period of ninety years represents an era of special importance in the development of music theory in Mexico. It was during this time that the old modal system was finally abandoned in favor of the new tonal system and that Mexican authors began to pen music treatises which could be favorably compared with the imported European treatises which were the only authoritative source of instruction

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Enefalk, Hanna. "En patriotisk drömvärld : Patriotic Dreamlands: Music, Nationalism and Gender in the Long Nineteenth Century." Doctoral thesis, Uppsala University, Department of History, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-9267.

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<p>The subject of this thesis is Scandinavian nationalism from the late 18th century to ca 1920. The focus lies on that particular aspect of nationalism that was at the same time the most mundane and the most enigmatic: the ever-present depicting of the nation in words, pictures and music, which in effect created a parallel universe, a patriotic dreamland. This creation was highly gendered, and the media in which it flourished most abundantly was the patriotic song. The study therefore uses song texts as its primary source material and builds upon the theoretical foundations laid by, e.g., Joa

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Andrews, Christine. "Nineteenth century English oratorio festivals : chronicling the monumental in music." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:bdeff62f-fead-42a7-9724-5c79d5c2cdf9.

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Oratorio festivals were an important cultural feature of nineteenth-century English society. These massive musical events lasted for three or four days and some involved up to 4,000 musicians and 83,000 in the audience. This dissertation advances the hypothesis that the oratorio festivals, and the grand new buildings in which they were staged, coalesced to create a musical monumentalism in a society steeped in the (mainly Protestant) Christian sentiments of the day. In particular, the dissertation contends that a central premise of nineteenth-century musical thought was that the musical value

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Bower, Bruno Benjamin. "The Crystal Palace Saturday Concerts, 1865-1879 : a case study of the nineteenth-century programme note." Thesis, Royal College of Music, 2016. http://researchonline.rcm.ac.uk/386/.

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In recent decades, historical concert programmes have emerged as a fascinating resource for cultural study. As yet, however, little detailed work has been done on the programme notes that these booklets contained. This thesis concentrates on the notes written for the Crystal Palace Saturday Concerts between 1865 and 1879. The series held an important place in London concert life during this period, and featured a number of influential authors in the programmes, such as George Grove, August Manns, James William Davison, Edward Dannreuther, and Ebenezer Prout. Grove in particular made use of his

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Books on the topic "Music History and criticism19th century"

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Antokoletz, Elliott. Twentieth-century music. Prentice Hall, 1992.

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Antokoletz, Elliott. Twentieth-century music. Prentice-Hall, 1990.

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Larry, Todd R., ed. Nineteenth-century piano music. Schirmer Books, 1994.

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Burge, David. Twentieth-century piano music. Schirmer Books, 1990.

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Larry, Todd R., ed. Nineteenth-century piano music. Schirmer Books, 1990.

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Coleman, Billy, and J. M. Mancini. Music in American Nineteenth-Century History. Routledge, 2024. http://dx.doi.org/10.4324/9781003569060.

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E, Hefling Stephen, ed. Nineteenth-century chamber music. Routledge, 2003.

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Lewis, Marshall Robert, ed. Eighteenth-century keyboard music. 2nd ed. Routledge, 2003.

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Taruskin, Richard. Music in the nineteenth century. Oxford University Press, 2009.

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Burge, David. Twentieth-century piano music. Schirmer Books, 1990.

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Book chapters on the topic "Music History and criticism19th century"

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Golding, Rosemary. "Anon., ‘History of Music’." In Music in Nineteenth-Century Britain. Routledge, 2022. http://dx.doi.org/10.4324/9781003003915-42.

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Heile, Björn. "Integrative music history." In Higher Education in Music in the Twenty-First Century. Routledge, 2017. http://dx.doi.org/10.4324/9781315586793-4.

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Fubini, Enrico. "Formalism in the Twentieth Century." In The History of Music Aesthetics. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-09689-3_14.

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Geiringer, Karl. "High Renaissance (Sixteenth Century)." In Instruments in the History of Western Music. Routledge, 2024. http://dx.doi.org/10.4324/9781003543404-4.

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Coleman, Billy, and J. M. Mancini. "Introduction: music in American nineteenth-century history." In Music in American Nineteenth-Century History. Routledge, 2024. http://dx.doi.org/10.4324/9781003569060-1.

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Lohman, Laura. "Teaching nineteenth-century American history with music: leveraging the possibilities through technology and Universal Design for Learning." In Music in American Nineteenth-Century History. Routledge, 2024. http://dx.doi.org/10.4324/9781003569060-6.

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Bailey, Candace L. "Black women and the cultural performance of music in mid-nineteenth century Natchez." In Music in American Nineteenth-Century History. Routledge, 2024. http://dx.doi.org/10.4324/9781003569060-2.

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Smith, Christopher J. "We have fed you all 1000 years: nineteenth-century radical song and the rise of North American labor." In Music in American Nineteenth-Century History. Routledge, 2024. http://dx.doi.org/10.4324/9781003569060-5.

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Davis, James A. "Afterword." In Music in American Nineteenth-Century History. Routledge, 2024. http://dx.doi.org/10.4324/9781003569060-7.

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Preston, Katherine K. "Singers and managers: women and the operatic stage in late nineteenth-century America." In Music in American Nineteenth-Century History. Routledge, 2024. http://dx.doi.org/10.4324/9781003569060-3.

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Conference papers on the topic "Music History and criticism19th century"

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Дай, Мэнин. "ON THE HISTORY OF BAYAN AND ACCORDION TRAINING IN CHINA 1910s - 1940s: GENERAL BACKGROUND AND INITIAL FORMATION." In Перспективные фундаментальные исследования и научные методы: сборник статей международной научной конференции (Санкт-Петербург, Февраль 2025). Crossref, 2025. https://doi.org/10.58351/250211.2025.53.70.002.

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В статье собраны сведения о первоистоках баяно-аккордеонного образования КНР. Возникнув в исполнительской среде и будучи поначалу частным, оно к середине XX века приобрело в зарождающейся системе общего китайского музыкального образования организованный характер. Была подготовлена почва для формирования современной многоуровневой системы образования на баяне и аккордеоне. The article contains information about the origins of bayan-accordion education in the People's Republic of China. Having emerged in a performing environment and being private at first, By the middle of the 20th century, it h

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Vlaicu, Olga. "Moldavian fantasy by D. Ghershfeld – a bright example of violin miniature of Moldova in the 40s of the 20th century." In Probleme metodico-didactice și de asigurare a calității în învăţământul artistic superior. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2024. https://doi.org/10.55383/pacias2023.09.

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In this article, the author describes the history of creation of the first miniatures for violin and piano composed on the territory of the current Republic of Moldova in the 20s-40s of the 20th century. She speaks about the rich creative heritage by the composer D. Ghershfeld, analyzes in detail his miniature for violin and piano – Moldavian Fantasy. This work is one of the first violin compositions in the genre of small forms created by composers from the Republic of Moldova in the first half of the 20th century. The miniature has obvious national features, as it is based on the rhythms and

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Grecu, Vasile. "The role of pianistic art in the musical culture of interwar Bessarabia in relation to the european intercultural process." In Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.08.

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In documents, we find data about the music schools that appeared in the first half of the 19th century, after Tudor Vladimirescu's Revolution, when the Romanian Lands experienced a period of national and cultural renaissance, while the history of culture marks the beginning of the modern era. With the opening of new educational institutions with a musical-artistic profile, the interest in studying the piano increases significantly, at the same time, the preoccupations for promoting the piano art were stimulated by foreign composers who, attracted by our ethnic music, capitalize on their creati

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YANG, LING, and SHENG-DONG YUE. "AN ANALYSIS OF THE CHARACTERISTICS OF MUSIC CREATION IN MEFISTOFELE." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35726.

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Successful opera art cannot be separated from literary elements, but also from the support of music. Opera scripts make up plots with words. Compared with emotional resonance directly from the senses, music can plasticize the abstract literary image from the perspective of sensibility. An excellent opera work can effectively promote the development of the drama plot through music design, and deepen the conflict of drama with the "ingenious leverage" of music. This article intends to analyze the music design of the famous opera, Mefistofele, and try to explore the fusion effect of music and dra

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Sahnov, A., A. Klyuev, and Yuliya Litvinova. "SCOTLAND AND ITS GEOGRAPHICAL NAMES THROUGH LINGUISTICS." In Manager of the Year. FSBE Institution of Higher Education Voronezh State University of Forestry and Technologies named after G.F. Morozov, 2022. http://dx.doi.org/10.34220/my2021_281-286.

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The article is devoted to Scotland, describes its geographical location, and also gives the most general information on the modern large cities and other settlements of Scotland as well as their most famous attractions. A brief overview of the history of Scotland, presented after a modern description of the country, gives the best idea on the creating the Scots as a nation and their national character and their national language. Some characteristic features of education, music and musical instruments, and clothing are also described in the article. The linguistic aspect explores toponyms, i.e

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Румянцева, Маргарита Алексеевна. "SIGNS OF A TRANSITION FROM TO (ON THE EXAMPLE OF POLYPHONIC WORKS FROM THE COLLECTION «ROMAN DE FAUVEL»)." In Образование. Культура. Общество: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Февраль 2022). Crossref, 2022. http://dx.doi.org/10.37539/ecs301.2022.71.96.005.

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Статья посвящена средневековому периоду музыкальной истории. На примере многоголосных произведений сборника XIV века «Roman de Fauvel» рассматриваются признаки переходного этапа от ars antique к ars nova. Актуальность темы определяется важностью изучения старинной музыки. Цель статьи заключается в том, чтобы показать отличительные черты новой эпохи уже в самом начале столетия и их значение для дальнейшего развития. В конце статьи приводятся авторские наблюдения. The article is devoted to the medieval period of musical history. On the example of polyphonic works of the collection of the XIV cen

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Santi, Matej. "Was erzählt Fritz Kreislers Geige?" In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.109.

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This short contribution shows the relevance of audiovisual sources for the history of 20th century music. It traces the role played by the violinist Fritz Kreisler (1875–1962) in shaping the widespread cliché of the “Viennese sound” via an examination of audiovisual sources. The sources stored in different online archives or social media portals play a key role, but the traceability of a given agent is not guaranteed. For this reason, controlled vocabularies and a digital tool which enable the addition of new metadata to already existing sources should be developed in the near future. This wou

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JIGHIRGIU, Octavian. "Five Days at the International Art Biennale in Venice." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0013.

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Seeing La Biennale di Venezia is a celebration in itself. This major contemporary art event has a long history that speaks on the importance of strategic thinking and the cultural dimension of a city's leaders. Because the “lagoon city” had such visionary people. At the end of the 19th century, in 1893, at the initiative of a group of Venetian intellectuals, led by the mayor of the time, Riccardo Selvatico, an administrative resolution was launched to “establish a national biennial art exhibition”. Two years later (1895), the first edition of this event dedicated to visual arts took place. Ove

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CHIRCEV, Elena. "Reflection of the Other in the Byzantinologist Gheorghe C. Ionescu’s Lexicographic Pursuits." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0002.

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Teacher, conductor, Byzantine musicologist, Gheorghe C. Ionescu (1920- 1999) devoted the last years of his life to researching the history of Romanian Byzantine music and published in specialized journals several comprehensive papers that address various topics and bring back in focus personalities of the past. Due to his solid musical and theological training, guided by prestigious teachers from the interwar period, the distinguished musician had a rich artistic and cultural contribution to the second half of the previous century. The change of the political regime in Romania allowed him to r

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COMAN, George Ștefan. "German Post-Wagnerian Opera. Richard Strauss." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2024. https://doi.org/10.35218/icds-2024-0006.

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Richard Wagner’s scenic creations are considered the pinnacle of the genre in the 19th century for their technical-vocal difficulty, coupled with the need for endurance acquired over time through proper study, as well as a turning point in the entire history of music, for their innovative visions and impact on subsequent composers. Convinced of Wagner’s influence on the European cultural music scene, the second stage of the research focused on the composers who appeared in the German-Austrian area, particularly in the first decades of the 20th century, and who produced countless masterpieces,

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Reports on the topic "Music History and criticism19th century"

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Feller-Simmons, Paul G., and Cesar D. Favila. The Virgin Mary's Essence in New Spanish Song. Society for Seventeenth-Century Music, 2025. https://doi.org/10.53610/bdlm1317.

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This edition features thirteen villancicos transcribed from the Sánchez Garza Collection held in Mexico City’s Centro Nacional de Investigación, Documentación e Información Musical Carlos Chávez (CENIDIM). Their publication provides ensembles music for performance that was originally notated for and performed by women, in this case the nuns of Puebla’s Santísima Trinidad convent. This convent was founded in the seventeenth century in colonial Mexico (New Spain) and left behind the largest collection of women’s notated music from New Spain. The novel organization of this edition, featuring vill

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