Log in

Relevant bibliographies by topics / Music history|Musical composition|Music theory / Books

To see the other types of publications on this topic, follow the link: Music history|Musical composition|Music theory.

Books on the topic 'Music history|Musical composition|Music theory'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Music history|Musical composition|Music theory.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Hilson, Woldu Gail, and Montgomery Merle 1904-1986, eds. Course in musical composition. Norman: University of Oklahoma Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Olivier, Messiaen. Technique de mon langage musical: Texte avec exemples musicaux. Paris: A. Leduc, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Daube, J. F. The musical dilettante: A treatise on composition. Cambridge [England]: Cambridge University Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

1943-, Snook-Luther Susan P., ed. The musical dilettante: A treatise on composition. Cambridge: Cambridge University Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Cœurdevey, Annie. Histoire du langage musical occidental. Paris: Presses universitaires de France, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Schoenberg, Arnold. The musical idea and the logic, technique and art of its presentation. Bloomington, Ind: Indiana University Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

1923-, Carpenter Patricia, and Neff Severine 1949-, eds. The musical idea and the logic, technique, and art of its presentation. New York: Columbia University Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Deliège, Irène. Musical creativity: Multidisciplinary research in theory and practice. New York: Psychology Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Henry, Earl. Fundamentals of music: Rudiments, musicianship, and composition. 5th ed. Upper Saddle River, N.J: Pearson Prentice Hall, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Fundamentals of music: Rudiments, musicianship, and composition. 6th ed. Upper Saddle River: Prentice Hall, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Henry, Earl. Fundamentals of music: Rudiments, musicianship, and composition. 5th ed. Upper Saddle River, N.J: Pearson Prentice Hall, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Henry, Earl. Fundamentals of music: Rudiments, musicianship, and composition. 5th ed. Upper Saddle River, N.J: Pearson Prentice Hall, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Thesaurus of abstract musical properties: A theoretical and compositional resource. Westport, Conn: Greenwood Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Analysis through composition: Principles of the Classical style. Oxford: Oxford University Press, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Peter, Johnson, and Zender Hans, eds. Theory into practice: Composition, performance and the listening experience. Lauven, BE: Lauven University Press, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Kohoutek, Ctirad. Hudební kompozice: Stručný komplexní pohled z hlediska skladatele. Praha: Supraphon, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

White, John David. Theories of musical texture in Western history. New York: Garland Pub., 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Johnson, Jeffrey. Graph theoretical models of abstract musical transformation: An introduction and compendium for composers and theorists. Westport, Conn: Greenwood Press, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Boretz, Benjamin. Meta-variations: Studies in the foundations of musical thought. Red Hook, N.Y: Open Space, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Boretz, Benjamin. Meta-variations: Studies in the foundations of musical thought. Red Hook, N.Y: Open Space, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Boretz, Benjamin. Meta-variations: Studies in the foundations of musical thought. Red Hook, NY: Open Space, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Boretz, Benjamin. Meta-variations: Studies in the foundations of musical thought. Red Hook, N.Y: Open Space, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

1929-, Randall J. K., ed. Meta-variations: Studies in the foundations of musical thought. Red Hook, N.Y: Open Space, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Mazzola, G. Musical creativity: Strategies and tools in composition and improvisation. Berlin: Springer, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

1770-1827, Beethoven Ludwig van, ed. Theory and practice: The great composer as student and teacher. New York: Norton, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Rahn, John. Basic atonal theory. New York: Schirmer Books, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

Meyer, Leonard B. Style and music: Theory, history, and ideology. Chicago: University of Chicago Press, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Meyer, Leonard B. Style and music: Theory, history, and ideology. Philadelphia: University of Pennsylvania Press, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Elective affinities: Musical essays on the history of aesthetic theory. New York: Columbia University Press, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

Lester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Joachim, Burmeister. Musical poetics. New Haven: Yale University Press, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Hearing and writing music: Professional training for today's musician. 2nd ed. Studio City, Calif: September Pub., 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Zenck, Claudia Maurer. Vom Takt: Untersuchungen zur Theorie und kompositorischen Praxis im ausgehenden 18. und beginnenden 19. Jahrhundert. Wien: Böhlau, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

Counterpoint, composition, and musica ficta. New York: Routledge, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Analyzing atonal music: Pitch-class set theory and its contexts. Rochester, NY: University of Rochester Press, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Between modes and keys: German theory, 1592-1802. Stuyvesant, NY: Pendragon Press, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

Algorithmic composition: Paradigms of automated music generation. Wien: Springer, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

Tsao, Ming. Abstract musical intervals: Group theory for composition and analysis. Berkeley, CA: Musurgia Universalis Press, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Fichet, Laurent. Le langage musical baroque. Bourg-la-Reine: Editions Aug. ZurfluH, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Agricola, Martin. Musica figuralis deudsch (1532): Musica instrumentalis deudsch (1529) ; Musica choralis deudsch (1533) ; Rudimenta musices (1539). Hildesheim: Olms, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Estudios de historia de la teoría musical. 2nd ed. Madrid: Consejo Superior de Investigaciones Científicas, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

Schenker, Heinrich. Free composition =: Der freie Satz : volume III of New musical theories and fantasies. New York: Schirmer Books, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

44

McBeth, W. Francis. Twentieth century techniques of composition: For the beginning student. Arkadelphia, Arkansas: Delta Publications, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Knowing music, making music: Javanese gamelan and the theory of musical competence and interaction. Chicago: University of Chicago Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

Formalized music: Thought and mathematics in composition. Stuyvesant, NY: Pendragon Press, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Sharon, Kanach, ed. Formalized music: Thought and mathematics in composition. Hillsdale, NY: Pendragon Press, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

48

Cook, Nicholas. Theory into practice: Composition, performance and the listening experience. Leuven: University Press, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

49

Der "Satyrische Componist": Von Wolfgang Caspar Printz (1641-1717) im Wirkungsgefüge des musikökonomischen und musiktheoretischen Wandels zum ausgehenden 17. Jahrhundert. Winzer: Duschl, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

50

1950-, Schmitt Theo, ed. Geschichte der Kompositionslehre: Das 18. Jahrhundert. Wilhelmshaven: Florian Noetzel, Heinrichshofen-Bücher, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!