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1

Clasberry, Emma Umana. African culture through proverbs: Emma Umana Clasberry. [Bloomington, IN]: Xlibris, 2010.

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2

Nssien, Friday U. The people called Ibibio: An annotated bibliography. Calabar, Nigeria: De-Rio Press, 1991.

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3

Offiong, Daniel A. An introduction to the Ibibio of Nigeria. Lagos: Apex Books Limited, 2008.

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4

Ukpong, David. Ikono: The cradle of Ibibio nation : historical origin and cultural heritage. Uyo: Dorand Publishers, 2001.

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5

Offiong, Daniel A. Witchcraft, sorcery, magic, and social order among the Ibibio of Nigeria. Enugu, Nigeria: Fourth Dimension Pub. Co., 1991.

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6

Umoh-Faithmann, Nabi Meleki M. Ibobio Jews of Nigeria. Uyo, AKS, Nigeria: Menorah Publishing Commission, 1999.

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7

Udoma, Egbert Udo. The story of the Ibibio Union: Its background, emergence, aims, objectives, and achievements : founded--1927, amalgamated with the Ibibio Mainland Association--1928, proscribed--1966 : a successful experiment at reintegration of a people. Ibadan, Nigeria: Spectrum Books, 1987.

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8

Religion & cultural identity. Ibadan, Nigeria: Hope Publications, 2002.

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9

Akongkor-Ekpe, Udoh. The house of the forest. Lagos: Lordstime International Ltd., 2000.

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10

The boy who hears music. Santa Fe, NM: Sunstone Press, 2006.

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11

Nannyonga-Tamusuza, Sylvia A. Baakisimba: Music, dance and gender of the Baganda people. Pittsburgh: University of Pittsburgh, 2001.

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12

Anwana, Asuquo Okon. Ekpe imperium in South Eastern Nigeria, 1600-1900. Calabar, Nigeria: African Pentecost Communications in collaboration with University of Calabar Press, 2009.

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13

Bassey, Michael Edet. Witnessing in the Acts of the Apostles: A study of the communicational strategies and their relevance to the evangelization of the Africans today with particular reference to the Efik/Ibibio people of Nigeria. Romae: Pontificia Universitas Urbaniana, Facultas Theologicae, 1988.

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14

Orawo, Charles Nyakiti. Music of Kilifi: The Midzi Chenda and their music. Kisumu, Kenya: Lake Publishers & Enterprises, 2002.

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15

Nzewi, Meki. Musical practice and creativity: An African traditional perspective. Bayreuth (Germany): IWALEWA-Haus, Univ. of Bayreuth, 1991.

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16

1945-, Ott Thomas, ed. Rythmes et chansons de la Guinée. Marschacht: Lugert, 2003.

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17

Black music in America: A history through its people. New York: T.Y. Crowell, 1987.

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18

History of juju music: A history of an African popular music from Nigeria. [Jamaica, NY]: The Organization, 1992.

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19

Kofoworola, Ziky. Hausa performing arts and music. Lagos: Dept. of Culture, Federal Ministry of Information and Culture, 1987.

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20

Lotz, Rainer E. Black people: Entertainers of African descent in Europe and Germany. 5th ed. Bonn: Birgit Lotz Verlag, 1997.

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21

Mitchell, Hall, ed. The healing drum: African wisdom teachings. Rochester, Vt: Destiny Books, 1989.

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22

Dzakpasu, Conor Caesar Kofi. The message of the atumpan drum beat: The talking drums of Dzodze. Kumasi, Ghana: Dela Publication and Design Services, 1992.

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23

The soul of mbira: Music and traditions of the Shona people of Zimbabwe : with an appendix, Building and playing a Shona karimba. Chicago: University of Chicago Press, 1993.

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24

Baraka, Imamu Amiri. Blues people: Negro music in white America. New York: William Morrow, 1999.

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25

Baraka, Imamu Amiri. Blues people: Negro music in white America. New York: Perennial, 2002.

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26

Meriño Fuentes, María de los Ángeles, 1966- author, ed. El cabildo carabalí viví de Santiago de Cuba: Familia, cultura y sociedad (1797-1909). Santiago de Cuba: Editorial Oriente, 2013.

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27

Baraka, Imamu Amiri. Blues people. Edinburgh: Payback Press, 1995.

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28

Àjàyí, Yekeen Ajíbádé. Yorùbá cosmology and aesthetics: The cultural confluence of divination, incantation and drum-talking. Ì̀lo̧rin, Nigeria: Library and Publications Committee, University of Ì̀lo̧rin, 2009.

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29

An introduction to the music of the Basotho. [Morija, Lesotho]: Morija Museum and Archives, 1994.

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30

Ancient text messages of the Yorùbá bàtá drum: Cracking the code. Farnham, England: Ashgate, 2010.

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31

Dare, Valerie. Music of Zimbabwe: The spirit of the people. Vancouver, BC: Britannia World Music Program, 1996.

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32

Drum music of Akamba. Hohenschäftlarn: K. Renner, 1986.

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33

Retracing Kikuyu popular music. Nairobi, Kenya: Ketebul Music, 2010.

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34

Brenner, Klaus-Peter. Die kombinatorisch strukturierten Harfen- und Xylophonpattern der Nzakara (Zentralafrikanische Republik) als klingende Geometrie: Eine Alternative zu Marc Chemilliers Kanonhypothese. Bonn: Holos-Verlag, 2004.

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35

African rhythm: A Northern Ewe perspective. New York: Cambridge University Press, 1995.

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36

In the time of cannibals: The word music of South Africa's Basotho migrants. Chicago: University of Chicago Press, 1994.

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37

Grupe, Gerd. Traditional mbira music of the Shona. Köln: Köppe, 1998.

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38

Jùjú: A social history and ethnography of an African popular music. Chicago: University of Chicago Press, 1990.

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39

Nigeria. National Commission for Museums and Monuments. Music, dance and Yoruba culture: Exhibition guide. Nigeria: National Commission for Museums and Monuments, 2002.

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40

Monts, Lester Parker. An Annotated glossary of Vai musical language and its social contexts. Paris: Peeters-SELAF, 1990.

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41

Florence, Bikoma, ed. Musiques myènè: De Port-Gentil à Lambaréné, Gabon. Saint-Maur-des-Fossés: Sépia, 2005.

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42

Música chope. [Maputo]: Promédia, 2000.

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43

Politics and ethnicity: Political anthroponymy in Northern Ghana. Hauppauge, N.Y: Nova Science Publishers, 2010.

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44

Spiritual, blues, and jazz people in African American fiction: Living in paradox. Knoxville: University of Tennessee Press, 2002.

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45

Brunner, Anja. Die Anfänge des Mbalax: Zur Entstehung einer senegalesischen Popularmusik. Wien: Institut für Musikwissenschaft, Universität Wien, 2010.

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46

Delichristos, Grigorios. The function of music in Pygmy societies: With special reference to the BaTwa : their nomadic communities present considerable differences in music perception when compared with neighbouring settled tribes. [London, England?: G. Delichristos], 2001.

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47

Musiques batéké: Mpa atege, Gabon. Saint-Maur-des-Fossés: Sepia, 2004.

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48

Moitse, Sindile Adelgisa. The ethno-musicology of the Basotho: A study of the entrenchment of music in Sotho cultural institutions. Roma, Lesotho: Institute of Southern African Studies, National University of Lesotho, 1990.

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49

Moitse, Sindile Adelgisa. The ethnomusicology of the Basotho. Roma, Lesotho: Institute of Southern African Studies, National University of Lesotho, 1994.

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50

An African music and dance curriculum model: Performing arts in education. Durham, NC: Carolina Academic Press, 2011.

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