Academic literature on the topic 'Music in 1960s'
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Journal articles on the topic "Music in 1960s"
Decker, Todd. "Fancy Meeting You Here: Pioneers of the Concept Album." Daedalus 142, no. 4 (October 2013): 98–108. http://dx.doi.org/10.1162/daed_a_00233.
Full textBooker, Vaughn. "“An Authentic Record of My Race”: Exploring the Popular Narratives of African American Religion in the Music of Duke Ellington." Religion and American Culture: A Journal of Interpretation 25, no. 1 (2015): 1–36. http://dx.doi.org/10.1525/rac.2015.25.1.1.
Full textGRAHAM, STEPHEN. "From Microphone to the Wire: Cultural change in 1970s and 1980s music writing." Twentieth-Century Music 16, no. 3 (April 30, 2019): 531–55. http://dx.doi.org/10.1017/s1478572218000336.
Full textDotson, James W., Deborah L. Ackerman, and Louis Jolyon West. "Ketamine Abuse." Journal of Drug Issues 25, no. 4 (October 1995): 751–57. http://dx.doi.org/10.1177/002204269502500407.
Full textFRITH, SIMON. "Remembrance of Things Past: Marxism and the Study of Popular Music." Twentieth-Century Music 16, no. 1 (February 2019): 141–55. http://dx.doi.org/10.1017/s1478572219000136.
Full textSearby, Mike. "Ligeti the Postmodernist?" Tempo, no. 199 (January 1997): 9–15. http://dx.doi.org/10.1017/s0040298200005544.
Full textBurke, Harry. "Marching backwards into the future: the introduction of the English creative music movement in state secondary schools in Victoria, Australia." British Journal of Music Education 31, no. 1 (September 2, 2013): 41–54. http://dx.doi.org/10.1017/s0265051713000235.
Full textStratton, Jon. "Coming to the fore: the audibility of women's sexual pleasure in popular music and the sexual revolution." Popular Music 33, no. 1 (January 2014): 109–28. http://dx.doi.org/10.1017/s026114301300055x.
Full textThibeault, Matthew D. "Learning With Sound Recordings: A History of Suzuki’s Mediated Pedagogy." Journal of Research in Music Education 66, no. 1 (February 7, 2018): 6–30. http://dx.doi.org/10.1177/0022429418756879.
Full textSuetin, Ilya N. "Realization of the Right to Education in Music Universities of the Volga Region in the 1950s - 1960s: Problems and Solutions." Volga Region Pedagogical Search 2, no. 36 (2021): 21–31. http://dx.doi.org/10.33065/2307-1052-2021-2-36-21-31.
Full textDissertations / Theses on the topic "Music in 1960s"
Ziefel, Jenny. "A living instrument : the clarinet in jazz in the 1950s and 1960s /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11284.
Full textVita. Includes transcript of interview, vita and discography of Bill Smith (leaves 257-286). Includes bibliographical references (leaves 240-256).
Breen, Edward George. "The performance practice of David Munrow and the early music consort of London : medieval music in the 1960s and 1970s." Thesis, King's College London (University of London), 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.646010.
Full textBreen, Edward George. "The performance practice of David Munrow and the early music consort of London : medieval music in the 1960s and 1970s." Thesis, King's College London (University of London), 2015. http://kclpure.kcl.ac.uk/portal/en/theses/the-performance-practice-of-david-munrow-and-the-early-music-consort-of-london(6153a225-144d-4664-96c4-125cd150f535).html.
Full textMichaelsen, Garrett. "Analyzing musical interaction in jazz improvisations of the 1960s." Thesis, Indiana University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3599217.
Full textCollaborative practices of music making abound in jazz improvisation. Nearly every jazz performance involves the coordination of numerous individuals in a dynamic group environment. Many music-theoretical approaches to jazz improvisation have emphasized the individual contributions of the improvising soloist; this emphasis tends to reinforce the widespread view of jazz as a soloist's art. To shift attention to collective dimensions of jazz improvisation, I propose an approach to group improvisation that takes interaction and exchange as crucial components of music making.
In the first chapter of part I, I examine previous analytical approaches in both the “psychological” (individual-centered) and “sociological” (group-centered) traditions, then develop a new theory of musical interaction in jazz improvisation in chapter 2. I construe interaction as the process by which one player intervenes in the unfolding performance of another. Their processes of “intervention” produce projections of musical continuations in the subsequent musical content or character of the other performers. An analyst may interpret the utterances of individual musicians as converging (projecting similar continuations) or diverging (projecting dissimilar continuations). Throughout the dissertation, I offer and analyze transcriptions of music taken from the decade of the 1960s, a decade in which interaction came even more to the fore due to the eclectic and vibrant combination of styles in jazz performance.
In part II of the dissertation, I extend the conception of interaction from the moment-based and player-to-player influenced level discussed in chapter 2 to three expanded “domains” of interactional activity: musical referents, roles, and styles of jazz practice. Chapter 3 introduces these domains and the Miles Davis quintet's influential recording Live at the Plugged Nickel, from which I draw the majority of musical examples in part II. Chapter 4 examines the influence pre-improvisational referents, such as tunes, arrangements, and prior performances, have on the performative actions of musicians. Musical roles (horns, bassist, drummer, and pianist) and functions (soloing, comping, and keeping time) and their impacts on musicians' utterances are the focus of chapter 5. To conclude part II, chapter 6 explores the real-time demands of jazz style, particularly its fundamental uncertainty about the music's future state and the ways in which style can motivate interactional dimensions of improvisation.
Part III of the dissertation introduces a method for analyzing entire performances using this theory of musical interaction. Chapter 7 focuses on an intriguing piano-trio recording Money Jungle by Duke Ellington, an infamous album for the at-times-prickly relationships it exhibits between Ellington and his bandmates Charles Mingus and Max Roach. I analyze transcriptions of two complete performances on the record, “Fleurette Africaine” for its predominantly convergent impulses, and “Money Jungle” for its divergent trajectories. In both analyses, I “improvisationally” shift between different musical aspects and interactional domains in order to fashion an analytical narrative of their interactional projections and resultant outcomes.
Ketema, Raymok. "ERITREAN SOUNDS OF RESISTANCE: A HISTORICAL, POLITICAL, and MUSICAL ANALYSIS ON THE REVOLUTIONARY WAR, 1960s to 1990s." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1524148034538656.
Full textAdelt, Ulrich. "Black, white and blue racial politics of blues music in the 1960s /." Diss., University of Iowa, 2007. http://ir.uiowa.edu/etd/128.
Full textJohan, Adil Bin. "Articulating a nation-in-the-making : the cosmopolitan aesthetics of Malay film music from the 1950s to 1960s." Thesis, King's College London (University of London), 2014. http://kclpure.kcl.ac.uk/portal/en/theses/articulating-a-nationinthemaking(b536d96b-536c-466e-831c-7ce8feb64738).html.
Full textThomas, Helen Christina. "Disturbing times : metaphors of temporality in avant-garde music of the 1960s." Thesis, Lancaster University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.632545.
Full textAttili, Maurizio. "A Panoramic View of the Italian Beat Movement." University of Akron / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=akron1289323378.
Full textDauterive, Jessica A. "Picturing the Cajun Revival: Swallow Records, Album Art, and Marketing an Identity of South Louisiana, 1960s-1970s." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2138.
Full textBooks on the topic "Music in 1960s"
1945-, Brakefield Jay F., ed. The Dallas music scene, 1920s-1960s. Charleston, South Carolina: Arcadia Publishing, 2014.
Find full textMilano, Dean. The Chicago music scene: 1960s and 1970s. Charleston, SC: Arcadia Pub., 2009.
Find full textAmerican popular song lyricists oral histories, 1920s-1960s. Jefferson, N.C: McFarland & Co., 2012.
Find full textSounds of rebellion: Music in the 1960s. New York: Britannica Educational Pub. in association with Rosen Educational Services, 2013.
Find full textKaleidoscope eyes: Psychedelic rock from the 1960s to the 1990s. London: Fourth Estate, 1996.
Find full textAugustin, Paul. Just for the love of it: Popular music in Penang, 1930s-1960s. Petaling Jaya, Malaysia: Strategic Information and Research Development Centre, 2015.
Find full textHarris, Bob. Motor City rock and roll: The 1960s and 1970s. Charleston, SC: Arcadia Pub., 2008.
Find full textBook chapters on the topic "Music in 1960s"
Pattie, David. "The 1960s." In Rock Music in Performance, 59–80. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230593305_4.
Full textFabbri, Franco. "Binaurality, Stereophony, and Popular Music in the 1960s and 1970s." In Popular Music Studies Today, 103–10. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-17740-9_11.
Full textWilliams, J. B. "Pop Music: Youth Culture in the 1950s and 1960s." In The Electronics Revolution, 81–86. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-49088-5_9.
Full textSiegfried, Detlef. "Music and Protest in 1960s Europe." In 1968 in Europe, 57–70. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230611900_6.
Full textAshbourn, Julian. "Why Recordings Sound Worse Now Than They Did in the 1950s and 1960s." In Audio Technology, Music, and Media, 107–9. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-62429-3_23.
Full textTranmer, Jeremy. "The radical left and popular music in the 1960s." In Preserving the Sixties, 90–104. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137374103_6.
Full textStilwell, Robynn J. "Manifest Destiny, the Space Race, and 1960s Television 1." In The Routledge Companion to Screen Music and Sound, 176–89. New York ; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315681047-15.
Full textStokes, Jane. "Pop and the Box: Youth, Television, Music and Movies in the 1950s and 1960s." In On Screen Rivals, 111–30. London: Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27796-4_7.
Full textPapazova, Julijana. "Yugoslav Music Diplomacy in the 1960s and 1970s — the Cases of Esma Redžepova and the Band Magnifico." In The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 229–39. Belgrade ; Ljubljana: Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch14.
Full textPapazova, Julijana. "Yugoslav Music Diplomacy in the 1960s and 1970s — the Cases of Esma Redžepova and the Band Magnifico." In The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 229–39. Belgrade ; Ljubljana: Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch14.
Full textConference papers on the topic "Music in 1960s"
Lehnert, Sigrun. "Music and Voice in German Newsreels of the 1950s/1960s." In RE:SOUND 2019 – 8th International Conference on Media Art, Science, and Technology. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/resound19.15.
Full textZhurkova, Daria. "Music vs. Politics: the Image of Russia in the Songs by British Pop Singers of the 1960s and 2010s." In Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.170.
Full textOpekar, Aleš. "The Matadors: A difficult approach to songwriting for a Czech rock group of the 1960s." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.43.
Full textUimonen, Heikki. "My first compact cassette: Home taping and music consumption in 1970s Finland." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.33.
Full textPasdzierny, Matthias. "How much is the glitch? Das digitale Paradigma als Herausforderung und Chance für die historische Musikwissenschaft." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.104.
Full textLiu, Di. "The First Wave: Chinese Film Music in the 1930s." In 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icelaic-15.2016.125.
Full textKolb, Fabian. "Tanztheater und filmische Ästhetik. Cineastische Einflüsse und Gestaltungsweisen in den Kompositionen für die Ballets Suédois 1920–1925." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.60.
Full textПетренко, Татьяна. "ЭСТЕТИКА Б. БАРТОКА И ЕЕ ЗНАЧЕНИЕ ДЛЯ КОМПОЗИТОРСКОЙ ШКОЛЫ УЗБЕКИСТАНА." In Proceedings of the XXIX International Scientific and Practical Conference. RS Global Sp. z O.O., 2021. http://dx.doi.org/10.31435/rsglobal_conf/25052021/7566.
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